Cinderella Activity Guide
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Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
N E W S R E L E A
N E W S R E L E A S E Contacts: Michael Hogue 215.545.5451 x26 [email protected] FOR IMMEDIATE RELEASE DATE: November 14, 2016 The Chamber Orchestra of Philadelphia (COP) announces the appointment of Stephen Tavani as Concertmaster and Matthew Cohen as Section Violist. COP will feature the music of Rossini, Gounod, and new works by NJ native Raphael Fusco and star French-Lebanese pianist and composer Rami Khalifé. intersect series opens with a polystylistic exploration of exoticism in music - a collaboration between COP Music Director Dirk Brossé, Singer/Songwriter Andrew Lipke, and Rami Khalifé. A founding resident company of The Kimmel Center for the Performing Arts, The Chamber Orchestra of Philadelphia (COP) will perform music by Rossini and Gounod, premiere a new arrangement by New Jersey composer, Raphael Fusco and present the U.S. premiere of Stories for piano and orchestra by French-Lebanese pianist and rising-star composer Rami Khalifé. Raphael Fusco is no stranger to COP, having premiered Alternate Routes with saxophonist BranfordMarsalis and the Chamber Orchestra on Marsalis’ “Well-Tempered” tour during COP’s 2014/2015 season. “All the instruments share the original solo saxophone line,” Fusco explains about the newly arranged work, “resulting in a concerto for chamber orchestra.” Star Lebanese pianist, Rami Khalifé, described as “positively brand new” and “musician of extreme caliber” by the Daily Star (Lebanon), is making his Chamber Orchestra debut with the American Premiere of his work Stories for piano and orchestra. Khalifé describes Stories as “a series of soundscapes that stand alone just as resolutely as they bind together. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Timothy Burris—Baroque Lute
Early Music in the Chapel at St Luke's Les Goûts Réunis Timothy Neill Johnson—tenor & Timothy Burris—Lute with Michael Albert—violin & Eliott Cherry—'cello So wünsch ich mir zu guter letzt ein selig Stündlein J.S. Bach (1685 - 1750) Jesu, meines Herzens Freud Bist du bei mir Der Tag ist hin Et è per dunque vero Claudio Monteverdi (1567 - 1643) Sonata seconda Dario Castello (c. 1590 – c. 1658) Prelude Amila François Dufaut (1600 – 1671) Tombeau de Mr Blanrocher Music for a while Henry Purcell (1659 – 1695) Evening Hymn Sweeter than roses Domine, Dominus noster André Campra (1660 – 1744) The Composers J.S. Bach The three chorales with figured bass included here are from the Gesangbuch published by Georg Christian Schemelli in 1736. The 69 pieces attributed to Bach in the mammoth Gesangbuch (which contains no fewer than 950 pieces!) are marked by quiet and pious sentiments, unobtrusive and effortless harmonies. The aria “Bist du bei mir” (BWV 508) was part of Gottfried Heinrich Stölzel's opera Diomedes, oder die triumphierende Unschuld that was performed in Bayreuth on November 16, 1718. The opera score is lost. The aria had been part of the Berlin Singakademie music library and was considered lost in the Second World War, until it was rediscovered in 2000 in the Kiev Conservatory. The continuo part of BWV 508 is more agitated and continuous in its voice leading than the Stölzel aria; it is uncertain who provided it, as the entry in the Notebook is by Anna Magdalena Bach herself. Claudio Monteverdi Claudio Monteverdi, the oldest of five children, was born in Cremona, where he was part of the cathedral choir and later studied at the university. -
07 – Spinning the Record
VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo. -
N E W S R E L E A
N E W S R E L E A S E Contacts: Mike Hogue 215.545.5451 x26 [email protected] FOR IMMEDIATE RELEASE DATE: May 10, 2018 The Chamber Orchestra of Philadelphia (COP) and Music Director Dirk Brossé present the acclaimed Bluegrass Violinist Mark O’Connor in a concert featuring O’Connor’s Old Brass. COP and Clef Club Musicians present the world premiere of COP Composer in Residence Adam Vidiksis’ Open Spaces – Concerto Grosso Andrew Lipke and Dirk Brossé team up to present intersect9: Technical Ecstasy at Philadelphia’s Clef Club of Jazz. Curtis Institute‘s Dai Wei, will premiere her work Dear Lenny in homage to Leonard Bernstein. COP’s 40 Under 40 program to open Bok Bar’s season on May 24, 2018 The Chamber Orchestra of Philadelphia (COP) ends our season with Bluegrass, Bernstein, and the Blues showcasing the renowned Bluegrass soloist and composer Mark O’Connor and musicians from the Philadelphia Clef Club of Jazz in what promises be a revelatory genre-defying experience capping off COP’s season-long exploration into the history and rich diversity of improvisation. The Kimmel Center series culminates in a performance of a new work by The Chamber Orchestra of Philadelphia and the American Composers Forum (ACF) first Steven R. Gerber Composer-in-Residence, Adam Vidiksis, entitled Open Spaces - Concerto Grosso for Chamber Orchestra and Improvising Ensemble. Curtis Institute of Music’s Dai Wei performs as vocalist in the premiere of her composition Dear Lenny, an homage to the great Leonard Bernstein. Philadelphia’s love affair with Jazz spans over a century and Philadelphia’s Clef Club of Jazz is very much at the center of the city’s rich musical history. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Charles Gounod Faust Mp3, Flac, Wma
Charles Gounod Faust mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Faust Country: Yugoslavia Released: 1981 Style: Opera MP3 version RAR size: 1390 mb FLAC version RAR size: 1293 mb WMA version RAR size: 1202 mb Rating: 4.5 Votes: 795 Other Formats: ADX DXD APE DTS MP4 VOC MP2 Tracklist Side 1 Introduction & Act I 23:22 Side 2 Act II 27:03 Side 3 Act III (Beginning) 23:45 Side 4 Act III (Conclusion) 24:49 Side 5 Act IV (Beginning) 21:38 Side 6 Act IV (Conclusion) 21:45 Side 7:1 Act V, Scene I 10:46 Side 7:2 Act V, Scene II 16:31 Side 8 Appendi: Ballet Music 17:50 Notes booklet Other versions Category Artist Title (Format) Label Category Country Year Charles Gounod, Charles Gounod, Placido Domingo, Placido Domingo, Mirella Freni, Nicolai Angel SZDX-3868 Mirella Freni, SZDX-3868 US 1979 Ghiaurov, Georges Records Nicolai Ghiaurov, Prêtre - Faust (4xLP, Georges Prêtre Album) Charles Gounod, Charles Gounod, Placido Domingo, Placido Domingo, SLS 5170, EMI, His SLS 5170, Mirella Freni, Mirella Freni, Nicolai ASD Master's ASD UK 1979 Nicolai Ghiaurov, Ghiaurov, Thomas 3765/6/7/8 Voice 3765/6/7/8 Thomas Allen, Allen, Georges Prêtre Georges Prêtre - Faust (4xLP, Album) Charles Gounod, Charles Gounod, Placido Domingo, Placido Domingo, 1C 157-03 Mirella Freni, Mirella Freni, Nicolai 1C 157-03 EMI Germany 1979 574/77 Nicolai Ghiaurov, Ghiaurov, Thomas 574/77 Thomas Allen, Allen, Georges Prêtre Georges Prêtre - Faust (4xLP, Album) Pathé 2C Marconi 2C Gounod* Faust (4xLP) France 1979 165-03574/7 EMI, 165-03574/7 Chatou Gounod* - Georges -
Candide a Satirically Comedic Opera in Two Acts Music by Leonard Bernstein Libretto by Lillian Hellman
Eight Hundred Tenth Program of the 2011-12 Season _______________________ Indiana University Opera Theater presents as its 424th production Candide A Satirically Comedic Opera in Two Acts Music by Leonard Bernstein Libretto by Lillian Hellman Based on the novella of the same name by Voltaire Kevin Noe, Conductor Candace Evans, Stage Director and Choreographer C. David Higgins, Set and Costume Designer Todd Hensley, Lighting Designer Sylvia McNair, Diction Coach Susan Swaney, Chorus Master ____________________ Musical Arts Center Friday, April Sixth Saturday, April Seventh Friday, April Thirteenth Saturday, April Fourteenth Eight O’Clock music.indiana.edu Cast of Characters Candide . Will Perkins, Michael Porter Voltaire/Pangloss/Martin/Cacambo . .Joseph Mace, Sean McCarther Cunegonde. Katelyn Lee, Shannon Love Maximilian. Brayton Arvin, Joseph Legaspi The Old Lady . .Ashley Stone, Laura Thoreson Inquisitor 3/Don Issachar/Captain/Tsar Ivan. Allen Pruitt Paquette . Kellie Cullinan, Audrey Escots Grand Inquisitor/Governor/Vanderdendur/Ragotski. Corey Bonar, Andrew Morstein Act 1 Sailor/Inquisitor 2/Jesuit 1/Hermann Augustus . .Brian Darsie Bulgarian Officer 1/Senor 1/Aide (Buenos Aires)/Charles Edward . Ben Smith Bulgarian Officer 2/Informer 2/Senor 2 . Max Zander Baron/Informer 1/King of Eldorado/Stanislaus . .Matt Cooksey Inquisitor 1/Archbishop/Sultan Achmet/Crook . .Bradford Thompson Bearkeeper . .Tyler Henderson Cosmetic Merchant . David Margulis Junkman. Zachary Coates Alchemist . Andrew Lunsford Croupier . Lorenzo Garcia Doctor. Chris Seefeldt Judge 1. Alex Nelson Judge 2. Preston Orr Judge 3. Andrew Richardson Baroness . .Kelsea Webb King of Bulgaria . Deiran Manning Businessman bound for Lisbon. Brandon Shapiro Executioner . .Ryan Kieran Executioner’s Assistant . Taylor Henninger Sailor 2. Benjamin Cortez Penitent 1 . Behrouz Farrokhi Penitent 2 . -
Following His Heart: Your Next Five Career Moves Your Ears and Your Career from Opera to Jazz with Sylvia Mcnair
December 2016 Michael Chioldi Following His Heart: Your Next Five Career Moves Your Ears and Your Career From Opera to Jazz with Sylvia McNair U.S.A. $6.50 • Can $8.70 CS VOCAL COMPETITION $20,000 Cash Prizes Competition Classical & Musical Theatre $4,000 First Place Prize and No Age Limits! High School, University, and Emerging Professional Divisions First Round - Online or Live Locations, January-May Finals - CS Convention in Chicago, May 26-28, 2017 Convention Classes Four days of masterclasses and presentations by universities, conservatories, summer programs, industry experts, and more. Free for Competition Participants The Expo More than 80 schools, summer programs, and professional companies eager to recruit top singers and offer scholarship and performance opportunities. More than $12,700,000 in Scholarships Offered since 2004 Sponsored by magazine Use the $20 Coupon Code Magazine www.ClassicalSinger.com/vocalcompetition CELEBRATING 15 SHENANDOAH CONSERVATORy’S YEARS CCM VOCAL PEDAGOGY INSTITUTE Vocal Pedagogy for the 21st Century July 15 – 23, 2017 “I will recommend the CCM Institute to literally every vocal pedagogue I know! Shenandoah is offering the world exactly what has been needed for such a long time! I’m so grateful that I took Dr. Matthew Edwards Lifetime Achievement the time to do it, and I will definitely be back.” Artistic Director Award Recipient Dr. Robert Sataloff, Luisa Rodriguez, Boulder, CO Otolaryngologist and 2016 participant Keynote Speaker SESSION 1: JULY 15–17 RESPIRATION AND PHONATION FOR CCM SINGERS Matt Edwards with returning guests Wendy LeBorgne and Marci Rosenberg, authors of “Building on the new format established last summer, we are proud “The Vocal Athlete” to announce our first Lifetime Achievement Award honoree, world renowned otolaryngologist Dr. -
Georg Friedrich Händel (1685-1759)
Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella