Cambridge University Press 978-1-108-42451-6 — Affect and Literature Edited by Alex Houen Index More Information

Total Page:16

File Type:pdf, Size:1020Kb

Cambridge University Press 978-1-108-42451-6 — Affect and Literature Edited by Alex Houen Index More Information Cambridge University Press 978-1-108-42451-6 — Affect and Literature Edited by Alex Houen Index More Information Index Adorno, Theodor happening and haphazardness in relation affect in his writing, 104 to, 20 culture industry, on, 104, 106 knowledge distinguished, 159 disgust, on, 108, 113 persistence of, 309 emotion and art in relation, 268 postcolonial. See postcolonial affect English translation of his writing, 104, 107, 109 reader’s affective stance, 18, 20, 22 false pleasure, on, 108 scope of current study, 23 ‘fun,’ use of word, 107 secondary affect. See secondary affect Georg Lukács, and, 113 sensation of, 176 happiness, on, 109 social aspect of, 19 Karl Marx, on, 111 space and time in relation to, 2, 3, 14 manufacture of fun, on, 106 subaltern. See subaltern affect need, on, 104 theories of, 2 universal history, on, 105 theory. See affect theory vision of emancipated humanity, 111, 113 universalism of, 33 aesthetics universalization by ‘psy’ disciplines, 175 affect and, 9, 17, 19 affect theory affect theory and, 49–51 applications. See CGI effects; crisis fiction; crying as aesthetic response, 62–63 Descartes, René; digital media; definition of, 51–52 environmental affect; War on Terror knowledge and, 50, 52 branches of, 250 laughter and, 232 critical affect studies, 85 sympathy and, 62 developments in. See antihumanism; Davis, affect Bette; early modern writing; Irish novels; affective life. See affective life laughter; postcolonial affect; subaltern basic trio of affects (desire, joy, and affect sadness), 67 early modern writing, and. See early modern becoming and being in relation to, 18 writing body and mind in relation to, 2, 3, 5, 16, Enlightenment aesthetics, and, 49, 52 160 Leys’s ‘new paradigm’ of, 159, 173 Cartesian. See Descartes, René literature and, 250 conception of, 19 neuroscience and, 159 content and form in relation to, 5, 17 origins of. See Adorno, Theodor; Bergson, definition of, 321 Henri; early modern writing; German emotion distinguished, 119, 159, 161, 213, Enlightenment; Lacan, Jacques; Marx, Karl; 309, 310 Nietzsche, Friedrich; Practical Criticism; environmental affect. See environmental affect queer theory; secondary affect; Spinoza, evanescent affect. See Lacan, Jacques Baruch feeling distinguished, 119, 222 queer theory and, 135–40 feelings and ideas in relation to, 5, 9, 11, science and, 159, 164 16 spread across disciplines, 2 444 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42451-6 — Affect and Literature Edited by Alex Houen Index More Information Index 445 affection. See also disaffection anxiety affect and, 127 affect and, 118, 124 heteroaffection, 307 shock and, 42 intensity of, 166 Aristotle, 39–42, 49, 118, 216 self, of, 430 art affections (affectio, affectus), 5, 67, 121, 165, affect and, 312 216, 393 emotion and, 268 affective life laughter and, 234 affect theory and, 49 religion and, 269 affective mapping and, 12 ascetic ideal, Nietzsche’s theory of, 74 bodily sensation and, 5 astonishment, wonder and, 411, 417 ecological destruction and, 349 awe imaginary life and, 2 spectatorship and, 421 language and, 7 wonder and, 203 ‘social aesthetics’ of, 50 subaltern affect and, 327 Baldwin, James, 284, 287 subjective experience, of, 206 Barrett, Lisa Feldman, 175 affective ranges, 6, 22 Barry, Kevin, 252, 253–56 ‘affective turn’ in literary studies, 3, 7, Baumgarten, Alexander Gottlieb, 50, 51–52 11 Beatlebone (novel, Kevin Barry), 252, 253–56 affectus, translation of, 9, 127 becoming and being aftermath-images, 414–17 affect in relation to, 18 Agrabah poll and affective fiction, 381–82 Deleuze’s theory of becoming, 18, 164 alienation in crisis fiction, 355 Benjamin, Walter, 241, 273 allegory and symbol in relation, 273 Bergson, Henri, 76–80 amnesia. See fugue affect and life in work of, 66, 76 amodality. See digital media creative evolution, theory of, 78–79 anger. See also rage Descartes and, 430 affective range of, 6 instinct, intelligence, and intuition, Korean concept of Han, 175, 180–86 distinction between, 78 anguish, affective range of, 6, 22 intuitive method of philosophy, 66, 76 antihumanism, 267–81 joy, theory of, 66, 76 ‘aboutness’ of, 268 laughter, theory of, 233 allegory and symbol in relation, 273 love, theory of, 76 Benjamin (Walter), 273 morality, theory of, 79–80 critical antihumanism, 273–78 society, theory of, 79–80 de Man, 276 sympathetic intuition, theory of, 76, 77 Eliot (T. S.), 271 bewilderment, concept of in Practical Criticism, environmentalism and, 267 85, 92 feeling and, 267 blockbuster films. See CGI effects Hulme (T. E.), 270 body and mind in relation to affect, 2, 3, 5, 16, humanity and nature in relation, 276 160, 173, 321 Marxism and, 278–81 brain research. See neuroscience modernist antihumanism, 269–73 bravery on the battlefield, poetic exhortations Nietzsche, 270 to, 34 philosophy and, 267 Browning, Elizabeth Barrett, 234 poetic engagement with capitalism, 279 Burroughs, William S., 13 post-structuralism and, 267 prophetic rhetoric and tone of, 271 camp. See queer theory queer theory and, 267 capitalism racial politics and, 267 imperialism and, 322 religion and, 267, 269 poetic engagement with, 279 sources of, 267 postmodernity and late capitalism, 310 technology and, 267 subaltern affect and, 318 tone and, 268 Cartesian philosophy. See Descartes, René © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42451-6 — Affect and Literature Edited by Alex Houen Index More Information 446 Index CGI effects melodrama, and, 285, 291–97 aftermath-images, 414–17 popularity with drag queens, 285 astonishment, experience of, 408 racialized critiques of, 284, 287, 288, 296 consumer culture and, 420–22 spectatorship and, 284, 289 exhilaration, affect of, 410, 417–20 transformation of identity, 294 Hobbit, The: Battle of the Five Armies, 412, 417 Davy, Humphry, 229 realism and, 409 de Man, Paul, 276 slow motion, 411 death ‘special affects,’ concept of, 408 fear of, 34–36 stunning, affect of, 410, 417–20 freedom from fear of, 42 suspension-images, 411–14 terror and, 121 300, 414, 417 debt, guilt and, 72 wonder, experience of, 408 Deleuze, Gilles cinema. See CGI effects; Davis, Bette affect/emotion distinction, 356 Classical philosophy. See Greco-Roman poetry becoming, theory of, 18, 164 and philosophy cinematic affects, on, 418 cognition. See knowledge Descartes and, 426, 430, 433, 438 colonialism. See postcolonial affect; subaltern Lacanian psychoanalysis, and, 128 affect Massumi’s affect theory, and, 5, 159, 160, comedy 164–68 drama and, 233 queer theory, and, 144 experience of, 241 delight, horror and, 10 feeling and, 237 Derrida, Jacques, 14, 307, 437, 441 laughter and, 232 Descartes, René, 425–42 communications. See cinema and digital media Bergson’s critique, 430 compassion Cartesian affect, 425 affective response of, 263 concept of passion, 215 feeling and, 258 Damasio’s critique, 425, 431 conatus, Spinoza’s theory of, 67 Deleuze and Guattari’s critique, 426, 430, confidence, concept of in Practical Criticism, 92 433, 438 consumer culture, CGI effects and, 420–22 Derrida’s critique, 437, 441 content and form in relation to affect, 5, 17 doubt, on, 441 courage on the battlefield, poetic exhortations emotion, on, 436 to, 34 Heidegger’s critique, 433, 439, 440 creative evolution, Bergson’s theory of, 78–79 Irigaray’s critique, 440 Crimp, Douglas, 151 Manning’s (Erin) critique, 428 crisis fiction, 355–69 Massumi’s critique, 429, 431, 432 affect theory and, 355 Protevi’s critique, 432 alienation in, 355 Sartre, and, 123 critical affect studies, 85 sensation, on, 435, 439 critical antihumanism, 273–78 Spinoza and, 426 criticism. See Practical Criticism translation of, 434 crying as aesthetic response, 62 Varela’s critique, 433 cultural and linguistic translation in relation, desert romances and War on Terror, 373 25, 307 desire cultural contexts of diseases, 180 affect of, 67 cultural definition of emotion, 33 lust and, 178 cultural difference and postcolonial affect, 306 detachment, laughter as committed, 243 ‘cut-up’ writing, 13 difference, feeling of, 140 difference, queer feeling of, 133–35 Damasio, Antonio, 172–73, 425, 431 digital media, 390–405 Davis, Bette, 284–97 affect and, 392, 400–1 camp, and, 285–91 amodal affect, 401–5 gay icon, as, 284 amodality of, 390, 392–400 glamour and mundanity in relation, 293 modality of, 391–92 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42451-6 — Affect and Literature Edited by Alex Houen Index More Information Index 447 networked media and, 390 translation in, 224 shifting modality of, 390 education by use of disgust, 109 disaffection Eliot, T. S. crisis fiction, and, 355–69 anticapitalism, 271 expression of, 330, 331 antihumanism, 271 sedition and, 324 French translation, 124 diseases, cultural contexts of, 180 Lacan, and, 124 disgust laughter, on, 242 affective range of, 6 literary criticism, 86, 87 category of, 104 poetry and emotion, on, 12 education by use of, 109 prophetic rhetoric, 271 enjoyment and, 147 emotion excitement and, 147 affect and, 3, 12, 15, 50, 68, 121, 176, experience of, 36 321 knowledge and, 106 affect distinguished, 4, 119, 159, 161, 213, 309, need and, 105 310, 356 physical and moral disgust in relation, 40 alienation and, 355 pleasure and, 35, 108, 109 art in relation, 268 satire and, 100, 106 basic states of, 33 self-disgust, 179 causes of, 198–99 disinterest. See interest cultural definition of, 33 displeasure. See pleasure eliciting and representation of emotion dissmell, affective range of, 6 distinguished, 251 distress, affective range of, 6, 22 ‘emotional transportation’ concept, 191–94, doubt and Cartesian affect, 441 196, 204 drag queens, Bette Davis and, 285 feeling distinguished, 119, 172, 176 drama fiction-reading and, 190 comedy and, 233 Imagination Theory and, 199–204 dramatic affect in early modern writing, 219 knowledge and, 68 German Enlightenment, 58 literary expression of, 251 Greco-Roman.
Recommended publications
  • Joan Copjec-Read My Desire: Lacan Against the Historicists
    Read My Desire Lacan against the Historicists Joan Copjec An OCTOBER Book The MIT Press Cambridge, Massachusetts London, England © 1994 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Bembo by DEKR Corporation and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Copjec, Joan. Read my desire: Lacan against the historicists I Joan Copjec. p. cm. "Many of the chapters in this book appeared in earlier versions as essays in various journals and books"-T.p. verso. "An October book." Includes bibliographical references and index. ISBN 0-262-03219-8 1. Psychoanalysis and culture. 2. Desire. 3. Historicism. 4. Lacan, Jacques, 1901- 5. Foucault, Michel. I. Title. BFI75. 4. C84C66 1994 150. 19'5-dc20 94-383 CIP Many of the chapters in this book appeared in earlier versions as essays in various journals and books. Chapters 2, 4, and 5 were published in October 49 (Summer 1989); October 50 (Fall 1989); and October 56, a special issue on "Rendering the Real," edited by Parveen Adams (Spring 1991), respectively. Chapter 3 was published in Between Feminism and Psy­ choanalysis, edited by Teresa Brennan (London and New York: Routledge, 1989). Chapter 6 appeared in a special issue of New Formations (Summer 1991), "On Democracy," edited by Erica Carter and Renata Salecl. Chapter 7 was an essay in Shades of Noir: A Reader (London and New York: Verso, 1993), which I edited.
    [Show full text]
  • Fredric-Jameson-Late-Marxism-Adorno-Or-The-Persistence-Of-The-Dialectic-1990.Pdf
    Late Marxism ADORNO, OR, THE PERSISTENCE OF THE DIALECTIC Fredric Jameson LATE MARXISM LATE MARXISM FredricJameson THINKHI\IJICJ\L E I� �S VERSO London • New York First published by Verso 1990 © FredricJameson 1990 This eclition published by Verso 2007 All rights reserved The moral rights of the author have been asserted 1 3 57 9 10 8 6 4 2 Verso UK: 6 Meard Street, London W1F OEG USA: 180 Varick Street, New York, NY 10014-4606 www.versobooks.com Verso is the imprint of New Left Books ISBN-13: 978-1-84467-575-3 ISBN-10: 1-84467-575-0 BritishLibrary Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Printed in the UK by Bookmarque Ltd, Croydon, Surrey For PerryAnderson Contents A Note on Editions and Translations lX INTRODUCTION Adorno in the Stream of Time PART I BalefulEnchantments of the Concept I Identity and Anti-Identity I5 2 Dialectics and the Extrinsic 25 3 Sociologyand the Philosophical Concept 35 4 The Uses and Misuses of Culture Critique 43 5 Benjamin and Constellations 49 6 Models 59 7 Sentences and Mimesis 63 8 Kant and Negative Dialectics 73 9 The Freedom Model 77 IO The History Model 88 II Natural History 94 I2 The Metaphysics Medel III viii CONTENTS PART II Parable of the Oarsmen I Biastowards the Objective I23 2 The Guilt of Art I27 3 Vicissitudes of Culture on the Left I39 4 MassCulture asBig Business 145 5 The Culture Industry asNarrative 151 PART III Productivities of the Monad I Nominalism 157 2 The Crisis of Schein 165 3 Reification 177 4 The Monad as an Open Closure 182 5 Forces of Production 189 6 Relations of Production 197 7 The Subject, Language 202 8 Nature 212 9 Truth-Content and Political Art 220 CONCLUSIONS Adorno in the Postmodern 227 Notes 25J Index 262 A Note on Editions and Translations I have here often retranslated quotes from Adorno's works afresh (without specific indication).
    [Show full text]
  • Negations Essays in Critical Theory
    Negations Essays in Critical Theory Herbert Marcuse may fly Today, at one and the same time, scholarly publishing is drawn in two directions. On the one hand, this is a time of the most exciting theoretical, political and artistic projects that respond to and seek to move beyond global administered society. On the other hand, the publishing industries are vying for total control of the ever-lucrative arena of scholarly publication, creating a situation in which the means of distribution of books grounded in research and in radical interrogation of the present are increasingly restricted. In this context, MayFlyBooks has been established as an independent publishing house, publishing political, theoretical and aesthetic works on the question of organization. MayFlyBooks publications are published under Creative Commons license free online and in paperback. MayFlyBooks is a not- for-profit operation that publishes books that matter, not because they reinforce or reassure any existing market. 1. Herbert Marcuse, Negations: Essays in Critical Theory NEGATIONS Negations: Essays in Critical Theory Herbert Marcuse With Translations from the German by Jeremy J. Shapiro First published by Allen Lane, Penguin Press, 1968. Published by MayFlyBooks in paperback in London and free online at www.mayflybooks.org in 2009. Printed by the MPG Books Group in the UK. With permission of the Literary Estate of Herbert Marcuse, Peter Marcuse, Executor. Supplementary material from previously unpublished work of Herbert Marcuse, much now in the Archives of the Goethe University in Frankfurt/Main, has been and will be published by Routledge Publishers, England, in a six-volume series edited by Douglas Kellner and by zu Klampen Verlag in a five-volume German series edited by Peter-Erwin Jansen.
    [Show full text]
  • Negations Essays in Critical Theory
    Negations Essays in Critical Theory Herbert Marcuse may fly Negations Herbert Marcuse Herbert Marcuse’s Negations is both a radical critique of capitalist modernity and a model of materialist dialectical thinking. In a series of essays, originally written in the period stretching from the 1930s to 1960s, Marcuse takes up the presupposed categories that have, and continue to, ground thought and action in our administered society: liberalism, industrialism, individualism, hedonism, aggres- sion. This book is both a testament to a great thinker and a still vital strand of thought in the comprehension and critique of the mod- ern organized world. It is essential reading for younger scholars and a radical reminder for those steeped in the tradition of a critical theory of society. With a brilliance of conception combined with an insistence on the material conditions of thought and action, this book speaks both to the particular contents engaged and to the fundamental grounds of any critique of organized modernity. may fly www.mayfl ybooks.org Today, at one and the same time, scholarly publishing is drawn in two directions. On the one hand, this is a time of the most exciting theoretical, political and artistic projects that respond to and seek to move beyond global administered society. On the other hand, the publishing industries are vying for total control of the ever-lucrative arena of scholarly publication, creating a situation in which the means of distribution of books grounded in research and in radical interrogation of the present are increasingly restricted. In this context, MayFlyBooks has been established as an independent publishing house, publishing political, theoretical and aesthetic works on the question of organization.
    [Show full text]
  • A Comparative Study of Discontent with Modernity and Modernization in the Novels of A
    A COMPARATIVE STUDY OF DISCONTENT WITH MODERNITY AND MODERNIZATION IN THE NOVELS OF A. L. HUXLEY AND A. H. TANPINAR A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY HİLAL KAYA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE DECEMBER 2014 Approval of the Graduate School of Social Sciences Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. Assoc. Prof. Dr. Nurten Birlik Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Asst. Prof. Dr. Elif Öztabak-Avcı Supervisor Examining Committee Members Prof. Dr. Nursel İçöz (METU, FLE) Asst. Prof. Dr. Elif Öztabak-Avcı (METU, FLE) Assoc. Prof. Dr. Mine Özyurt Kılıç (DOGUŞ U, FEF) Assoc. Prof. Dr. Nazan Tutaş (ANKARA U, DTCF) Asst. Prof. Dr. Margaret Sönmez (METU, FLE) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Hilal Kaya Signature : iii ABSTRACT A COMPARATIVE STUDY OF DISCONTENT WITH MODERNITY AND MODERNIZATION IN THE NOVELS OF A. L. HUXLEY AND A. H. TANPINAR KAYA, Hilal Ph.D., English Literature Supervisor: Assist.
    [Show full text]
  • Early Modern Romance and Poetic Futility
    THE PLEASURE IN ERROR: EARLY MODERN ROMANCE AND POETIC FUTILITY BY COREY WILLIAM MCELENEY B.A., UNIVERSITY OF CALIFORNIA, LOS ANGELES, 2004 M.A., BROWN UNIVERSITY, 2009 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF ENGLISH AT BROWN UNIVERSITY PROVIDENCE, RHODE ISLAND MAY, 2011 © Copyright 2011 by Corey William McEleney This dissertation by Corey William McEleney is accepted in its present form by the Department of English as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_______________ Coppélia Kahn, Director Recommended to the Graduate Council Date_______________ Jean Feerick, Reader Date_______________ Ellen Rooney, Reader Accepted by the Graduate Council Date_______________ Peter M. Weber, Dean of the Graduate School iii Vita Corey William McEleney was born on October 22, 1982, in Torrance, California. After graduating with valedictorian honors from Dana Hills High School in Dana Point, California, he attended the University of California, Los Angeles, where he received a B.A. in English, with Departmental Highest Honors, in 2004. Since the fall of 2005, he has been a graduate student in the English Department at Brown University; he received his M.A. in 2009. He has been the recipient of the John Bragin Prize for Best Essay on Shakespeare and His Work at UCLA, the Ahmanson Undergraduate Research Fellowship at the William Andrews Clark Memorial Library in Los Angeles, the Presidential Award for Excellence in Teaching at Brown, and the Jean Starr Untermeyer Dissertation Fellowship at Brown. Articles based on his research are forthcoming in English Literary History and in a collection of essays on the life and work of Thomas Nashe.
    [Show full text]
  • Recodings: Art, Spectacle, Cultural Politics
    RECODINGS Art, Spectacle, Cultural Politics RECODINGS Art, Spectacle, Cultural Politics H A L FOSTER Bay Press Seattle, Washington © 1985 Hal Foster A ll rights reserved. Printed in the United States of America. First edition published in 1985. Second printing 1987. Bay Press 990 Alaskan Way Seattle, WA 98104 Library of Congress Cataloging in Publication Data Foster, Hal. Recodings — art, spectacle, cultural politics. Includes bibliographic references and index. 1. Postmodernism. 2. Avant-garde (aesthetics) — H istory — 20th century. 3. Politics in art. 4. Arts and society — History — 20th century. I. Title. NX456.5. P66F67 1985 700\1’0385-70184 ISBN 0-941920-03-8 ISBN 0-941920-04-6 (pbk.) Caledonia type set by Walker & Swenson, Port Townsend, Washington For Sandy Tait Acknowledgements ix Introduction 1 I. SIGNS AND SYMPTOMS Against Pluralism 13 Between Modernism and the Media 33 The Expressive Fallacy 59 Contemporary Art and Spectacle 79 Subversive Signs 99 II. (POSTMODERN POLEMICS (Post)Modem Polemics 121 For a Concept of the Political in Contemporary Art 139 Readings in Cultural Resistance 157 The “Primitive” Unconscious of Modem Art, or W hite Skin Black Masks 181 Notes 211 Index 235 Published in the last five years, these essays appear here in revised form. My debt to the artists and critics addressed in them is enormous, and I hope my citations w ill suffice as acknowledge­ ments. Certainly the project in which they are involved — a critical consideration of contemporary and modern culture — is too impor­ tant to neglect. As for editors, I must mention my friends at A r t in A m erica, in particular Elizabeth Baker, Nancy Marmer and Craig Owens, all of whom helped me to sharpen these texts in many ways.
    [Show full text]
  • Sublime Subjects and Ticklish Objects in Early Modern English Utopias
    Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Winter 12-2-2013 Sublime Subjects and Ticklish Objects in Early Modern English Utopias Stephen Mills Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Mills, Stephen, "Sublime Subjects and Ticklish Objects in Early Modern English Utopias." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/english_diss/116 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. SUBLIME SUBJECTS AND TICKLISH OBJECTS IN EARLY MODERN ENGLISH UTOPIAS by STEPHEN DANIEL MILLS Under the Direction of Dr. Calvin Thomas and Dr. Paul J. Voss ABSTRACT Critical theory has historically situated the beginning of the “modern” era of subjectivity near the end of the seventeenth century. Michel Foucault himself once said in an interview that modernity began with the writings of the late seventeenth-century philosopher Benedict Spinoza. But an examination of early modern English utopian literature demonstrates that a modern notion of subjectivity can be found in texts that pre-date Spinoza. In this dissertation, I examine four utopian texts—Thomas More’s Utopia , Francis Bacon’s New Atlantis , Margaret Cavendish’s Description
    [Show full text]