BBC Licence Fee Settlement and Annual Report
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Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
BBC Full Financial Statements 2013/14 01 Review of the Managing Director, BBC Finance & Operations
BBC Full Financial St atement s 2013/14 BBC Full Financial St atement s 2013/14 Presented to Parliament by the Secretary of State for Culture, Media and Sport by command of Her Majesty July 2014 The BBC’s Annual Report and Accounts 2013/14, giving narrative context to the numbers contained in this document, were also laid before Parliament on 21 July 2014 and are available online at bbc.co.uk/annualreport © BBC Copyright 2014 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from bbc.co.uk/fullfinancialstatements Designed by Fishburn™ thisisfishburn.com Prepared pursuant to the BBC Royal Charter 2006 (Art.45) Contents 02 Review of the Managing Director BBC Finance & Operations 04 Financial overview 13 Looking forward 14 Statement of Executive Board responsibilities 15 Independent Auditor’s report 19 Group financial statements and notes 88 Glossary BBC Full Financial Statements 2013/14 01 Review of the Managing Director, BBC Finance & Operations ‘‘This year we have built on Delivering efficiencies whilst prioritising our most valued output our impressive track record The BBC has just completed its fourth year with the colour of delivering efficiencies whilst licence fee at £145.50 and is in the middle of delivering a major efficiency project, Delivering Quality First (DQF), which is on maintaining the production of track to deliver an annual total of £700million in annual recurrent outstanding programmes and savings. -
BBC B R O a D C a S T I N G
D E A L S O F T H E Y E A R SECURITISATION: BBC B r o a d c a s t i n g THE BRITISH BROADCASTING CORPORATION (BBC), in existence for almost 80 years, experienced a first this year. The group, governed by successive Royal Charters since its inception in 1926, launched its first-ever capital markets transaction in 2003 with a groundbreaking bond issue and securitisation for Broadcasting House, the flagship property and London headquarters of the BBC, which will become the world’s largest live c e n t r a l broadcast centre. 58 THE TREASURER JAN | FEB 2004 Corporate profile The BBC has been in existence for television services, network and local Principal terms of the almost 80 years, governed by radio and online services. The Wo r l d £813m securitisation successive Royal Charters in the UK. S e rvice is its international radio and The group has businesses along three online service (funded by direct grant Amount £813m main strands: public serv i c e from the Foreign & C o m m o n w e a l t h Type Fixed broadcasting in the UK is funded by Office). And BBC Commercial Margin 52bp the annual UK licence fees and Holdings coordinates activity across Maturity July 2033 includes delivery of free-to-air the BBC’s commercial businesses. Bookrunners Morgan Stanley The BBC first began looking at ways to develop its portfolio of over 500 together the transaction with Ernst & Young appointed as additional advisor. The properties back in 1999. -
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output. -
BBC Radio Northampton and CSV Media
Thank you for your interest in the volunteering opportunities that have been made available at BBC Radio Northampton thanks to a partnership with the national charity CSV Media and funding from the European Social Fund. This pack will give you details about the partnership. Once you have read the enclosed information we hope you will want to become a CSV Media Volunteer and complete the enclosed application form. Upon receipt of your application you will be invited to an informal meeting with the CSV Media Action Producer for BBC Radio Northampton who will talk through the role of volunteers and discuss your reasons for wanting to get involved in the Service. After that meeting a letter will be sent to you to confirm whether you have been selected to join our team of volunteers. We look forward to hearing from you. BBC Radio Northampton and CSV Media GUIDANCE NOTES CSV MEDIA ACTION DESK VOLUNTEERS What is CSV Media? CSV Media is part of the national charity, Community Service Volunteers, which has established a UK wide network of partnerships with BBC Local Radio to provide social action broadcasting and support services designed to get people actively involved in their local communities. How does CSV Media work with BBC Radio Northampton? CSV Media has recruited a Producer for each BBC Local Radio Station in the Country. At BBC Radio Northampton the Producer works with the station’s already successful Action Team. What is Action? Action provides a response/helpline service for listeners, charities, community and voluntary groups in the county. Those requests are then broadcast on BBC Radio Northampton throughout the day and together with our listeners we can help those individuals and organisations find the answers and help for a whole range of questions and queries. -
Culture, Media and Sport Committee
House of Commons Culture, Media and Sport Committee Future of the BBC Fourth Report of Session 2014–15 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 10 February 2015 HC 315 INCORPORATING HC 949, SESSION 2013-14 Published on 26 February 2015 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following Members were also a member of the Committee during the Parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The Committee is one of the Departmental Select Committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. -
Transcript of a Press Conference Given by the Prime Minister of Singapore, Mr. Lee Kuan Yew, at Broadcasting House, Singapore, A
1 TRANSCRIPT OF A PRESS CONFERENCE GIVEN BY THE PRIME MINISTER OF SINGAPORE, MR. LEE KUAN YEW, AT BROADCASTING HOUSE, SINGAPORE, AT 1200 HOURS ON MONDAY 9TH AUGUST, 1965. Question: Mr. Prime Minister, after these momentous pronouncements, what most of us of the foreign press would be interested to learn would be your attitude towards Indonesia, particularly in the context of Indonesian confrontation, and how you view to conduct relations with Indonesia in the future as an independent, sovereign nation. Mr. Lee: I would like to phrase it most carefully because this is a delicate matter. But I think I can express my attitude in this way: We want to be friends with Indonesia. We have always wanted to be friends with Indonesia. We would like to settle any difficulties and differences with Indonesia. But we must survive. We have a right to survive. And, to survive, we must be sure that we cannot be just overrun. You know, invaded by armies or knocked out by rockets, if they have rockets -- which they have, ground-to-air. I'm not sure whether they lky\1965\lky0809b.doc 2 have ground-to-ground missiles. And, what I think is also important is we want, in spite of all that has happened -- which I think were largely ideological differences between us and the former Central Government, between us and the Alliance Government -- we want to-operate with them, on the most fair and equal basis. The emphasis is co-operate. We need them to survive. Our water supply comes from Johore. Our trade, 20-odd per cent -- over 20 per cent; I think about 24 per cent -- with Malaya, and about 4 to 5 per cent with Sabah and Sarawak. -
The Radio 1 Breakfast Show with Nick Grimshaw Industries
AS and A LEVEL MEDIA STUDIES Factsheet Industries and audiences factsheet: The Radio 1 Breakfast Show with Nick Grimshaw Industries Production and distribution • The Radio 1 Breakfast Show with Nick Grimshaw is broadcast weekdays from 06.30-10.00 am. • The Breakfast Show has been running since 1967, but Nick Grimshaw took over as the 15th presenter in 2012. • BBC Radio 1 is broadcast on FM, DAB, Freeview, Freesat, Virgin, Sky, or online via BBC Radio Player (including via the phone or tablet app) where it can be heard live or streamed for 30 days. • It is produced by the BBC from its own studios at Broadcasting House in London. • There’s a useful BBC Academy podcast (with transcript) about how the programme is produced http://www.bbc. co.uk/academy/articles/art20170619095219011 • You can also hear what one of the producers (Fiona Hanlon) thinks when she talks about what it’s like to work on the programme: https://www.shu.ac.uk/learn-more/radio-1- breakfast-show • The music is largely playlisted – what is going to be played on daytime Radio 1 is decided by a committee; they choose around 40 records each week for repeated daytime play (A-list records get 25 plays a week, B-list 15, and C-list eight to 10). It’s explained here: http://www.bbc.co.uk/ programmes/articles/SYYQz3WNpBJFs6MrRcs0B5/how-do-i- get-my-music-played-on-radio-1 . Choices are partly guided by what’s already popular with young people online; many older artists are not included as the network is trying to keep an under-30 audience. -
British Broadcasting Corporation (BBC) Is a British Public Service Broadcast- Ing Statutory Corporation
ERICSSON/CREATIVE MERGER INQUIRY Summary of hearing with the British Broadcasting Corporation held on Thursday 21 November 2013 Background 1. The British Broadcasting Corporation (BBC) is a British public service broadcast- ing statutory corporation. Its main responsibility is to provide impartial public service broadcasting in the UK, the Channel Islands and the Isle of Man. It is headquartered at Broadcasting House in London and has major production centres in Salford Quays, Belfast, Birmingham, Bristol, Cardiff and Glasgow, and smaller production centres throughout the UK. The BBC is the world’s oldest national broadcasting organization and the largest broadcaster in the world by number of employees, with about 23,000 staff. Playout requirements 2. The BBC had a number of network channels, with BBC One and Two the most high profile. These two channels had had nations and regional variations for many years. It had regional variations only on BBC One and had nations variations on both BBC One and BBC Two. Red Bee Media (RBM) was responsible for playing out the BBC network streams, whereas the BBC was responsible for playout in the nations and regions. 3. Regions were branded, for example BBC London or BBC South East, during the regional news or a small number of other regional programmes. The nations’ brand- ing was always in place, for example BBC One Scotland, with equivalent branding for Wales and Northern Ireland. The BBC did not want to be seen as just a London- centric organization, and the way the channels were presented with nations’ idents, graphics and voice-overs that reflected the nations’ identity was important to viewers and the BBC. -
BROADCASTING an Agreement Between Her Majesty's
DEPARTMENT FOR CULTURE, MEDIA AND SPORT BROADCASTING An Agreement Between Her Majesty’s Secretary of State for Culture, Media and Sport and the British Broadcasting Corporation Presented to Parliament by the Secretary of State for Culture, Media and Sport by Command of Her Majesty July 2006 Cm 6872 £11.00 DEPARTMENT FOR CULTURE, MEDIA AND SPORT BROADCASTING An Agreement Between Her Majesty’s Secretary of State for Culture, Media and Sport and the British Broadcasting Corporation Presented to Parliament by the Secretary of State for Culture, Media and Sport by Command of Her Majesty July 2006 Cm 6872 £11.00 © Crown Copyright 2006 The text in this document (excluding the Royal Arms and departmental logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not used in a misleading context. The material must be acknowledged as Crown copyright and the title of the document specified. Any enquiries relating to the copyright in this document should be addressed to The Licensing Division, HMSO, St Clements House, 2-16 Colegate, Norwich, NR3 1BQ. Fax: 01603 723000 or e-mail: [email protected] Treasury Minute My Lords have before them a copy of the final draft (for signing and sealing) of a new Agreement (“the New Agreement”) to be concluded by Her Majesty’s Secretary of State for Culture, Media and Sport (“the Secretary of State”) with the British Broadcasting Corporation (“the BBC”). The New Agreement is intended to complement a new Royal Charter of Incorporation (“the New Charter”), for the grant of which to the BBC the Secretary of State is applying to Her Majesty. -
1 What Can an Understanding of the Operation of the BBC Monitoring
What can an understanding of the operation of the BBC Monitoring Service during WWII tell us about the value of the transcripts? Laura Johnson, The Bodleian Libraries, University of Oxford The majority of the papers given today will consider the potential value of the BBC Monitoring transcripts to an understanding of particular aspects of the Second World War. As my research has focused on the operation of the BBC Monitoring Service, I thought it would be helpful to add some context from this perspective regarding the collection as a whole. First, I will look at collection priorities: what the BBC Monitoring Service was collecting and why. Second, I am going to focus on editorial selection, as I should like to make clear what the differences are between the monitoring transcripts and the edited Daily Digests, which were circulated to customers. This is important because copies of the Digests are held elsewhere and are available on microfilm. One of the main purposes of this network, as well as raising awareness of the BBC Monitoring Service, has been to assess the particular unique value of the transcript collection. So I think we have to be clear exactly what extra information this transcript collection provides. In relation to this, I am also going to talk about a small quantitative assessment I made to assess the uniqueness of the transcript collection. Finally, as well as the extra volume of material that the transcript collection contains, it also provides some additional types of information that the Digests do not. I will therefore conclude by mentioning some aspects of this additional value of the transcript collection. -
Written Evidence Submitted by the BBC
Written evidence submitted by the BBC The DCMS Sub-committee on Online Harms and Disinformation Covid-19 Inquiry April 2020 Executive summary 1. The BBC is the leading public service broadcaster in the UK, with a mission to inform, educate and entertain. Our first public purpose is to provide impartial news and information to help people understand and engage with the world around them, and we deliver this across national, local and global news services.1 2. The Editorial Guidelines are the standards that underpin all our journalism, at all times, including during the Covid-19 pandemic. They apply to all our content, wherever and however it is received. Producing and upholding these Editorial Guidelines is an obligation across the BBC and all output made in accordance with these Editorial Guidelines fulfills our public purposes and meets and goes beyond the requirements of our regulator, Ofcom. 3. Coverage of Covid-19 is dominating the UK news across all platforms. And with a plethora of cross platform content, people are most likely to turn to the BBC’s TV, radio and online services for the latest news on the pandemic (82%)2, significantly more than any other source. 4. BBC News has attracted record audiences across platforms with our nations and regions, UK wide and international coverage highlighting the importance of impartial and accurate news at this time. 5. The BBC remains the UK’s primary source for news. In a world of fake news and disinformation online, audiences said they turn to the BBC for a reliable take on events and this reputation for accuracy and trust sends audiences to the BBC during breaking news and to verify facts.3 During the Covid-19 pandemic 83% of people trust coverage on BBC TV4; and audiences from the UK and around the world have come to BBC News in their millions to stay informed and seek trusted advice on how they can protect themselves and those most at risk.