Michael Piotrowski Production Sound Mixer
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From Director Michael Bay and Executive Producer Steven
From Director Michael Bay and Executive Producer Steven Spielberg, the Biggest Movie of the Year Worldwide, TRANSFORMERS: Revenge of the Fallen is Unleashed on Blu-ray and DVD --DreamWorks Pictures' and Paramount Pictures' $820+ Million Global Smash Returns to Earth October 20 Armed with Explosive Special Features to Bring the Epic Battle Home in Two-Disc Blu-ray and DVD Sets HOLLYWOOD, Calif., Aug 20, 2009 -- With more action and more thrills, TRANSFORMERS: Revenge of the Fallen captivated audiences to earn over $820 million at the box office and become the #1 movie of the year in North America and throughout the world. The latest spectacular adventure in the wildly popular TRANSFORMERS franchise will make its highly-anticipated DVD and Blu-ray debut on October 20, 2009 in immersive, two-disc Special Editions, as well as on a single disc DVD, from DreamWorks Pictures and Paramount Pictures in association with Hasbro; distributed by Paramount Home Entertainment. The eagerly-awaited home entertainment premiere will be accompanied by one of the division's biggest marketing campaigns ever, generating awareness and excitement of galactic proportions. (Photo: http://www.newscom.com/cgi-bin/prnh/20090820/LA64007) From director Michael Bay and executive producer Steven Spielberg, in association with Hasbro, TRANSFORMERS: Revenge of the Fallen delivers non-stop action and fun in an all-new adventure that the whole family can enjoy. Featuring out-of-this- world heroes in the form of the mighty AUTOBOTS and a malevolent and powerful villain known as THE FALLEN, the film boasts some of the most sensational--and complex--visual effects in film history set against the backdrop of spectacular locations around the world. -
MICHAEL BONVILLAIN, ASC Director of Photography
MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J. -
Introduction: Fairy Tale Films, Old Tales with a New Spin
Notes Introduction: Fairy Tale Films, Old Tales with a New Spin 1. In terms of terminology, ‘folk tales’ are the orally distributed narratives disseminated in ‘premodern’ times, and ‘fairy tales’ their literary equiva- lent, which often utilise related themes, albeit frequently altered. The term ‘ wonder tale’ was favoured by Vladimir Propp and used to encompass both forms. The general absence of any fairies has created something of a mis- nomer yet ‘fairy tale’ is so commonly used it is unlikely to be replaced. An element of magic is often involved, although not guaranteed, particularly in many cinematic treatments, as we shall see. 2. Each show explores fairy tale features from a contemporary perspective. In Grimm a modern-day detective attempts to solve crimes based on tales from the brothers Grimm (initially) while additionally exploring his mythical ancestry. Once Upon a Time follows another detective (a female bounty hunter in this case) who takes up residence in Storybrooke, a town populated with fairy tale characters and ruled by an evil Queen called Regina. The heroine seeks to reclaim her son from Regina and break the curse that prevents resi- dents realising who they truly are. Sleepy Hollow pushes the detective prem- ise to an absurd limit in resurrecting Ichabod Crane and having him work alongside a modern-day detective investigating cult activity in the area. (Its creators, Roberto Orci and Alex Kurtzman, made a name for themselves with Hercules – which treats mythical figures with similar irreverence – and also worked on Lost, which the series references). Beauty and the Beast is based on another cult series (Ron Koslow’s 1980s CBS series of the same name) in which a male/female duo work together to solve crimes, combining procedural fea- tures with mythical elements. -
Hollywood Studios Are Promising 2018 Will Deliver A
20 Wednesday, December 27, 2017 Hollywood studios 10. Avengers: Infinity War. are promising 2018 Directed by Anthony Russo and will deliver a box Joe Russo, starring Benedict Cumberbatch, Mark Ruffalo, office bonanza with Robert Downey Jr. Downey movies from directors returns to his role as Iron Man/ Tony Stark while Cumberbatch Steven Spielberg, appears as Dr Stephen Strange Ron Howard, the and Ruffalo makes a comeback as the Incredible Hulk/Bruce Russo brothers, Brad Banner. Bird, Christopher Released by Walt Disney Studios Motion Pictures from McQuarrie, Etan Cohen May 4 and Gary Ross. 11. Tomb Raider. Directed 1. Jurassic World: Fallen by Roar Uthaug, starring Alicia Kingdom. Directed by J.A. Vikander, Walton Goggins, Bayona, starring Chris Pratt, Bryce Hannah John-Kamen. Lara Croft, Dallas Howard, B.D. Wong, Jeff the fiercely independent daugh- Goldblum, James Cromwell, Ted ter of a missing adventurer, must Levine. The second chapter in a push herself beyond her limits planned Jurassic World trilogy fea- when she finds herself on the tures Blue, the last surviving raptor island where her father disap- from Jurassic World, and a return peared. of T Rex. Released by Warner Bros. from Released by Universal Pictures Mar 16 from Jun 22 12. Incredibles 2. Directed 2. Hotel Transylvania 3: Summer by Brad Bird, starring Craig T. Vacation. Directed by Genndy Nelson, Holly Hunter, Sarah Tartakovsky, starring Adam Vowell, Samuel L. Jackson. Pixar Sandler, Andy Samberg, Selena Animation Studios’ sequel fol- Gomez. 3D computer-animated lows the adventures of the Parrs, fantasy-comedy film sees Dracula a family of Supers, with Helen and friends on a luxury Monster (Elastigirl) out saving the world. -
Director-At-Large Seats up for Grabs in ICC Election
NON-PROFIT US POSTAGE THE PAID MILWAUKEE, WI Permit No. 5716 PubliIshed 1T1 times aAnnually bLy the IAN TIMES Italian Community Center 631 E. Chicago St., Milwaukee, WI 53202 Become a member of the Italian www.ICCMilwaukee.com Community Center and you will receive OCTOBER 2018 • VOL. 40, NO. 4 home delivery of this publication. Your address label will be placed here. – CHANGE SERVICE REQUESTED – Postmarked ballots due no later than Thursday, Oct. 11 Director-at-large seats up for grabs in ICC election; officers unopposed by Thomas Hemman Members in attendance ac - Ciano, Marie Andaloro Lieber and The committee recently mailed a Times Editor cepted the slate of officers proposed Tony Lupo. Members added Chris - ballot and voting instructions to While the election outcomes for by the Nominating Committee. tine Catalano, Sophia Michalovitz, every member who is eligible to the five unopposed nominees for of - They included: Joseph Emanuele Pietro Tarantino and Anthony Zin - vote. It is important to read the vot - ficer positions are certain, voters in for President, Rose Anne Ceraso gale. ing instructions to make sure that the Italian Community Center elec - Fritchie for Vice President, Ted After adjournment of the Aug. your ballot counts. tion will decide, from among eight Catalano for Treasurer, Susie De - 16 general meeting, the Nominat - A key provision is that ballots nominees, who will capture the four Sanctis Christiansen for Secretary ing Committee conducted a draw - must be returned in the supplied open director-at-large seats. and Joanne Sanfilippo Czubek for ing of the names of the nominees envelopes with the outer envelope As reported in the September Sergeant-At-Arms. -
Directors Guild of America Creative Rights Handbook 2011 - 2014
DIRECTORS GUILD OF AMERICA CREATIVE RIGHTS HANDBOOK 2011 - 2014 Los Angeles, CA (310) 289-2000 New York, NY (212) 581-0370 Chicago, IL (312) 644-5050 www.dga.org Taylor Hackford, President • Jay D. Roth, National Executive Director Dear Colleague, As Co-Chairs of the DGA Creative Rights Committee, we spend a lot of time talking to Directors about their Theatrical Creative Rights work problems. Often we nd that trouble begins with Committee TABLE OF CONTENTS those who are unclear about or unaware of creative Jonathan Mostow Steven Soderbergh rights protections they already have as members of the Co-Chair Co-Chair Directors Guild of America. David Ayer Taylor Hackford Donald Petrie CREATIVE RIGHTS CHECKLISTS Some DGA Directors have voiced frustration over Michael Bay John Lee Hancock Sam Raimi Checklists of DGA Directors’ creative rights, practices in the editing room; they did not know John Carpenter Curtis Hanson Brett Ratner codied in this handbook that the DGA Basic Agreement protects them from .…..................….…….…….…….…….….3 interference when they are preparing their cut. Some omas Carter Mary Lambert Jay Roach television Directors have expressed concern about being Martha Coolidge Jonathan Lynn Tom Shadyac excluded from the looping and dubbing process; they Wes Craven Michael Mann Brad Silberling were unaware that they, like feature Directors, have SUMMARY OF CREATIVE RIGHTS Andy Davis Frank Marshall Penelope Spheeris the right to participate in both. And many Directors A summary of a Director’s creative rights did not realize that, because they are Guild members, Roger Donaldson McG Betty omas under the Directors Guild of America Basic they have a right to additional cutting time if necessary David Fincher E. -
PAUL HIRSCH, ACE Editor
PAUL HIRSCH, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS NUTCRACKER AND THE FOUR REALMS Lasse Hallstrom DISNEY / Mark Gordon Add’l Editor THE MUMMY 4 Alex Kurtzman UNIVERSAL / Sarah Bradshaw Alex Kurtzman Roberto Orci WARCRAFT Duncan Jones LEGENDARY / UNIVERSAL PICTURES Stuart Fenegan, Chuck Roven, Jon Jashni THE GREAT GATSBY Add’l Editor Baz Luhrmann RED WAGON / WARNER BROS. Marc Solomon LIFE OF PI Add’l Editor Ang Lee 20TH CENTURY FOX / Ted Gagliano MISSION: IMPOSSIBLE – GHOST Brad Bird BAD ROBOT / PARAMOUNT PROTOCOL J.J. Abrams, Jeffrey Chernov Winner, Best Editing – Saturn Awards SOURCE CODE Duncan Jones SUMMIT ENTERTAINMENT Hawk Koch, Mark Gordon DEAD OF NIGHT Kevin Munroe Gil Adler, Ashok Amritraj LOVE RANCH Taylor Hackford DIBELLA ENTERTAINMENT Marty Katz RIGHTEOUS KILL Jon Avnet EMMETT/FURLA FILMS OVERTURE FILMS / Rob Cowan RAY Taylor Hackford UNIVERSAL PICTURES Nomination, Best Editing - Academy Awards Barbara Hall, Howard Baldwin Winner, Best Editing – A.C.E. Eddie Awards MISSION TO MARS Brian De Palma DISNEY / Sam Mercer, Tom Jacobson MIGHTY JOE YOUNG Ron Underwood RKO PICTURES / Michael Fottrell Ralph Winter, Tom Jacobson MISSION: IMPOSSIBLE Brian De Palma PARAMOUNT PICTURES Paula Wagner FALLING DOWN Joel WARNER BROS. Schumacher Bill Beasley, Dan Kolsrud STEEL MAGNOLIAS Herbert Ross TRISTAR / Ray Stark, Victoria White PLANES, TRAINS & AUTOMOBILES John Hughes PARAMOUNT / John Hughes Michael Chinich, Neil Machlis FERRIS BUELLER’S DAY OFF John Hughes PARAMOUNT / Tom Jacobson FOOTLOOSE Herbert Ross PARAMOUNT / Daniel Melnick Lewis Rachmil, Craig Zadan BLOW OUT Brian De Palma CINEMA 77 / Fred Caruso, George Litto STAR WARS V: Irvin Kershner 20TH CENTURY FOX THE EMPIRE STRIKES BACK Gary Kurtz, George Lucas THE FURY Brian De Palma 20TH CENTURY FOX Ron Preissman, Frank Yablans STAR WARS IV: A NEW HOPE George Lucas 20TH CENTURY FOX Winner, Best Editing - Academy Awards Gary Kurtz Nomination, Best Editing – BAFTA Awards Nomination, Best Editing – A.C.E. -
DAVID KLOTZ Music Editor TELEVISION CREDITS
DAVID KLOTZ Music Editor David Klotz has devoted his career to the music side of the film and tv industry, primarily as a music editor, but also as a composer, songwriter and music supervisor. He has won six Emmy awards for his work on Stranger Things, Game of Thrones, and American Horror Story. He got his start music supervising Christopher Nolan’s critically acclaimed film, Memento. Soon after, he moved into music editing, working on the shows Buffy The Vampire Slayer, Angel, Firefly, and Blade, the TV Series, to name a few. In 2005, he formed Galaxy Beat Media, his music editorial and production company, working on TV shows including Entourage, Prison Break, Glee, and the Marvel feature film, Iron Man. David co-wrote and performed the theme song to the 2001 Robert Rodriguez blockbuster, Spy Kids. He most recently produced and arranged a cover of the 1984 classic “Never Ending Story” for Stranger Things Season 3, available on the show’s soundtrack album. David’s band Dream System 8 has created music for dozens of TV shows including 9-1-1, American Horror Story, Scream Queens, and Pose. TELEVISION CREDITS Perry Mason (TV Series) I Am Not Okay with This (TV Series) Executive Producers: Robert Downey Jr., Susan Downey, Executive Producers: Josh S. Barry, Dan Cohen, Jonathan Ron Fitzgerald, Rolin Jones, Timothy Van Patten, Entwistle, Christy Hall, Dan Levine & Shawn Levy Matthew Rhys, Amanda Burrell & Joseph Horacek 21 Laps Entertainment/Netflix HBO American Horror Story (TV Series – Seasons 1- Ratched (TV Series) 10) Executive Producers: -
Nominations 1
Section of the WSFS Constitution says The complete numerical vote totals including all preliminary tallies for rst second places shall b e made public by the Worldcon Committee within ninety days after the Worldcon During the same p erio d the nomination voting totals shall also b e published including in each category the vote counts for at least the fteen highest votegetters and any other candidate receiving a numb er of votes equal to at least ve p ercent of the nomination ballots cast in that category The Hugo Administrator reports There were valid nominating ballots and invalid nominating ballots There were nal ballots received of which were valid Most of the invalid nal ballots were electronic ballots with errors in voting which were corrected by later resubmission by the memb ers only the last received ballot for each memb er was counted Best Novel 382 nominating ballots cast 65 Brasyl by Ian McDonald 58 The Yiddish Policemens Union by Michael Chab on 58 Rol lback by Rob ert J Sawyer 41 The Last Colony by John Scalzi 40 Halting State by Charles Stross 30 Harry Potter and the Deathly Hal lows by J K Rowling 29 Making Money by Terry Pratchett 29 Axis by Rob ert Charles Wilson 26 Queen of Candesce Book Two of Virga by Karl Schro eder 25 Accidental Time Machine by Jo e Haldeman 25 Mainspring by Jay Lake 25 Hapenny by Jo Walton 21 Ragamun by Tobias Buckell 20 The Prefect by Alastair Reynolds 19 The Name of the Wind by Patrick Rothfuss Best Novella 220 nominating ballots cast 52 Memorare by Gene Wolfe 50 Recovering Ap ollo -
Spectacle, Labour and Utopia in Michael Bay's the Island Brian
The Cinema Within: spectacle, labour and utopia in Michael Bay’s The Island Brian Baker In this article, I will analyse Michael Bay’s The Island (2005) as a cinematic spectacle which, through its imagination of a particular dystopian future, lays bare the machinery of spectacular visuality that is crucial to the mode of Hollywood spectacle cinema that Bay’s work is often held to exemplify. I will suggest that the formal apparatus of the utopia/dystopia, and of science fiction itself, allows for a reading of The Island as a kind of self-conscious critique of spectacle cinema within the formal apparatus of spectacle cinema, which works in part through thematising visuality and in part through making visible the very apparatus of cinematic production itself. In this, I will draw upon the work of Jonathan Beller, and in particular The Cinematic Mode of Production (2006), and a mode of film theory and criticism in which cinema is foundationally implicated in the production of ideology. In Beller’s work, which draws on Guy Debord, Jean Baudrillard and Fredric Jameson, ‘cinema’ can be understood not only as an effect of the circuits of late capital, where spectacle is an extension of ideology, but as a means by which capital extends its operations into new productive domains, into attention and the ‘work’ of spectatorship. My reading of The Island suggests that it is a particularly important film in Bay’s oeuvre, in that it marks a point at which Bay’s visual strategies of cinematic spectacle turn back on themselves and the formal presentation of visuality within a utopian/dystopian paradigm affords the potential for critique, both within and without the film. -
SEAN NOWLAN Visual Effects Producer/Supervisor
SEAN NOWLAN Visual Effects Producer/Supervisor Feature/TV Projects Director Studio/Production “RESPECT” LIESL TOMMY MGM Visual Effects Producer Scott Bernstein & Supervisor Jonathan Glickman “HUE 1968” MICHAEL MANN FX/ABC VFX Consultant Ralph Winter “UNTITLED MGM/AGBO” TBA AGBO/MGM Consultant Russo Brothers/Jake Aust “UNTITLED CHRISTMAS FILM” TBA AGBO Consultant Russo Brothers/Jake Aust “MOSUL” MATTHEW CARNAHAN NETFLIX Visual Effects Producer AGBO & Supervisor (Post) Jake Aust, Patrick Newall “VICE” ADAM MCKAY ANNAPURNA PICTURES Visual Effects Producer Adam McKay, Lisa Rodgers + On-Set Supervisor (Addtl Photography/Splinter Units)(UC) “TAU” FEDERICO D’ALESSANDRO ADDICTIVE PICTURES Visual Effects Producer (MR. X) “AMERICAN MADE” DOUG LIMAN UNIVERSAL PICTURES Visual Effects Producer (MR. X) “THE CROW” (Development) CORIN HARDY COLUMBIA PICTURES Visual Effects Producer MISHER FILMS Andy Berman, Jeff Waxman “MASTERMINDS” JARED HESS BROADWAY VIDEO Visual Effects Producer RELATIVITY MEDIA (Dept Head) Lorne Michaels, Scott Lumpkin “HOT PURSUIT” ANNE FLETCHER MGM Visual Effects Producer WARNER BROTHERS Jeff Waxman “THE BEST OF ME” MICHAEL HOFFMAN DINOVI PICTURES Visual Effects Producer RELATIVITY MEDIA Denise Di Novi, Scott Lumpkin “STRETCH ARMSTRONG” BRECK EISNER HASBRO (Development) Jeff Waxman Visual Effects Producer “OUT OF THE FURNACE” SCOTT COOPER APPIAN WAY Visual Effects Producer RELATIVITY MEDIA Jeff Waxman “IMMORTALS” TARSEM SINGH RELATIVITY MEDIA Visual Effects Associate Producer Jeff Waxman “DEVIL” JOHN ERICK DOWDLE UNIVERSAL PICTURES On-Set VFX Supervisor (UC) RELATIVITY MEDIA Sam Mercer Sean Nowlan -continued- “LAW ABIDING CITIZEN” F. GARY GRAY G-BASE Visual Effects Production Manager THE FILM DEPARTMENT Visual Effects Producer (UC) Gerard Butler, Jeff Waxman “DRAG ME TO HELL” SAM RAIMI UNIVERSAL PICTURES Visual Effects Production Manager Cristen Carr Strubbe “HAROLD & KUMER ESCAPE FROM JON HURWITZ NEW LINE CINEMA GUANTANAMO BAY” HAYDEN SCHLOSSBERG Nathan Kahane, Carsten Lorenz Visual Effects Producer “MR. -
AMC-Theatres®-Prepares-For-Marvel's-Iron-Man
April 5, 2013 AMC Theatres® Prepares For Marvel's Iron Man 3 With Marvel's Iron Man Marathon Guests Can Relive the Iron Man Saga Through Each of the Four Movies, Including 2012's Blockbuster Smash MARVEL'S THE AVENGERS, and the Debut of Marvel's IRON MAN 3 on Thursday, May 2, for just $30 at AMC locations nationwide Kansas City, Mo. (April 5, 2013) - After saving the world with the Avengers, Tony Stark is back in Marvel's IRON MAN 3, which opens May 3. But before witnessing Iron Man's next encounter, fans can see his story unfold from the beginning when AMC Theatres hosts Marvel's IRON MAN Marathon on Thursday, May 2, at 110 AMC locations throughout the country. Marvel's IRON MAN Marathon begins at 1 p.m. and will feature IRON MAN, IRON MAN 2, MARVEL'S THE AVENGERS in RealD 3D, culminating with Marvel's IRON MAN 3 in RealD 3D at 9 p.m. AMC guests at Marvel's IRON MAN Marathon will receive commemorative lanyards shaped like Iron Man's arc reactor and special edition RealD 3D Iron Man glasses while supplies last. In addition, AMC Stubs members who purchase tickets in advance will receive $5 in Bonus Bucks to use on the day of the event. Tickets for the event, which include all four movies, the collectible lanyard and the special edition RealD 3D glasses, are $30. MARVEL'S IRON MAN MARATHON - Thursday, May 2, beginning at 1 p.m. IRON MAN IRON MAN 2 MARVEL'S THE AVENGERS 3D in RealD 3D Marvel's IRON MAN 3 in RealD 3D Tickets for Marvel's IRON MAN Marathon are on sale at AMC now.