SEAN NOWLAN Visual Effects Producer/Supervisor

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SEAN NOWLAN Visual Effects Producer/Supervisor Feature/TV Projects Director Studio/Production “RESPECT” LIESL TOMMY MGM Visual Effects Producer Scott Bernstein & Supervisor Jonathan Glickman “HUE 1968” MICHAEL MANN FX/ABC VFX Consultant Ralph Winter “UNTITLED MGM/AGBO” TBA AGBO/MGM Consultant Russo Brothers/Jake Aust “UNTITLED CHRISTMAS FILM” TBA AGBO Consultant Russo Brothers/Jake Aust “MOSUL” MATTHEW CARNAHAN NETFLIX Visual Effects Producer AGBO & Supervisor (Post) Jake Aust, Patrick Newall “VICE” ADAM MCKAY ANNAPURNA PICTURES Visual Effects Producer Adam McKay, Lisa Rodgers + On-Set Supervisor (Addtl Photography/Splinter Units)(UC) “TAU” FEDERICO D’ALESSANDRO ADDICTIVE PICTURES Visual Effects Producer (MR. X) “AMERICAN MADE” DOUG LIMAN UNIVERSAL PICTURES Visual Effects Producer (MR. X) “THE CROW” (Development) CORIN HARDY COLUMBIA PICTURES Visual Effects Producer MISHER FILMS Andy Berman, Jeff Waxman “MASTERMINDS” JARED HESS BROADWAY VIDEO Visual Effects Producer RELATIVITY MEDIA (Dept Head) Lorne Michaels, Scott Lumpkin “HOT PURSUIT” ANNE FLETCHER MGM Visual Effects Producer WARNER BROTHERS Jeff Waxman “THE BEST OF ME” MICHAEL HOFFMAN DINOVI PICTURES Visual Effects Producer RELATIVITY MEDIA Denise Di Novi, Scott Lumpkin “STRETCH ARMSTRONG” BRECK EISNER HASBRO (Development) Jeff Waxman Visual Effects Producer “OUT OF THE FURNACE” SCOTT COOPER APPIAN WAY Visual Effects Producer RELATIVITY MEDIA Jeff Waxman “IMMORTALS” TARSEM SINGH RELATIVITY MEDIA Visual Effects Associate Producer Jeff Waxman “DEVIL” JOHN ERICK DOWDLE UNIVERSAL PICTURES On-Set VFX Supervisor (UC) RELATIVITY MEDIA Sam Mercer Sean Nowlan -continued- “LAW ABIDING CITIZEN” F. GARY GRAY G-BASE Visual Effects Production Manager THE FILM DEPARTMENT Visual Effects Producer (UC) Gerard Butler, Jeff Waxman “DRAG ME TO HELL” SAM RAIMI UNIVERSAL PICTURES Visual Effects Production Manager Cristen Carr Strubbe “HAROLD & KUMER ESCAPE FROM JON HURWITZ NEW LINE CINEMA GUANTANAMO BAY” HAYDEN SCHLOSSBERG Nathan Kahane, Carsten Lorenz Visual Effects Producer “MR. MAGORIUM’S WONDER ZACH HELM MANDATE PICTURES EMPORIUM” Nathan Kahane, Barbara Hall Visual Effects Producer* “SILENT HILL” CHRISTOPHE GANS TRISTAR PICTURES Visual Effects Data Supervisor Don Carmody On-Set VFX Supervisor (UC) “PLAIN BROWN RAPPER” (Short) MICHAEL CORBIERE BRAINCLOUD FILMS Producer, Writer “X-MEN 2” BRYAN SINGER TWENTIETH CENTURY FOX Data Wrangler Ralph Winter “RUB & TUG” SOO LYU WILLOW PICTURES INC. Location Manager “DRIVEN” RENNY HARLIN WARNER BROTHERS Visual Effects Coordinator (UC) FRANCHISE PICTURES “THE 6TH DAY” ROGER SPOTTISWOODE COLUMBIA PICTURES Data Wrangler (UC) David Coatsworth “X-MEN” BRYAN SINGER TWENTIETH CENTURY FOX Data Wrangler Ralph Winter “MARTIN AND LEWIS” JOHN GRAY SONY PICTURES TELEVISION (TV Movie) Production Assistant “RFK” (TV MOVIE) ROBERT DORNHELM TWENTIETH CENTURY FOX Production Assistant *shared Citizenship: IiCanadian Residence: Toronto, Ontario Visa: U.S. E1 Work Visa through 4/23/2023 Locations: Montreal, Vancouver, Toronto, Calgary, New Orleans, Pittsburgh, Philadelphia, Los Angeles Education: iRyerson Polytechnical University – Toronto, Ontario (1993-1997) Radio and Television Arts Notable: Proprietary VFX Database and Digital Data Capture System, Extensive Camera & Set Kit .

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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
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SEAN NOWLAN Visual Effects Producer/Supervisor
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