National Register Corrections
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Daniel Chester French Trail
Follow us on Facebook, Twitter, and Instagram and Twitter, Facebook, on us Follow www.concordmuseum.org • 978.369.9763 • www.concordmuseum.org www.chesterwood.org • 413.298.3579 • www.chesterwood.org gardens of Daniel Chester French. Chester Daniel of gardens Chesterwood is the country home, studio, and and studio, home, country the is Chesterwood where he lived and worked. and lived he where Located in Stockbridge, Massachusetts, Massachusetts, Stockbridge, in Located French. Photo by Sara Lundberg. Sara by Photo French. about the artist and the town town the and artist the about Minute Man by Daniel Chester Chester Daniel by Man Minute sites in Concord to learn more more learn to Concord in sites in twenty-one states. Visit the the Visit states. twenty-one in on exhibition in public places places public in exhibition on French’s major works remain remain works major French’s to the renowned sculptor. sculptor. renowned the to in collaboration with collaboration in resources in Concord related related Concord in resources in historic Concord, Massachusetts Concord, historic in the various historic sites and and sites historic various the on exhibit at the Concord Museum Museum Concord the at exhibit on helpful gateway for exploring exploring for gateway helpful Concord Museum, provides a a provides Museum, Concord French Trail, created by the the by created Trail, French - March 23, 2014 23, March - 2013 11, October Concord’s Daniel Chester Chester Daniel Concord’s F C D TRAIL H C REN HESTER ANIEL CONCORD’S #1 Concord Museum • 53 Cambridge Turnpike #2 Ralph Waldo Emerson House The Concord Museum is a gateway to 28 Cambridge Turnpike historic Concord’s revolutionary and In 1879, the young sculptor Daniel Chester French literary past. -
Geographical List of Public Sculpture-1
GEOGRAPHICAL LIST OF SELECTED PERMANENTLY DISPLAYED MAJOR WORKS BY DANIEL CHESTER FRENCH ♦ The following works have been included: Publicly accessible sculpture in parks, public gardens, squares, cemeteries Sculpture that is part of a building’s architecture, or is featured on the exterior of a building, or on the accessible grounds of a building State City Specific Location Title of Work Date CALIFORNIA San Francisco Golden Gate Park, Intersection of John F. THOMAS STARR KING, bronze statue 1888-92 Kennedy and Music Concourse Drives DC Washington Gallaudet College, Kendall Green THOMAS GALLAUDET MEMORIAL; bronze 1885-89 group DC Washington President’s Park, (“The Ellipse”), Executive *FRANCIS DAVIS MILLET AND MAJOR 1912-13 Avenue and Ellipse Drive, at northwest ARCHIBALD BUTT MEMORIAL, marble junction fountain reliefs DC Washington Dupont Circle *ADMIRAL SAMUEL FRANCIS DUPONT 1917-21 MEMORIAL (SEA, WIND and SKY), marble fountain reliefs DC Washington Lincoln Memorial, Lincoln Memorial Circle *ABRAHAM LINCOLN, marble statue 1911-22 NW DC Washington President’s Park South *FIRST DIVISION MEMORIAL (VICTORY), 1921-24 bronze statue GEORGIA Atlanta Norfolk Southern Corporation Plaza, 1200 *SAMUEL SPENCER, bronze statue 1909-10 Peachtree Street NE GEORGIA Savannah Chippewa Square GOVERNOR JAMES EDWARD 1907-10 OGLETHORPE, bronze statue ILLINOIS Chicago Garfield Park Conservatory INDIAN CORN (WOMAN AND BULL), bronze 1893? group !1 State City Specific Location Title of Work Date ILLINOIS Chicago Washington Park, 51st Street and Dr. GENERAL GEORGE WASHINGTON, bronze 1903-04 Martin Luther King Jr. Drive, equestrian replica ILLINOIS Chicago Jackson Park THE REPUBLIC, gilded bronze statue 1915-18 ILLINOIS Chicago East Erie Street Victory (First Division Memorial); bronze 1921-24 reproduction ILLINOIS Danville In front of Federal Courthouse on Vermilion DANVILLE, ILLINOIS FOUNTAIN, by Paul 1913-15 Street Manship designed by D.C. -
Thrift, Sacrifice, and the World War II Bond Campaigns
Saving for Democracy University Press Scholarship Online Oxford Scholarship Online Thrift and Thriving in America: Capitalism and Moral Order from the Puritans to the Present Joshua Yates and James Davison Hunter Print publication date: 2011 Print ISBN-13: 9780199769063 Published to Oxford Scholarship Online: May 2012 DOI: 10.1093/acprof:oso/9780199769063.001.0001 Saving for Democracy Thrift, Sacrifice, and the World War II Bond Campaigns Kiku Adatto DOI:10.1093/acprof:oso/9780199769063.003.0016 Abstract and Keywords This chapter recounts the war bond campaign of the Second World War, illustrating a notion of thrift fully embedded in a social attempt to serve the greater good. Saving money was equated directly with service to the nation and was pitched as a duty of sacrifice to support the war effort. One of the central characteristics of this campaign was that it enabled everyone down to newspaper boys to participate in a society-wide thrift movement. As such, the World War II war bond effort put thrift in the service of democracy, both in the sense that it directly supported the war being fought for democratic ideals and in the sense that it allowed the participation of all sectors in the American war effort. This national ethic of collective thrift for the greater good largely died in the prosperity that followed World War II, and it has not been restored even during subsequent wars in the latter part of the 20th century. Keywords: Second World War, war bonds, thrift, democracy, war effort Page 1 of 56 PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). -
The Studio Homes of Daniel Chester French by Karen Zukowski
SPRING 2018 Volume 25, No. 1 NEWSLETTER City/Country: The Studio Homes of Daniel Chester French by karen zukowski hat can the studios of Daniel Chester French (1850–1931) tell us about the man who built them? He is often described as a Wsturdy American country boy, practically self-taught, who, due to his innate talent and sterling character, rose to create the most heroic of America’s heroic sculptures. French sculpted the seated figure in Washington, D.C.’s Lincoln Memorial, which is, according to a recent report, the most popular statue in the United States.1 Of course, the real story is more complex, and examination of French’s studios both compli- cates and expands our understanding of him. For most of his life, French kept a studio home in New York City and another in Massachusetts. This city/country dynamic was essential to his creative process. BECOMING AN ARTIST French came of age as America recovered from the trauma of the Civil War and slowly prepared to become a world power. He was born in 1850 to an established New England family of gentleman farmers who also worked as lawyers and judges and held other leadership positions in civic life. French’s father was a lawyer who eventually became assistant secretary of the U.S. Treasury under President Grant. Dan (as his family called him) came to his profession while they were living in Concord, Massachusetts. This was the town renowned for plain living and high thinking, the home of literary giants Amos Bronson Alcott, Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau at Walden Pond nearby. -
Wayside, Minute Man National Historical Park, Historic Structure Report Part II, Historical Data Section
National Park Service Cultural Landscapes Inventory 2013 Wayside Minute Man National Historical Park Table of Contents Inventory Unit Summary & Site Plan Concurrence Status Geographic Information and Location Map Management Information National Register Information Chronology & Physical History Analysis & Evaluation of Integrity Condition Treatment Bibliography & Supplemental Information Wayside Minute Man National Historical Park Inventory Unit Summary & Site Plan Inventory Summary The Cultural Landscapes Inventory Overview: CLI General Information: Purpose and Goals of the CLI The Cultural Landscapes Inventory (CLI) is an evaluated inventory of all significant landscapes in units of the national park system in which the National Park Service has, or plans to acquire any enforceable legal interest. Landscapes documented through the CLI are those that individually meet criteria set forth in the National Register of Historic Places such as historic sites, historic designed landscapes, and historic vernacular landscapes or those that are contributing elements of properties that meet the criteria. In addition, landscapes that are managed as cultural resources because of law, policy, or decisions reached through the park planning process even though they do not meet the National Register criteria, are also included in the CLI. The CLI serves three major purposes. First, it provides the means to describe cultural landscapes on an individual or collective basis at the park, regional, or service-wide level. Secondly, it provides a platform to share information about cultural landscapes across programmatic areas and concerns and to integrate related data about these resources into park management. Thirdly, it provides an analytical tool to judge accomplishment and accountability. The legislative, regulatory, and policy direction for conducting the CLI include: National Historic Preservation Act of 1966 (16 USC 470h-2(a)(1)). -
Building Connections to the Minute Man National Historic Park: Greenway Planning and Cultural Landscape Design Robert L
Proceedings of the Fábos Conference on Landscape and Greenway Planning Volume 6 Adapting to Expanding and Contracting Article 25 Cities 2019 Building Connections to the Minute Man National Historic Park: Greenway Planning and Cultural Landscape Design Robert L. Ryan University of Massachusetts - Amherst, [email protected] Theodore S. Eisenman Department of Landscape Architecture and Regional Planning, University of Massachusetts- Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/fabos Part of the Environmental Design Commons, Geographic Information Sciences Commons, Historic Preservation and Conservation Commons, Landscape Architecture Commons, Nature and Society Relations Commons, Remote Sensing Commons, Urban, Community and Regional Planning Commons, and the Urban Studies and Planning Commons Recommended Citation Ryan, Robert L. and Eisenman, Theodore S. (2019) "Building Connections to the Minute Man National Historic Park: Greenway Planning and Cultural Landscape Design," Proceedings of the Fábos Conference on Landscape and Greenway Planning: Vol. 6 , Article 25. DOI: https://doi.org/10.7275/e409-ey31 Available at: https://scholarworks.umass.edu/fabos/vol6/iss1/25 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Proceedings of the Fábos Conference on Landscape and Greenway Planning by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Building Connections to the Minute Man National Historic Park: Greenway Planning and Cultural Landscape Design Cover Page Footnote Additional thanks goes to our colleagues, Professor Ethan Carr, who made the initial connections with the National Park Service; as well as Professor Emeritus Julius Gy. -
Cultural Landscapes Inventory Battle Road Minute Man National Historical Park
National Park Service Cultural Landscapes Inventory 2007 Battle Road Minute Man National Historical Park Table of Contents Inventory Unit Summary & Site Plan Concurrence Status Geographic Information and Location Map Management Information National Register Information Chronology & Physical History Analysis & Evaluation of Integrity Condition Treatment Bibliography & Supplemental Information Battle Road Minute Man National Historical Park Inventory Unit Summary & Site Plan Inventory Summary The Cultural Landscapes Inventory Overview: CLI General Information: Purpose and Goals of the CLI The Cultural Landscapes Inventory (CLI), a comprehensive inventory of all cultural landscapes in the national park system, is one of the most ambitious initiatives of the National Park Service (NPS) Park Cultural Landscapes Program. The CLI is an evaluated inventory of all landscapes having historical significance that are listed on or eligible for listing on the National Register of Historic Places, or are otherwise managed as cultural resources through a public planning process and in which the NPS has or plans to acquire any legal interest. The CLI identifies and documents each landscape’s location, size, physical development, condition, landscape characteristics, character-defining features, as well as other valuable information useful to park management. Cultural landscapes become approved CLIs when concurrence with the findings is obtained from the park superintendent and all required data fields are entered into a national database. In addition, -
Interpretive Prospectus
M iM A .ö P l t.Z o io q t^ , interpretive prospectus National Park Service North Atlantic Region Library Boston, Mass* ’S * -’1 NATIONAL HISTORICAL PARK / MASSACHUSETTS recommended: JOHN W. BRIGHT / Chief, Office of Environmental Planning & Design, ESC / Feb. II, 1971 ROBERT N. PERKINS, JR. / Park Manager, Minute Man National Historical Park / Jan. 20, 1971 BENJAMIN J. ZERBY / General Superintendent, National Park Ser vice Boston Group / Jan. 26, 1971 approved: HENRY G. SCHMIDT / Director, Northeast Region / Feb. II, 1971 interpretive prospectus NATIONAL HISTORICAL PARK / MASSACHUSETTS TABLE OF CONTENTS SUMMARY/I BICENTENNIAL CELEBRATION/I THEMES, SIGNIFICANCE, AND OBJECTIVES/3 INTERPRETIVE PROPOSALS/S CHARLESTOWN-CONCORD HISTORIC SIGNS/25 PUBLICATIONS/26 OTHER EDUCATIONAL PROGRAMS/26 SCOPE OF COLLECTIONS/28 RESEARCH/30 STAFFING/32 COST ESTIMATES/34 APPENDIX/36 SUMMARY This plan proposed the elimination of the automobile from many sections of the park and use of a transit system to bring visitors to park and non-park historic features between Lexington and Concord. For the Bicentennial festivities, it recommends the building of a visitor facility near the Fiske Hill section of the park (toward Lexington, the east end) to provide information-orientation and the grand significance film. The Buttrick House would continue to serve as the visitor facility at the Concord (west) end of the park, at least for some years to come. Hartwell Tavern would be restored as a “living tavern" and the Job Brooks House will contain in-place exhibits on architecture and construction methods of the period. The Wayside will be restored and refurnished to reflect the New England Ren- naissance in literature (Hawthorne and the Alcotts lived there); and information-sales and a short audiovisual program are planned for the barn. -
Concord Minute Man of 1775 1889, Cast 1917
April 2012 Concord Minute Man of 1775 1889, cast 1917 Daniel Chester French Born: Exeter, New Hampshire 1850 Died: Stockbridge, Massachusetts 1931 Gorham Manufacturing Company (Founder) bronze 32 1/4 x 17 1/8 x 18 3/8 in. (81.9 x 43.5 x 46.7 cm.) Smithsonian American Art Museum Museum purchase 1991.193 Collections Webpage and High Resolution Image The Concord Minute Man of 1775 is representative of crucial period in American history; the American Revolution and our fight for independence. Though this bronze cast of the Minute Man was created in 1917, the composition comes directly from a larger-than-life bronze sculpture in Concord, MA created in 1875 by Daniel Chester French. Researcher Laura wanted to investigate if French accurately depicted the Minute Man but she first needed to understand why French originally created the first sculpture in 1875. • Why and how did Daniel Chester French create the original version of this sculpture in 1875? What was happening in United States history at the time that might correspond to the creation of this sculpture? • Did French accurately depict a Minute Man? Is this a realistic depiction or an imaginative interpretation? This artwork proved a challenge to work on as the museum already knew a great deal of information about this particular casting. I decided that we needed to know more about the original sculpture French created which inspired our smaller cast he had made years later. I knew that in order to answer the above query concerning the historical accuracy of French’s sculpture, I would have to explore the origins of the first cast of this sculpture. -
Daniel Chester French
DANIEL CHESTER FRENCH 1850 April 20: Daniel Chester French was born in Exeter, New Hampshire. Note that this infant would grow up to be America’s fave sculptor, and would live in Concord and over the years produce rendition after rendition of illustrious Concord residents such as Waldo Emerson, Bronson Alcott, and Nathaniel Hawthorne, and of various gents of the Hoar persuasion (Ebenezer Rockwood Hoar, Sherman Hoar, George Frisbie Hoar), as well as of general literary lions such as James Elliot Cabot, Henry Wadsworth Longfellow, Washington Irving, Edgar Allan Poe, and James Russell Lowell. –Why then would such a server of society’s legitimated ones never ever attempt even a rough study of Concord’s Henry Thoreau? Well, one response might be that he had never encountered Henry Thoreau. But then he never had encountered the Reverend John Harvard, either, and a little detail like that did not prevent him from being the sculptor who HDT WHAT? INDEX DANIEL CHESTER FRENCH DANIEL CHESTER FRENCH would produce the “Three Lies” statue outside Harvard College’s administration building!1 On the previous day, the Boston Daily News reported, “the populations of these towns [Lexington and Concord had] turned out literally en masse, added to which the thousands from the cities of Boston and Lowell, swelled the multitude present to a very numerous gathering,” to commemorate a dustup between local militia units and the regular army which had occurred on April 19, 1774. OLD NORTH BRIDGE PATRIOTS’ DAY 1861 February 11: Abraham Lincoln gave a brief farewell to friends and supporters at Springfield, Illinois and boarded a train for Washington DC. -
Martha Washington Goes Shopping
MARTHA WASHINGTON GOES SHOPPING: MASS CULTURE’S GENDERING OF HISTORY, 1910-1950 by EMILY M. WESTKAEMPER A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of Nancy Hewitt and T. J. Jackson Lears and approved by Dr. T. J. Jackson Lears Dr. Nancy Hewitt Dr. Bonnie G. Smith Dr. Jennifer Scanlon New Brunswick, New Jersey October 2009 2009 Emily Westkaemper ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION Martha Washington Goes Shopping: Mass Culture’s Gendering of History, 1910-1950 By EMILY M. WESTKAEMPER Dissertation Directors: Nancy Hewitt and T. J. Jackson Lears This dissertation expands the definition of women’s social activism to include the innovative work of activists, intellectuals, and corporations creating popular historical narratives. As twentieth century American women assumed new social, political, and economic roles, popular media sentimentalized historical figures like Martha Washington as models for present-day domesticity, constructing colonial and antebellum womanhood as historical precedents for contemporary gendered and racialized divisions of labor. Magazines, advertisements, radio programs, films, and product packaging idealized the middle-class female consumer’s domestic role as a timeless contribution to American democracy, encouraging contemporary women to continue privileging familial over political roles. At the same time, women advertisers, magazine editors, department store executives, radio writers, and popular historians responded, constructing more dynamic narratives of progress in women’s status, both in their own work and in their collective efforts on behalf of women’s professional rights. -
Chesterwood: the Workshop of an American Sculptor. Teaching with Historic Places. INSTITUTION National Park Service (Dept
DOCUMENT RESUME ED 471 477 SO 034 377 AUTHOR Koman, Rita TITLE Chesterwood: The Workshop of an American Sculptor. Teaching with Historic Places. INSTITUTION National Park Service (Dept. of Interior), Washington, DC. National Register of Historic Places. PUB DATE 2002-00-00 NOTE 40p. AVAILABLE FROM Teaching with Historic Places, National Register of Historic Places, National Park Service, 1849 C Street, NW, Suite NC400, Washington, DC 20240. For full text: http://www.cr.nps.gov/ nr/twhp/wwwlps/lessons/. PUB TYPE Guides Classroom - Teacher (052) EDRS PRICE EDRS Price MF01/PCO2 Plus Postage. DESCRIPTORS *Artists; Built Environment; Curriculum Enrichment; Heritage Education; *Historic Sites; Primary Sources; *Sculpture; Secondary Education; Social Studies; Student Educational Objectives; *United States History IDENTIFIERS *French (Daniel Chester); National Register of Historic Places ABSTRACT The late 19th- and early 20th-century sculptor, Daniel Chester French, spent 34 summers working daily at Chesterwood (Stockbridge, Massachusetts), his summer studio and home. The workplace was designed specifically for creating monumental public structures, works such as the "Abraham Lincoln" that forms the centerpiece of the Lincoln Memorial in Washington, DC. But beyond the open door of his studio, French could admire a panoramic view of the rolling Berkshire Hills. This lesson is based on the Daniel Chester French Home and Studio file. The lesson can be used in U.S. history, social studies, and geography courses in units on late 19th and early 20th