Appendix: Industry Informants

Informants are listed alphabetically with the title and affliation they had at the time of the interview.

Akrim, Rashid, Online Designer on SKAM and blank at NRK P3 Event and Development, in-person interview, Oslo, 6 March 2018 and 28 June 2018. Andressen, Anne, Editor on blank at NRK, in-person interview, Oslo, 28 May 2018 and 26 June 2018. Arnø, William Greni, Actor on blank at NRK, in-person interview, Oslo, 28 June 2018. Aspefaten, Henrik, Online Producer on blank and Assistant Online Producer on SKAM at NRK, in-person interview, Oslo, 27 September 2017 and 26 June 2018. Bettvik, Ida, Production Leader on SKAM (S4) and blank at NRK, in- person interview, Oslo, 24 November 2017 and 26 June 2018. Bjørn, Camilla, Head of NRK P3, in-person interview, Oslo, 23 March 2018. Bjørnstad, Anne, Showrunner on Lilyhammer at Rubicon TV, in-person interview, Oslo, 18 February 2015. Conesa, Cecilie Amlie, Actor on blank at NRK, in-person interview, Oslo, 28 June 2018. Eriksen, Thor Germund, Broadcasting Director at NRK, in-person interview, Oslo, 14 March 2018.

© The Author(s), under exclusive license to Springer Nature 137 Switzerland AG 2021 V. S. Sundet, Television Drama in the Age of Streaming, https://doi.org/10.1007/978-3-030-66418-3 138 APPENDIX: INDUSTRY INFORMANTS

Erlandsen, Kim, Online Developer on SKAM and blank at NRK P3 Event and Development, in-person interview, Oslo, 30 November 2017 and 28 June 2018. Flesjø, Nicolay, Editorial Director of On-Demand Services at NRK, in- person interview, Oslo, 26 January 2015. Folkestad, Mattis, Online Developer on SKAM and blank at NRK P3 Event and Development, in-person interview, Oslo, 28 June 2018. Forsberg, Sara, Chief Property Master on blank at NRK, in-person interview, Oslo, 22 December 2017 and 26 June 2018. Fort, Jakob Larsen, Actor on blank at NRK, in-person interview, Oslo, 28 June 2018. Fossbakken, Tore, Post Producer on SKAM and blank at NRK, in-person interview, Oslo, 29 November 2017 and 26 June 2018. Furevold-Boland, Marianne, Project Leader on SKAM at NRK, in-person interview, Oslo, 13 December 2016. Gulliksen, Hildri, Head of NRK Super, in-person interview, Oslo, 19 May 2017. Haugen, Vibeke Fürst, Head of Programming at NRK, in-person interview, Oslo, 22 May 2015. Hedemann, Ole, Head of International Formats at NRK, in-person interview, Oslo, 9 April 2015 and 10 November 2017. Helsingen, Arne, Head of Television at NRK, in-person interview, Oslo, 16 January 2015. Hole, Åse Marie, Project Leader on blank at NRK, in-person interview, Oslo, 29 September 2017, 17 January 2018, 28 June 2018 and 2 July 2018. Køhn, Ivar, Head of NRK Drama, in-person interview, Oslo, 29 November 2017. Kolbjørnsen, Anne, Head of Script at Rubicon TV and executive producer on Lilyhammer, in-person interview, Oslo, 27 March 2015. Kristiansen, Pål Kruke, CEO of Rubicon TV and executive producer on Lilyhammer, in-person interview, Oslo, 21 January 2015. Landa, Mira Genevieve Dagbo, Property Master on blank at NRK, in- person interview, Oslo, 26 June 2018. Lang-Ree, Kari Anne, In-house Lawyer at NRK, in-person interview, Oslo, 27 October 2017. Lund, Øyvind, Head of Media at NRK, in-person interview, Oslo, 4 February 2015. Magnus, Mari, Online Producer on SKAM, in-person interview, Oslo, 12 January 2017. APPENDIX: INDUSTRY INFORMANTS 139

Maurud, Johan Hveem, Actor on blank at NRK, in-person interview, Oslo, 28 June 2018. Melbø, Karine Brøste, Head of Casting on blank at NRK, in-person interview, Oslo, 23 November 2017. Molstad, Ragnar, Photographer on SKAM (S3) and blank at NRK, in- person interview, Oslo, 21 December 2017 and 26 June 2018. Næsheim, Knut, Director and Writer (Showrunner) on blank Season 1 at NRK, in-person interview, Oslo, 27 September 2017, 23 April 2018 and 2 July 2018. Nordlie, Hege Gaarder, Assistant Scriptwriter on blank at NRK, in-person interview, Oslo, 6 December 2017 and 28 June 2018. Olsen, Linn-Agnete, First Assistant Director and Coordinator on blank at NRK, in-person interview, Oslo, 26 June 2018. Øverlie, Tom, Online Developer on SKAM and blank at NRK P3 Event and Development, in-person interview, Oslo, 5 December 2017 and 28 June 2018. Rønning, Tone C., Head of Drama at NRK External and executive producer on Lilyhammer, in-person interview, Oslo, 27 January 2015. Selim, Tarek, Casting Coordinator on blank at NRK, in-person interview, Oslo, 23 November 2017 and 26 June 2018. Skodvin, Eilif, Showrunner on Lilyhammer at Rubicon TV, in-person interview, Oslo, 18 February 2015. Sørensen, Håkon Lund, Television Analysist at NRK, in-person interview, Oslo, 13 September 2017. Sprus, Nathalie, NRK’s Press Contact on SKAM and blank at NRK, in- person interview, Oslo, 19 February 2018. Svae-Johansen, Cathrine, Editor on blank at NRK, in-person interview, Oslo, 28 May 2018 and 26 June 2018. Thorsby, Marte, Managing Director at IFPI Norge, in-person interview, Oslo, 8 November 2017. Tolonen, Kristian, Head of Audience Insight at NRK, in-person interview, Oslo, 6 February 2015. Unger, Kirsten, Recording Audio on blank at NRK, in-person interview, Oslo, 26 June 2018. Wallace, Petter, Head of External Productions at NRK, in-person interview, Oslo 15 January 2015. Wisløff, Anne, Showrunner on Sara, Mia, Jenter, LikMeg at NRK Super, in-person interview, Oslo, 9 March 2018. Index1

A Audience needs, 38, 39, 57–65, Akrim, Rashid, 16n6, 63, 112, 114 112, 113 Amazon Prime, 2, 35 Audience participation, 96 Americanisation, 18, 55 Audience response, 64, 65, 68, Andem, Julie, 63, 68, 87, 96 112, 113 Andressen, Anne, 137 Authentic, 15, 60, 92 Ang, Ien, 18, 23, 37, 108–111, 120 Authenticity, 11, 62, 66, 68, 70, 86, Arnø, William Greni, 65 91, 93, 132 Aspefaten, Henrik, 64, 68, 112, 115 Attention economy, 41 Audience, 2, 3, 5, 6, 8, 9, 11–18, B 21–23, 35–46, 52–70, 78–89, BBC, 7 82n3, 87n4, 91–98, 100, 101, Beforeigners, 57 108–124, 129–134 Bettvik, Ida, 63, 92 Audience engagement, 23, 43, 108, Bielby, Denis D., 5, 43, 91, 115, 117 118, 122–123 Big Brother, 86, 92, 96 Audience insight, 16, 16n6, 37, 38, Binge-publishing, 55, 62, 70, 78, 81, 57, 60, 61, 111, 112, 132 82, 84, 100 Audience making, 8n3, 11, 23, 37, Binge-watching, 11, 53, 81, 82, 52n1, 62, 79n1, 108–115, 100, 121 124, 134 Bjørn, Camilla, 34n1, 36, 60

1 Note: Page numbers followed by ‘n’ refer to notes.

Bjørnstad, Anne, 54, 57 Doctor Who, 78, 96 blank, 8–16, 8n3, 16n6, 38, 52, 52n1, Double liveness, 87 57, 58, 60–66, 68–70, 78, 79n1, Doyle, Gillian, 40, 53 84–88, 90, 91, 93, 94, 108, Duality of consumption, 81, 82, 121 112–114, 116, 118–120, 122, 123, 130, 132 Blockbuster, 40, 53, 65 E Blockbuster logics, 40 Ellis, John, 21, 37, 60, 80, 118 Boorstin, Daniel J., 95 Endemol Shine Group, 8 Brandstrup, Pil Gundelach, 54 The end of television, 17, Broen/The Bridge, 52, 82 20–23, 129–134 Bruun, Hanne, 5n1, 13, 19, 21, Enli, Gunn, 3, 6, 17, 20, 21, 43, 130 35–37, 81, 121, 133, 134 Entryway paratext, 79, 80 Busse, Kristina, 91, 117 Eriksen, Thor Gjermund, 34n1, 35, Buzz, 42, 43, 67, 79, 87, 88, 98, 116, 37, 39–42, 79, 82 120, 121 Erlandsen, Kim, 16n6, 63, 91, 92, 98, 112–115, 120, 122 Europudding, 55 C EVAK forever, 96, 98 Caldwell, John T., 4, 13, 15 Evans, Elizabeth, 5, 19, 43, 58, 78, Choosable content, 37 90, 91, 115, 116 Comment section, 9, 65, 69, Event, 23, 38, 41, 78, 79, 86, 89, 91, 96–98 95–100, 112, 119 Conesa, Cecilie Amlie, 9 Eventfulness, 96, 134 Content rights, 22, 35, 44–46, Eventifcation, 39, 96 55, 56, 81 Event media, 95, 96 Co-production, 7, 8, 11, 45, 53–57, 70 Couldry, Nick, 86, 95 F The Crown, 40, 41, 52 Facebook, 2, 13, 15, 17, 35, 42, 59, Cultural hegemony, 18, 54 68, 93, 98, 100 Cultural imperialism, 18, 55 Facebook watch, 9, 66 Cultural proximity, 18, 41, 57, 61, Fan communities, 14, 15, 64, 87, 108, 66, 67, 132 117, 131 Fan culture, 115–119 Fans, 3–6, 12–16, 16n6, 23, 43, 59, D 64, 69, 70, 79, 80, 84, 86–89, Dayan, Daniel, 95, 97 88n5, 91–100, 108, 109n1, Dialogue, 63, 64, 96, 112 113–119, 122–124, 130, 131 Digital fagship productions, 11–16 Fan studies, 3–5, 84, 89, 96, Digital revolution, 115 115, 117 Disney Plus, 2, 35, 121 Flesjø, Nicolai, 34n1, 42, 45, 56, 81 INDEX 143

Flow, 2, 7, 17, 18, 23, 36, 39, 78, Helsingen, Arne, 34n1, 41, 44, 56, 81 80–90, 100, 130, 131, 134 Hepp, Anders, 95 Folkestad, Mattis, 138 Herbert, Daniel, 4 Format, 9, 11, 13, 35, 38, 58, 60–62, Hesmondhalgh, David, 78 66–69, 66n2, 84, 86, 88, Hill, Annette, 5, 5n1, 6, 36, 42, 43, 92, 96, 118 57, 59, 80, 82, 91, 108, 116, Forsberg, Sara, 138 117, 131 Fort, Jakob Larsen, 65 Hills, Matt, 3, 5, 52, 53, 84, 91, 93, Fossbakken, Tore, 62, 63, 66n2, 94, 96, 115–117 112, 123 Hilmes, Michele, 18 Foucault, Michael, 110 Hole, Åse Marie, 62, 63, 118, 119 Fuller, Simon, 68 Hyperdiegesis, 93 Furevold-Boland, Marianne, 60, 91, 114, 123 I Imaginary communities, 82, 87 G Imagined audience, 109 Game of Thrones, 52 Imagined community, 38 Globalisation, 17, 37, 111 Industrialization of culture Going again productions, 52, 66, 69 framework, 4 Going big productions, 52–54, Industry-audience relations, 3, 5, 22, 57, 60, 81 23, 43, 46, 108–124, 130, 131 Going small productions, 52, 57, Industry deep texts, 12, 15 60, 65, 81 Industry perceptions, 22, 33–46, 51, Gray, Jonathan, 5, 15, 42, 43, 52, 64, 77, 108, 130 79, 79n2, 80, 115–117 In medias res paratext, 79 Gulliksen, Hildri, 34n1, 41, 58, Instagram, 2, 15, 35, 42, 58, 61, 85, 112 59, 64, 70, 85, 91, 93, 98–100, 117

H Harrington, C. Lee, 5, 43, 91, J 115, 117 Jenkins, Henry, 5, 20, 43, 58, 69, 78, Hastings, Reed, 21, 55 91, 94, 115–117 Haugen, Vibeke Fürst, 34n1, Jensen, Pia Majbritt, 18, 57, 70, 108, 37, 38, 111 131, 132 Havens, Timothy, 4, 5, 22, 34 Jenter/Girls, 58, 112 Hayes, Thomas, 9, 40 Jerslev, Anne, 62, 86 HBO, 2, 21, 35, 43, 45, 52, 57, 121 Jodel, 15, 42, 59 Hedemann, Ole, 38, 66, 67, 69, Johnson, Catherine, 3, 6, 20, 21, 35, 111, 112 45, 67, 80, 81, 109, 134 144 INDEX

K Media artefacts, 12, 15 Katz, Elihu, 18, 20, 95, 97 Media event, 95 Kjus, Yngvar, 39, 43, 86, 95, 96 Media fows, 17, 18 Køhn, Ivar, 34n1, 36–38, 40, Media industry studies, 3–5 41, 82, 123 Mediocre content, 39 Kolbjørnsen, Anne, 114 Melbø, Karine Brøste, 87, 112 Kozanli, Ayyüce, 9 Meskini, Iman, 9 Kristiansen, Pål Kruke, 138 MIA, 58, 61, 112 Miege, Bernard, 78 Mission statement, 60 L Moe, Tarjei Sandvik, 9, 19, 81, 97 Langeland, Marlon, 9 Molstad, Ragnar, 63, 65 Lange-Ree, Kari Anne, 123 Lilyhammer, 8–13, 8n3, 16, 16n6, 41, 52–57, 52–53n1, 70, 78, 79n1, N 81–84, 108, 109n1, 113, 114, NABC-model, 38, 111, 112 116, 120–123, 130–132 Næsheim, Knut, 60, 61, 63, 85, 91, Linear television, 80, 84, 98 112, 113, 115, 118, 119 Liveness, 11, 23, 62, 78, 80–90, 96, National television, 2–23, 35, 120, 100, 134 121, 130, 131 Live storytelling, 85 Netfix, 2, 8, 11, 17, 21, 35, 40, 43, Lobato, Ramon, 3, 17, 22, 35, 45, 52–57, 62, 70, 82, 113, 45, 55, 131 120–123, 131, 133 Lost, 78 Nomadic audience, 36 Lotz, Amanda, 3–6, 20–22, 34, 35, Nordenstreng, Kaarle, 18 78, 81, 84, 109, 120 Nordlie, Hege Gaarder, 60, 62, 64, Love affair, 2, 23, 36, 129, 130, 134 65, 90, 112, 113, 118 Love feedback loop, 92 NRK, 7, 34, 52, 81, 110, 129 Lovleg, 60, 118 NRK P3, 16n6, 60 Lüders, Marika, 15 NRK player, 41 Lund, Øyvind, 34n1, 35, 36, 38–40, NRK Super, 58, 61, 85, 112 42, 55, 111 Lykkeland/State of Happiness, 41 O The Offce, 52 M Olsen, Linn-Agnete, 139 Magnus, Mari, 58, 60, 61, 64, 68, On-demand, 2, 7, 8, 16, 22, 23, 39, 84–86, 92, 98, 99, 113, 114, 118 44, 45, 56, 67, 77, 81, 82, 82n3, Matrix, 78 100, 108, 109, 120–124, 130 Maurud, Johan Hveem, 65 Online, 7, 8n3, 10, 14, 15, 23, 44, 52, Mayer, Vicki, 4 56–58, 60, 61, 65, 68, 77, Measurement, 16, 37, 120–122, 124 81–84, 86, 88, 89, 93, 95, INDEX 145

98–100, 108, 112, 115, 118, 113, 114, 123, 129, 130, 122, 131, 134 132, 133 Online drama, 9, 11, 15, 23, 57–65, Public service broadcasting, 19 84–86, 88, 91, 92, 112, 118, Public service institution, 7, 19–21, 122, 132 42, 43, 115, 132, 133 Øverlie, Tom, 16n6, 63, 64, 84, 112, Public service remit, 37 114, 116 Public service television, 6, 17, 19–20, 132, 133 Publishing, 11, 14, 22, 23, 33, 42, P 44–46, 62, 77–80, 79n1, 82, 84, The paradox of audience making, 87–90, 95, 100, 101, 108, 111, 109–115, 124 129, 134 Parasocial relationship, 92 Publishing models, 3, 8, 11, 44, 62, Paratext, 42, 79, 79n2, 80, 86, 88, 91, 78, 79n1, 84, 118, 124, 130, 93, 97, 100, 111, 134 131, 133, 134 Participator culture, 115 Publishing platform, 44, 81, Pearson, Roberta, 43, 84, 115, 116 108, 132 Petersen, Line Nybro, 13, 13n4, 59, Publishing strategies, 22, 23, 37, 44, 69, 79n1, 87, 89, 91, 93, 98, 46, 77–101, 108, 114, 120, 130 108, 109n1, 113, 114, 116, Push-pull dynamics, 5, 6, 36, 97, 117, 124 108, 119 Pettersen, Josefne Frida, 9 Pop Idol, 86, 92, 96 Popular media event, 95 Q Prebensen, Iacob, 16n6 Quality, 9, 17, 39–42, 53, 55, 56, Production culture, 4, 5, 15, 51–70, 61, 90, 131 77, 108, 124, 130, 132 Production model, 22, 41, 46, 51, 52, 52–53n1, 63, 70, 130 R Production strategy, 52 Ratings, 11, 12, 16, 16n6, 54, 68, 82, Productions, 2–8, 11–18, 20, 22, 23, 83, 89, 90, 109, 111, 121 33, 37, 39, 40, 45, 46, 51–70, Reading strategies, 43, 79, 79n2 78, 81, 84, 86, 87n4, 88, 91–93, Real-time, 9, 11, 16, 58, 62, 63, 65, 96, 98, 99, 110–115, 117–119, 67, 68, 84–89, 99, 118 124, 129–131, 133, 134 Real-time online drama, 79, 84, 86, Production studies, 3–5, 14–16 88, 90, 118, 122 Promotion, 23, 42, 43, 53, 58, 67, Real-time publishing, 11, 62, 70, 78, 79, 80, 87, 100, 113, 114, 84–87, 89, 93, 98, 100 116, 119 Real-time storytelling, 85 Pseudo-event, 95 Red Arrow, 8, 53, 54, 70, 113, 131 Public service, 2, 5–7, 17, 19, 36, 40, Redvall, Eva Novrup, 14, 18, 42, 46, 54, 56, 67, 81, 100, 110, 38, 54, 133 146 INDEX

Relevance, 19, 21, 38, 41, 57, 61, 68, 84, 89, 100, 101, 108, 109, 93, 131–133 109n1, 111, 113, 115, 116, Remake, 9, 23, 52, 59, 66–69, 120 120–124, 129–134 Roaming audience, 42, 59, 80, 91 Success, 5, 11, 13, 23, 39–43, 45, 52, Rønning, Tone C., 56, 123 53n1, 55, 57–59, 63, 66, 82, 84, Rubicon TV, 8, 13, 53, 54, 56, 108, 109, 112, 115, 57, 60, 120 120–124, 131–133 Svae-Johansen, Cathrine, 139 Syvertsen, Trine, 3, 6, 7, 17, 19–21, S 46, 110, 115, 120, 130, 133 Sara, 58, 61, 112 Scannell, Paddy, 21, 95 Schedule, 15, 37, 62, 78, 80, 82, 84, T 85, 89, 100 Teen drama, 8n3, 53n1, 58, 65, Scheduling, 21, 36, 37, 42, 45, 80, 68, 79n1 81, 100, 101 Teige, Lisa, 9 Scripted fction, 52, 66–69 Television, 2–23, 33, 51, 77, Self-refexivity, 13 108, 129 Selim, Tarek, 112, 119 Television drama, 2–23, 33, 35, Selznick, Barbara J., 54 37–39, 45, 46, 51, 53n1, 54, 70, Showrunner, 13, 54, 56, 57, 61, 63, 77, 82, 86, 95–100, 85, 87, 96, 99, 112, 134 123, 130–134 SKAM, 8–11, 38, 52, 78, 108, 130 Television series/shows, 18, 52, 84, SKAM Austin, 9, 66, 99 96, 97, 108, 122, 134 SKAM-remake, 52, 66, Television streaming, 2, 3, 6–11, 68–70, 93, 118 17–23, 33, 34, 44, 45, 70, 80, Skodvin, Eilif, 56, 57 129, 130 Slot, 80, 89, 90, 120 Television studies, 3, 5 Social media, 2, 5–7, 35, 42, 43, 59, Thorsby, Marte, 139 60, 65, 67–70, 86, 87, 88n5, 92, TikTok, 2 93, 99, 109, 111, 112, 115, 122 Tolonen, Kristian, 16n6, 34n1, 38, Sørensen, Håkon Lund, 16n6, 67n3, 82n3, 111 88, 89, 98, 121, 122 Transmedia, 5, 78, 90–94, 100, 116 Sprus, Nathalie, 64, 86, 87 Transmedia storytelling, 58, 90–95 Storytelling, 3, 5, 22, 23, 58, 59, 63, Transmedia universe, 23, 93, 94 68, 78, 80, 86, 90–95, 100, Transnational, 2, 18, 40, 52, 53n1, 129, 130 54, 55, 70, 82 Strande, Alfred Ekker, 10 Transnational television, 17 Straubhaar, Joseph D., 18, 41, 66 Tumblr, 15, 59, 93, 97, 98, 100 Streaming, 2–23, 33–46, 51–54, Twin Peaks, 116 53n1, 56, 65, 67, 69, 70, 77–82, Twitter, 15, 42, 59, 93, 100, 122 INDEX 147

U Wisløff, Anne, 58, 60, 61, 63 Unger, Kirsten, 139 World championship, 34–35, 37, User habits, 2, 16, 20, 41 44, 45, 130 World-class, 22, 23, 40–42, 46, 52, 55, 57, 132 V World-class budget, 40 Van Veen, Ricky, 68 World-class content, 22, 35, 39–42, Van Zandt, Steven, 8, 55–57, 70 45, 46, 53, 54, 79, 131 Varis, Tapio, 18 Viewing numbers, 39, 46, 121, 123 Visibility, 22, 35, 41–43, 46, 53, 79, X 100, 124 X-Files, 116

W Y Wallace, Petter, 2, 34n1, 36, 39, 55, YouTube, 2, 15, 17, 35, 58, 59, 70, 56, 84, 111, 129 88n5, 91, 93, 100, 122 Webster, James G., 35, 37 Ytreberg, Espen, 34, 86, 92, Weissmann, Elke, 18, 57, 131 95, 96, 110 Williams, Raymond, 20, 23, 80, 109, 110 Williams, Rebecca, 5, 92, 97, 117 Z Winner-take-all logics, 40 Zandt, Steven Van, 8, 55–57, 70