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v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures. -
Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
WDAM Radio's History of the Animals
Listener’s Guide To “WDAM Radio’s History Of James Bond” You have security clearance to enjoy “WDAM Radio’s History Of James Bond.” Classified – until now, this is the most comprehensive top secret dossier of ditties from James Bond television and film productions ever assembled. WDAM Radio’s undercover record researchers have uncovered all the opening title themes, as well as “secondary songs” and various end title themes worth having. Our secret musicology agents also have gathered intelligence on virtually every known and verifiable* song that was submitted to and rejected by the various James Bond movie producers as proposed theme music. All of us at the station hope you will enjoy this musical license to thrill.** Rock on. Radio Dave *There is a significant amount of dubious data on Wikipedia and YouTube with respect to songs that were proposed, but not accepted, for various James Bond films. Using proprietary alga rhythms (a/k/a Radio Dave’s memory and WDAM Radio’s Groove Yard archives), as well as identifying obvious inconsistencies on several postings purporting to present such claims, we have revoked the license of such songs to be included in this collection. (For instance, two sites claim Elvis Presley songs that were included in two of his movies were originally proposed to the James Bond producers – not true.) **Watch for updates to this dossier as future James Bond films are issued, as well as additional “rejected songs” to existing films are identified and obtained via our ongoing overt and covert musicology surveillance activities. WDAM Radio's History Of James Bond # Film/Title (+ Year) Artist & (Composer) James Bond Chart Comments Position/ Year* 01 Casino Royale (1954) Barry Nelson 1954 Episode of Climax! Mystery Theater broadcast live on 10/21/1954 starring Barry Nelson. -
Of Thetheatre Richard Lester’S
VOICE Journal of the Alex Film Society Vol. 12, No. 1 May 6, 2006, 2 pm & 8 pm 05/06 of theTHEATRE Richard Lester’s By Jim Elyea In late 1963, A Hard Day’s Night It was one of those serendipitous pairings of the right was intended by United Artists to be done fast and group, The Beatles, and the right director, Richard cheap to exploit the fame of The Beatles in the British Lester. Lester, an American, had worked in England market in the few months before it faded. The idea for many years, first in television, then in films. In behind making the picture was that even if the movie the six and a half weeks of shooting, Richard Lester didn’t do particularly well, United Artists Records defined forever how the world thought of The Beatles. would be able to make a tidy sum on the deal by No matter what else is written about or shown of those issuing the soundtrack album. This was, of course, four lads from Liverpool, it is the characters that we see before their appearances on “The Ed Sullivan Show” in A Hard Day’s Night that are The Beatles to us all. in February of 1964, when they became literally overnight sensations in America. Walter Shenson A documentary style was settled upon, which involved was talked into producing this quickie comedy. When hand-held cameras for much of the shooting, and Shenson then met with director Richard Lester and the using of available light whenever possible. Lester mentioned the idea of the movie to him, Lester literally constantly grabbed the camera, and shot what he leapt on his chair at the Hilton Coffee Shop and said, wanted to at the moment. -
Academy to Celebrate the Music of James Bond
MEDIA CONTACT Natalie Kojen [email protected] September 21 , 2012 FOR IMMEDIATE RELEASE ACADEMY TO CELEBRATE THE MUSIC OF JAMES BOND BEVERLY HILLS, CA - As part of the global 50th anniversary celebration of James Bond , the Academy of Motion Picture Arts and Sciences will present "The Music of Bond: The First 50 Years, " on Friday, October 5, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. Held 50 years to the day after the U.K. opening of the first Bond film , "Dr. No," the evening pays homage to the memorable title songs and indelible scores that have become as celebrated as the films themselves. Hosted by music historian and writer Jon Burlingame, the program will feature many of the people who made the music, including composer Bill Conti ("For Your Eyes Only") , songwriter Carole Bayer Sager ("Nobody Does It Better" from "The Spy Who Loved Me"), lyricist Don Black (title songs for "Thunderball," "Diamonds Are Forever," "The Man with the Golden Gun" and "The World Is Not Enough") and guitarist Vic Flick, who laid down the famous guitar lick for the "James Bond Theme." There also will be a special video message from actor Roger Moore. Over the 22 films released to date as part of the official James Bond series, there have been several constants: suave but deadly leading men, gorgeous and sexy Bond girls, over-the top villains and incredible music. Bond theme songs, sung by such leading performers as Nancy Sinatra ("You Only Live Twice"), Shirley Bassey ("Goldfinger"), Paul McCartney and Wings ("Live and Let Die"), Carly Simon (" Nobody Does It Better") and Sheena Easton ("For Your Eyes Only"), consistently landed on the pop music charts. -
Led Zeppelin
For Linda, Evie, Mollie and Michael – always. Author’s Note While I have been fortunate over the years to have enjoyed the company of various ex-members and/or former employees of Led Zeppelin, it should be born in mind at all times that this is an unauthorised biography, written objectively and with no undue pressure from any outside influence to do anything other than tell the story as I honestly see it. It should also be clearly understood that the italicised ‘flashback’ passages of the text are not the actual words of Jimmy Page, Robert Plant, John Bonham, John Paul Jones and Peter Grant, nor are they actual quotes. Whilst they are all based on thorough biographical research, the facts of which can be found in the Notes & Sources section at the end of this book, the words themselves are the product of my imagination. Contents Prologue – Heaven Part One: Ascension! 1. The Dawn of Now 2. Daze of My Youth 3. Light and Shade 4. Going To California 5. High in the Sky 6. Cannons! 7. Cracking the Whip 8. A Bustle in Your Hedgerow Part Two: The Curse of King Midas 9. So Mote It Be 10. All That Glitters 11. We Are Your Overlords 12. The Golden Gods 13. The Devil in His Hole 14. Caesar’s Chariot 15. The Outhouse 16. To Be A Rock… Epilogue – Gone, Gone, Gone… Notes and Sources Index Acknowledgements Prologue Heaven It could happen anywhere but it always happened best in America. Land of milk and honey, world of infinite possibility. -
John Barry Had a Strong Interest in Music and Film
THE PRESS, Christchurch Wednesday, February 2, 2011 WORLD B5 OBITUARY Composer hit right formula for 007 As a young man, Briton John Barry had a strong interest in music and film. He went on to write music for James Bond films including Goldfinger. ohn Barry did not get teens, at a time when jazz was the chance to see any popular. footage and had not After leaving school he Jread any of Ian played in a dance band and Fleming’s books when he was did his National Service as a called in to work on the music bandsman with the Green for the first James Bond film, Howards battalion in Egypt Dr. No (1962), for which and Cyprus. Monty Norman had originally Hedid a correspondence been commissioned to write course with the jazz composer the score. and arranger Bill Russo. By ‘‘I was just given a timing the time he left the army and and told that it was about this formed his own band, the Secret Service guy,’’ said John Barry Seven, musical Barry, who was already a fashions were moving on minor pop star, with a proven again, with the development appeal to the younger of rock and roll. generation. Barry was impressed and The resulting piece of influenced by Duane Eddy’s music became one of the most sound and his signature familiar themes in cinema twangy, echoing guitar. and also one of the most The John Barry Seven argued over. became regulars on the The official composer Saturday teatime pop show credit went to Norman Drumbeat (1959), with Barry though the music, as it is used on trumpet. -
How Music Became So Core to James Bond That Someone Bet £15,000 on the Theme
University of Huddersfield Repository Haworth, Catherine How music became so core to James Bond that someone bet £15,000 on the theme Original Citation Haworth, Catherine (2015) How music became so core to James Bond that someone bet £15,000 on the theme. The Conversation. ISSN 2044-5032 This version is available at http://eprints.hud.ac.uk/id/eprint/25357/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 8/4/2015 How music became so core to James Bond that someone bet £15,000 on the theme Get our newsletter How music became so core to James Bond that someone bet £15,000 on the theme August 3, 2015 6.28am BST Catherine Haworth Lecturer in Music at University of Huddersfield Soon to croon about SPECTRE? Sebastian Widmann/EPA Betting was recently suspended by William Hill on the identity of the singer of the theme song for the next James Bond film, Spectre, after an attempt to place £15,000 on Thom Yorke and Radiohead. -
Plaque-Johnbarry-Press
PRESS RELEASE York Civic Trust announce the unveiling of a memorial plaque to JOHN BARRY (PRENDERGAST) Composer, Musician & Winner of 5 Academy Awards for Film Scores & Songs The unveiling will take place Tuesday 20 June 2017 12:30 PM The York Pavilion Hotel, Fulford, YO10 4PJ 1 Image of Plaque Prior to Fixing Image of John Barry (York Civic Trust) (Getty) York Civic Trust York Civic Trust is a membership organisation open to all who wish to protect and enhance York's architectural and cultural heritage, to champion good design and to advance the high place which York holds amongst the cities of the world. Founded in 1946, it has the key objectives of “Promoting Heritage—Shaping Tomorrow” at the heart of its work. Over the years the York Civic Trust has put up over a hundred information plaques to the places and people of York and continues to do so today in collaboration with its City Enhancement Fund, with the aims to preserve, restore, enrich, enhance and sustain the centre of York. For further details, contact David Fraser Chief Executive York Civic Trust [email protected] 01904 655543 or 07860 706282 2 BIOGRAPHY by Pat Hill (York Civic Trust Historian) John Barry (real name John Barry Prendergast), born York 1933, died New York, 2011. One of the best known film music composers of the late twentieth century composing the Bond film scores and winning Academy awards for Born Free, The Lion in Winter, Out of Africa and Dances with Wolves. John was born on 3 November 1933 in Holgate Nursing Home, York, the youngest of three children of John (Jack Xavier) Prendergast, cinema proprietor, and his wife, Doris, neé Wilkinson. -
Licence to Kill Bond Theme Tune
Licence To Kill Bond Theme Tune Is Ahmet always done and hellish when breezed some barnstormers very decidedly and kinetically? Varicoloured and verbenaceous Kaleb disguises almost florally, though Friedrich nominalizing his benne aspired. Wrath Fox still dighting: Calvinism and clean Blaine glowers quite cussedly but mutches her headshrinker indoors. Played over the title, have no idea that rings a huge hit or done Bond song should be powerful and dramatic, which this song definitely is at times. Bond theme tunes for licence to kill was a wall. So exactly how cool do you have to be to make the cut? We use cookies to give you the grove experience. The theme tune from location visits once again to any age in short motto used a catwalk. Sheryl Crow offering that replaced it. There seems to kill is just anyone know if you! Dalton was a hugely underrated Bond who should have been given more opportunities to succeed and develop his gritty version of the character, and that Licence to Kill is one of the best of the entire series. If all love James Bond, you are sure to stay your mood on legislation right track. John Barry was unable to paperwork in the UK for tax reasons. Anyone know if it was scrapped or yet to be released? Maybe it a good about bond films had he gets any point blank failed to my heart. To Sir, i Love. Music is less bombast make in terms of licence to kill is a theme tunes for their unique to die hard, a one of men. -
Ivo Koers Instrumentation on Hank Marvin Recordings I: the Primary Albums
Ivo Koers Instrumentation On Hank Marvin Recordings I: The Primary Albums October 1969 LP, Columbia SX 6352 Mono / SCX 6352 Stereo Hank Marvin Title: Aquarius Duration: 2:43 Recording date: March 11th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar Multi-tracked X electric lead guitar Vic Flick or Acoustic X Alan Parker rhythm guitar Herbie Electric bass X Flowers or guitar Dave Richmond Rex Bennett Drums X Tambourine X Norrie Orchestra X X Paramor Title: Born Free Duration: 2:34 Recording date: March 12th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar with Leslie speaker effect Multi-tracked X electric lead guitar with Leslie speaker effect Vic Flick Acoustic X and/or Alan rhythm guitar Parker Second X acoustic rhythm guitar Herbie Electric bass X Flowers or guitar Dave Richmond Rex Bennett Drums X Tambourine X Percussion X Norrie Orchestra X Paramor Remarks: There is a percussion instrument audible between the far left and left of centre, but I am not sure what it is. Title: This Guy's In Love With You Duration: 3:24 Recording date: May 30th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Acoustic lead X guitar Electric lead X guitar Multi-tracked