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Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Sorcerer Society" by Rob Cesternino
30 ROCK "Sorcerer Society" by Rob Cesternino Cell: (323)382-3083 [email protected] ACT ONE FADE IN: INT. STUDIO BACKSTAGE - MORNING LIZ walks through the hallways of 30 Rock. JENNA spots Liz and runs over. JENNA Today is the greatest day of my life. My IMDB star meter is up four percent! LIZ Are they finally airing your episode of "Competitive Eating with the Stars". JENNA No, that was last month. Last night I was a guest star on an episode of the new NBC series, “Sorcerer Society”! FLASHBACK TO: INT. SORCERY CLASSROOM - DAY Jenna is dressed as a sorceress standing before a classroom at Sorcery High School. JENNA I'm Mrs. Mongothsbeard, I’ll be substituting for your regular sorcery teacher, who was caught making a very bad potion called “crystal meth”. CUT BACK TO: INT. LIZ’S OFFICE - CONTINUOUS Liz and Jenna walk into Liz’s office. LIZ Jenna, that show sucks! It totally bastardizes the books. 2. JENNA "Sorcerer Society" was a book? Liz points to her shelf of thick “Sorcerer Society” books. LIZ Those books were my only friends in junior high school... besides the teachers. JACK bursts into Liz's office carrying one of the trades. JACK Everybody is buzzing about Jenna this morning and, for once, it’s not because of some compromising photos on “TMZ”. JENNA This is the best thing to happen to me since they dropped the class action lawsuit against my "Jenna Maroney Birth Control Powder"! JACK “Sorcerer Society” is a runaway hit. It’s like "Twilight" meets "Harry Potter" meets "Heroes", before it jumped the shark. -
Class of 2003 Finals Program
School of Law One Hundred and Seventy-Fourth FINAL EXERCISES The Lawn May 18, 2003 1 Distinction 2 High Distinction 3 Highest Distinction 4 Honors 5 High Honors 6 Highest Honors 7 Distinguished Majors Program School of Law Finals Speaker Mortimer M. Caplin Former Commissioner of the Internal Revenue Service Mortimer Caplin was born in New York in 1916. He came to Charlottesville in 1933, graduating from the College in 1937 and the Law School in 1940. During the Normandy invasion, he served as U.S. Navy beachmaster and was cited as a member of the initial landing force on Omaha Beach. He continued his federal service as Commissioner of the Internal Revenue Service under President Kennedy from 1961 to 1964. When he entered U.Va. at age 17, Mr. Caplin committed himself to all aspects of University life. From 1933-37, he was a star athlete in the University’s leading sport—boxing—achieving an undefeated record for three years in the mid-1930s and winning the NCAA middleweight title in spite of suffering a broken hand. He also served as coach of the boxing team and was president of the University Players drama group. At the School of Law, he was editor-in-chief of the Virginia Law Review and graduated as the top student in his class. In addition to his deep commitment to public service, he is well known for his devotion to teaching and to the educational process and to advancing tax law. Mr. Caplin taught tax law at U.Va. from 1950-61, while serving as president of the Atlantic Coast Conference. -
30 Rock and Philosophy: We Want to Go to There (The Blackwell
ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere . -
30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06
106 “Tracy Does Conan” by Tina Fey Directed by Adam Bernstein Executive Producers: Lorne Michaels Tina Fey JoAnn Alfano Marci Klein David Miner Broadway Video Television SHOOTING DRAFT – 9/29/06 254 West 54th St, 11th Floor New York, NY 10019 ! 2006 BY!NBC STUDIOS, INC. ! ALL RIGHTS RESERVED.! NOT TO BE DUPLICATED WITHOUT PERMISSION. ! This material is property of!NBC Studios, Inc.!and is intended solely for use by its personnel.! The sale, copying, reproduction or exploitation of this material in any form is prohibited.! Distribution or disclosure of this material to unauthorized persons is prohibited. 30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06 CAST LIST LIZ .............…………………………….....……………………………...…….............TINA FEY JACK………………………………………………………………...…………ALEC BALDWIN TRACY......…………….………..……..……………………………….....…..TRACY MORGAN JENNA………………………………………………………………........... JANE KRAKOWSKI KENNETH………………………………………………………….......…....JACK MCBRAYER PETE……………………………………………………………….........................SCOTT ADSIT FRANK………………………………………………………………....JUDAH FRIEDLANDER LITTLE BLUE MAN………………...………………………………………RACHEL DRATCH TOOFER………………………………………………………………...............KEITH POWELL CONAN O’BRIEN.…….…………………………………………............…...CONAN O’BRIEN DENNIS...…………………………………………………………………..…. DEAN WINTERS DR. SPACEMAN…………………………………………………………..….CHRIS PARNELL GRIZZ......…………………………………………………………………..…..............…..…TBD NURSE......……………………………..…………………………………..…..............…..…TBD FRUIT SALESMAN..…………………...………………………………………..….......RN RAO CONAN STAGE MANAGER.…….…………………………………………..............…..…TBD -
Meta-Television in Entourage, Extras and 30 Rock Introduction the Last Decade Has Seen a Number Of
PREVIOUSLY ON “Cut the Shitcom”: Meta-television in Entourage, Extras and 30 Rock Toni Pape Introduction The last decade has seen a number of fictional TV series about television and film production. These television shows – including the ones to be analysed here: Entourage, Extras, and 30 Rock – relocate the process of creative revitalization in front of the camera. Meta-television, as I understand it here, then is television about the media industry and, more particularly, about the production and quality of film and television itself.1 The three above-mentioned television programs present contemporary writers, actors, directors, etc. working on movies and television shows. Especially Extras and 30 Rock offer a critical overview of how television formats are produced, and they significantly do so in a period of time during which the working conditions for television-makers have fundamentally changed. In a most general sense, the criticism that these shows purport works on two levels. First, as we will see further on, there is an explicit criticism implied in the way the TV shows at hand present the making of a TV show. Thus, there is for instance Andy Millman, the protagonist of Extras about whom I will have more to say later on, who clearly states his dissatisfaction as a disillusioned actor/writer: ANDY: I wanna do something that I’m proud of. And I won’t be proud of shouting out catch phrases in a stupid wig and funny glasses. […] So basically, I’m not going to prostitute myself anymore or my work, ok? (Extras “Orlando Bloom”, 21’30”) In a very outspoken way, the programs in question take stock of television’s outworn creative standards and its resulting mediocrity. -
MASARYK UNIVERSITY Portrayal of African Americans in the Media
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Portrayal of African Americans in the Media Master‟s Diploma Thesis Brno 2014 Supervisor: Author: Mgr. Zdeněk Janík, M.A., Ph.D. Bc. Lucie Pernicová Declaration I hereby declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ........................................................ Bc. Lucie Pernicová Acknowledgement I would like to thank my supervisor Mgr. Zdeněk Janík, M.A., Ph.D. for the patient guidance and valuable advice he provided me with during the writing of this thesis. Table of Contents 1. Introduction ............................................................................................................... 5 2. Portrayal of African Americans in Films and on Television ..................................... 8 2.1. Stereotypical Images and Their Power .............................................................. 8 2.2. Basic Stereotypical Images of African Americans ............................................ 9 2.3. Stereotypical Film Portrayals of African Americans and the Arrival of the Talking Era .................................................................................................................. 12 2.4. Television Portrayals of African Americans .................................................... 14 2.4.1. The Increasing Importance of African American Viewers ....................... 17 2.4.2. Contemporary Images of African Americans .......................................... -
Gender and Humour II: Reinventing The
Issue 2011 35 Gender and Humour II: Reinventing the Genres of Laughter Edited by Prof. Dr. Beate Neumeier ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As an English Department electronic journal, gender forum offers a free-of-charge Albertus-Magnus-Platz platform for the discussion of gender-related topics in the D-50923 Köln/Cologne fields of literary and cultural production, media and the Germany arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Inaugurated by Prof. Dr. Tel +49-(0)221-470 2284 Beate Neumeier in 2002, the quarterly issues of the journal Fax +49-(0)221-470 6725 have focused on a multitude of questions from different email: [email protected] theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews and occasionally interviews, fictional pieces and Editorial Office poetry with a gender studies angle. Laura-Marie Schnitzler, MA Sarah Youssef, MA Opinions expressed in articles published in gender forum Christian Zeitz (General Assistant, Reviews) are those of individual authors and not necessarily endorsed by the editors of gender forum. Tel.: +49-(0)221-470 3030/3035 email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th edition) and should be between 5,000 and 8,000 words in Prof. Dr. Mita Banerjee, length. Please make sure to number your paragraphs Johannes Gutenberg University Mainz (Germany) and include a bio-blurb and an abstract of roughly 300 Prof. -
Award-Winning Comedian and Actor Tracy Morgan Coming to Mystic Lake Feb
FOR IMMEDIATE RELEASE AWARD-WINNING COMEDIAN AND ACTOR TRACY MORGAN COMING TO MYSTIC LAKE FEB. 28 Tickets on sale Nov. 1 PRIOR LAKE, Minn. – Oct. 25, 2019 – Critically acclaimed comedian and actor Tracy Morgan is coming to the Mystic Showroom on Friday, Feb. 28, 2020, at 8 p.m. as part of his “No Disrespect” stand-up comedy tour. Considered one of the most highly respected comedians in his field, Morgan’s career spans multiple decades and varies in acting, comedy, writing and voiceover work. Morgan is most known for his iconic role as Tracy Jordan in the award-winning show “30 Rock” that spanned seven seasons. Films he has been a part of include “Cop Out,” “First Sunday,” “The Longest Yard,” and “Why Stop Now,” in addition to voiceover work for the box office hits “G-Force,” “Rio,” “Rio 2” and “Boxtrolls.” In 2017, Morgan released the Netflix stand-up special “Staying Alive.” TICKET INFORMATION Tickets to see Tracy Morgan ‘No Disrespect’ at 8 p.m. on Friday, Feb. 28, in the Mystic Showroom will be available Nov. 1 starting at $35. Contact the Mystic Box Office at 952-496- 6563 or visit mysticlake.com for more details. Event: Tracy Morgan ‘No Disrespect’ Date: Friday, Feb. 28, 8 p.m. Place: Mystic Showroom® Price: Tickets starting at $35 Sale Date: Friday, Nov. 1, 10 a.m. ABOUT TRACY MORGAN A prominent actor, comedian, writer and producer, Tracy Morgan is best known for his hilarious roles across all seven seasons of the award-winning television series “30 Rock,” where he received a Supporting Actor Emmy nomination, and “Saturday Night Live,” where he garnered an Emmy nod for Outstanding Guest Actor. -
Tracy Morgan Biography Starring for Seven Seasons on NBC's Emmy
Tracy Morgan Biography Starring for seven seasons on NBC’s Emmy and Golden Globe Award-winning “30 Rock,” Morgan appeared opposite Tina Fey and Alec Baldwin as “Tracy Jordan,” the unpredictable star of Lemon’s (Fey) hit variety show, “TGS with Tracy Jordan.” In 2009 Morgan received his first Emmy Nomination for this role, in the Supporting Actor category; he has in six past years also been nominated for a Supporting Actor NAACP Image Award. The “30 Rock” cast has also won the Screen Actors Guild Award for “Outstanding Performance by an Ensemble in a Comedy Series.” The beloved series came to an end in January 2013. While on a standup comedy tour in 2014, Morgan was critically injured in a serious car accident that prevented the comedian from continuing to work and tour. After months of rehabilitation, Tracy returned in an exclusive interview with TODAY Show’s Matt Lauer where he expressed his grief for the incident as well as his goals to come back to the entertainment world. The FXX Studios untitled comedy series created by RCG productions, toplined by Morgan, remains on hold. In June 2015, Tracy was selected to receive a star on the Hollywood Walk of Fame in the 2016 class. Starting September the same year, Morgan began filming his next role in the upcoming comedy, FIST FIGHT, staring Ice Cube and Charlie Day. In April 2014, Tracy released a standup special for Comedy Central, titled Tracy Morgan: Bona Fide, which brought Comedy Central one of its largest viewership for a standup special in 2014. -
How NBC's 30 Rock Parodies and Satirizes The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank TELEVISION REPRESENTING TELEVISION: HOW NBC'S 30 ROCK PARODIES AND SATIRIZES THE CULTURAL INDUSTRIES by LAUREN M. BRATSLAVSKY A THESIS Presented to the School ofJournalism and Communication and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Science June 2009 11 "Television Representing Television: How NBC's 30 Rock Parodies and Satirizes the Cultural Industries," a thesis prepared by Lauren M. Bratslavsky in partial fulfillment of the requirements for the Master of Science degree in the School of Journalism and Communication. This thesis has been approved and accepted by: Committee in Charge: Carl Bybee, Chair Patricia Curtin Janet Wasko Accepted by: Dean ofthe Graduate School III © 2009 Lauren Bratslavsky IV An Abstract ofthe Thesis of Lauren Bratslavsky for the degree of Master of Science in the School ofJournalism and Communication to be taken June 2009 Title: TELEVISION REPRESENTING TELEVISION: HOW NBC'S 30 ROCK PARODIES AND SATIRIZES THE CULTURAL INDUSTRIES Approved: This project analyzes the cun-ent NBC television situation comedy 30 Rock for its potential as a popular form ofcritical cultural criticism of the NBC network and, in general, the cultural industries. The series is about the behind the scenes work of a fictionalized comedy show, which like 30 Rock is also appearing on NBC. The show draws on parody and satire to engage in an ongoing effort to generate humor as well as commentary on the sitcom genre and industry practices such as corporate control over creative content and product placement.