Opening Or Drawer Which Could Just Hold a Tiny Infant

Total Page:16

File Type:pdf, Size:1020Kb

Opening Or Drawer Which Could Just Hold a Tiny Infant THE CHURCH OF, THE PIETA by DIANA E. KALEY INTERNATIONAL FUND FOR MONUMENTS, INC. S. Polo 2454 (Ai Frari) - 30125 Venezia, Halla 3624 Legation Avenue, N.W., Washington, DC 20015 TO MY MOTHER INTERNATIONAL FUND FOR MONUMENTS 3624 LEGATION AVENUE. N. W. WASHINGTON. O. C. 20015 TEL (202) 726.5225 July 1,1980 Dear Reader, Someone once observed that, while other cities might have admirers, only Venice has lovers. The publication of this book is made possible by two such individuals: Miss Diana E. Kaley, its author, and Miss Mary M. Davis, Executive Vice President of Samuel H. Kress Foundation, which subsidized its publication. For the past seven years, Diana Kaley has been Director ofour Venice Committee office and Information Center in the Scuola di San Giovanni Evangelista and invaluable because ofher able supervision of many of IFM's restorations in Venice, including that of the Pieta, which she pursued with exceptional dedication and skill. Mary Davis has been a regular visitor to Venice since the mid-1960s. Because of her background in Art History, she was saddened at the condition ofthe Church of Santa Maria della Pieta in which she recognized the deterioration in the fabric ofthe building and in the ceiling paintings by Tiepolo. In 1969 she submitted to the Board of Trustees of the Samuel H. Kress Foundation a proposal for the repair of the roof and the restoration of the Tiepolos. Upon completion ofthis work, she urged the Foundation's Board to complete the restoration of the entire church and obtained additional funds for its accomplishment. In writing this book, Diana Kaley pored over dusty manuscripts for many months, working long hours after her normal day at the Informa,tion Center. At this writing, Miss Kaley is moving from Venice and, as a going-away present to the International Fund for Monuments, she is donating the rights to her splendid book on the history of the Church of Santa Maria della Pieta. Sincerely yours, Limited edition James A. Gray Executive Director I The interior ofthe church seen through the wrought-iron gates. he church of Santa Maria della Visitazione or the Pieta was built in t.he eighteenth century by the Foundling Hospital of the Pieta to provide a spacious and dignified setting for the religious ceremonies with musical accompaniment for which the hospital was famous. Thus, the key to understanding the unusual architecture ofthis building, so different from the traditional Venetian church, can be found in the develo"pment ofthe Ospedale della Pieta from the years ofits foundation in the fourteenth century. In early fourteenth-century Venice, organized assistance for those in distress was very limited. The pilgrim "hospitals" and the leprosary were little more than quarantine centers designed to shield the citizenry from leprosy or other infectious diseases brought by pilgrims passing through Venice on their way to or from the Holy Land. The philanthropic works ofthe first Venetian lay confraternities did not reach far beyond their own membership. The very concept of Christian charity seemed remote from the everyday struggle to survive and even the sight of newborn infants killed or left to die on the public way met with general indifference. It was only in 1336, when a Franciscan friar named Pietro of Assisi arrived in Venice, that the people at last began to concern themselv.es with the fate ofthe ever-increasing numbers offoundlings in their city. Although there were isolated examples elsewhere of foundling hospitals even before Fra Pietro started his crusade to save the infants, his initiative was still exceptional. Judging by the results it was also timely, for the Venetians responded generously with alms and, above· all, legacies to his appeal for "pieta"-compassion. The earliest known ofthese legacies is in the will of one Domenico Trevisan dated August la, 1336, the very year of Fra Pietro's arrival: "I also desire and command that for the support ofthe boys and girls who are thrown out 5 Plaque listing indulgencesgranted to those who gave alms to the Pieta (from the papacy of Clement VI, 1342-1352). , recognition to the Ospedale della Pieta as well as to the male Confraternity of San Francesco, founded by Fra Pietro to assist in caring-for the foundlings and in gathering them in from the streets. Soon the houses at San Francesco della Vigna were filled to overflowing, and Fra Pietro moved the foundling girls to a house near the Church of the Celestia, placing them under the supervision of the newly-created confraternity ofmatrons dedicated to S. Maria dell'Umilta. This still did not suffice so the friar bought property in the parish of San Giovanni in Bragora some time before September 1346, the date of a will leaving five lire "to Fra Petruzo of the hospital of infants at sen Zane Bragola."3 A papal dispensation allowed Fra Pietro to leave his properties to the Ospedale della Pieta when he died in 1349. His successor was another friar, Fra Pacino, who directed the hospital until 1353 when it was established that a matron would be elected from S. Maria dell'Umilta and named "priora" after confirmation by the Doge. This effectively placed the Pieta under the Republic's official and who are called the pietta there be given four pounds for God and jurisdiction although it continued to be supported almost entirely by for my soul."! Fra Pietruzzo della Pieta, as he came to be called, rented private donations. The religious indulgences did much to ensure a seventeen houses near San Francesco della Vigna, establishing a steady flow ofthese donations, as did the Republic's decree of 1436, foundling hospital for the infants he rescued from the streets. These requiring any notary drawing up a will to remind the testator ofthe were usually illegitimate children or the last born in a family with too hospital's existence. In addition, various State rulings granted the Pieta many mouths to feed. In times of plague or epidemic, orphans too yearly supplies ofgrain, wine and firewood, as well as occasional large would be brought to the "Pieta," greatly overburdening its resources sums of money. and adding to the need for alms. The number of foundlings cared for by the Ospedale della Pieta grew A plaque dating from the papacy of Clement VI (1342-1352) lists steadily: there were 4,360 in 1466; by July 1488, the hospital being the indulgences granted to benefactors ofthe foundling hospital: "Pope "so narrow and restricted,"4 it had proved necessary to board 329 Clement VI one year forty days of pardon to each person who gives children in the country-a solution that was to be adopted with alms to the infants of the Pietate-Messer the Patriarch of Grado Messer increasing frequency in the years that followed. The hospital was the Bishop of Castelo forty days-the sum of the above for the Pietade continually acquiring new properties by donation or by purchase, and, being one year and 120 days as well as many other graces."2 This would as chance would have it, it was Fra Pietro's housing in the Parish of have represented a powerful attraction for donations, allowing Fra San Giovanni in Bragora that was enlarged when space was needed. In Pietruzzo to take in ever more children. In 1343 he received permission 1515, fourteen more houses were acquired near the Bragora and the from the Venetian Republic to enlarge his hospital. In 1345 he was whole hospital was then united in this area, leaving the premises at authorized to quest for gifts ofwine for his wetnurses. Finally, a decree San Francesco della Vigna and at the Celestia. approved by the Maggior Consiglio on July 18th, 1346 gave legal 7 6 The Ospedale della Pieta and its 16th-century oratory before the building ofthe new church. There followed a time when famine, war, and mass immigration from the countryside led to a dramatic increase in the number of aband:oned infants in Venice. Most ofthese were brought to the,Pieta's "scaffetta" -a type of opening or drawer which could just hold a tiny infant. With the child there would often be found some trinket or some image torn in half, which was left by the mother so that one day if she wished to reclaim her child, she could do so by presenting the matching portion. The uncertain times meant added responsibilities for the hospital while the amount of money available for donations decreased and was now often shared with the new Venetian hospitals ofthe Incurabili and the Derelitti. In 1525, a ruling made in the Consiglio di Pregadi spoke of the appalling situation at the Pieta where the wetnurses were obliged to feed four infants at once. Matters had not improved by 1548, when a plaque was placed outside the hospital calling on God to "strike with maledictions and excommunications" those who, having the means to support their children-"whether legitimate or natural"-nonetheless abandoned them at the Pieta. Yet the Ospedale della Pieta had become an essential part of the although ultimate jurisdiction still lay in the hands ofthe Doge and, social fabric that ensured Venice's stability, and it was hardly in the for matters pertaining to the cult, ofthe Primicerio or Arch-Priest of interest of the Most Serene Republic to allow the hospital to falter. So St. Mark's. The Doge's official patronage was most important, for it new privileges were granted to the Pieta-for example, the right to sell protected the Ospedale della Pieta from the interference both of the or hire out one boat in each ferry station in Venice and the right to use local magistracy and ofthe local Church, giving it a valuable autonomy.
Recommended publications
  • Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
    Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 By Leon Chisholm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Professor Mary Ann Smart Professor Massimo Mazzotti Summer 2015 Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 Copyright 2015 by Leon Chisholm Abstract Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 by Leon Chisholm Doctor of Philosophy in Music University of California, Berkeley Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyboards to everyday music making, their influence over the ways in which musicians have conceptualized music and, consequently, the music that they have created has received little attention. This dissertation explores how keyboard playing fits into revolutionary developments in music around 1600 – a period which roughly coincided with the emergence of the keyboard as the multipurpose instrument that has served musicians ever since. During the sixteenth century, keyboard playing became an increasingly common mode of experiencing polyphonic music, challenging the longstanding status of ensemble singing as the paradigmatic vehicle for the art of counterpoint – and ultimately replacing it in the eighteenth century. The competing paradigms differed radically: whereas ensemble singing comprised a group of musicians using their bodies as instruments, keyboard playing involved a lone musician operating a machine with her hands.
    [Show full text]
  • Annual Review 2018
    THE ATTINGHAM TRUST for the study of HISTORIC houses and collections ISSUE 16 ANNUAL REVIEW 2018 Chairman’s Foreword John Lewis he four Attingham courses run this year were or even had the time to pay attention to the many Tin great demand, judging from the strength problems of our country house owners, whether they and number of applications received, which is all be individuals or the National Trust. Furthermore, it thanks to the dedication of the course directors and makes it very difficult to engage with Government on administrators. Their reports form the major part of matters that are of importance to these buildings and this Review together with the list of donors without their collections. I refer, of course, not only to the lack whom we would be unable to function so effectively. of support from the National Museums but also to the Huge thanks go to them and to all the Attingham team, unfair competition from them which public subsidy particularly to Kate Morgan who stepped down this allows by way of free entry. Again, the imposition of VAT August after 22 years of loyal service as the Trust’s on repair work to historic buildings adds an additional Treasurer. Her dedication has been exemplary. I wish burden to their strained budgets. I could commend the department for Digital, Culture, Media & Sport, the organ of government that oversees Although the above does not directly impact on our heritage, with the same degree of approbation. Attingham and its studies, it is of concern to us It is with some exasperation that one views the because these houses and their collections make appointment of yet another Secretary of State – such a unique contribution to our history, culture and the fourth since 2016 – to head up this important tourism.
    [Show full text]
  • NP 2013.Docx
    LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books.
    [Show full text]
  • Die Stadt Venedig
    TU Dresden, Fakultät Architektur Prof. Dr. Hans-Georg Lippert Vorlesung Baugeschichte (Hauptstudium) Winter 2009/10 Die Stadt Venedig Vorlesungsprogramm (1) 20.10.09: Einführung: Venedig ist ein Fisch. (2) 27.10.09: Inseln und Kanäle. Entstehung und Grundstruktur der Stadt (3) 03.11.09: Der Stadtkörper (I): Kleinteiligkeit und gelenkte Selbstorganisation (4) 10.11.09: Der Stadtkörper (II): Großstrukturen und regulierende Vorgaben (5) 17.11.09: Der Stadtkörper (III): Stiftungswesen und soziale Bauprogramme (6) 24.11.09: Das politisch-religiöse Zentrum (I): Dogenpalast und San Marco (7) 01.12.09: Das politisch-religiöse Zentrum (II): Piazza und Piazzetta (8) 08.12.09: Das politisch-religiöse Zentrum (III): Bacino und Arsenale (9) 15.12.09: Das wirtschaftliche Zentrum: Rund um die Rialtobrücke Weihnachtspause (10) 05.01.10: Der Canal Grande (I): Byzantinische und gotische Paläste (11) 12.01.10: Der Canal Grande (II): Paläste der Renaissance und des Barock (12) 19.01.10: Eine Stadt wie jede andere? Venedig nach 1796 (13) 26.01.10: Ein Sehnsuchtsort als Lebenswelt. Das moderne Venedig TU Dresden, Fakultät Architektur Prof. Dr. Hans-Georg Lippert Vorlesung Baugeschichte (Hauptstudium) Winter 2009/10 Die Stadt Venedig Filmreihe: 04.11.09: Casanova (R.: Lasse Hallström, USA 2005, 108') 02.12.09: Venedig - als hätten wir geträumt (R.: Wolfgang Ettlich, D 2001, 94') 16.12.09: Brot und Tulpen (R.: Silvio Soldini, I/F 2000, 112') 13.01.10: Tod in Venedig (R.: Luchino Visconti, I 1971, 130') 27.01.10: Wenn die Gondeln Trauer tragen (R: Nicolas Roeg, I/UK 1973, 105') TU Dresden, Fakultät Architektur Prof. Dr.
    [Show full text]
  • Coins and Medals Including Renaissance and Later Medals from the Collection of Dr Charles Avery and Byzantine Coins from the Estate of Carroll F
    Coins and Medals including Renaissance and Later Medals from the Collection of Dr Charles Avery and Byzantine Coins from the Estate of Carroll F. Wales (Part I) To be sold by auction at: Sotheby’s, in the Upper Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1 Days of Sale: Wednesday 11 and Thursday 12 June 2008 10.00 am and 2.00 pm Public viewing: 45 Maddox Street, London W1S 2PE Friday 6 June 10.00 am to 4.30 pm Monday 9 June 10.00 am to 4.30 pm Tuesday 10 June 10.00 am to 4.30 pm Or by previous appointment. Catalogue no. 31 Price £10 Enquiries: James Morton, Tom Eden, Paul Wood, Jeremy Cheek or Stephen Lloyd Cover illustrations: Lot 465 (front); Lot 1075 (back); Lot 515 (inside front and back covers, all at two-thirds actual size) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Important Information for Buyers All lots are offered subject to Morton & Eden Ltd.’s Conditions of Business and to reserves. Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”.
    [Show full text]
  • Best of ITALY
    TRUTH IN TRAVEL TRUTH IN TRAVEL Best of ITALY VENICE & THE NORTH PAGE S 2–9 Venice Milan VENICE NORTHERN The Prince of Venice ITALY Viewing Titian’s paintings in their original basilicas and palazzi reveals a Venice of courtesans and intrigue. Pulitzer Prize—winning critic Manuela Hoelterhoff’s walking guide to the city amplifies the experience of reliving the tumultuous times of Florence the Old Master—and finds some aesthetically pleasing hotels and restaurants along the way. TUSCANY (Trail of Glory map on page 5) FLORENCE & TUSCANY PAGE S 10 –1 5 Best of ITALYCENTRAL ITALY TUSCAN COAST Rome Tuscany by the Sea Believe it or not, Tuscany has a shoreline—145 miles of it, with ports large and small, hidden beaches, a rich wildlife preserve, and, of course, the blessings of the Italian table. Clive Irving Naples discovers a sexy combo of coast, cuisine, and Pompeii Caravaggio—and customizes a beach-by-beach, Capri harbor-by-harbor map for seaside fun. SARDINIA SOUTHERN ITALY ROME & CENTRAL ITALY PAGE S 16–2 0 ROME Treasures of the Popes You’re in Rome, but the Vatican is a city in itself. (In fact, a nation.) What should you see? John Palermo Julius Norwich picks his masterpieces, and warns of the potency of Vatican hospitality. SICILY VENICE & THE NORTH PAGE 2 Two miles long, spanned by three bridges and six gondola ferries, the Grand Canal is an avenue of palaces built between the fourteenth and eigh- teenth centuries. A rich, luminous city, her beauty reflected at every turn, Venice was the perfect muse for an ambitious Renaissance artist.
    [Show full text]
  • Veneziaterreing.Pdf
    ACCESS SCORZÉ NOALE MARCO POLO AIRPORT - Tessera SALZANO S. MARIA DECUMANO QUARTO PORTEGRANDI DI SALA D'ALTINO SPINEA MIRANO MMEESSTTRREE Aeroporto Marco Polo SANTA LUCIA RAILWa AY STATION - Venice MARGHERA ezia TORCELLO Padova-Ven BURANO autostrada S.GIULIANO DOLO MIRA MURANO MALCONTENTA STRÀ i ORIAGO WATER-BUS STATION FIESSO TREPORTI CAVALLINO D'ARTICO FUSINA VTP. - M. 103 for Venice PUNTA SABBIONI RIVIERA DEL BRENTA VENEZIA LIDO WATER-BUS STATION MALAMOCCO VTP - San Basilio ALBERONI z S. PIETRO IN VOLTA WATER-BUS STATION Riva 7 Martiri - Venice PORTOSECCO PELLESTRINA P PIAZZALE ROMA CAe R PARK - Venice P TRONCHETTO CAR PARK - Venice P INDUSTRIAL AREA Cn AR PARK - Marghera P RAILWAY-STATION CAR PARK - Mestre e P FUSINA CAR PARK - Mestre + P SAN GIULIANO CAR PARK - Mestre V P PUNTA SABBIONI CAR PARK - Cavallino The changing face of Venice The architect Frank O. Gehry has been • The Fusina terminal has been designed entrusted with developing what has been by A. Cecchetto.This terminal will be of SAVE, the company that has been run- • defined as a project for the new airport strategic importance as the port of entry ning Venice airport since 1987 is exten- marina. It comprises a series of facilities from the mainland to the lagoon and ding facilities to easily cope with the con- that are vital for the future development historical Venice. stant increase in traffic at Venice airport. of the airport, such as a hotel and an The new airport is able to process 6 mil- The new water-bus station has been desi- administration centre with meeting and • lion passengers a year.
    [Show full text]
  • The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance
    The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance April Oettinger Winston-Salem, North Carolina B.A., Colgate University, 1994 M.A., University of Virginia, 1996 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia May2000 To my parents, ever supportive guides in my ongoing discovery of the forestand the trees; To Carrie, my companionon those early journeys through the Dark Forest; and To Max, my Poliphilo. 11 © Copyright by April Oettinger AllRights Reserved May2000 ill Acknowledgments I am indebted to numerous friendsand colleagues who have guided and enriched my journey at every turn. My advisors Paul Barolskyand David Summers first encouraged me to pursue my studies of the Polifilo; their unflagging support sustained me throughout, and their example continues to inspire me to follow in Poliphilo's path. My other readers, Francesca Fiorani and David Van Der Muelen provided valuable suggestions andadvice on patronage, dedications, and incunabula. I also wish to expressmy gratitude to Anne Schutte, Alistair Fowler, Deborah Parker, Martin Colker, and Terry Bellanger for stimulating conversations and generous advice, and Martin Colker and Thomas Govero for their assistance with the translations of Leonardo Grassi's dedication of the Polifiloand Ludovico Odassio's dedication of the Comucopiae. I am also grateful to Linda Carroll, Wendy Steadman Sheard, Patricia Fortini Brown, Wolfgang Wolters, Louisa Matthews, Anne Barriault,Norman Land, Ralph Lieberman, DeborahHoward, Jurgen Schultz, Ann Markam Schultz, and Mark SamuelsLasner forthought-provoking conversations at home and abroad. A Dupont Fellowship fromthe University of Virginia in 1998-1999 and a Fulbright Fellowship in 1999-2000 enabled me to continue my research in Italy, where I was fortunate to explore the holdings of several marvelous libraries.
    [Show full text]
  • 2020 International List of Protected Names
    INTERNATIONAL LIST OF PROTECTED NAMES (only available on IFHA Web site : www.IFHAonline.org) International Federation of Horseracing Authorities 03/06/21 46 place Abel Gance, 92100 Boulogne-Billancourt, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org The list of Protected Names includes the names of : Prior 1996, the horses who are internationally renowned, either as main stallions and broodmares or as champions in racing (flat or jump) From 1996 to 2004, the winners of the nine following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Japan Cup, Melbourne Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes North America : Breeders’ Cup Classic, Breeders’ Cup Turf Since 2005, the winners of the eleven famous following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Cox Plate (2005), Melbourne Cup (from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion North America : Breeders’ Cup Classic, Breeders’ Cup Turf The main stallions and broodmares, registered on request of the International Stud Book Committee (ISBC). Updates made on the IFHA website The horses whose name has been protected on request of a Horseracing Authority. Updates made on the IFHA website * 2 03/06/2021 In 2020, the list of Protected
    [Show full text]
  • 247 Development 2016 1 Pen Y Banc Seven Sisters Neath
    2020 Catalogue 247 Development 2016 1 Pen Y Banc Seven Sisters Neath SA10 9AB 01639 701583 Copyright January 2020 £2.00 Payment details If you intend paying by Cheque Please use the open Cheque Method. If your Order is for £10.00 & £1.15 postage & packing, You would endorse your Cheque as “Not More than say £15.00. This margin will allow for any price increase or error in the calculations. We will complete the cheque to the value of the order. A detailed invoice is always included with your order Credit & Debit Card Facilities are available by Phone or by sending the info in more than One E-mail 60p surcharge on orders less than £10.00 Post & Packing UK Addresses Due to the complexities of Royal Mails prices it’s Difficult to quote for mixed orders as a Rough Gide here are some Examples; Orders up to 100 grams packed in a padded mail lite bag £1.25 1st class & £2.45 1st class Recorded Orders up to 250 grams packed in a padded mail lite bag £1.70 1st class & £2.90 1st class Recorded Small Parcells; £3.75/ recorded £4.75 up to 1kg Proof of posting is Acquired for all orders sent out Page 2 Prices GWR Name plates £7.00 a set unless stated next to the listing. If you need the GWR Name plate finished in RED the Plates will cost £3.00 Extra GWR Cab side plates £5.50 If you need the GWR Cab Side plate finished in RED the Plates will cost £1.50 Extra SR Name Plates £6.50 a set Unless stated in the listing SR Smokebox Numbers £2.20 LMS/MR Name Plates £6.50 a set Unless stated in the listing LMS/MR Smokebox Numbers £2.20 LNER/ER Name Plates £6.50
    [Show full text]
  • Andrea Palladio's Influence on Venetian
    ANDREA PALLADIO'S INFLUENCE ON VENETIAN CHURCH DESIGN: 1581 - 1751 By RICHARD JAMES GREEN B.A. (Honours), The University of Saskatchewan, 1975 B. Arch., The University of British Columbia, 1980 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE in THE FACULTY OF GRADUATE STUDIES (School of Architecture) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 1987 ©Richard James Green, 1987 k In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of dst^/~j£e^&<^K. The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date Q^t>-C-c^ /S( /9gft- . DE-6G/81) ABSTRACT Andrea Palladia was born in Padua in the Republic of Venice in 1508 and practiced his architecture throughout the Veneto until his death in 1580. Today, there are some forth-four surviving palaces, villas, and churches by the master. These buildings have profoundly moved the imagination of countless generations of academics, artists, and architects for over four hundred years. Without a doubt, he has been the most exalted and emulated architect in modern history.
    [Show full text]
  • Lettera Da San G Iorgio
    Lettera da San Giorgio Lettera da San Year VII, n° 12. Six-monthly publication. March – August 2005 Spedizione in A.P. Art. 2 Comma 20/C Legge 662/96 DC VE. Tassa pagata / Taxe perçue Indice Contents I Programmes (March – August 2005) 3 Editorial Main Future Activities 5 Exhibition Tiepolo, Piazzetta, Canaletto, Piranesi, Guardi… The professor’s drawings. The Giuseppe Fiocco Collection at the Giorgio Cini Foundation 6 Orientalist Meetings Dante and The Divine Comedy in the East 6 Master Class and Concert of Ottoman Music by Kudsi Erguner 7 Seminary of Historical Studies Before and after: a propos of hiatuses 8 International Conference Byzantine Mandarins. The 14th and 15th-century intellectual world between East and West 8 Workshop of Tunisian dance by Chérifa Kalfaoui 9 39th “Vittore Branca” Course for Italianists, Writers and landscapes 9 www.cini.it The Foundation’s new web site Collections 10 The Cini Foundation illuminated Persian codices Portraits of patrons 14 Benno Geiger Presences on San Giorgio 16 Bessarion and San Giorgio, or the Cardinal’s last stay in Venice 20 Publications III – IV Contacts Editorial On 28 May 2004 Vittore Branca died. An internationally-renowned Italianist, he was a leading expert on Boccaccio, but also an enlightened inspiring force at the Giorgio Cini Foundation, of which for almost fifty years he embodied the spirit. Chosen by Vittorio Cini to run the newly-created Foundation, Vittore Branca was the Secretary General from 1953 to 1988, Vice-President from 1972 to 1995, and President from 1995 to 1996. Under his guidance, the Cini Foundation developed into the prestigious international centre of culture and civilisation that we have inherited.
    [Show full text]