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AN9725LG Datasheet
AN9725LG Analog Logo Inserter System The AN9725LG Logo Inserter system is a complete analog logo insertion The onboard preview allows you to cue your logos for position and content package that will key one, or many, static/animated "bugs" over a composite verifi cation prior to going "On Air". analog video signal. Logos created in BMP, TIF or TGA fi le formats can be imported into the Evertz® Overture™ software and transferred to the The EAS crawl support allows for connection to an existing EAS decoder. This AN9725LG via Ethernet. RS–232 connection allows weekly tests (white text on green), watch alerts (white on yellow) and warnings (white on red) to be scrolled across the analog Logos are stored in fl ash memory and can be quickly accessed via front panel, video with no need for format conversion. The variable height text font can be quick select keys, GPI inputs, automation and Overture™. With the removable positioned anywhere on the screen and rendered with any TrueType font. Compact Flash option you can access up to 4GB of online logo storage space and virtually unlimited archived media storage. The TXT option allows for the creation of custom text messages that can be displayed as crawls or fi xed position fi elds on top of keyed graphic logos. The AN9725LG has been designed to manage and store multiple logos. Each These user–defi ned elements can be dynamically updated by Ethernet using logo size is variable and ranges from 1/25th to full screen. The position of the Overture™ software. Text crawls and fi elds retain display information such the logo, fade rates and animation rates are user–controllable. -
4430+ Composite Analogue to SDI ADC
DTL MiniBlox™ 4430+ Composite analogue to SDI ADC Features • Analogue composite to SDI ADC • Dual high speed oversampling 11-bit ADC’s • Digital TBC and jitter filter for greater output stability • Temporal frame recursive noise reduction • Motion adaptive 3D YC separation using a 5 line comb filter • Automatic gain control Description • Differential input to eliminate common mode ‘hum’ up to 6Vp-p The 4430+ is a broadcast quality composite analogue to SDI converter. • Extremely compact and rugged It uses dual 11 bit over sampling ADCs with 5 line • Locking connector for PSU adaptive comb filtering. Temporal noise reduction and Control switches 3D motion adaptive YC separation offer the highest • Pedestal control quality conversion on the market. The unit accepts PAL, • VBI blanking NTSC and SECAM analogue inputs. The input format is • Disable AGC automatically detected. • Disable jitter filter It is housed in an extremely compact and rugged aluminium case ideally suited to both studio and portable • Enable noise reduction applications. • Enable motion adaptive YC separation www.miniblox.com Specifications Analogue input Performance Standards Composite NTSC (J, M, 4.43), PAL (B, D, G, H, I, Differential gain <1.5% M, N, Nc, 60) and SECAM (B, D, G, K, K1, L) Composite PAL, NTSC & SECAM Differential phase <0.4° Connector 75Ω BNCs Power Signal level 1V p-p nominal Voltage 6-12V DC Return loss >40dB to 5.5MHz Current 600mA at 6V CMR >6Vp-p Power connector Locking 2.5mm jack connector (centre +ve) SDI output Other Standards SMPTE 259M 270Mb/s 525/625 SDI LED Shows power and signal Connector 75Ω BNC Temperature range 0˚C to 40˚C Number 2 Dimensions 63.5mm x84mm x30mm (excluding connectors) Signal level 800mV p-p ±10% (terminated) Weight 180g Jitter <0.15UI with colour bars input Return loss >18dB to 270MHz Ordering information 4430+ Composite analogue to SDI ADC 4006 Desktop power supply with IEC320 C14 inlet 4010 1U rack mounting frame for up to 5 units including PSU We reserve the right to change technical specifications without prior notice. -
High-Fidelity-1980-1
S1.50 NOVEMBER 1980 HIGH FIDELIT HIGH-TECH RECORDS Are they worth them ey? Double - blindtests reveal the truth I e cg 111. AUDIO AT HOME N oon? How good? ^ .c 40' ooi'9 --- -1 o.ISTENING REPORTS Vssexy cassette deck y's "robot" turntable F...rs top -value receiver 11 it 01 0839E IF ALL $200TURNTABLES HAVE THE SAME SPECS, HOWCOME THE PL -400 SOUNDS BETTER? Il MEN -WPC IWO AL 4 MilmiiiiM . 1111111.1111111.11.1.111111111101 .TE Alzr 'T % 'I iv'.,.r I 1 1 IPATING 0 et.N\ qZ, r3lczbrowecont (= NS 4.0 VI, A _,.. joimma, 7 0,0 ;a! 11.111,, " "'".11"1"' The best for both worlds The culmination of 30 years of Audio Engineer- A fresh new breakthrough in cartridge de- ing leadership-the new Stereohedron velopment designed specifically as an answer for the low impedance moving coil cartridge- XSV/5000 XLZ/7500S One of the most dramatic developments of car- tridge performance was the introduction of the The advantages of the XLZ/7500S are that it offers - ,. Pickering XSV /3000. It offered the con- characteristics exceeding even the best of moving 'lila coil cartridges. Features such as an openness of sound and extremely fast risetime, less than 10µ, to provide a new crispness in sound reproduction. At the same tine, the XLZ/7500S provides these features without any of the disadvantages of ringing, undesirable spurious harmonics which are often characterizations of moving coil pickups. The above advantages provide a new sound experience while utilizing the proven advantages of the Stereohedron stylus, a samarium sumer a first 'generation of cartridges, combining 1.\\_ both high tracking ability and superb frequency response. -
4-Channel Video Multiplexers Transmit Four Channels of Full-Frame, • One-Way Transmission of Four Real-Time, Full Frame Video Real-Time Video Over a Single fiber
GE Fiber Optic Security Video Transmitters and Receivers Overview Standard Features 4-Channel Video Multiplexers transmit four channels of full-frame, • One-way transmission of four real-time, full frame video real-time video over a single fiber. They accept monochrome and channels over one fiber color signals in NTSC and PAL formats. The multiplexers consist of • Single and multimode models available a four-channel transmitter and receiver, with both units available in standalone and rack configurations. S704V models feature • Supports all major video formats multimode operation, while S7704V models operate over one single • 640 TV lines resolution mode fiber. • 60 dB Video SNR • 8 MHz video bandwidth Exceptional Performance • Optical AGC Full-frame, real-time video transmission delivers all the video • 13 dB optical budget captured by the camera. A bandwidth of 8 MHz enable the multiplexers to transmit extremely clear, high-resolution images. FM • Operating distance up to 20 miles (32 km), depending on the modulation assures that the image quality remains high over the model full operating distance. • Standalone or rack configurations Superior Diagnostics The SMARTS™ diagnostic technology provides built-in diagnostic tools including LEDs that monitor the operating status of the video and optical signals. 4-Channel Video Multiplexer S704V and S7704V GE Specifications Security Video S704V (Multimode) S7704V (Single Mode) Channels 4 Format NTSC, PAL, SECAM, EIA, CCIR U.S. Input/Output Signal 1.0 V p-p composite T (561) 998-6100 T 888-GE-SECURITY -
Brighteye 24 SDI to Analog Converter and Disembedder
BrightEyeTM 24 SDI to Analog Converter and Disembedder User Guide ENSEMBLE DESIGNS Revision 3.0 SW v1.0.8 This user guide provides detailed information for using the BrightEye™24 SDI to Analog Converter and Disembedder unit. The information is organized into the following sections: • Product Overview • Functional Description • Applications • Rear Connectors • Operation • Front Panel Controls Indicators • BrightEye PC • Warranty and Factory Service • Specifications • Glossary BrightEye-1 BrightEye 24 SDI to Analog Converter and Disembedder PRODUCT OVERVIEW BrightEye™ 24 is both a digital to analog video converter as well as an audio dis- embedder. The incoming serial digital video signal is converted to an analog composite signal, while digital audio signals embedded in the digital video signal are extracted and converted to analog outputs. Front panel controls select analog reference level, AES group for disembedding, and provide gain adjustment. Input presence and output VU information are indicated as well. The BrightEye PC Control application is provided to allow more detailed control of the unit from a PC with USB support. A glossary of commonly used video terms is provided at the end of this manual. FUNCTIONAL DESCRIPTION BrightEye 24 combines a video digital to analog converter with an audio dis- embedder (demux) and audio digital to analog converter. The input to the module is a standard definition 601 digital signal (SDI) at either 525 (NTSC) or 625 (PAL) line rate. The SDI input is digitally encoded to composite video and then converted to analog form for output on the Cpst Out BNC connector. The encoder will switch automatically between NTSC and PAL to follow the line standard detected on the SDI input. -
Guidelines for Audiovisual and Multimedia Collection Management
DRAFT ONLY Guidelines for Audiovisual and Multimedia Collection Management in Libraries Revised by: Sonia Gherdevich Senior Manager, Collection Stewardship National Film and Sound Archive of Australia [email protected] with contributions from the Audiovisual and Multimedia Section Standing Committee Supersedes: Guidelines for Audiovisual and Multimedia materials in libraries and other institutions /Bruce Royan, Monika Cremer et al for the IFLA Audiovisual and Multimedia Section. The Hague, IFLA Headquarters, 2004. – 21p. 30 cm. – (IFLA Professional Reports : 80) Language: English DRAFT ONLY DRAFT ONLY TABLE OF CONTENTS FOREWORD i 1 INTRODUCTION 1.1 Background 1 1.2 Scope 1 1.3 Key Definitions 2 1.4 Professional Associations 3 PART A MANAGEMENT OF AUDIOVISUAL COLLECTIONS A-1 Acquisitions 4 A-2 Cataloguing 5-6 A-3 Access 6 A-4 Rights 6 A-5 Disaster Recovery Management 7 A-6 Staff Skills 7 A-7 Budget 8 PART B PHYSICAL FORMATS B-1 Format Types 9 B-2 Packaging 9-10 B-3 Preservation 10-11 B-4 Storage 11-12 PART C DIGITAL FORMATS C-1 Born-Digital Collection Works 13 C-2 Infrastructure and Systems 13 C-3 Preservation 14 C-4 Storage 14 Attachment A Professional Associations 15 Attachment B Cataloguing Standards 16 Attachment C Physical Audiovisual and Multimedia Carriers 17-19 Attachment D Preservation Standards for Digitising Audiovisual Works 20-21 Attachment E Storage Standards and Best Practices for Audiovisual Works 22-25 DRAFT ONLY DRAFT ONLY FOREWORD This set of Guidelines updates the IFLA Audiovisual and Multimedia Section (AVMS) Guidelines document originally developed and shared in 1982 and updated in 2003. -
Cataloging and Managing Film and Video Collections a Guide to Using RDA and MARC 21
CATALOGING AND MANAGING FILM AND VIDEO COLLECTIONS A GUIDE TO USING RDA AND MARC 21 COLIN HIGGINS An imprint of the American Library Association CHICAGO 2015 www.alastore.ala.org COLIN HIGGINS is Librarian of St Catharine’s College, University of Cambridge. He holds a BA in Philosophy from Trinity College Dublin, an MSc in Library Science from the University of Wales, and an MPhil in Philosophy from King’s College London, where he is currently completing a PhD. He writes and reviews on libraries for a wide variety of publications. His main research interests are in cataloging and classification, particularly their historical and philosophical aspects. Colin serves on a number of professional committees, and has been chair of the Cambridge College Libraries Forum. He maintains two blogs—Libraries at the Movies explores the representation of libraries in film, and Cutter’s Last Stand addresses contemporary issues in cataloging and classification. © 2015 by the American Library Association. Extensive effort has gone into ensuring the reliability of the information in this book; however, the publisher makes no warranty, express or implied, with respect to the material contained herein. ISBN: 978-0-8389-1299-7 (paper) Library of Congress Cataloging-in-Publication Data Higgins, Colin, 1979- Cataloging and managing film and video collections : a guide to using RDA and MARC21 / Colin Higgins. pages cm Includes bibliographical references and index. ISBN 978-0-8389-1299-7 1. Cataloging of motion pictures. 2. Cataloging of video recordings. 3. Libraries —Special collections—Motion pictures. 4. Libraries—Special collections—Video recordings. I. Title. Z695.64.H54 2015 025.3'473—dc23 2014040988 Cover design by Kirstin Krutsch. -
Channel R PERFORMANCE MULTI-ROOM VIDEO Warranty Modulator Multiplex Technology, Inc
Channel R PERFORMANCE MULTI-ROOM VIDEO Warranty Modulator Multiplex Technology, Inc. warrants this product to be free from defects in materials and workmanship for a period of Installation Manual one year from the date of purchase or MTI will repair, or at its option, replace the defective product. To obtain warranty service, call MTI for a return material authorization (RMA) number and return the product prepaid to Multiplex Technology, Inc., 3001 Enterprise Street, Brea, CA 92821, Attention: Customer Service. Please put the RMA number on the outside of the carton. ® model 5645 quad mts stereo surround sound modulator Any implied warranty arising from the sale of the product select program BA C D STEREO including implied warranties of merchantability and fitness dbx noise reduction for purpose are limited to the warranty stated above. MTI shall not be responsible for losses or damages or expenses, whether direct, consequential or incidental arising from the use of or the inability to use this product. Some states do not Frequency-Agile allow limitations on how long the implied warranty lasts or the exclusion or limitation or incidental or consequential MTS Stereo damages, so the above limitations and exclusions may not apply to you. This warranty gives you specific legal rights, Multi-channel Modulators and you may have other rights which may vary from state to state. Models 5615/5625/5645 This device complies with the FCC's Part 15 Rules for TV interface devices. Any change or modification to this device without the permission of Multiplex Technology, Inc. may void the user's authority to operate this equipment. -
D4E Serial Digital Encoder User Manual
D4E Serial Digital Encoder User Manual December 5, 2003 P/N 101634-00 2 Trademarks AJA, Io, and Kona are trademarks of AJA Video, Inc. All other trademarks are the property of their respective holders. Notice Copyright © 2003 AJA Video, Inc. All rights reserved. All information in this manual is subject to change without notice. No part of the document may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying or recording, without the express written permission of AJA Inc. FCC Emission Information This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense. Changes or modifications not expressly approved by AJA Video can effect emission compliance and could void the user’s authority to operate this equipment. Contacting Support To contact AJA Video for sales or support, use any of the following methods: 443 Crown Point Circle, Grass Valley, CA. 95945 USA Telephone: +1.800.251.4224 or +1.530.274.2048 Fax: +1.530.274.9442 Web: http://www.aja.com Support Email: [email protected] Sales Email: [email protected] When calling for support, have all information on the product (serial number etc.) at hand prior to calling. -
Hr-P94k/P54a
INSTRUCTIONS 3 Precautions 4 Controls English The rating plate and the safety caution are on the rear of the unit. Front panel Front panel WARNING: DANGEROUS VOLTAGE IN-SIDE 1 STANDBY/ON button WARNING: TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS UNIT TO To turn the power on and off (standby mode). RAIN OR MOISTURE. Hi-Fi KARAOKE MULTI 6HEAD 2 Cassette loading slot STANDBY/ON TAPE POSITION ON SCREEN AUTO VOLTAGE B.E.S.T. PICTURE Load the video cassette here. The STANDBY/ON button does not completely shut off mains power from the unit, Hi-Fi Karaoke MULTI SYSTEM 1 MIC 2 PAL/MESECAM/NTSC3.58/4.43 3 1 but switches operating current on and off. NTSC PLAYBACK ON PAL TV 3 Rewind 1 button VIDEO CASSETTE PLAYER SUPER PAL NTSC POWER-ON STANDBY/REC OSD SP/LP/EP HEAD CLEANER VIDEO CASSETTE PLAYER HR-P94K To rewind the video tape and to start reverse shuttle search playback mode. HR-P94K 4 Play # button This unit is produced to comply with Standard IEC 60065. To start playback. 5 Fast forward ¡ button HR-P94K/P54A When the equipment is installed in a cabinet or a shelf, make sure that it has sufficient space To fast forward the video tape and to start forward shuttle search playback mode. on all sides to allow for ventilation (10 cm or more on both side, on top and at the rear.) 6 SP / LP / EP button When discarding batteries, environmental problems must be considered and the local rules To select the recording tape speed. -
IQDMSES Multi-Standard (PAL, PAL-N, PAL-M, NTSC, SECAM) Encoder with Synchronizer - 12 Bit
IQDMSES Multi-standard (PAL, PAL-N, PAL-M, NTSC, SECAM) Encoder with Synchronizer - 12 bit The IQDMSES provides full broadcast quality serial 4:2:2 to composite analog encoding. Full genlock and gamut limiter as standard. A 12-bit oversampled DAC ensures highest quality reconstruction. Does this module suit your application? • EDH checking on SDI input • PAL/NTSC-M/NTSC-J/PAL-M/PAL-N/SECAM broadcast • RollCall™ compatible quality encoding • RollTrack™ link to tracking audio delays • 12-bit oversampled, DAC with 601 quality reconstruction Why should you choose this module? • Full genlock and minimum delay operation • Broadcast quality encoding for • Full Frame Synchronizer PAL/NTSC-M/NTSC-J/PAL-M/PAL/SECAM broadcast • Gamut limiting using optimal hue and intensity modification applications • Internal pattern and VITS generation • Full genlock and minimum delay functions ensure accurate timing of composite video • Pass or blank vertical interval data • Vertical interval data can be passed or blanked as required NTSC pedestal control • by the downstream system • Tolerant of SMPTE RP168 serial switching • RollCall ensures the control capability required by any • Selectable SECAM Bottles systems • SECAM Genlock to PAL switch or SECAM • 12-bit oversampling DAC ensures optimum analog quality • SECAM dynamic notch • Gamut limiting using optimal hue and intensity modification • Up to 5 x composite outputs • Up to 2 x serial 4:2:2 reclocked outputs © Snell & Wilcox 2005 www.snellwilcox.com IQDMSES Multi-standard (PAL, PAL-N, PAL-M, NTSC, SECAM) Encoder with Synchronizer - 12 bit Order codes for IQH3A enclosures Order codes for other enclosures IQDMSES-1A-S 12-bit Multi-standard IQDMSES-1-S 12-bit Multi-standard (PAL/PAL-N/PAL-M/NTSC/SECAM) Encoder with Synchronizer. -
OA-24 Measuring and Improving Differential Gain and Differential Phase for Video
OBSOLETE Application Report SNOA370B–March 1994–Revised April 2013 OA-24 Measuring and Improving Differential Gain and Differential Phase for Video ..................................................................................................................................................... ABSTRACT Differential gain (DG) and differential phase (DP) are two specifications that designers of composite video systems use everyday. We will define them here just to be sure we are all speaking the same language, and to ensure understanding of the rationale of the test technique used by Texas Instruments. Contents 1 Basic Information ............................................................................................................ 2 2 How We Do It ................................................................................................................ 3 3 Look Carefully at How DG, DP are Specified In Data Sheets ........................................................ 5 4 Summary ..................................................................................................................... 9 5 References ................................................................................................................. 10 List of Figures 1 Positive Video Waveform .................................................................................................. 2 2 R/T Test Set ................................................................................................................. 5 3 DG and DP Appear More Like