The Approach to Digital Terrestrial TV Broadcast- Ing at Fujitsu TEN
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AN9725LG Datasheet
AN9725LG Analog Logo Inserter System The AN9725LG Logo Inserter system is a complete analog logo insertion The onboard preview allows you to cue your logos for position and content package that will key one, or many, static/animated "bugs" over a composite verifi cation prior to going "On Air". analog video signal. Logos created in BMP, TIF or TGA fi le formats can be imported into the Evertz® Overture™ software and transferred to the The EAS crawl support allows for connection to an existing EAS decoder. This AN9725LG via Ethernet. RS–232 connection allows weekly tests (white text on green), watch alerts (white on yellow) and warnings (white on red) to be scrolled across the analog Logos are stored in fl ash memory and can be quickly accessed via front panel, video with no need for format conversion. The variable height text font can be quick select keys, GPI inputs, automation and Overture™. With the removable positioned anywhere on the screen and rendered with any TrueType font. Compact Flash option you can access up to 4GB of online logo storage space and virtually unlimited archived media storage. The TXT option allows for the creation of custom text messages that can be displayed as crawls or fi xed position fi elds on top of keyed graphic logos. The AN9725LG has been designed to manage and store multiple logos. Each These user–defi ned elements can be dynamically updated by Ethernet using logo size is variable and ranges from 1/25th to full screen. The position of the Overture™ software. Text crawls and fi elds retain display information such the logo, fade rates and animation rates are user–controllable. -
4430+ Composite Analogue to SDI ADC
DTL MiniBlox™ 4430+ Composite analogue to SDI ADC Features • Analogue composite to SDI ADC • Dual high speed oversampling 11-bit ADC’s • Digital TBC and jitter filter for greater output stability • Temporal frame recursive noise reduction • Motion adaptive 3D YC separation using a 5 line comb filter • Automatic gain control Description • Differential input to eliminate common mode ‘hum’ up to 6Vp-p The 4430+ is a broadcast quality composite analogue to SDI converter. • Extremely compact and rugged It uses dual 11 bit over sampling ADCs with 5 line • Locking connector for PSU adaptive comb filtering. Temporal noise reduction and Control switches 3D motion adaptive YC separation offer the highest • Pedestal control quality conversion on the market. The unit accepts PAL, • VBI blanking NTSC and SECAM analogue inputs. The input format is • Disable AGC automatically detected. • Disable jitter filter It is housed in an extremely compact and rugged aluminium case ideally suited to both studio and portable • Enable noise reduction applications. • Enable motion adaptive YC separation www.miniblox.com Specifications Analogue input Performance Standards Composite NTSC (J, M, 4.43), PAL (B, D, G, H, I, Differential gain <1.5% M, N, Nc, 60) and SECAM (B, D, G, K, K1, L) Composite PAL, NTSC & SECAM Differential phase <0.4° Connector 75Ω BNCs Power Signal level 1V p-p nominal Voltage 6-12V DC Return loss >40dB to 5.5MHz Current 600mA at 6V CMR >6Vp-p Power connector Locking 2.5mm jack connector (centre +ve) SDI output Other Standards SMPTE 259M 270Mb/s 525/625 SDI LED Shows power and signal Connector 75Ω BNC Temperature range 0˚C to 40˚C Number 2 Dimensions 63.5mm x84mm x30mm (excluding connectors) Signal level 800mV p-p ±10% (terminated) Weight 180g Jitter <0.15UI with colour bars input Return loss >18dB to 270MHz Ordering information 4430+ Composite analogue to SDI ADC 4006 Desktop power supply with IEC320 C14 inlet 4010 1U rack mounting frame for up to 5 units including PSU We reserve the right to change technical specifications without prior notice. -
Be a Disruptor Than to Defend Myself from Disruption.”
“I ultimately made the decision “The world that it would be more fun to wants us be a disruptor than to tell them that to defend myself the sky is falling. from disruption.” IT’s NOT.” – Le s L i e Mo o n v e s –Pe t e r Ch e r n i n aac e e s i ” – L “ . BEYO TECH NOL WELCOME NDDI OGY SRUP is the best ally democracy can have.” disruption and UNCERTAINTY good way to do it: embrace “There’s only one TION –Ad r i A n A Ci s n e r o s A Report on the AND PLEASE JOIN US INTERNATIONAL for the next International COUNCIL SUMMIT Council Summit September 14, 15, 16, 2011 April 26, 2012 Los Angeles Madrid, Spain CONTENTS A STEP BEYOND DISRUPTION 3 | A STEP BEYOND DISRUPTION he 2011 gathering of The Paley Center for Me- Tumblr feeds, and other helpful info. In addi- dia’s International Council marked the first time tion, we livestreamed the event on our Web site, 4 | A FORMULA FOR SUCCESS: EMBRacE DISRUPTION in its sixteen-year history that we convened in reaching viewers in over 140 countries. Los Angeles, at our beautiful home in Beverly To view archived streams of the sessions, visit 8 | SNAPSHOTS FROM THE COCKTAIL PaRTY AT THE PaLEY CENTER Hills. There, we assembled a group of the most the IC 2011 video gallery on our Web site at http:// influential thinkers in the global media and en- www.paleycenter.org/ic-2011-la-livestream. -
C Ntentasia 17-30 October 2016 Page 2
17-30 October 2016 ! s r a ye 2 0 C 016 g 1 NTENT - Celebratin www.contentasia.tv l www.contentasiasummit.com Aiello/Kamat take US$50m MAIN COLOR PALETTE YuppTV stake10 GRADIENT BG GRADIENT R: 190 G: 214 B: 48 R: 0 G: 0 B: 0 Take the green and the blue Take the green and the blue C: 30 M: 0 Y: 100 K: 0 C: 75 M: 68 Y: 67 K: 90 from the main palette. from the main palette. Opacity: 100% Opacity: 50% R: 0 G: 80 B: 255Original productionR: 138 G: 140 B: 143 will beBlending Mode: Normal Blending Mode: Hue C: 84 M: 68 Y: 0 K: 0 C: 49 M: 39 Y: 38 K: 3 20%-30% of total content within three years Asian investment company Emerald Media is spending US$50 million on YuppTV, giving the OTT platform the fuel to drive original programming up to between 20% and 30% of total content over the next two to three years and to fast-track global subscription ambitions. For its money, the pan-Asian investment platform gets a “significant minority” stake Japan takes centre stage in in YuppTV, based in the U.S. with manage- Cannes ment and engineering teams in India. Hangzhou and other Asia highlights @ The story is on page 7 MIPCOM Japan takes centre stage in Cannes Country of Honour status radiates across MIPCOM agenda Japan takes top spot on the MIPCOM calendar this year, with Country of Hon- our status radiating across the agenda. Highlights include screenings of the Japa- nese version of U.S. -
Spotlight on Asia-Pacific
Worldwide Satellite Magazine June 2008 SatMagazine Spotlight On Asia-Pacific * The Asia-Pacific Satellite Market Segment * Expert analysis: Tara Giunta, Chris Forrester, Futron, Euroconsult, NSR and more... * Satellite Imagery — The Second Look * Diving Into the Beijing Olympics * Executive Spotlight, Andrew Jordan * The Pros Speak — Mark Dankburg, Bob Potter, Adrian Ballintine... * Checking Out CommunicAsia + O&GC3 * Thuraya-3 In Focus SATMAGAZINE JUNE 2008 CONTENTS COVER FEATURE EXE C UTIVE SPOTLIGHT The Asia-Pacific Satellite Market Andrew Jordan by Hartley & Pattie Lesser President & CEO The opportunities, and challenges, SAT-GE facing the Asia-Pacific satellite market 12 are enormous 42 FEATURES INSIGHT Let The Games Begin... High Stakes Patent Litigation by Silvano Payne, Hartley & Pattie by Tara Giunta, Robert M. Masters, Lesser, and Kevin and Michael Fleck and Erin Sears The Beijing Olympic Games are ex- Like it or not, high stakes patent pected to find some 800,000 visitors wars are waging in the global satel- 47 arriving in town for the 17-day event. 04 lite sector, and it is safe to assume that they are here to stay. Transforming Satel- TBS: Looking At Further Diversification lite Broadband by Chris Forrester by Mark Dankberg Internationally, Turner Broadcasting The first time the “radical” concept has always walked hand-in-hand with 54 of a 100 Gbps satellite was intro- the growth of satellite and cable – duced was four years ago, 07 and now IPTV. Here’s Looking At Everything — Part II by Hartley & Pattie Lesser The Key To DTH Success In Asia by Jose del Rosario The Geostationary Operational Envi- Some are eyeing Asia as a haven for ronmental Satellites (GOES) continu- economic safety or even economic ously track evolution of weather over growth amidst the current global almost a hemisphere. -
Innovation Without Borders
International Council NewINNOVATION York WITHOUT CityBORDERS A report on the 2012 International Council summit, an independent forum for media and technology leaders from around the world at the Paley Center for Media. Digital isn’t an afterthought, it’s a primary thought. The main thing is to close the digital divide in You can’t separate this new world, either you’re connected or distribution and you’re out. –Ricardo Salinas content... there’s are other markets. other markets. are there you, for some news I have Angeles, and San Francisco. Los York, New between exists think the whole world guys You no king, one without the other. –Jeff Bewkes You need to build the –Yossi Vardi –Yossi –Avner Ronen –Avner technology that is native to a country’s problems. -Rishi Malhotra –Herb Scannell How do you make a 125 year Technology changes much Technology than the psychology faster of people. old company innovative? It’s all about the people. –Frank A. Bennack, Jr. PC_ICBook_FINAL.indd 1 3/18/13 11:07 PM The Innovation Imperative In November 2012, The Paley Center for Media convened the twentieth meeting of the International Council since this perennial gathering of global media leaders began in 1995. Delegates from here in the US to countries in Latin America, Europe, Asia, and the Middle East, assembled at the Paley Center’s New York headquarters and the Time Warner Center for three days of dialogue and debate under the guiding theme “Innovation without Borders.” Certainly, as a longtime convener of international media leaders, The Paley Center has seen that growth goes hand-in-hand with corporate investment and partnerships across borders. -
II-5-1 Outline
Chapter II: Current Status of Info-communications Industry II-5-1 Outline Recently new broadcasting media have entered the market one after another. II-5 Japanese broadcasting is basically divided into broadcasting have been launched in the terrestrial three media: terrestrial broadcasting, satellite broad- broadcasting area, and communications satellite Broadcasting service Broadcasting casting and cable television. All these categories (CS) broadcasting has also begun. In addition, the have seen new entrants in recent years. For ex- number of companies offering cable television ser- ample, since the beginning of the 1990s, community vices, providing original programming, has been FM radio broadcasting and foreign language FM steadily increasing. Fig. Major broadcasting media in Japan Year 19501960 1970 1980 1990 2000 Current status (Fiscal 1998) Terrestrial TV broadcasting •NHK (2 channels) Subscribers: 36,597,000 1953 (including BS) •The University of the Air Foundation •Commercial broadcasters: 127 • NHK (2 channels) FM radio broadcasting •The University of the Air 1969 Foundation •Commercial broadcasters: 47 Community FM broadcasting •Commercial broadcasters: 118 1992 Foreign language FM radio broadcasting •3 commercial broadcasters Terrestrial broadcasting Terrestrial 1995 (Tokyo, Osaka, Fukuoka) AM radio broadcasting 1925 • NHK (2 channels) •Commercial broadcasters: 47 BS broadcasting •NHK (2 TV channels) Subscribers: 9,464,000 1984 •Commercial TV broadcaster: 1 (1 channel) Subscribers: 2,534,000 •Commercial radio broadcaster: -
4-Channel Video Multiplexers Transmit Four Channels of Full-Frame, • One-Way Transmission of Four Real-Time, Full Frame Video Real-Time Video Over a Single fiber
GE Fiber Optic Security Video Transmitters and Receivers Overview Standard Features 4-Channel Video Multiplexers transmit four channels of full-frame, • One-way transmission of four real-time, full frame video real-time video over a single fiber. They accept monochrome and channels over one fiber color signals in NTSC and PAL formats. The multiplexers consist of • Single and multimode models available a four-channel transmitter and receiver, with both units available in standalone and rack configurations. S704V models feature • Supports all major video formats multimode operation, while S7704V models operate over one single • 640 TV lines resolution mode fiber. • 60 dB Video SNR • 8 MHz video bandwidth Exceptional Performance • Optical AGC Full-frame, real-time video transmission delivers all the video • 13 dB optical budget captured by the camera. A bandwidth of 8 MHz enable the multiplexers to transmit extremely clear, high-resolution images. FM • Operating distance up to 20 miles (32 km), depending on the modulation assures that the image quality remains high over the model full operating distance. • Standalone or rack configurations Superior Diagnostics The SMARTS™ diagnostic technology provides built-in diagnostic tools including LEDs that monitor the operating status of the video and optical signals. 4-Channel Video Multiplexer S704V and S7704V GE Specifications Security Video S704V (Multimode) S7704V (Single Mode) Channels 4 Format NTSC, PAL, SECAM, EIA, CCIR U.S. Input/Output Signal 1.0 V p-p composite T (561) 998-6100 T 888-GE-SECURITY -
Corporate Profile Movies, Music, Sports, Anime - Entertainment Comes in Many Forms
www.wowow.co.jp Corporate Profile Movies, music, sports, anime - entertainment comes in many forms. The red of burning passion, the blue of the clear sky, energetic orange, Entertainment has more than one color. bewitching purple, sorrowful black - all of these can be found in WOWOW. As long as there is expression in humanity, to deliver excitement to the whole world, we aim to be a comprehensive entertainment and media group. Becoming a comprehensive entertainment and media group All entertainment in every form WOWOW started broadcasting in 1991 as the first private satellite broadcasting ■Delivering WOWOW appeal through a variety of media station in Japan, and for the past quarter As the ways people enjoy TV diversify, so do too the ways to enjoy WOWOW. of a century has been a frontrunner in Accessibility through various media is one of WOWOW's strengths. pay TV. With WOWOW PRIME, LIVE, CINEMA and WOWOW MEMBERS ON Customers DEMAND, we are delivering Japanese BS and international entertainment gems on TV and other devices. CS In the past few years, changes in lifestyle ● SKY PerfecTV! have diversified how people enjoy video content. We are responding to these CATV changing customer needs by evolving ● Cable TV providers our services. We will produce unique content that sets WOWOW apart from IPTV T V・P C・T A B L E T the competition. As a group of top ● Platform providers ● Telecommunications SMARTPHONE producers, we will lead Japan's creativity operators and give birth to new expression. We will also work with creators inside and WEB outside the country to offer to offer fresh surprises and emotion to Japan and the rest of the world. -
Brighteye 24 SDI to Analog Converter and Disembedder
BrightEyeTM 24 SDI to Analog Converter and Disembedder User Guide ENSEMBLE DESIGNS Revision 3.0 SW v1.0.8 This user guide provides detailed information for using the BrightEye™24 SDI to Analog Converter and Disembedder unit. The information is organized into the following sections: • Product Overview • Functional Description • Applications • Rear Connectors • Operation • Front Panel Controls Indicators • BrightEye PC • Warranty and Factory Service • Specifications • Glossary BrightEye-1 BrightEye 24 SDI to Analog Converter and Disembedder PRODUCT OVERVIEW BrightEye™ 24 is both a digital to analog video converter as well as an audio dis- embedder. The incoming serial digital video signal is converted to an analog composite signal, while digital audio signals embedded in the digital video signal are extracted and converted to analog outputs. Front panel controls select analog reference level, AES group for disembedding, and provide gain adjustment. Input presence and output VU information are indicated as well. The BrightEye PC Control application is provided to allow more detailed control of the unit from a PC with USB support. A glossary of commonly used video terms is provided at the end of this manual. FUNCTIONAL DESCRIPTION BrightEye 24 combines a video digital to analog converter with an audio dis- embedder (demux) and audio digital to analog converter. The input to the module is a standard definition 601 digital signal (SDI) at either 525 (NTSC) or 625 (PAL) line rate. The SDI input is digitally encoded to composite video and then converted to analog form for output on the Cpst Out BNC connector. The encoder will switch automatically between NTSC and PAL to follow the line standard detected on the SDI input. -
WOWOW PLUS Program Guide April 2021
WOWOW PLUS Program Guide April 2021 Genre Drama Sports 1 THU 2 FRI 3 SAT 4 SUN 6:00 Ghost Warrior 5:25 Das Boot 6:30 Snitch Music / stage The Animation 7:30 Saving Private Ryan 7:00 LUPIN THE 3rd TVSP#09 9:00 Reversal of Fortune "ISLAND OF ASSASSINS" Movie Feature 10:30 Setup 8:30 Act of Valor 8:45 LUPIN THE 3rd TVSP#10 3 Tank movies "Indiana Jones" Franchise 3 Movies Based on Cooking Manga 11:00 Fascination 3 Tank movies "TOKYO CRISIS" 12:00 The Departed 10:30 Tobruk 10:30 Lethal Weapon "The Equalizer" Franchise The Art of SF for War Movies Academy Award for Best Picture 13:00 The November Man 12:30 The Beast of War 12:30 Lethal Weapon 2 14:45 Kiss of the Dragon 15:00 Troy 14:30 T-34 14:30 Lethal Weapon 3 Family Cinema 21st Century Masterpieces Academy Award Winning Movies & Related Programs 16:30 Joe Kidd 16:45 Lethal Weapon 4 18:15 Brick Mansions 18:00 DANNY THE DOG "Indiana Jones" Franchise "THE BLUE HEARTS" Special Music Feature 16:30 Raiders of the Lost Ark 19:00 The Blue Hearts "TAKANORI NISHIKAWA" Special 20:00 Line of Duty 3 #4 20:00 Line of Duty 3 #5 ENDLESS DREAMS THE BLUE HEARTS 18:45 Indiana Jones MEET THE MUTOID with ANTI BODY Special and the Temple of Doom 20:00 The Blue Hearts no Video 2 Clint Eastwood 90th Anniversary Feature"Jackie Chan" "THE BLUE HEARTS" Special 21:00 Saving Private Ryan (JP) 21:00 Koko no Mes 21:00 Indiana Jones VIDEO CLIP 1990-1993 #1~8 and the Last Crusade 20:45 LiSA LiVE is Smile Always "TAKURO YOSHIDA" Specials Golden Week Special "Dubbed Movies" Golden Week Special "Luc Besson" 23:15 Indiana Jones -
Unclassified DSTI/ICCP/TISP(97)7/FINAL
Unclassified DSTI/ICCP/TISP(97)7/FINAL Organisation de Coopération et de Développement Economiques OLIS : 24-Jun-1999 Organisation for Economic Co-operation and Development Dist. : 28-Jun-1999 __________________________________________________________________________________________ English text only DIRECTORATE FOR SCIENCE, TECHNOLOGY AND INDUSTRY Unclassified DSTI/ICCP/TISP(97)7/FINAL COMMITTEE FOR INFORMATION, COMPUTER AND COMMUNICATIONS POLICY Working Party on Telecommunication and Information Services Policies CONDITIONAL ACCESS SYSTEMS: IMPLICATIONS FOR ACCESS English text only 79578 Document complet disponible sur OLIS dans son format d'origine Complete document available on OLIS in its original format DSTI/ICCP/TISP(97)7/FINAL FOREWORD The following report was presented to the Working Party on Telecommunication and Information Services Policies (TISP) in September 1997 and was subsequently forwarded, in March 1998, to the Committee for Information, Computer and Communications Policy (ICCP), who agreed to its declassification through a written procedure. The report was prepared by Mr. Shigeyoshi Wakabayashi of the OECD’s Directorate for Science, Technology and Industry. It is published on the responsibility of the Secretary-General of the OECD. Copyright OECD, 1999 Applications for permission to reproduce or translate all or part of this material should be made to: Head of Publications Service, OECD, 2 rue André-Pascal, 75775 Paris Cedex 16, France. 2 DSTI/ICCP/TISP(97)7/FINAL TABLE OF CONTENTS FOREWORD.................................................................................................................................................