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Grant Support Cheyenne Kiwanis Foundation Kiwanis is a global organization of volunteers dedicated to changing the world one child and one community at a time. It is one of the largest community-service organizations dedicated primarily to helping the children of the world. The Cheyenne Kiwanis club was organized and charted on Janu- ary 22, 1922. The Cheyenne Kiwanis Foundation was founded on September 24, 1971 to be a vehicle by which individuals and clubs in the Cheyenne area could make tax-deductible contributions to further Kiwanis goals and purposes. The foundation provides services and support to the activities of the Cheyenne Kiwanis Club, The Rocky Mountain District and Kiwanis International. Every member of the Cheyenne Kiwanis Club is a member of the Cheyenne Kiwanis Foundation. Nine members of the Cheyenne Kiwanis Club are elected to serve on the foundation’s board of trustees on a revolving basis for three year terms. The Foundation has given to the Cheyenne community and the world including but not limited to Kiwanis International Worldwide Service Project to eliminate Iodine Deficiency Disorder (IDD) around the world, Youth Alternatives, NEEDS, Inc., YMCA, Boys and Girls Club of Cheyenne, HICAP, Attention Homes, CASA of Laramie County and Wyoming Leadership Seminar. Walmart The Walmart Foundation strives to provide opportunities that improve the lives of individuals in our communities including our customers and associates. Through financial contributions, in-kind donations and volunteerism, the Walmart Foundation supports initiatives focused on enhancing opportunities in our four main focus areas: · Education · Workforce Development · Economic Opportunity · Environmental Sustainability · Health and Wellness The Walmart Foundation has a particular interest in supporting the following populations: veterans and military families, traditionally under-served groups, individuals with disabilities and people impacted by natural disasters. 50 Sponsor Profile 101.9 KING FM, 106.3 COWBOY COUNTRY & AM 650 KGAB 1912 Capitol Avenue, Suite 300 Cheyenne, WY 82001 Phone: 307-632-4400 Fax: 307-632-1818 We are proud to celebrate our 14th year as Radio Media Sponsor for the Cheyenne Symphony Orchestra and the 2010-2011 “Spectrum of Colors.” Our cluster of radio stations, 101.9 KING FM/106.3 COWBOY COUNTRY/AM 650 KGAB, strive to bring Cheyenne residents the best in music, talk radio and online entertainment. Being a sponsor of the Cheyenne Symphony Orchestra further allows us the opportunity to provide our listeners an alternate avenue into the world of art, music and entertainment. Our stations are dedicated to being the best in radio by providing three Pictured at the radio station offices are diverse stations in conjunction with our websites. Through these means, we (seated) Amy Richards, Leslie Hill, and Deborah Weant; (standing left to right) are able to provide the most current news, weather and event information Dave Chaffin, Sherry Sheehan, Rodeo Rick, for our Cheyenne listeners. We pride ourselves in staying involved in the CSO Board Member Denise Dijkstal, CSO community and helping to make Cheyenne stronger by supporting local Executive Director Chloe Illoway, CSO events and initiatives. If there is something positive happening in Board Member Greg Dyekman, Lesley Cheyenne, you can be sure that you will hear about it on KING, Martin, Gregg Dobbin, and Doug Randall. COWBOY COUNTRY AND KGAB! Like the Cheyenne Symphony Orchestra, our goal is to be the best that we can be and we will continue to set high standards for ourselves to ensure that Cheyenne can count on us as their favorite radio stations. 51 Hausmusik Series An Evening with Elena Urioste Friday, February 25, 2011 • 7:00 pm Hosted by Bob & Charla Nelson An Evening with Antonio Pompa-Baldi Friday, March 25, 2011 • 7:00 pm Hosted by Sloan & Anna Marie Hales Cheyenne Regional Medical Center Cheyenne Regional Medical Center is committed to exceptional patient care and outstanding patient satisfaction. Founded in 1867 as a frontier tent hospital, Cheyenne Regional has since developed into a state-of-the-art facility, but our commitment has never wavered. Cheyenne Regional is a 221-bed premier regional health care system. We pride ourselves on delivering The CSO is pleased to have Cheyenne Regional Medical Center once again the highest standard of quality care to meet the region’s growing sponsor the Hausmusik Series. Pictured from left to right are CSO Executive health care needs. Our 175 physicians, 1,700 employees and 200 Director Chloe Illoway, Dr. Phyllis Sherard, volunteers are passionate health care experts that employ the latest Director of Community Health Improvement, Leigh West, VP Planning & technologies and are dedicated to the healing process for all of our Communication, Dr. John Lucas, Chief patients. Executive Officer and CSO Board Members Joanne Hammon and Anne Lucas. We offer a comprehensive line of healthcare services including Cancer, Cardiac, Hospice, Neurosciences, Orthopedics, Weight Loss, Wound Care and Vascular. We’re proud to be an integral part of Cheyenne and its history and to once again sponsor the Cheyenne Symphony Orchestra’s Hausmusik Series. 52 53 Program Notes Continued from Page 43 or Schoenberg that night, rather Irving Berlin, Victor rhythm and the ever-increasing volume tend to grab Herbert, Jerome Kern, and others of that ilk. However, your attention, but pay heed to the wonderful colors Jascha Heifetz, Sergei Rachmaninoff, and other mixed up for the listener. The tension generated by the luminaries of music were in the audience. The poster repetition is enhanced by Ravel’s steadfast adherence to read that Whiteman would be “assisted by Zez Confrey the key of C major—although considerable charm and and George Gershwin”—notice that the composer of interest is occasionally wrought by having some of the “Kitten on the Keys” and “Dizzy Fingers” received top accompanying instruments double the melody billing to the young Gershwin. Gershwin had been asked simultaneously in different, but closely-related keys. A late in 1923 to write a piece for the Whiteman orchestra, true stroke of genius occurs near the end—when you but he had turned his attention to more pressing think that you are going to scream if you hear another matters, and was horrified to read in the New York bar of C major, Ravel abruptly signals the approaching Tribune on the 4th of January, 1924 that he was to end by a short move to the striking and ingratiating key première a “jazz concerto” on February 12. Gershwin of E major—but only for eight bars. The tumult reaches plunged in and presented his brilliant succession of its climax, and with glissandi from the trombones and “American” themes to Ferde Grofe, Whiteman’s saxophones, amid smashing percussion, the orchestra orchestrator, to arrange for large jazz band and piano triumphantly slides home to C major by a half step. (the symphonic version came later)—Gershwin did not Ravel’s “experiment” ends and in his own words, you can have the skill to do this at this point in his career. “. take it or leave it.” The composition opened the second half of the Economy of means is a traditional virtue in art, and concert with Gershwin as soloist—using no music, and Ravel intentionally experimented with repetitive rhythm probably considerably “enhancing” the solo part. The and melody in order focus the mind on changing instru- opening clarinet glissando evocative of traditional Jewish mental color. Sure, the long crescendo is important, but Klezmer music kicked it off, and the now-familiar tunes his acclaimed genius at orchestration makes the piece. came rushing by. While Rhapsody in Blue really is not You might say that never in the field of musical “jazz,” and certainly not a concerto in the traditional composition have so many enjoyed so much made from sense, Gershwin turned out a masterpiece that is a model so little (sorry). of what came to be called “symphonic jazz.” Rhapsody in Blue—George Gershwin What is specifically germane to appreciating tonight’s George Gershwin was arguably the most successful composition is the importance of so-called “serious” or and talented of America’s composers of popular music. “classical” musical interests and training in Gershwin’s His songs constitute the core of the “American life that is unprecedented for someone who enjoyed his Songbook,” whether composed as part of his immensely kind of success. He certainly was not some sort of successful Broadway shows, or as stand alone popular untutored musical genius who later sought “legitimacy” tunes. Born of Russian Jewish immigrants, he did not after having proven himself in the popular world. Rather, evince his formidable musical talents until about the age early on, as a young boy he studied and performed under of ten, when a piano was purchased for his older brother traditional piano teachers the music of composers such and later collaborator, Ira. Much to the latter’s relief, as Chopin, Liszt, and Debussy. Later, he journeyed to George soon commandeered the piano, and the rest is, as Paris to study under the famed teacher of composition, they say, history. His audiences rewarded him Nadia Boulanger, as well as Maurice Ravel. However, substantially—he is estimated to have become the both rejected him, more or less afraid to compromise the wealthiest composer in modern times. He earned over a genius evident in his burgeoning success. While in Paris, quarter of a million dollars for “Rhapsody in Blue” he met and admired the music of eminent composers during the first decade of its life, and it still is bringing such as Prokofiev, Poulenc, and Milhaud. Gershwin’s in the bucks, as witnessed by every commercial for ambitions were such that, long after he had achieved the United Airlines. kind of success that any popular composer would have Rhapsody in Blue was written in great haste for envied, he assiduously studied formal composition with a 1924 concert in New York’s Aeolian Hall given by established teachers, and he was successful.
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