2006-09-06 Katalog CD
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Letter Book Guide
TENDENCIES AND CONTRASTS IN MUSIC OF HENRY BARRAUD 35 it is not the music which is stretched out taut but rather the subject of the drama which is reduced to its fundamental tragic elements. Numance was originally per- formed at the Paris Opera and in view of its success has already been revived there. and final concert was a pot-pourri of twentieth- century English traditionalists, together with LETTER the Suite from Lulu by Berg. THE EDITOR, TEMPO lSthJune, 19S7- Everyone thinks that he can compile an DEAR SIR, anthology better than the next man, and it An event of great importance in the world would be churlish to criticise the L.P.O. for of modern music took place in the early having omitted works that happen to be months of this year with a series of concerts particular favourites of particular people. It entitled " Music of a Century " given in the was clearly never the intention of this series Royal Festival Hall by the London Phil- to be more avant than the avant-garde. harmonic Orchestra. Nevertheless, the total omission (barring the I attended all nine of these concerts, puerile Ballet Mecaniaue by Antheil) of works which, to quote from the handbook issued by native American composers was startling. to cover the series, were "cast in the form 1 would suggest that if concerts of con- of an anthology, with each programme temporary music are to be given to a wide pursuing some particular line of musical public in the Festival Hall, and that if the thought." idea of an anthology is to be persisted with, The first concert, entitled " Retreat from a wider range of works should be considered Wagner," was one of the most rewarding for performance. -
Planilha Musical Setembro 2017 Empresa Brasil De
PLANILHA MUSICAL SETEMBRO 2017 EMPRESA BRASIL DE COMUNICAÇÃO S/A - EBC RAZÃO SOCIAL: CNPJ: NOME FANTASIA: RÁDIO NACIONAL FM DIAL: 96.1 CIDADE: BRASÍLIA UF: DF EXECUÇÃO DATA HORA DESCRIÇÃO INTÉRPRETE COMPOSITOR GRAVADORA MECÂ AO VIVO NICO 01/09/2017 00:09:50 MAD 002 - BLOCO 10 MADRUGADA 2017 X 01/09/2017 00:24:44 MAD 002 - BLOCO 11 MADRUGADA 2017 X 01/09/2017 00:40:50 MAD 002 - BLOCO 12 MADRUGADA 2017 X 01/09/2017 00:54:55 MAD 002 - BLOCO 13 MADRUGADA 2017 X 01/09/2017 01:09:54 CORAÇÃO BOBO ALCEU VALENÇA ALCEU VALENÇA X 01/09/2017 01:13:33 ULTRALEVE BADI ASSAD BADI ASSAD X 01/09/2017 01:17:09 APRENDENDO A MEXER PAULO PAULELLI PAULO PAULELLI X 01/09/2017 01:20:05 MIL RAZÕES /2016 TIAGO IORC TIAGO IORC / DANI BLACK X 01/09/2017 01:24:08 SOSSEGO TIM MAIA TIM MAIA X 01/09/2017 01:27:55 QUEREM ACABAR COMIGO TITÃS ROBERTO CARLOS X 01/09/2017 01:31:31 IRMÃOS CORAGEM SANDRA DUAILIBE NONATO BUZAR / PAULINHO TAPAJÓS X 01/09/2017 01:34:57 PRA QUE DISCUTIR COM MADAME? ARRANCO DE VARSÓVIA HAROLDO BARBOSA / JANET DE X ALMEIDA 01/09/2017 01:38:37 SONHO DE UM BANDOLIM CHORO LIVRE JUVENTINO MACIEL X 01/09/2017 01:42:45 NADA SERÁ COMO ANTES MILTON NASCIMENTO & BETO GUEDES MILTON NASCIMENTO / RONALDO X BASTOS 01/09/2017 01:46:10 MARESIA ADRIANA CALCANHOTTO PAULO MCHADO / ANTÔNIO CICERO X 01/09/2017 01:50:16 TERRA DO VERDE WILSON TEIXEIRA WILSON TEIXEIRA X 01/09/2017 01:53:58 SAMBA DA BÊNÇÃO MARIA BETHÂNIA BADEN POWELL / VINICIUS DE MORAES X 01/09/2017 01:57:00 EM PAZ 5 A SECO E MARIA GADÚ RAFAEL ALTÉRIO / PEDRO ALTÉRIO / X RITA ALTÉRIO 01/09/2017 02:00:47 -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
RETRATOS DA MÚSICA BRASILEIRA 14 Anos No Palco Do Programa Sr.Brasil Da TV Cultura FOTOGRAFIAS: PIERRE YVES REFALO TEXTOS: KATIA SANSON SUMÁRIO
RETRATOS DA MÚSICA BRASILEIRA 14 anos no palco do programa Sr.Brasil da TV Cultura FOTOGRAFIAS: PIERRE YVES REFALO TEXTOS: KATIA SANSON SUMÁRIO PREFÁCIO 5 JAMELÃO 37 NEY MATOGROSSO 63 MARQUINHO MENDONÇA 89 APRESENTAÇÃO 7 PEDRO MIRANDA 37 PAULINHO PEDRA AZUL 64 ANTONIO NÓBREGA 91 ARRIGO BARNABÉ 9 BILLY BLANCO 38 DIANA PEQUENO 64 GENÉSIO TOCANTINS 91 HAMILTON DE HOLANDA 10 LUIZ VIEIRA 39 CHAMBINHO 65 FREI CHICO 92 HERALDO DO MONTE 11 WAGNER TISO 41 LUCY ALVES 65 RUBINHO DO VALE 93 RAUL DE SOUZA 13 LÔ BORGES 41 LEILA PINHEIRO 66 CIDA MOREIRA 94 PAULO MOURA 14 FÁTIMA GUEDES 42 MARCOS SACRAMENTO 67 NANA CAYMMI 95 PAULINHO DA VIOLA 15 LULA BARBOSA 42 CLAUDETTE SOARES 68 PERY RIBEIRO 96 MARIANA BALTAR 16 LUIZ MELODIA 43 JAIR RODRIGUES 69 EMÍLIO SANTIAGO 96 DAÍRA 16 SEBASTIÃO TAPAJÓS 44 MILTON NASCIMENTO 71 DORI CAYMMI 98 CHICO CÉSAR 17 BADI ASSAD 45 CARLINHOS VERGUEIRO 72 PAULO CÉSAR PINHEIRO 98 ZÉ RENATO 18 MARCEL POWELL 46 TOQUINHO 73 HERMÍNIO B. DE CARVALHO 99 CLAUDIO NUCCI 19 YAMANDU COSTA 47 ALMIR SATER 74 ÁUREA MARTINS 99 SAULO LARANJEIRA 20 RENATO BRAZ 48 RENATO TEIXEIRA 75 MILTINHO EDILBERTO 100 GERMANO MATHIAS 21 MÔNICA SALMASO 49 PAIXÃO CÔRTES 76 PAULO FREIRE 101 PAULO BELLINATI 22 CONSUELO DE PAULA 50 LUIZ CARLOS BORGES 76 ARTHUR NESTROVSKI 102 TONINHO FERRAGUTTI 23 DÉRCIO MARQUES 51 RENATO BORGHETTI 78 JÚLIO MEDAGLIA 103 CHICO MARANHÃO 24 SUZANA SALLES 52 TANGOS &TRAGEDIAS 78 SANTANNA, O Cantador 104 Dados Internacionais de Catalogação na Publicação (CIP) PAPETE 25 NÁ OZETTI 52 ROBSON MIGUEL 79 FAGNER 105 (Câmara Brasileira do Livro, SP, Brasil) ANASTÁCIA 26 ELZA SOARES 53 JORGE MAUTNER 80 OSWALDO MONTENEGRO 106 Refalo, Pierre Yves Retratos da música brasileira : 14 anos no palco AMELINHA 26 DELCIO CARVALHO 54 RICARDO HERZ 80 VÂNIA BASTOS 106 do programa Sr. -
Current Review
Current Review Christian Ferras plays Beethoven and Berg Violin Concertos aud 95.590 EAN: 4022143955906 4022143955906 Fanfare (Robert Maxham - 2012.05.01) Audite’s program of violin concertos by Ludwig van Beethoven and Alban Berg captures two moments in the life of Christian Ferras, the first a studio recording from November 19, 1951, made in the Jesus-Christus-Kirche after the 18-year-old violinist had given a live performance of the work at the Titania Palast and more than a decade before he would record the work with Herbert von Karajan and the same orchestra. The young Ferras sounds both flexible and sprightly in the first movement’s passagework, producing a suave tone that might be described as almost gustatory in its effect as he soars above the orchestra. That tone lacks the sharp edge of Zino Francescatti’s and even the slightly reedy quality of Arthur Grumiaux’s, and he never seems to be deploying it simply for the sheer beauty of it: As sumptuous as it might sound, it always serves his high-minded concept of the work itself. And his playing of Fritz Kreisler’s famous cadenza similarly subordinates virtuosity to musical effect. Karl Böhm sets the mood for a probing exploration of the slow movement, in which Ferras sounds similarly committed; he never allows himself to be diverted into mannerism or eccentricity, as Anne-Sophie Mutter does in her performance with Kurt Masur and the New York Philharmonic (Deutsche Grammophon 289 471 349, Fanfare 26:5 and 26:6). What the young Michael Rabin achieved in the showpieces of Wieniawski and Paganini, Ferras arguably exceeded in the music of Beethoven. -
2019 Mowglis Call
The Mowglis Call 2019 2019/2020 Mowglis Reunions Date City Description Location 12/7/19 ............ New York, NY ......................Climbing ...........Central Rock Gym - Manhattan 12/8/19 ............ Boston, MA ..........................Climbing ..........Central Rock Gym - Watertown 3/8/20 .............. Washington D.C. ................Reunion .......................... The Harmon Household 3/14/20 ............ Philadelphia, PA .................Climbing ...........................................PRG - Fishtown 4/3/20 .............. New York, NY ......................Reunion .............................................Explorers Club 5/8/20 .............. Fairfield, CT..........................Reunion .................................... Tweedy Household 5/9/20 .............. Boston, MA ..........................Reunion ............................... Cambridge Boat Club 5/29–5/31 ...... Hebron, NH ..........................Work Weekend ...........................................Mowglis 8/7–8/9 ............ Hebron, NH ..........................Crew Weekend ...........................................Mowglis 9/18–9/20 ...... Hebron, NH ..........................Work Weekend ...........................................Mowglis Nick Robbins, Director ...................................................nickrobbins@mowglis.org Tommy Greenwell, Assistant Director [email protected] James Hart, Director of Alumni Relations [email protected] Holly Taylor, Registrar ...............................................................holly@mowglis.org -
Jgiiszletter 93024-0240 November 1993 V01
P.O. Box 240 Ojai, Calif. Jgiiszletter 93024-0240 November 1993 V01. 12 No. 11 a sports car; and one who acts like me or like you; who has girls, Re O.R white girls, colored girls, Chinese and Hawaiian and German and Many people have written or called me to ask whether I know French, you know? They don’t have that in the movies, so I anything about the condition of Oscar Peterson. don’t go . I have a funny feeling all day after I’ve seen a As you may have heard, Oscar suffered a stroke a few movie with the same white problems. You know, full of girls months ago at the Blue Note in New York. He told me later with long hair and where everybody’s having a lot of fun, and We that he felt his left hand going numb. Ray Brown said to him don’t have any fun. You don’t see any Negroes. It makes me after a set, "You sound as if you can’t feel the keys." feel funny . ' "I can’t," Oscar said. He went home to Canada for medical When the book was published, Miles was at the peak of his ‘aatment and approached the problem of recovering as he does power and talent and fame, one of the great artists of jazz, and erything: with will. he could have all the girls he wanted, including French: he had A few days before these three issues went to press, I spoke been through a love affair with Juliette Greco. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives
100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives 1910s 1915 – Through a $6,000 grant from the city of Baltimore, the Baltimore Symphony Orchestra is founded as a branch of the city’s Department of Municipal Music, making it the only major American orchestra to be fully funded as a municipal agency. 1916 – On February 11, the Baltimore Symphony Orchestra performs its inaugural concerts to a standing- room-only crowd at The Lyric, under the direction of Music Director Gustav Strube. All three concerts comprising the first season at the Lyric are sold out. 1920s 1924 – On February 16, the BSO hosts its first children’s concert. The Baltimore Symphony youth concert series is the first to be established by an American orchestra. 1926 – The Baltimore Symphony makes its initial broadcast performance on WBAL Radio. 1930s 1930 - George Siemonn becomes the second music director of the orchestra. He conducts his opening concert, with the musicians now numbering 83, on November 23. 1935 - In late February, George Siemonn reluctantly resigns as music director and is replaced by Ernest Schelling. Forty-four musicians apply for the position. Schelling is well-known for his children’s concert series at Carnegie Hall. 1937 - Sara Feldman and Vivienne Cohn become the first women to join the Baltimore Symphony. The older members of the orchestra are supportive, but union members picket the hall with signs saying, “Unfair to Men,” which is reported in the New York Times. 1937 - Ernest Schelling becomes ill and is replaced by Werner Janssen. The dynamic young conductor and his wife, the celebrated film star Ann Harding, receive an enthusiastic response when they arrive in Baltimore. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
PROGRAMS on the AIR the on PROGRAMS EVENING AFTERNOON HRH Station
1111.i 4W dial 0-4 Eir4prit §PAH HRH The New York Times NEWS BULLETIN mUt4r4 hour the how 7 :A., PROGRAMSswruitixtvy, AUG,ON 7, 1948. THE AIR every ase midnight to over WQXR RADIO (1560 dial) on your X R--F1h1 1:55-5Baseball: Yankees at ClevelandWINS; Dodgers vg. MORNING L.W Q (Mg Pie. (Channel Ebbets FieldWHN (To 4:45); 2:25-5Giants vs Pittsblirgh, 242) and 46,9 WCBSThis Is New York. 13111 I,ebhad Polo GroundsMICA. WHNRecorded Music 9:30-WNBCPAL Show. Drama TELEVISION 3-3:45Folk Opera: "Down in the Valley," From University of Miohi- WONIt's a Living ganWINTBC. WAWAThe Music BOX WINSMorning Matinee WCBS-TV-Channel 3:304:30Colorado College Concert; Roy Harris, ConductorW5. WNEWNews; Recorded Music 1:30-Music: Weather 1:95-Snorts Minn-Dennis 4:30-5Golf: Tam O'Shanter Tournament, ChicagoWM. WHNFun at Breakfast, Ward Wilson Jarahs 0:45-1VN3CStamp Club. Harry L. r,irielquist 1:50-Baseball: Dodgers-CincihnISEI WNBT--Channel 5-5:30Racing: The Whitney, at SaratogaWJZ (WCBS at 5:1).. WCBSHousewives Protective League 4 WNEWCalling All Girls 2:10-Al Show 6:30-7:30NBC Symphony; Massimo Freccia, ConductorWNE0, Schacht 9: SS-WNYCNews Reports 2:20-Baseball: Glants-PittataWr 7-7:30St. Louis Municipal Opera ConcertWCBS. 10: 00-WNBCFrank MerriweltDrama 5:00-Howdy Doody-Bob Smith WORNewsHenry Gladstdire 8:00-Feature Film w.12Yarlety Music wACD-channsl 7:80-8Saturday Night Serenade: Gustave Haensohen and Orchestra; WMCANews; Tommy Dorsey Show 5 Vio Damone, Baritone; Hollace Shaw, SopranoWOES. WNYCMusic America Loves 8:80-F1Ica Shorts 9:00-Filth: Streamline 8-8:30Twenty Questions Quiz: Ralph Kiner, GuestWOR. -
Trio Da Paz Honors Getz and Gilberto Posted 9/5/2012
Trio da Paz Honors Getz and Gilberto Posted 9/5/2012 Trio da Paz has more than enough firepower to command any stage in jazz all by itself. The Brazilian expatriate supergroup of guitarist Romero Lubambo, bassist/composer Nilson Matta and drummer Duduka Da Fonseca has been moving Brazilian jazz forward for two decades. But Trio da Paz plus vibraphonist Joe Locke, tenor saxophonist Harry Allen and vocalist Maúcha Adnet constitutes an embarrassment of riches. Trio da Paz (Photo: Frank Stewart) Their annual twoweek residency at Dizzy’s Club CocaCola at Jazz at Lincoln Center has become a popular endofsummer tradition for New Yorkers seeking cool tropical melodies as a respite from the city’s August heat. The theme of this year’s edition, seen Aug. 24, was the transcultural collaboration of Stan Getz and João Gilberto—who, together with Antônio Carlos Jobim, turned the quiet revolution of Brazilian bossa nova into a worldwide phenomenon in the early 1960s. But the Getz/Gilberto tribute was really just a starting point for the trio’s excursion into samba jazz and beyond, a bridging of North and South American jazz styles that allowed for soaring improvisation. Bossa nova and samba jazz were created in the late 1950s by Brazilian musicians who were listening to Stateside artists exploring “cool jazz,” such as Elvin Jones, Wes Montgomery, Miles Davis and John Coltrane. Bossa nova is songbased; it is, as Jobim alumnus Adnet explained, “a little guitar … love and music, quiet and sensual and cool.” Samba jazz, by contrast, is a blend of Brazilian rhythm with jazz improvisation that is more instrumental and open to extended blowing.