Jgiiszletter 93024-0240 November 1993 V01
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jazzletter 93023
P.O. Box 240 , Ojai, Calif. Jazzletter 93023 Aug. 15, 1982 V01. 2 No. 1 the album for Welk, I was asked to accompany him. I found the LGIIOFS often—ridiculed bandleader considerate, intelligent, and People kept calling me last weekend about your latest knowledgeable. The album was scorned by nearly all the jazz Jazzletter, some of them quite outraged by the piece on Duke people, most of whom never heard it, but there was much good Ellington. Now that I have finally seen it, I am glad to say that I music in it. am not. It is basically sound and far better than the one you wrote Stanley Dance, Vista, California in High Fidelity in l974, although you repeat the errors about Juan Tizol was born in Puerto Rico. Juan Tizol being Cuban and Duke being divorced in his “young While we're on the subject offirst-year errors, here are some years”. more: What I most objected to in your High Fidelity essay was the Phil Woods turns out to be not Anglo-Saxon after all. He is meme to Duke as “very vain”. He really wasn't, although he Irish and French. Which only goes to prove that Anglo-Saxons in t to great pains to maintain an urbane public image . That jazz in America are even scarcer than I thought. was surely justifiable from a business viewpoint, and keeping the Herbie Haymer, not Herbie Steward, played tenor on Kay band together through thick and thin, as Mercer explained in his Kyser’s Pushin’ Sand, which I heard recently. -
2019 Mowglis Call
The Mowglis Call 2019 2019/2020 Mowglis Reunions Date City Description Location 12/7/19 ............ New York, NY ......................Climbing ...........Central Rock Gym - Manhattan 12/8/19 ............ Boston, MA ..........................Climbing ..........Central Rock Gym - Watertown 3/8/20 .............. Washington D.C. ................Reunion .......................... The Harmon Household 3/14/20 ............ Philadelphia, PA .................Climbing ...........................................PRG - Fishtown 4/3/20 .............. New York, NY ......................Reunion .............................................Explorers Club 5/8/20 .............. Fairfield, CT..........................Reunion .................................... Tweedy Household 5/9/20 .............. Boston, MA ..........................Reunion ............................... Cambridge Boat Club 5/29–5/31 ...... Hebron, NH ..........................Work Weekend ...........................................Mowglis 8/7–8/9 ............ Hebron, NH ..........................Crew Weekend ...........................................Mowglis 9/18–9/20 ...... Hebron, NH ..........................Work Weekend ...........................................Mowglis Nick Robbins, Director ...................................................nickrobbins@mowglis.org Tommy Greenwell, Assistant Director [email protected] James Hart, Director of Alumni Relations [email protected] Holly Taylor, Registrar ...............................................................holly@mowglis.org -
Jazzletter PO Box 240, Ojai CA 9302-#0240
Gene Lees jazzletter PO Box 240, Ojai CA 9302-#0240 ./Tlugust 1998 Vol. 17 No. 8 Other Voices Your strategy on renewals hit the mark. Here’s my check, ’cause sure as hell if I put it off, it will drown in the Sea of Good Intentions. This is for myself and my gift subscriptions. I just got back from Switzerland and the Bem Jazz Festival. I agree. Copy machinesare the enemy. Common law knowledge I am writing regarding the accessibility of independently conceming intellectual property is scarce, and the present murky produced recordings. Ten years ago it seemed as though, through copyright law is of little help. As the result, copies are made will- Tower Records, jazz recordings would finally be available in a nilly. Hard-earned and well-deserved royalty income is lost. Yet mainstream environment. For a while that was true. But all that has for a situation l’ve frequently encountered, may I suggest an changed since the major labels have flooded the market with their imperfect solution? multiple compilations of old recordings and the new artists they’ve During a recent spirited conversation re Marsalis and Crouch, invested big bucks in. The result is that shelf space is now totally I referred to Jazzletter opinions. I wanted my dinner companions controlled by the majors, in the same way supermarket shelves -— an intelligent yet jazz-unkriowledgeable attomey couple — to only carry the biggest suppliers’ products. The same scenario is have the benefit of your thoughtful insights and scholarship. Yet being played out in book stores. Just try to buy one of the jazz it was not practical for me to buy a year-long subscription for books published by university presses in these slick new mega- them, as well as for any other similar dinner-table encounter. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
TELEVISION Part I of a Survey, by Leonard Feather
::3 TELEVISION Part I Of A Survey, By Leonard Feather FOR THE RECORD—and in the interests of enlightening Another one-shot special was Duke Ellington Swings posterity and giving credit that is seldom acknowledged— through Japan, a segment of the Columbia Broadcasting it should be said that the last few weeks of 1964 and the System's Twentieth Century series, seen just before Christ• first couple of months of 1965 were a fruitful period for mas. television jazz. In contrast with the Condon show, which could have The skeptic may reply: "Yeah? I didn't see Miles take said in a half-hour all it had to say, this was squeezed into over The Lawrence Welk Show." 30 minutes when it could well have run twice as long. Its But in assessing the manner and extent of the use of brevity was the only thing wrong with it; in almost every jazz in this medium it is reasonable to take certain facts other respect it was one of the best shows of its kind ever into consideration. One is that the prime-time evening screened. television program, for the most part, is aimed at securing Produced by Isaac Kleinerman and admirably written the attention of as many as possible of the 192,000,000 by Jack Beck, this was the story of a band on tour. It potential viewers in the United States. did not purport to be a program of music, though there Another is the inescapable logic of the argument that were enough extended excerpts from concerts to give it music per se is not visual, and that classical music, pop meaning on this level also. -
2006-09-06 Katalog CD
CHESKY RECORDS 2006 CATALOGUE 1 6.9.2006 kat.číslo umělec titul formát CD 002 Earl Wild / The Royal Philharmonic, Conductor- Jascha Horenstein Rachmaninoff: Piano Concerto No. 2 / Isle of the Dead CD CD 003 The Royal Philharmonic, Conductor- Sir John Barbirolli Sibelius: Symphony No. 2 in D major, Opus 43 CD CD 006 The Royal Philharmonic , Conductor- Fritz Reiner / René Leibowitz Brahms: Symphony No. 4 in E minor / Beethoven: Egmont Overture CD CD 007 The Royal Philharmonic, Conductor- Charles Munch Bizet: Symphony in C / Tchaikovsky: Francesca da Rimini CD CD 012 Itzhak Perlman Tchaikovsky: Concerto in D for Violin and Orchestra, Op. 35 CD Tchaikovsky: Piano Concerto No. 1 in B-flat minor, Op. 23 / CD 013 Earl Wild / The Royal Philharmonic, Conductor- Anatole Fistoulari Dohnany: Variations on a Nursery Song, Op. 25 / Capriccio in F CD Minor Mozart: Symphony No. 41 in C, K.551 "Jupiter," Symphony No. 35 CD 016 The Royal Philharmonic Orchestra CD in D, K.385 "Haffner" / Haydn: Symphony No. 104 in D, "London" Beethoven: Symphony No. 5 in C Minor, Op. 67 / Symphony No. 2 CD 017 The Royal Philharmonic, Conductor- René Leibowitz CD in D, Op. 36 / Leonore Overture No. 3, Op. 72b New Philharmonia Orchestra / The Royal Philharmonic, Conductor- CD 018 Respighi: Roman Festival / Fountains of Rome / Pines of Rome CD Massimo Freccia / Rudolf Kempe The Royal Philharmonic / Beecham Choral Society / London Symphony CD 019 Wagner: Bacchanale from Tannhauser / Brahms: Symphony No. 1 CD Orchestra, Conductor- Jascha Horenstein Dvorak: Symphony No. 9 in E Minor, Op. 95 "From the New World" CD 031 The Royal Philharmonic, Conductor- Jascha Horenstein CD / Wagner: The Flying Dutchman Overture, Siegfried-Idyll CD 032 Earl Wild Plays His Transcriptions Of Gershwin CD The RCA Symphony / The Royal Philharmonic / The National Strauss: Der Rosenkavalier Suite / Ravel: Bolero / Tchaikovsky: CD 035 CD Philharmonic Orchestra, Conductor- Charles Gerhardt Romeo and Juliet Overture - Fantasy Gina Bachauer / London Symphony Orchestra / The Royal Philharmonic, Brahms: Piano Concerto No. -
Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected]
Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected] Profession Musician (piano, keyboards, bass violin, voice, violin, viola, ‘cello, percussion), teacher, composer, arranger, recording producer, music contractor Education Masters of Music (Composition) UNIVERSITY OF CENTRAL FLORIDA, Orlando FL – 2013 Bachelor of Music (Piano Performance) ILLINOIS WESLEYAN UNIVERSITY, Bloomington IL – 1977 Cum Laude Cross Cultural Arts Studies GREAT LAKES COLLEGE ASSOCIATION, New York NY – 1976: Apprentice to David Horowitz, Jackson MacLow and Charles Morrow Diploma in Bible Studies RHEMA BIBLE TRAINING CENTER, Broken Arrow OK – 1980 Summa Cum Laude Teaching Experience • University of Central Florida, Orlando FL – Adjunct instructor in 2005-present Jazz Studies • Valencia College (East Campus), Orlando FL – Adjunct jazz 2013-present instructor • Private instructor, central FL – Teacher of piano, acoustic bass, 1989-present improvisation, composition, arranging and jazz harmonic theory • Players School of Music, Clearwater FL – Jazz piano faculty 2003-2005 • Numerous universities in Europe, South America and USA – Guest clinician 1983-present • Jamey Aebersold Summer Jazz Camps – Jazz faculty, bassist 1979, 1980, 1981 Publication • Richard Drexler & Dr. Herb Silverstein: “Jazz Harmony & Improvisation – Scores & Recordings of Original Tunes” – Trafferd Publishing, ISBN #978-1-4251-3608-6 2 Richard Drexler Recording Experience as Bassist, Pianist, Producer and Composer/Arranger Selected -
TASIS TODAY Spring 2009
TASIS TODAY Spring 2009 A Magazine for Alumni and Friends of The American School In Switzerland Commemorative Issue signature Dear TASIS Family, CONTENTS The bemused comment often made in passing by 2-11 Looking Back my mother, Mrs. Fleming, about “if and when I die,” Mrs. Fleming’s Obituary seemed credible for a long time. So her final departure Eulogies at Funeral from the “waiting lounge” on January 27th caught • Bill Eichner many by surprise, though of course it should not have. • Christopher MacLehose Yet she was a larger-than-life figure even in her great • Betsy Newell age. The outpouring of condolences from around the • Paul Zazzaro world from students, recent and long ago, has been • Fernando Gonzalez extremely moving, as was the actual funeral at S. • Tom Fleming Abbondio and the Memorial Service in England. We 12 In Addition have here included the beautiful eulogies which were • Bishop Grampa interspersed with magnificent music at her funeral • Lyle Rigg and memorials from other devotees. “The death of a • John Gage person’s body is a sadness, but the death of a person’s • David Jepson soul is a tragedy.” Death is a mystery, but during her • Nola Seta long life Mrs. Fleming’s spirit touched the lives and • Cynthia Whisenant souls of thousands. Surely her legacy and spirit live on in • Michael Ulku-Steiner TASIS as the Board and dedicated Faculty and Staff pick 18 In Memoriam up the gauntlet and head positively into the next fifty Hixon Glore years. From a song in her musical, “It’s up to us” now! Holly Coors In this special commemorative issue of TASIS Today, Albain Ganichot we have also included eulogies of close friends of Mrs. -
Alec Wilder Archive
ALEC WILDER ARCHIVE RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER A revision of the original finding aid, prepared by Colleen V. Fernandez Fall 2017 1 Marian McPartland and Alec Wilder outside Louis Ouzer’s Gibbs Street studio (1970s). Photograph by Louis Ouzer, from Marian McPartland Collection, Box 32, Folder 11, Sleeve 6. Alec Wilder in Duke University band room (undated). Photograph by Louis Ouzer, from Alec Wilder Archive, Series 7 (Photographs), Box 1, Sleeve 11. 2 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Music Manuscripts (MS) . 10 Sub-series 1: Large instrumental ensemble Sub-series 2: Vocal or instrumental solo with large ensemble Sub-series 3: Instrumental solos, with or without accompaniment Sub-series 4: Chamber music Sub-series 5: Vocal chamber--voice(s) as part of chamber ensemble Sub-series 6: Keyboard--two or more hands Sub-series 7: Vocal solo Sub-series 8: Vocal soloist ensemble with or without accompaniment Sub-series 9: Choral with or without soloists and accompaniment Sub-series 10: Stage works Sub-series 11: Films Scores Sub-series 12: Commercial music Sub-series 13: Sketches Series 2: Printed Music . 88 Series 3: Recordings . 95 Sub-series 1: Reel-to-reel Sub-series 2: NPR recordings Sub-series 3: Discs Sub-series 4: Cassettes Sub-series 5: Videos Sub-series 6: CD's Series 4: Correspondence . 137 Series 5: Personal Papers . 181 Sub-series 1: Poetry Sub-series 2: Prose Series 6: Ephemera . 233 Sub-series 1: Biographical material 3 Sub-series 2: Programs (performances of Wilder's works) Sub-series 3: Listserv documents Sub-series 4: Ancillary materials of various kinds Sub-series 5: Artifacts relating to Wilder’s life Series 7: Photographs . -
Copyrighted Material
1 When I Was a Little Boy All my life I’ve always wanted to be somebody. Now I see I should have been more specific. —Jane Wagner he date written on the back of one of our family’s most cherished Tphotographs indicates that it was taken in mid-October 1966. Those were the days when Captain Kangaroo and Mister Green Jeans were sending me off to the first grade every day, Batman (on the new color TV) had replaced black-and-white Superman as my new caped hero (“Quick, Robin—hand me the shark-repellent Bat-spray!”), and Meet the Beatles was no. 1 on the Pizzarelli family hi-fi. The photo itself, an interiorCOPYRIGHTED scene of people seated MATERIAL together at a dinner table, brought back fond (and fuzzy . I wasn’t yet seven years old) memo- ries of our weekly family gatherings at the home of my uncle Pete and aunt Honey in Clifton, New Jersey. What I clearly recall about those Sundays is the roar of everybody trying to talk at the same time, kids running around in all directions, and gallons of red sauce simmering in immense vats on the stove. And as much as we all loved to be with one another, it was Aunt Honey’s 1 c01.indd 1 9/20/2012 8:36:35 PM 2 WORLD ON A STRING cooking that brought in the sellout crowds. As true masters do, she played to her strengths, which in her case happened to be homemade pasta, veal and chicken cutlets, and eggplant parmigiana—with and without meat—served in and around an endless vat of tomato sauce. -
Genes Recording Pals
GENE BERTONCINI’S RECORDING PALS Chet Baker, Bette Midler, Ethel Ennis, Walt Levinsky, Ronny Whyte, Mark Murphy, Peter Bernstein, Chuck Rainey, Derek Smith, Willie Dennis, Monty Alexander, Stanley Turrentine, George Benson, Doc Cheatham, Hugh McCracken, John Harmon, Sara Partridge, Hubert Laws, Bill Charlap, Dick Hyman, Lew Tabackin, Some Davises (Richard, Mel, Eddie “Lockjaw”), Jiggs Whigham, Eric Gale, Milt Hinton, Yank Lawson, Eddie Safranski, Joe Wilder, Ralph Casale, Jane Harvey, Sean Smith, Paul Willihnganz (gee!) Idris Muhammed, Paul and Merv Griffin, Carl and Kenny Pool(e), Barbara Brussell, George Mraz, Ike Sturm, Hank Jones, Al Klink, Lalo Schiffrin. Frank Foster, Tom Jobim, Kenny Burrell, Johnny Smith, a couple of Desmonds (Trudy and Paul), Major Holly, Dana Leong, Dolly Dawn, Wynton Marsalis, Ted Rosenthal, The Pizzarellis, Bucky and John. Billy Taylor, Dave Bailey, Duke Pearson, Joe Puma, Joe Soldo, Joe Vito, Joe Locke, Clay Jenkins, Bob Haggart, Charles McPherson, Joe Byrd, Joe Ferrante, Herbie Hancock. Gary Burton, Jack Wilkins, Dick Lieb, Paul Winter, Wayne Shorter, Glenn Zotola Jerome Richardson, Rufus Reid, Richard Stolzman, Frank Vignola Ed Shaughnessy, Ed Laub, Danny Pucillo, Will Bradley, Jaki Byard, Al Caiola, Astrude Gilberto from Rio. Steve Gad, Phil Woods, Tony Mattola. Airto, Cecil McBee, Al Cohn, Carmen McRae, Rufus Jones, Jon Faddis, Bernie Glow, Bobby Hucherson, Warren Vache, Clare Fischer, Grady Tate, Mundell Lowe, Bob McCoy, Napua Devoy, The Flying Pisanos (John and Jeanne), Johnny “Hammond” Smith, Jackie and Roy. Gerry Mulligan, Urbie and Steve Green(e), Bobbi Rogers, Ray Armando, Mel Lewis, David Finck, Johnny Frigo, Jimmy Maxwell, Sonny Costanzo, Bill Watrous, Frank Wess, Harumi Kaneko, Eddie Gomez, Carol Hall, Michael Urbaniak, Ernie Royal, Ahmad Jamal, Nicole Pasternak, Burt Bacharach.