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Hothouse Flowers
MTM Checks Out Europe's Own MTV Unplugged. Also, GrooveMix Looks At French Club Charts. See page 10 & 12. Europe's Music Radio Newsweekly Volume 10 . Issue 11 . March 13, 1993 . £ 3, US$ 5, ECU 4 Radio Wins UK PolyGram Operating Copyright Battle Income Up 7% broadcasting revenue, including by Thom Duffy & income from sponsorship, barter Mike McGeever and contra deals for the first time, by Steve Wonsiewicz Record companies inthe UK as well as advertising revenue. Worldwide music and entertain- have been dealt a major setback The ratefor stations with net ment group PolyGram reported in their bid to boost the royalty broadcastingrevenuebetween a 7.3% increaseinoperating payments they receive from com- US$1.02 million and US$525.000 income to Dfl 789 million (app. mercial radio stations, under a will drop to 3% and 2% for those US$448 million) on a 4.6% rise ruling handed down March 2 by with net income below in sales to Dfl 6.62 billion last the Copyright Tribunal. US$525.000. The royaltiesare year, despite a severe recession DANISH GRAMMIES - Danish band Gangway (BMG/Genlyd Den- In an action brought by the retroactive to April 1, 1991. in several of its key European mark) received four prizes in this year's Danish Grammy Show while Association ofIndependent The total operating profit of markets. Lisa Nilsson (Diesel Music, Sweden) took two awards. Pictured (4) are: Radio Contractors (AIRC) to set the commercial UK radio indus- Net income for thefiscal Tonja Pedersen (musician, Lisa Nilsson), Lasse Illinton (Gangway), BMG new broadcast royalty rates for 79 try in 1990-91 was approximately year ended December 31 was up label manager Susanne Kier, Diesel Music MD Torbjorn Sten, Lisa Nils- commercialradiocompanies, US$11 millionwithCapital 13.5% to Dfl 506 million. -
As He Approaches 60, TONA WALT OHAMA Is Contemplating His Legacy and Opening up About His Unconventional Life and Remarkable Canon of Electronic Music
A SPECIAL LONG READ FROM As he approaches 60, TONA WALT OHAMA is contemplating his legacy and opening up about his unconventional life and remarkable canon of electronic music. He has fans worldwide and yet concedes: ‘Nobody really knows me.’ Don’t You Listen? A PROFILE BY DAVID VEITCH THEYYSCENE.COM ONA WALT OHAMA GREETS THE YYSCENE mid-day, mid-week, on a downtown street in Calgary. He’s tidily dressed in dark slacks and a blue patterned dress shirt; streaks of grey in his black hair are the most visible reminder he’s in his fourth decade of making music. Alice Cooper’s 1973 Billion Dollar Babies are the T facing covers. The apartment is a tight ft for two people (Mia, his wife of four years, lives in the apartment next to him) yet this is where Ohama has recorded all of his music since 2010, a decade that has proven to be the most productive and artistically restless of his career. A few weeks prior, Ohama hosted an artist reception at Arts Commons to launch his latest project, a 15-speak- er ambient music installation A Moment Of Quiet Refection In Downtown Calgary, which runs at the multi-venue arts centre until Aug. 31. “A woman came up to me and said, ‘You know this guy Walt Ohama? He used to do this music in the ’80s.’ I said, ‘Yeah, I know him.’ Now that’s not being recognized,” Ohama says, laughing in a way you can’t Despite having fans around the globe, the Canadian help but hear some hurt. -
Full Playlist/Lyrics
Boots on the Ground, Skin on the Line A Winter 2021 Singing Playlist Thank you for joining us! We are grateful to have your voice with many of us from around the world, learning these potent songs in service to our resilience, courage, and justice for all. Thank you for respecting the artists and the integrity of this project by not sharing this document or the playlists with others. We will open the songs up widely for public release later in 2021. You now have free access to the full playlist as well as a bonus playlist. Enjoy! A tech-support guide is at the end of this document. A few days after each Zoom call, we’ll post video recordings for you to enjoy here. Meeting links for next Zoom sing can be found here too: https://thebirdsings.com/winter2021playlist-zoom. At the bottom of the page you’ll also find supplemental materials. CLICK HERE FOR THE SOUNDCLOUD PLAYLIST: https://soundcloud.com/thebirdsings/sets/boots/s-xfoBTYpS9nb CLICK HERE FOR THE BONUS PLAYLIST: https://soundcloud.com/thebirdsings/sets/boots-bonus/s-wwmnW8XA1Wh CLICK HERE FOR THE MP3 FILES FOR BOTH PLAYLISTS (IN GOOGLE DRIVE): https://tinyurl.com/winter-playlist2021 Zoom Calls While entirely optional, you will receive email invitations and are encouraged to join us at six Zoom calls. There you’ll have a chance to meet the songwriters, hear more about the background of the songs, imbue them with greater relevance and meaning, learn each and every harmony line, and meet others who are singing these songs alongside you. -
Motivational Quotes
MOTIVATIONAL QUOTES That Will Pump Up Your Social Media Engagement! “Don't sweat the petty things and don't pet the sweaty things." ~ George Carlin Love is not finding someone to live with; it’s finding someone you can't live without. -Rafael Ortiz It's not who you are that holds you back, it's who you think you're not. Things turn out best for the people who make the best of the way things turn out. -John Wooden To receive anything you have to believe you are worth it first. It took me a long time not to judge myself through someone else's eyes. If you give up...You may miss out on the best part of your life. The more you praise & celebrate your life, the more there is in life to celebrate. –Oprah What God intended for you goes far beyond anything you can imagine. –Oprah When you are dealing with small issues and small minded people, you will never have BIG breakthroughs in life! You have to decide what's most important to you, keeping your pride and getting nothing, or taking a risk and just maybe having everything. Money & success don't change people; they merely amplify what is already there. -Will Smith Follow your heart with ACTION & God will open doors for you where there were only walls Never give up... NEVER, EVER! Never tell me the sky's the limit when there are footprints on the moon. It may be that those who do most, dream most. -Stephen Leacock There is no medicine greater than hope! No remedy more powerful as expectation of a better tomorrow! Honor your calling. -
A God of Time and Space
A God of Time and Space Robert W. Kvalvaag and Geir Winje (Eds.) A God of Time and Space NEW PERSPECTIVES ON BOB DYLAN AND RELIGION © 2019 Robert W. Kvalvaag, Geir Winje, Anders Thyrring Andersen, Pål Ketil Botvar, Petter Fiskum Myhr, Gisle Selnes, Erling Aadland and Reidar Aasgaard. The album covers presented in chapter 5 are not included in the CC BY 4.0 licence. The album covers cannot be reused without permission. Album covers are used by the courtesy of Sony Norge. This work is protected under the provisions of the Norwegian Copyright Act (Act No. 2 of May 12, 1961, relating to Copyright in Literary, Scientific and Artistic Works) and published Open Access under the terms of a Creative Commons Attribution 4.0 International (CC BY 4.0) License (https://creativecommons.org/licenses/by/4.0/). This license allows third parties to freely share, copy and redistribute the material in any medium or format as well as adapt, remix, transform, and build upon the material for any purpose, including commercial purposes, provided the work is appropriately credited to the author(s), including a link to the license, and changes, if any, are thoroughly indicated. Attribution can be provided in any reasonable manner, however, in no way that suggests the author(s) endorse(s) the third party or the third party’s use of the work. Third parties are prohibited from applying legal terms or technological measures that restrict others from doing anything permitted under the terms of the license. Note that the license may not provide all of the permissions necessary for an intended reuse; other rights, for example publicity, privacy, or moral rights, may limit third party use of the material. -
Living Water by Chuck Smith Introduction
Living Water by Chuck Smith Introduction: A Glorious Walk With The Spirit Part One: Who Is The Holy Spirit? 1.Personality Plus 2.The Mystery Of The Three In One Part Two: What Does The Holy Spirit Do? 3.At Work In The World 4.Keeping The Lid On 5.The Church's Divine Helper 6.The Manifold Grace Of God Part Three: What Are The Gifts Of The Spirit? 7.Unity In Diversity 8.The Word Of Wisdom 9.How Did He Know That? 10.How To Plant A Mulberry Tree In The Ocean 11.Hope For The Sick 12.The Hardest Gift To Possess 13.Speaking Forth The Word Of God 14.Unmasking The Evil One 15.An Affront to the Intellect; A Blessing To The Soul 16.What Did He Say? 17.Helps - the Quiet Ministry 18.Enough Milk, Already! 19.Just Do It! 20.Keep It Simple 21.An Awesome Responsibility 22.A Ready Help In Time Of Need Part Four: How Should We Respond To The Spirit? 23.The Real Baptism Of Fire 24.Ask And You Shall Receive 25.A Torrent Of Love Epilogue: The Ultimate Experience Notes Introduction: A Glorious Walk with the Spirit While Jesus was upon the earth, He was the Person of the Godhead with whom man most closely related. Jesus was here to represent God to man, which He did wonderfully - to such a degree that He could tell Philip, "He who has seen Me has seen the Father ... I and My Father are one" (John 14:9; 10:30). -
Pre-Yes & Early Shows
Contact: [email protected] Pre-Yes & Early shows (1963/1969) ARTWORK SETLIST CD Yes Sessions - 1966-78 Studio recordings and radio broadcasts - B+ to A+, live recordings - C to B CD 1 : Created by Clive, Grounded, Flowerman, 14 hour technicolor dream (The Syn feat. Chris Squire & Peter Banks), Beyond and before, Images of you and me, Jeanetta (Mabel Greer's Toy Shop, BBC 1968), Looking around (Yes live 6/4/69, Johnny Walker Show), For everyone (Yes live 4/7/70, John Peel's Sunday Show), America (Yes live 10/20/70, Mike Harding Show), I've seen all good people, Astral traveller, everydays (Yes live in Gothenburg, 1/24/71) CD 2 : Bye bye goodbye baby (Yes live with Iron Butterfly, Copenhagen, 1/25/71), Yours is no disgrace, I've seen all good people (Beat Club, Bremen 1/28/71), 3 Starship trooper (Top of the pops, BBC 4/1/71), Clap, Perpetual change, America (Berlin, 6/5/71) CD 3 : Roundabout (demo 9/71), I've seen all good people (London, 8/23/71), The fish/Heart of the sunrise/Howe solo (BBC radio interview, 10/71), Your move/Perpetual change/Long distance runaround/Heart of the sunrise/Mood for a day/Yours is no disgrace (BBC program, excerpts from Hampstead, 10/3/71), The revealing science of God (BBC, 11/1/73), Don't kill the whale, Madrigal, On the silent wings of freedom ("Tormato" alternate versions) Moments - 1966-73 Studio recordings and TV broadcasts - A- to A+, live recordings - C- to B The revealing science of God (BBC, 01/11/73), Beyond and before, Images of you and me, Jeanetta (Mabel Greer's Toy Shop, BBC 1968), Dear father, Beyond and before, For everyone (BBC 1969-70), 1 Dear father, Eleanor Rigby, I see you (Live in Sheffield 21/12/1969), Witchi-Tai-Po (Larry Smith single feat. -
Bare Facts, Issue No. N-A, 22.02.1991 (File 2)
bare facts 'QnightUne 32710 Advertising 509275 Frìday 22nd February Red Ones es, it's coming upto that Meanwhile, there are prizes! The silly time again when fastest will be presented with medals. Y Oooohhh! everyone goes around donning Incidently, before I forget the fun- )ig red noses - and just for this run takes piace on Wednesday 13 ih 'year they've got hands on! March al 2.3(^m! So get thee along Why? Whoknows! Who cares! and raise Ioads and Ioads ands loads and Anyway, what can you do? Well loads (I ihink you get the message) of other than ripping down lo the nearest money! Oxfam and purchasing one of them There'sanice, lovely entrance form brìght red nasal apendages, howzabout somewhere inside! taking pan in the 'University Fun Ac- tion Event' - a fon run! Smiles! *So how far will I have to run?' I hear you wail! Well... it's seems not that far - along the campus perimeter in- faci. However.havingneverattempled it before, I must admii that I d(xi't really know! (Best Mavo. voice in my head!) Everyone is in vited lo join, however unfit and l'm sure you'll be allowed lo walk, if you plead nicely! Raring lo go(?) of course you are! Entry forms cosi £1 (the money goes lo Comic Relief) and should be sent to the Sports Hall, any time between now and Tuesday 12lh March l.(X)pm. In this week^ BF! The Truth Behind the Hunt Sabs. Why is the University digging a big hole? Ali the latest sporting details. -
Congressional Record—House H279
February 5, 2003 CONGRESSIONAL RECORD — HOUSE H279 MESSAGE FROM THE PRESIDENT our attention in this country. So what Ms. PELOSI. Mr. Speaker, I yield A message in writing from the Presi- will it take? myself such time as I may consume. dent of the United States was commu- We need daring dreams that strain Mr. Speaker, I rise to join the distin- the bonds of conventional wisdom. We nicated to the House by Ms. Wanda guished majority leader in introducing need to begin journeys that are capable Evans, one of his secretaries. the House Resolution honoring the of challenging innately American crew of Space Shuttle Columbia. I wish f qualities of ingenuity and determina- to express my condolences to the dis- EXPRESSING CONDOLENCES OF tion, curiosity and courage. tinguished majority leader and our col- THE HOUSE TO THE FAMILIES An American always seeks to climb league, the gentleman from Texas (Mr. OF THE CREW OF THE SPACE the next hill, to cross the next river, LAMPSON), in whose district the John- SHUTTLE ‘‘COLUMBIA’’ and to reach the next valley. We are son Space Center is domiciled; and to born with an insatiable hunger to look all of our colleagues from Texas, to Mr. DELAY. Mr. Speaker, I offer a over the horizon. It is a quality that resolution (H. Res. 51) expressing the them and to their constituents we offer runs through the special clay from our deepest, deepest sympathy. condolences of the House of Represent- which our maker formed us, and it atives to the families of the crew of the The astronauts trained and lived in holds true for Americans wherever Houston, traveled 6 million miles Space Shuttle Columbia, and for other they are born, because the magic of our purposes, and ask unanimous consent away; and as President Bush said so principles exerts a magnetic pull upon eloquently yesterday, ‘‘We lost them so for its immediate consideration pursu- people who are destined to be Ameri- ant to the following order: close to home.’’ cans. -
Bolan, Bowie and the Carnivalesque
Children of the Revolution: Bolan, Bowie and the Carnivalesque Alison Blair A thesis submitted for the degree of Master of Arts At the University of Otago 2016 i Abstract David Bowie and Marc Bolan were two glam rock stars who, in the 1970s, presented audiences with carnivalesque ‘alternatives’ to everyday reality. As a time of crisis and transformation, the 1970s in Britain has been characterised as a period of particularly difficult socio-economic turmoil, in a still relatively conservative society – particularly in relation to conventional norms of identity, ‘authenticity’, gender and sexuality. Bolan and Bowie, through their performance personae and narrative spaces, provided both a form of ‘escape’ from the lived experience of these socio-economic difficulties, and a counter-hegemonic alternative to these aforementioned norms. That is, their ‘alternate identities’ challenged conventional norms of authenticity and of identity itself, and their ‘alternate sexualities’ presented audiences with counter-hegemonic representations of gender and sexuality. Moreover, their ‘alternate realities’ were carnivalesque, Otherworldly narrative spaces that their alternate identities inhabited, providing an escape from the difficulties of life in 1970s Britain. In this thesis, I explore these various ‘alternatives’ through a Bakhtinian framework in order to discuss the ways that they represented, in Bakhtin’s terms, a carnivalesque ‘second life of the people’ – a social safety valve and escape from these increasingly difficult socio-economic conditions. In chapter one, I place Bolan and Bowie within the context of 1970s Britain, and within the context of the glam rock genre. I explore the ways that glam has been framed as either reactionary or radical, and I align my own research with the latter approach. -
Counterclock Reviews Will in Future Worldcon 75 Helsinki Report
CVER ART by: Mats Öhrmann EDITRIAL “Fifty years ago [now 100], most of the words It is April the 5th and the TAFF- and GUFF-winners heard by an American were personally spoken to have been announced. Great news! him as an individual, or to somebody standing Johan Anglemark for TAFF and Marcin Klak, the nearby. Only occasionally did words reach him as Fandom Rover for GUFF! Both were pitched the undifferentiated member of a crowd – in the against UK-candidates and both managed to win classroom or church, at a rally or a circus. Words anyway. I take it, that should settle the debate were mostly like handwritten, sealed letters, and whether or not TAFF is a US/UK-only thing. Both not like the junk that now pollutes our mail. Today, have shown, that all it takes is some ganas (as words that are directed to one person's attention the Spanish would say). Most surprisingly (to me), have become rare. Engineered staples of images, was that Marcin managed to win against Steve ideas, feelings and opinions, packaged and and Alice Lawson, who I have considered BNF's delivered through the media, assault our for 20 years. It is fortunate for Marcin (and all his sensibilities with round-the-clock regularity.” friends, including myself) that fandom is such a “The Right to Useful Unemployment and its forgetful community of people. professional enemies” – by Ivan Illich, 1978 Secondly, beginning with this issue, I will attempt - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - to account for the many sci fi short films which are made publicly available on youtube. -
Phantom of the Opera 2004
THE PHANTOM OF THE OPERA Written by Andrew Lloyd Webber & Joel Schumacher Lyrics by Charles Hart & Richard Stilgoe Based on the stage musical by Andrew Lloyd Webber And the Novel by Gaston Leroux 1 EXT. OPERA POPULAIRE - (1919) - DAY We have faded into black and white film, grainy and bleak. Establishing shot of the opera house (matte shot). It is raining. The air is dank, the building grey and crumbling. There is very little activity in front. A once glorious monument shunned by the modern world. A 1919 version of a very rich man’s car pulls up in front of the threatre an aristocrats family crest on the door - liveried chauffeur, a dark figure in the passengers compartment, accompanied by a nurse/nun. CUT TO: a custom made, beautifully crafted, caned wheelchair is extricated from the car. CUT TO: the hand made boot prints of the dark figure as they are adjusted into the foot rests of the wheelchair. CUT TO: BACK OF NURSE ... as she pushes the wheelchair toward the entrance. CAMERA goes past them and becomes their POV as we moved toward the theatre. We MOVE closer; we take in statues with limbs missing, the great chipped pillars. A lackluster sign reads “Public Auction”. We continue to close in; the stairs leading up to the main entrance are filthy. The place seems abandoned. We HEAR the noise of traffic; klaxons, horses but, as we MOVE closer toward the open main doors we then HEAR the AUCTIONEER’S GAVEL. AUCTIONEER (O.S.) Sold. Your number, sir? Thank you.