Motivational Quotes
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Sponsored by the National Security Group Play It Safe
TWENTIETH ANNUAL NOVEMBER 20, 2020 - CRAMTON BOWL MONTGOMERY, ALABAMA SPONSORED BY THE NATIONAL SECURITY GROUP PLAY IT SAFE. ACCIDENTS HURT. NATIONAL SECURITY HELPS. CALL 1.800.798.2515 WWW.NATIONALSECURITYGROUP.COM 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region. The #2 team from each region will host the #3 team from the other region. Semi-finals: The highest ranked teams advancing will host the semi-final games. PLAY-OFF BRACKET CLASS A November 6 November 13 November 20 (12:00 P.M.) Crenshaw (H) 64 Region I #1 Crenshaw (H) 53 Pickens 14 Region II #4 Crenshaw (H) Sparta (H) 41 Region II #2 Sparta 29 Lowndes 2 Region I #3 STATE 12:00p.m. Jackson (H) 54 CHAMPIONS Region II #1 Jackson (H) 20 Lakeside 14 Region I #4 Abbeville Abbeville (H) 63 Region I #2 Abbeville 28 South Choctaw 21 Region II #3 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region. The #2 team from each region will host the #3 team from the other region. Semi-finals: The highest ranked teams advancing will host the semi-final games. PLAY-OFF BRACKET CLASS AA November 6 November 13 November 20 (3:30 P.M.) Chambers (H) 43 Region I #1 Chambers (H) 51 Autauga 3 Region II #4 Chambers (H) Patrician (H) 34 Region II #2 Edgewood 20 Edgewood 35 Region I #3 3:30p.m. STATE Escambia (H) 48 CHAMPIONS Region II #1 Escambia (H) 54 Springwood 8 Region I #4 Escambia Macon East (H) 28 Region I #2 Macon East 13 Wilcox 25 Region II #3 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region. -
Additional Submission to the Leveson Inquiry – February 2012
TRANS MEDIA WATCH – ADDITIONAL SUBMISSION TO THE LEVESON INQUIRY – FEBRUARY 2012 A. Introduction Trans Media Watch (TMW) wishes to make this additional submission to the Leveson Inquiry into press standards, ethics and culture. It follows the submission made by TMW to the Inquiry in January 20121, and the oral evidence given by Helen Belcher to the Inquiry on behalf of TMW on 8 February 2012. In our original submission, TMW explained some of the various ways that the press uses to misrepresent the trans and intersex communities, including themes such as “trans as fraud”, “trans as undeserving” and “trans as deviant”. We feel it will be useful for the Inquiry to review the coverage of trans issues in the press, specifically but not exclusively from The Sun and the Mail newspapers, since 8 February. In summary: The press has published two main stories featuring trans people over the past two weeks, both appearing on front pages. This is in addition to the standard low level coverage that trans issues get in the mainstream media. With both there are significant concerns over misrepresentation, with corresponding effects on public perception of the issues. With both there are significant concerns over placing vulnerable people, including innocent children, at risk of physical violence. The key issue is the complete lack of respect shown to trans people. Far from mending their ways and reporting trans stories more sensitively, as claimed in person before the Inquiry2, the press has shown a distasteful rush to objectify and sensationalise these stories in a way that places real people in real danger. -
Hothouse Flowers
MTM Checks Out Europe's Own MTV Unplugged. Also, GrooveMix Looks At French Club Charts. See page 10 & 12. Europe's Music Radio Newsweekly Volume 10 . Issue 11 . March 13, 1993 . £ 3, US$ 5, ECU 4 Radio Wins UK PolyGram Operating Copyright Battle Income Up 7% broadcasting revenue, including by Thom Duffy & income from sponsorship, barter Mike McGeever and contra deals for the first time, by Steve Wonsiewicz Record companies inthe UK as well as advertising revenue. Worldwide music and entertain- have been dealt a major setback The ratefor stations with net ment group PolyGram reported in their bid to boost the royalty broadcastingrevenuebetween a 7.3% increaseinoperating payments they receive from com- US$1.02 million and US$525.000 income to Dfl 789 million (app. mercial radio stations, under a will drop to 3% and 2% for those US$448 million) on a 4.6% rise ruling handed down March 2 by with net income below in sales to Dfl 6.62 billion last the Copyright Tribunal. US$525.000. The royaltiesare year, despite a severe recession DANISH GRAMMIES - Danish band Gangway (BMG/Genlyd Den- In an action brought by the retroactive to April 1, 1991. in several of its key European mark) received four prizes in this year's Danish Grammy Show while Association ofIndependent The total operating profit of markets. Lisa Nilsson (Diesel Music, Sweden) took two awards. Pictured (4) are: Radio Contractors (AIRC) to set the commercial UK radio indus- Net income for thefiscal Tonja Pedersen (musician, Lisa Nilsson), Lasse Illinton (Gangway), BMG new broadcast royalty rates for 79 try in 1990-91 was approximately year ended December 31 was up label manager Susanne Kier, Diesel Music MD Torbjorn Sten, Lisa Nils- commercialradiocompanies, US$11 millionwithCapital 13.5% to Dfl 506 million. -
The Impact of Role Models on Sun Protective Behaviours: Expert Paper Lynne Eagle, Gill Kemp, Simon Jones, Julia Verne
Expert paper 6: The impact of role models on sun protection behaviours The Impact of Role Models on Sun Protective Behaviours: Expert Paper Lynne Eagle, Gill Kemp, Simon Jones, Julia Verne The impact of media image on body satisfaction and self esteem has been the subject of a large body of research across areas such as eating disorders, sexualisation, smoking initiation and gender stereotyping (Fabrianesi et al., 2008; Jones & Rossiter, 2008; Sargent 2005; Ogden & Sherwood, 2005) as well as sun exposure. We cannot locate any specific content analyses for television programmes or websites either in the UK or internationally relating to sun tanning, sun exposure risks or effective sun protection, however the portrayal of sun-related behaviours in all media forms is likely to have some influence on perceptions of desirable body image. The magnitude of this effect across different media forms is un-researched, as is the actual or potential impact on the effectiveness of sun protection interventions. Two major content analyses of print media from Australia and the USA respectively (Dixon et al., 2007, Miner & Baker, 1994) indicate that deep tanning is glamorised in magazines, poor sun-protective behaviours are commonly shown and a substantial quantity of implicit messages are misleading or contradictory. Younger age groups, particularly females, appear to be more influenced by media images. By the age of 8, girls are aware of societal images of female beauty and the use of media images to compare self image with the media portrayal of ideal increase markedly between the ages of 8 – 12 and leads to dissatisfaction (Bessenof, 2006; Dohnt & Tiggemann, 2006). -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Hello? Goodbye! Marriage and Divorce Amongst Celebrities Rehna Azim and Harry Benson the Marriage Foundation, November 2012
Hello? Goodbye! Marriage and divorce amongst celebrities Rehna Azim and Harry Benson The Marriage Foundation, November 2012 • For many people, marriage is Celebrity weddings ending in divorce now the glitzy celebration that (by years married) comes after having a baby and 50% moving in together. Hello! and Celeb divorce rate (3 year ave) other celebrity magazines 40% reinforce this focus on the UK divorce rate (actual) event. 30% • But marriage is far more than a wedding: it is the commitment, 20% the development of relationship skills and the working through issues together. 10% • The ingredients of marital 0% success, however, are not 2 4 6 8 10 dramatic or newsworthy. After the wedding it tends to be only the rows and splits that make the news. • At the launch of the Marriage Foundation, Family Court judge Sir Paul Coleridge raised concerns about the image of 'Hello! weddings' and the experience of seeing many couples in court soon after the big day. Our research confirms that the glamour of celebrity weddings is a poor indicator of future marital success. • Marriage Foundation has tracked 572 better-known celebrity couples whose weddings have taken place since 2000. • Despite all the comforts and advantages of fame and wealth, these celebrities divorce at twice the rate of the UK population. After ten years of marriage, the divorce rate for celebrities is 40%, compared to 20% for the rest of us. Rehna Azim is a barrister specializing in family law, as well as freelance journalist and writer. Harry Benson is a relationship educator and Director of Communications for The Marriage Foundation. -
As He Approaches 60, TONA WALT OHAMA Is Contemplating His Legacy and Opening up About His Unconventional Life and Remarkable Canon of Electronic Music
A SPECIAL LONG READ FROM As he approaches 60, TONA WALT OHAMA is contemplating his legacy and opening up about his unconventional life and remarkable canon of electronic music. He has fans worldwide and yet concedes: ‘Nobody really knows me.’ Don’t You Listen? A PROFILE BY DAVID VEITCH THEYYSCENE.COM ONA WALT OHAMA GREETS THE YYSCENE mid-day, mid-week, on a downtown street in Calgary. He’s tidily dressed in dark slacks and a blue patterned dress shirt; streaks of grey in his black hair are the most visible reminder he’s in his fourth decade of making music. Alice Cooper’s 1973 Billion Dollar Babies are the T facing covers. The apartment is a tight ft for two people (Mia, his wife of four years, lives in the apartment next to him) yet this is where Ohama has recorded all of his music since 2010, a decade that has proven to be the most productive and artistically restless of his career. A few weeks prior, Ohama hosted an artist reception at Arts Commons to launch his latest project, a 15-speak- er ambient music installation A Moment Of Quiet Refection In Downtown Calgary, which runs at the multi-venue arts centre until Aug. 31. “A woman came up to me and said, ‘You know this guy Walt Ohama? He used to do this music in the ’80s.’ I said, ‘Yeah, I know him.’ Now that’s not being recognized,” Ohama says, laughing in a way you can’t Despite having fans around the globe, the Canadian help but hear some hurt. -
The Changing Nature of Audience Participation in Mainstream Entertainment Programming
MM From Props to Products The Changing Nature of Audience Participation in Mainstream Entertainment Programming Have you ever been a member of a Media audiences of the past are often 1967-1975). As with many quiz and game shows characterised as being passive recipients of of the time, members of the public took part as studio audience, for the recording of a the information and entertainment that was competitors. The true stars of these shows were, radio sketch show, a TV sitcom, Strictly handed down by media institutions. In our however, the presenters. Bob Monkhouse was modern media world, audiences are thought the first presenter of The Golden Shot and was or Buzzcocks? Once upon a time, you to be much more active and media institutions massively popular with contemporary audiences. might have thought that would be actively encourage audience participation. To The original host of BBC’s long-running Saturday the closest you’d get to involvement; some this is an indication of a new, democratised tea-time audience participation show, The state where the power traditionally held by Generation Game (BBC: 1971-2007) was Bruce but in fact audience participation has media institutions is being shared with audiences Forsyth (1971-1977 and 1990-1994), who long been a feature of ‘old media’ who are able to participate in the construction is astonishingly still a household name, as he and development of media texts. currently presents Strictly Come Dancing (BBC: entertainment programming. Steph This view, however, can hide the fact that 2004 onwards). Hendry considers the role of the audience participation is not a new idea. -
The Dynamics of Race, Class and Gender in the UK Big Brother Jade-Shilpa Row
CORE Metadata, citation and similar papers at core.ac.uk Provided by Goldsmiths Research Online !∀ # ∃ %& ∋ ∋ ( )∗ + # , ∀ −./. !∀ # ∃ %& ∋ ∋ ( )∗ 0 ( 1 2 ∀ # ,3 ∀ ∗∀44 ∗ 45/.64 # ∗∗ , # 3 # 7 8 ∗ 3 ∗ ∗∗ + # ∗ ∃ ∗ ∃ ∗∗ ∃ 3 %& ∗ ∗ ∃ # ∗∗ , # ∗ 3 ∗∗ ∗ # ∗ ∃ ∗ ∃ ∃ 9 ∗ # : ; ∗ ∃# # 3 ∗3 ∗ ∃ ∗ 4 ∗∀44 ∗ ) # 9 # ∀ 3) ∗ < Language, Power and Reality TV: the dynamics of race, class and gender in the UK Big Brother Jade-Shilpa row Rosalyn George, Goldsmiths, University of London, [email protected] Heather Mendick, Goldsmiths, University of London, [email protected] Abstract: Reality TV is often presented as an unproblematic social phenomenon which is consumed and digested by an unthinking and unsophisticated general public. We, however, argue that Reality TV is both a pervasive and important cultural form, and as such it is vital that researchers and teachers engage with it. We return to the controversial UK Big Brother 2007 arguments involving Jade Goody and Shilpa Shetty. We explore how the dynamics of class, gender and race played out in this case. Using this example, we look at how celebrity culture, ideas of truth and dominant discourses of White working-class culture position both the housemates and their audiences. We further argue that the coverage of the event foreclosed any discussions of White middle-class racism by drawing on discourses that denigrate the White working-class. In this paper we argue that Reality TV is an important social phenomenon as evidenced by the amount of controversy and debate that this genre generates. It is also a site of pleasure for both of us writing this paper and provides us with an intermingling of emotional pleasure and academic challenge. -
'Thank God for My Brother Lorenzo': a Sister's Story of Love, Hope and Duty | Mail Online
'Thank God for my brother Lorenzo': A sister's story of love, hope and duty | Mail Online Find a Job M&S Wine Our Papers Feedback Wednesday, Oct 17 2012 6PM 12°C 9PM 11°C 5-Day Forecast Home News U.S. Sport TV&Showbiz Femail Health Science Money RightMinds Coffee Break Travel Columnists Femail Home Food Pictures Femail Boards Fashion Store Beauty MyDish Recipe Finder Baby Blog Deals Login His parents' battle to save Site Web him inspired the film Lorenzo's Oil. Now Lorenzo FEMAIL TODAY Just like mummy: Odone's sister writes Coleen Rooney and son Kai step out in matching parka movingly of a life that jackets The pair matched, even taught her the meaning of right down to their fluffy hope... hoods By CHRISTINA ODONE 'I thought you were Last updated at 11:15 PM on 01st June 2008 better than this... I trusted you!' Katie Comments (0) Share 0 Tweet 0 Like Waissel blasts 0 former X Factor mentor Cheryl Cole For 22 years, I had been waiting for a miracle - that my brother Lorenzo would be who chose her to cured. Doctors had warned my father and stepmother that Lorenzo would not see his make 'good TV' eighth birthday: boys with his condition rarely survived two years after their diagnosis. But Lorenzo had overcome so many setbacks that it really did seem possible that he Same-sex snogs, would recover. tattoos on fooffoos Last week, when, one day after his 30th birthday on May 29, Lorenzo died, I was in and no charm shock. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co.