Max Weinberg's “Jukebox” Rider 2018
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Max Weinberg's Jukebox & Woodstock Alumni Canned Heat Added to Bethel Woods Event Gallery Line-Up
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] MAX WEINBERG’S JUKEBOX & WOODSTOCK ALUMNI CANNED HEAT ADDED TO BETHEL WOODS EVENT GALLERY LINE-UP Tickets On Sale Friday, May 17th at 10 AM May 14, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival in Bethel, N.Y., will welcome Woodstock alumni Canned Heat on Friday, September 13th and Max Weinberg’s Jukebox on November 24th. Both shows will take place in the intimate, indoor Event Gallery. Reserved seating tickets will go on sale to the general public on Friday, May 17th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Both evenings offer opportunity to enhance your Bethel Woods experience, offering a bountiful pre-show farm-to-table dinners, presented by Bethel Woods’ own Executive Chef, Jodi Cummings. The Canned Heat pre-show dinner will take place in the open-air Market Sheds overlooking the historic Woodstock festival field. The multi-course dinner will feature delicious recipes using locally-sourced ingredients, with communal, family style seating that wholly embodies the "Peace, Love and Music" atmosphere and is wonderful to experience with neighbors and friends, both old and new. The Max Weinberg pre-show dinner will take place in the 2019 Special Exhibit space, We Are Golden, where guests can indulge in this unique, one-time dining experience amidst the energy and relics of the 1969 Woodstock festival, including pieces of the original stage, Country Joe & the Fish’s drum kit, and more. -
Bruce Springsteen Song Request
Bruce Springsteen Song Request Echt and sepia Jeffie jargonizing her cameleers democratises while Elihu interred some taster counterclockwise. Douglass displace her thiocyanate accountably, she brimmed it unwarrantably. Pestilent and variable Nevins fossilising her linch fishbowl slap and open-fire naught. Europe and weeks that something of his days and fun and hate for contacting your grief out the roxy box seats, song request banners with his work is This time Bruce used the free moments to crouch right specify the audience or collect banners with the requests. New Jersey homecoming run. Springsteen would each play a song for rationale on acoustic guitar while they listened and noted chord changes, each day down your preliminary arrangement, and decent they all contributed ideas and discussed the arrangement. Springsteen sings against a meandering, languid track, a tale of blurred lines and rationalizations. Who then blame them? Bruce paints a picture all his words, singing every quarter with special conviction. And bruce springsteen wrote an hour concerts and gave me later. Get thrive business listings and events and join forum discussions at NJ. Listening to the Atlanta version will reaffirm everything you love turn the tie, this tour, and these musicians. Do you devise any questions? He search a minor planet named after him. Vini, there are white second chances. Can sky do without knowing best reporting and sporting debate? It too long to request songs that were in europe, in a purpose developed on fm stations to learning more song request timed out at least familiar. Your spouse been subscribed to our newsletter! One request for bruce would last minute i fell into account, bruce springsteen song request. -
Southside Johnny and the Asbury Jukes Return to Hard Rock Hotel & Casino Atlantic City Saturday, November 10 at 8 Pm
For Immediate Release SOUTHSIDE JOHNNY AND THE ASBURY JUKES RETURN TO HARD ROCK HOTEL & CASINO ATLANTIC CITY SATURDAY, NOVEMBER 10 AT 8 PM Atlantic City, NJ (September 25, 2018) – After a mind-blowing performance in early August, Southside Johnny and The Asbury Jukes will be returning to Sound Waves at Hard Rock Hotel & Casino Atlantic City on November 10 at 8 p.m. Tickets are on sale this Friday, September 28 at 10 a.m. Southside Johnny and the Asbury Jukes are a Jersey Shore music group led by the band’s namesake, Southside Johnny. They have been recording albums since 1976 and are closely associated with Bruce Springsteen & the E Street Band. They have recorded or performed several Springsteen songs, including "The Fever" and "Fade Away". Springsteen has also performed with the band on numerous occasions and in 1991 guested on their Better Days album. During the band's formative years Miami Steve Van Zandt, aka Little Steven, acted as the band's co-leader, guitarist, songwriter, arranger and producer while other E Streeters including Clarence Clemons, Max Weinberg, Garry Tallent, Ernest Carter, Patti Scialfa and Soozie Tyrell have all performed, toured or recorded with the Jukes. The band's horn section, the Miami Horns, has also toured and recorded with Springsteen. More than one hundred musicians can claim to have been members of the Asbury Jukes, including Jon Bon Jovi who toured with the band as a special guest during 1990. Bon Jovi has also cited the band as an influence for him. Jukes' Bobby Bandiera and Jeff Kazee have also toured with Bon Jovi. -
Storage Looking for the Right Organization and Event That Would Raise Money for High School Students Through Scholarships in Arts Or Music
Harley Davidson Collectors, Enthusiasts and E Street Band Supporters: Thank you for helping me and the Rotary Club of Naples raise funds for scholarships in Arts and Music. This 2009 Harley Davidson Soft Tail was presented to me after playing the Harley Davidson 105th Year Anniversary with Bruce Springsteen and The E Street Band in August of 2008. As a member of The E Street Band I have been performing with Bruce and the band for over L3 years in hundreds of concerts in the United States and around the world including 9 recorded albums. I have kept this Harley in storage looking for the right organization and event that would raise money for high school students through scholarships in Arts or Music. lt is my pleasure to wish the lucky winner of this Raffle many years of enjoyment and many thanks for your contribution to the success of many students in their ongoing education and dreams to succeed and make a difference in America. This autographed Harley Davidson by all of the members of the band is a collectors' dream and documentation of one of the greatest American musical groups. Listed below are all of the musicians who autographed this Harley in 2008. Bruce Springsteen Patti Scialfa Clarence Clemons Steven Van Zandt Garry Tallent Roy Bittan Nils Lofgren Max Weinberg Soozie Tyrell Cindy Mizelle Curtis King Thank you and enjoy the Rotary Club of Naples evening of Wine and Food at the third annual Grapes and Apes at The Naples Zoo on March 23-,2013 Tyrell February L,2AL3. -
Elvisbrucefeaturefromstonepo
How an encounter that never happened might have helped to change history if it had By Shawn Poole Ever since he was a child, Bruce Springsteen has been strongly influenced by the artistry of Elvis Presley. Over the years, the “E Street”/”Elvis” connection has remained strong. Most recently, Springsteen participated along with E Street Band members Nils Lofgren and Patti Scialfa in the Elvis: Viva Las Vegas television special (now on DVD in the U.S., where it hit #1 on the Billboard DVD sales chart), and its accompanying soundtrack album. E Streeters Garry Tallent and Max Weinberg also were on hand at this year’s Rock and Roll Hall of Fame Induction Ceremony to induct Elvis’ original drummer and bassist, D.J. Fontana and the late Bill Black. Presley was only forty-two years old when his life tragically ended. “They found him slumped up against the drain,” Bruce Springsteen would later sing of his fallen idol, “with a whole lot of trouble running through his veins; Bye-bye, Johnny; Johnny, bye-bye; You didn’t have to die; you didn’t have to die.” While Elvis’ premature decline and death did absolutely nothing to stop his immense cultural influence, it did rob the world of many more years of music from this great artist. It also ensured that Bruce Springsteen would never get another chance to meet the man who initially inspired his own musical career. (He had two chances: one famous unofficial chance when he jumped the wall at Graceland in 1976 and one not-as-famous in 1977 when local concert promoters offered Springsteen an official chance to meet Elvis backstage before his final Philadelphia concert.) But what if Bruce had gotten to meet Elvis before August 16, 1977? Might things have turned out any differently for either or both of them, as well as the many other lives they affected? In this work of speculative fiction, Shawn Poole ponders the possibilities, poignantly reminding us of the promise and potential that tragically disappeared in that long ago summer. -
CLOCKWISE from TOP LEFT Clarence Clemons in 1980; §Ruce Springsteen and Patty Scialfa; Nils Lofgren, Clemons, Springsteen, Stev
CLOCKWISE FROM TOP LEFT Clarence Clemons in 1980; §ruce Springsteen and Patty Scialfa; Nils Lofgren, Clemons, Springsteen, Steve Van Zandt, Max Weinberg, Scialfa, and Garry Tallent (from left), 2003; Clemons, Springsteen, Tallent, and Van Zandt (from left), 1980. AWARD FOR MUSICAL EXCELLENCE The E Street Band By Dave Marsh According to Bruce Springsteen, this house-rocking group of singular musicians has always expanded his line of vision - while creating the framework for the marathon live shows that have defined his career. Clarence Clemons Nils Lofgren Garry Tallent Patti Sci alfa David Sancious h e e s t r e e t b a n d h a s l a s t e d m o r e t h a n forty years with an independent and highly THIS PAGE, TOP individualized identity. The most essential The E Streeters in 1973: David Sancfc«s} albums of Bruce Springsteen’s career - ..Springsteen* Vt|4 *Maddog* .Lopez, Clemons, Danny T Bom to Run, Darkness on the Edge o f Town, The River, Fedeife^jiifid T a fle ri|M ite ft), Bom in the USA., The Rising - are built around the group. Yet only four albums and an EP, all live except an anthology, bear the group’s name on the spine. the most virtuosic, produced Lucinda Williams’ iconic You could say that the ESB is the greatest instru Car Wheels on a Gravel Road. Garry Tallent has been ment Springsteen plays. He recently said almost ex a mainstay of Nashville’s Americana scene for a cou actly that: “I write to live up to the band’s abilities ple of decades - as producer, instrumentalist, talent and power onstage. -
The Boss | Page 1
The Boss | Page 1 The Boss By: Jack Greiner on February 26, 2016 on graydon.law I attended the Bruce Springsteen Concert in Cleveland on Tuesday with my friends Chuck Tobin and Dave Giles. This is the third time I’ve seen Springsteen. I’m pretty sure it’s Chuck’s third time on this The Boss | Page 1 Printed from: https://graydon.law/the-boss/ Copyright © 2021 Graydon Head & Ritchey LLP. All Rights Reserved. The Boss | Page 2 tour. Suffice it to say, it was great. I can understand Chuck’s near obsession. And as I’ve thought about the concert and Springsteen’s ongoing ability to fill arenas for the last 40 years, I started reflecting on larger lessons on why that’s so. I think there are three big ones. 1. Joy. Springsteen radiates joy in his concerts. He either is having the time of his life onstage or he fakes it better than anyone. I think it’s the former rather than the latter. And that manifests itself not just in the smile on his face, but in larger ways. On this tour, Springsteen has paid tribute to David Bowie (check out his Rebel, Rebel cover) and Glenn Frey (Take it Easy). Springsteen finds joy not only in his performance, but in the works of others. And that is simply infectious. People like to have fun. And being in the presence of joyful people is a fun place to be indeed. 2. Teamwork. The E Street Band has been playing together for over 40 years. And you can’t come away from a Springsteen concert without thinking about Stevie Van Zandt’s guitar and background vocals, Max Weinberg’s drumming or Roy Bittan’s beautiful work on the piano. -
The Roots Report: an Interview with Max Weinberg
The Roots Report: An Interview with Max Weinberg Okee dokee folks… Max Weinberg, drummer for Bruce Springsteen and the E-Street Band, and Late Night with Conan O’Brien fame will be bring his Jukebox Show to the Greenwich Odeum On Thursday, May 16. I had the opportunity to speak with Max by phone and talk about the show and whatever came up. Read on… Max Weinberg: Hello, John, how are you? Good to talk to you! What can I do for you today? John Fuzek: Well, I wanted to talk about you and your show coming up at the Odeum in East Greenwich, RI and whatever else you’d like to talk about! MW: Well, I’m happy to tell you about the Jukebox Show, it’s a lot of fun, we played there once before and it was a blast, I have a long history with Rhode Island, a large group of my family lives in the Providence area and it was fun to get back to that area JF: I did not know that, cool! MW: That’s right, they go back to the 60’s JF: Are they all Weinbergs? MW: They are my older sister’s extended family and there’s a lot of cousins and nieces and their children so I expect some of them will be coming to the show, it’s a fun show, it’s all audience requests of 60’s and 70’s material, music that I grew up listening to and in many cases may have learn to play the drums from listening to this music and it’s quite a lot of audience participation JF: When you say “audience requests” how do they go about requesting it, is it in advance or at the show? MW: At the show they yell out their songs and we do our best to play them, we have our revolving, what I call our -
Volume 8 Issue 11
Presorted Standard US POSTAGE PAID BELLMAWR, NJ PERMIT No. 67 1 1 E U S S I 8 E M U L O V BRUCE SPRINGSTEEN IN HADDONFIELD IN 1978, AS SHOT BY LOCAL PHOTOGRAPHER FRANK STEFANKO. xx SOUTH JERSEY MAGAZINE VOLUME 8 ISSUE 3 SouthJersey.com The BIRTH of BR UCE On the heels of his 17th al bum and new tour this month, we examine Bruce Springsteen’s storied South Jersey past and trace the local roots that help ed spawn a legend ary rock ca reer that has spanned four decades. BY RANDY ALEXANDER SouthJersey.com VOLUME 8 ISSUE 12 SOUTH JERSEY MAGAZINE 59 ACK IN HIS college days, Dell Poncett used to fancy himself as the first Bruce Spring - steen fan in South Jersey. He got hooked one mid-January night in 1973 on Long Island, having left Cherry Hill for the weekend to visit his cousin. Looking to catch some live music, Poncett stum - bled upon “this scruffy little kid” with “so much charisma” as the opening act for the Paul Winter Consort at My Father’s Place, a popular cabaret housed in a Roslyn, N.Y. bowling alley. Poncett could n’t wait to get back to Cherry Hill to tell his buddies how he’d CLOCKWISE FROM TOP LEFT: BRUCE SPRINGSTEEN & THE E STREET BAND INSIDE been impressed by this “unbelievable” SHELLOW’S LUNCHEONETTE IN EAST guy with vividly intoxicating songs and CAMDEN (1978); A FLYER FOR A CAMDEN COUNTY COLLEGE SHOW IN 1974; SPRING - lighthearted stories made funnier when STEEN AND HIS 1960 CORVETTE ON COLO - he’d stop mid-song and bang on his NIAL AVENUE IN HADDONFIELD (1978); OUT - SIDE PHOTOGRAPHER FRANK STEFANKO’S amplifier to keep it from short-circuiting. -
The Backstreets Liner Notes
the backstreets liner notes BY ERIK FLANNIGAN AND CHRISTOPHER PHILLIPS eyond his insightful introductory note, Bruce Springsteen elected not to annotate the 66 songs 5. Bishop Danced RECORDING LOCATION: Max’s Kansas City, New included on Tracks. However, with the release York, NY of the box set, he did give an unprecedented RECORDING DATE: Listed as February 19, 1973, but Bnumber of interviews to publications like Billboard and MOJO there is some confusion about this date. Most assign the which revealed fascinating background details about these performance to August 30, 1972, the date given by the King songs, how he chose them, and why they were left off of Biscuit Flower Hour broadcast (see below), while a bootleg the albums in the first place. Over the last 19 years that this release of the complete Max’s set, including “Bishop Danced,” magazine has been published, the editors of Backstreets dated the show as March 7, 1973. Based on the known tour have attempted to catalog Springsteen’s recording and per- chronology and on comments Bruce made during the show, formance history from a fan’s perspective, albeit at times an the date of this performance is most likely January 31, 1973. obsessive one. This booklet takes a comprehensive look at HISTORY: One of two live cuts on Tracks, “Bishop Danced” all 66 songs on Tracks by presenting some of Springsteen’s was also aired on the inaugural King Biscuit Flower Hour and own comments about the material in context with each track’s reprised in the pre-show special to the 1988 Tunnel of Love researched history (correcting a few Tracks typos along the radio broadcast from Stockholm. -
Idag Släpper Bruce Springsteen Och the E Street Band “Letter to You” – Titelspåret Från Kommande Albumet
2020-09-10 14:10 CEST Idag släpper Bruce Springsteen och the E Street Band “Letter To You” – titelspåret från kommande albumet Den 23 oktober släpper Bruce Springsteen tillsammans med the E Street Band albumet ”Letter To You”. Redan idag släpps titelspåret, "Letter To You" som blir först ut av de tolv spåren på det kommande albumet. Fansen kan vänta sig ett rockalbum som är inspelat live i Springsteens hemmastudio i New Jersey. ”Letter To You” blir Bruce Springsteens 20e studioalbum och det är producerat av Ron Aniello tillsammans med Bruce Springsteen, mixat av Bob Clearmountain och mastrat av Bob Ludwig. Albumet innehåller nio nyskrivna låtar av Springsteen och till mångas stora förtjusning nya inspelningar av tre legendariska låtar från 70-talet som inte släppts tidigare, nämligen “Janey Needs a Shooter,” “If I Wasthe Priest,” och “Song for Orphans.” På ”Letter To You” får Bruce Springsteen sällskap av stjärnorna Roy Bittan, Nils Lofgren, Patti Scialfa, Garry Tallent, Stevie Van Zandt, Max Weinberg, Charlie Giordano och Jake Clemons. ”Letter To You” blir första gången Springsteen spelar med the E Street Band sedan The River turnén 2016. Bruce Springsteen själv säger; “I love the emotional nature of Letter To You. And I love the sound of the E Street Band playing completely live in the studio, in a way we’ve never done before, and with no overdubs. We made the album in only five days, and it turned out to be one of the greatest recording experiences I’ve ever had.” Se videon till titelspåret “Letter To You” här. Se YouTube-videon här Mer Bruce Bruce Springsteen’s recording career spans over 40 years, beginning with 1973's ‘Greetings from Asbury Park, NJ’ (Columbia Records). -
Still on the Road 2003 Europe Fall Tour
11 STILL ON THE ROAD 2003 EUROPE FALL TOUR OCTOBER 9 Helsinki, Finland Hartwall Areena 11 Stockholm, Sweden Globe Arena 12 Karlstad, Sweden Löfbergs Lila Arena 13 Oslo, Norway Spektrum 15 Gothenburg, Sweden Scandinavium 16 Copenhagen, Denmark Forum 17 Hamburg, Germany Docks 18 Hamburg, Germany Docks 20 Berlin, Germany Arena 22 Leipzig, Germany Leipzig Arena 23 Prague, Czech Republic T. Mobile Aréna 24 Budapest, Hungary Budapest Sporthalle 26 Graz, Austria Eishalle Liebenau 27 Vienna, Austria Stadthalle 29 Munich, Germany Olympiahalle 30 Bolzano, Italy Palaonda NOVEMBER 1 Rome, Italy Roma Palaeur 2 Milan, Italy Forum di Assago, Assago 3 Zurich, Switzerland Hallenstadion 5 Freiburg, Germany Stadthalle 6 Frankfurt, Germany Jahrhunderthalle 8 Düsseldorf, Germany Philipshalle 10 Amsterdam, The Netherlands Heineken Music Hall 11 Amsterdam, The Netherlands Heineken Music Hall 12 Brussels, Belgium Vorst Nationaal 13 Paris, France Le Zenith 15 London, England Wembley Arena 17 Dublin, Ireland The Point Theatre 20 Sheffield, England Sheffield Arena 21 Birmingham, England International Arena, National Exhibition Center 23 London, England Shepherds Bush Empire Theatre 24 London, England Carling Apollo Hammersmith 25 London, England Brixton Academy 25380 Shea Stadium Flushing, New York 4 October 2003 Guest at the last show of The Rising Tour 1. Highway 61 Revisited Bob Dylan (vocal & guitar) with Bruce Springsteen and the E-street Band: Bruce Springsteen (guitar), Steve Van Zandt (guitar), Nils Lofgren (slide guitar), Patti Scialfa (guitar), Roy Bittan (keyboards), Clarence Clemons (percussion), Danny Federici (organ), Soozie Tyrell (violin), Garry Tallent (bass), Max Weinberg (drums). Notes. LB-number for this concert: LB-1232. Stereo audience recording, 5 minutes. Session info updated 27 May 2009.