Society: the Basics, 10/E © 2009 John J
Total Page:16
File Type:pdf, Size:1020Kb
Load more
										Recommended publications
									
								- 
												
												Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. - 
												
												Sustainable Development and Cultural Policy: Do They Make a Happy Marriage?
ENCATC JOURNAL OF CULTURAL MANAGEMENT AND POLICY Sustainable Development and Cultural Policy: Do They Make A Happy Marriage? Géraldine Dallaire HEC Montréal, Canada François Colbert HEC Montréal, Canada Keywords: ABSTRACT Cultural Policy The aim of this article is to foster debate within the academic community on the notion of Agenda 21 culture as the fourth pillar of sustainable development. Is Agenda 21 for Culture not just another way of making the case for increased funding of the arts by the different Sustainable governments? Are the goals of this fourth pillar not the same as those traditionally found in development cultural policies? This article looks at the origins of Agenda 21 and raises questions about its relationship with the challenges facing cultural and arts organizations, the different definitions Market Issues of the term “culture,” and the distinction between high and popular culture. It explores the links between these questions and the economic and market issues confronting stakeholders High art / popular in the cultural sector as well as public policy makers. art 6 ENCATC JOURNAL OF CULTURAL MANAGEMENT AND POLICY Introduction The issue of cultural democratization is a recurring theme that was once again pushed to the Cultural actors in all developed countries are fore on the occasion of the anniversaries of the struggling with a serious lack of funding. The cultural ministries of France and Quebec, notably, in economic crisis of 2008 has had a devastating impact 2009 and 2011. Indeed, one of the founding missions on government budgets, leading to severely limited of the French Ministry of Culture upon its creation in access to public funding. - 
												
												Cross-Cultural Universals and Cultural Relativities G E R Lloyd Needham Research Institute, Cambridge
INTERDISCIPLINARY SCIENCE REVIEWS, Vol. 35 No. 3–4, 2010, 201–14 History and Human Nature: Cross-cultural Universals and Cultural Relativities G E R Lloyd Needham Research Institute, Cambridge Recent studies in a wide range of different, if overlapping, fields of research have converged on a number of issues concerning the cross-cultural universality, or the cultural relativity, of human cognition. Those fields include social anthropology, linguistics, history, philosophy, developmental psychology, evolutionary psychology, and neurophysiology as well as cognitive science, the synoptic discipline, itself. The conclusions that have been proposed differ sharply. Some researchers (for example, Nisbett 2003) are convinced that there are radical differences in the ways in which different groups of humans perceive and reason — and in the ways in which earlier humans have done so in the past insofar as their thought patterns can be reconstructed from the evidence available to us. Others insist that, despite surface differences, there are robust underlying cross-cultural universals in such areas as colour perception (Berlin and Kay 1969), the basic emotions (Wierzbicka 1999) and even the ‘common-sense’ classification of animals (Atran 1990). A first question that arises concerns whether or how far the parties to the disputes are merely talking past one another. Certainly there are major differences in the data cited and the methodologies used in those different areas of research. Social anthropologists analyse ethnographic field reports, including those stemming from questionnaires designed to elicit responses to key issues to do with how their subjects perceive and reason. These may relate to matters that do not form part of the ordinary experience of the people investigated, such as how they would classify animals or artefacts that they have never seen. - 
												
												US Immigration and the Cultural Impact of Demographic Change. An
GLOBAL SHIFTS: U.S. IMMIGRATION AND THE CULTURAL IMPACT OF DEMOGRAPHIC CHANGE. AN ADDRESS Marcelo M. Sua´rez-Orozco* At the turn of the millennium we are witnessing intense new worldwide migration and refugee flows. There are now some 100 million transnational immigrants plus an estimated 30 million refugees displaced from their homelands. These flows are largely structured by the intensi- fication of globalization—a process of economic, social, and cultural transformation rapidly accelerating in the last decade.1 Globalization has increased immigration in a variety of ways. First, transnational capital flows (roughly a trillion dollars cross national boundaries every day) tend to stimulate migration because where capital flows, immigrants tend to follow.2 Second, the new information and communication technologies that are at the heart of globalization tend to stimulate migration because they encourage new standards of consumption and life-style choices. Would-be immigrants imagine better opportunities elsewhere and mobi- lize to achieve them. Third, the affordability of mass transportation—last year approximately 1.5 billion airline tickets were sold—has put the migration option within the reach of millions who heretofore could not consider it. Fourth, globalization has stimulated new migration because it has produced uneven results—big winners and losers. Globalization pains have been felt in many regions of the developing world—perpetuating unemployment and further depressing wages.3 On *Victor S. Thomas Professor of Education at Harvard University and Co-Director of the Harvard Immigration Project. 1 See Sua´rez-Orozco, Marcelo, forthcoming, “Global Acts: Immigrant Children, Educa- tion and the Post National.” Harvard Educational Review. - 
												
												'Resistance,' 'Cultural Radicalism,' and 'Self-Formation'
Popular Culture, ‘Resistance,’ ‘Cultural Radicalism,’ and ‘Self-Formation’ Comments on the Development of a Theory Kaspar Maase 1. PRELIMINARY COMMENTS This article follows up on the debate over the resistance potential of popular culture. The first part traces the historical constellation of ideas in which the question arose and remains to this day. The second part attempts to systematize different dimensions of ‘resistance.’ The third part examines the development and criticism of this approach in the field of Cultural Studies. This leads to the fourth part, which investigates the role “cultural radicalism” (Fluck, “Die Wissenschaft” 115) has played in this discussion. The fifth part introduces the concept of self-formation. The sixth discusses the ways in which the political relevance of popular culture has been evaluated, and how the ‘resistance’ approach can be further developed. ‘Resistance’ in a specific sense, namely that established in British Cultural Studies, forms the point of reference, framing the topic of this article in three ways. Firstly, the analysis will take place within the supposed context of a clash of interests between ‘the people’ and ‘the power bloc’; secondly, it will focus on the cultural dimension; and thirdly, it will investigate the cultural exercise of power and oppositional practices from the perspective of ‘the people’ with the intention of facilitating their empowerment. The thoughts of political and academic actors as to what exactly constitutes ‘resistance’ are as varied and contradictory as the concerns articulated by ‘the people.’ Nonetheless, there is a widespread expectation that research from the perspective of ‘the people’ has to promote 46 Kaspar Maase oppositional feelings, thoughts, and actions. - 
												
												Megachurches and Popular Culture: on Enclaving and Encroaching
Chapter 4 Megachurches and Popular Culture: On Enclaving and Encroaching Simon Coleman and Saliha Chattoo 1 Introduction: Performing the ‘Mega’ Christians have always built large churches. Imposing cathedrals dominated the architectural profiles and often the economies of cities in medieval Eu- rope, and spread into the New World along with colonisation and missionisa- tion (Coleman and Bowman 2018). Yet, while such churches are often huge, we do not think of them as mega. Their size – expressive of ecclesiastical authority – has a different quality to the dynamic, ostensibly more democratic forms of expansion that we associate with today’s megachurches.1 If many Gothic and neo-Gothic cathedrals expanded upwards towards the heavens while ostentatiously occupying urban centres, contemporary megachurches have tended to expand sideways, taking up large swathes of land in suburban areas, or repurposing large-scale facilities such as sports arenas. Furthermore, these differences in models of growth go beyond the spatial or the architec- tural. Cathedrals have tended to represent ‘high culture’, embodying national identity, craftsmanship, education, and patronage. Megachurches inhabit a very different cultural realm, relying on an ability to attract people to their ser- vices and consumers to their products. An empty cathedral (and there are many) still provides an important symbolic and civic function. An empty megachurch serves no purpose at all. This chapter demonstrates the importance of popular culture to the devel- opment of megachurches, showing its intimate connection with such church- es’ performances of what is often made to seem like ineluctable expansion. Our use of the word performance here is very deliberate, since it is meant to convey the sense of both producing growth and displaying it through a variety of media (see also Goh 2008; Maddox 2012). - 
												
												Quality Culture: Understandings, Boundaries and Linkages
Quality culture: understandings, boundaries and linkages Lee Harvey & Bjørn Stensaker Presented at EAIR Forum Innsbruck, September 2007. Submitted to European Journal of Education 24th November, 2007 Published as Harvey, L. and Stensaker, B., 2008, ‘Quality culture: understandings, boundaries and linkages’, European Journal of Education 43(4), pp. 427–42. ABSTRACT As part of the process of enhancing quality, quality culture has become a taken-for- granted concept intended to support development and improvement processes in higher education. By taking a theoretical approach to examining quality culture, starting with a scholarly examination of the concept of culture, and exploring how it is related to quality, quality improvement and quality assurance, the aim of this paper is to create a better understanding of how one can make sense of quality culture, its boundaries but also its links to the fundamental processes of teaching and learning. Keywords: quality, culture, quality culture, learning and teaching, academic engagement 1. Introduction Quality assurance is no longer a novelty to higher education. National and institutional systems for evaluation, assessment, accreditation and audit are now a routine in the majority of European countries (Schwarz & Westerheijden 2004). However, this does not mean that quality work and quality improvement is an integrated part of the sector. Available evidence rather suggests that while systems, procedures and rules are being laid down, creating much data, many reports and much attention (Stensaker 2003), there is still a lack of staff and student attachment and active involvement in these processes (Newton 2000; Vidal, 2003). When trying to describe the ideal involvement of student and staff in such processes, the concept of quality culture has in the latter years often been highlighted as a description of the social processes intended to characterise well-functioning quality systems and quality work processes (Ba˘stová et al., 2004; Rozsnyai, 2003). - 
												
												Cultural Universals
Course Name (Course Number): SOC 210- Introduction to Sociology This course includes the scientific study of human society, culture, and social interactions. Topics include socialization, research methods, diversity and inequality, cooperation and conflict, social change, social institutions, and organizations. Upon completion, students should be able to demonstrate knowledge of sociological concepts as they apply to the interplay among individuals, groups, and societies. This course has been approved to satisfy the Comprehensive Articulation Agreement general education core requirement in social/behavioral sciences. (3 credit hours, 3 contact hours) No prerequisites, no co-requisites, no entry test requirements. The ability to comprehend college-level reading and express through written assignments is imperative for success in the course. Activity and Author Name: What is a cultural universal? Developed by Cate Shiles, Caldwell Community College & Technical Institute (correspondence: [email protected]) Activity Description: Cultural universals are best described as concepts, social constructs, or patterns of behavior that are common to ALL human cultures; meaning every society in existence exhibits some form of the universal. Some examples of other cultural universals include: gift-giving, marriage, bodily adornment, incest taboo, and rules of hygiene. That said, how a cultural universal is expressed varies widely according to the given society. For instance, some form of bodily adornment is exhibited in every culture and society, but how this is accomplished varies widely. Some societies adorn their bodies with tattoos and body piercings; others adorn their body with scarification or elaborate costume. Social institutions can be described as large-scale patterned behaviors or ideas of a society that heavily structure and influence the everyday lives of individuals in the given culture. - 
												
												Family: Variations and Changes Across Cultures James Georgas the University of Athens, Greece, [email protected]
Unit 6 Developmental Psychology and Culture Article 3 Subunit 3 Cultural Perspectives on Families 8-1-2003 Family: Variations and Changes Across Cultures James Georgas The University of Athens, Greece, [email protected] Recommended Citation Georgas, J. (2003). Family: Variations and Changes Across Cultures. Online Readings in Psychology and Culture, 6(3). https://doi.org/10.9707/2307-0919.1061 This Online Readings in Psychology and Culture Article is brought to you for free and open access (provided uses are educational in nature)by IACCP and ScholarWorks@GVSU. Copyright © 2003 International Association for Cross-Cultural Psychology. All Rights Reserved. ISBN 978-0-9845627-0-1 Family: Variations and Changes Across Cultures Abstract In order to study psychological phenomena cross-culturally, it is necessary to understand the different types of family in cultures throughout the world and also how family types are related to cultural features of societies. This article discusses: The definitions and the structure and functions of family; the different family types and relationships with kin; the ecocultural determinants of variations of family types, e.g, ecological features, means of subsistence, political and legal system, education and religion; changes in family in different cultures; the influence of modernization and globalization on family change throughout the world. Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. This article is available in Online Readings in Psychology and Culture: https://scholarworks.gvsu.edu/orpc/vol6/iss3/3 Georgas: Family: Variations and Changes Across Cultures Introduction It is common knowledge that cultures seem to have different types of family systems. - 
												
												Embodied Culture As Procedure: Rethinking the Link Between Personal and Objective Culture1
Embodied Culture as Procedure: Rethinking the Link Between Personal and Objective Culture1 Omar Lizardo University of Notre Dame Recent developments in cognitive science and the philosophy of mind point to a radically new way of understanding the way that culture comes to be embodied in human agents. According to these emerging perspectives, persons can only embody culture in the form of procedure: context sensitive skills for the fast categorization, perception and exploitation of the response-dependent properties of objects and settings. Procedures are fundamentally and irreducibly embodied, while a lot of what we refer to as culture exists in an externalized, objectified form. This means that the format in which culture is externally encountered is radically distinct from the one in which it is embodied. This (re)opens the problematic of the linkage or interfacing between external and objectified culture, a central problem in cultural theory that became obfuscated, and spuriously “resolved” by phenomenological and functionalist theorists who presumed that culture is internalized in the same way in which it appears in external form. I close by outlining the implications for thinking of embodied culture as procedure, as well as developing novel ways of understanding how persons “interface” with the external world of objectified cultural objects and artifacts. Introduction Looking through the contemporary theoretical landscape, we find very few ways of conceptualizing the enculturation process that do not rely on the metaphorical imagery of the (format-preserving) “transfer” of objectified cultural contents from the external environment into the internal environment of the person. That is, enculturation is conceptualized—either explicitly or more commonly, implicitly— primarily as a learning process. - 
												
												Investigating New Aspects of Recuperation 1 Michael Tsangaris
Re-adapting radical forms of expression in the digital era -Investigating new aspects of recuperation 1 Michael Tsangaris To cite this version: Michael Tsangaris. Re-adapting radical forms of expression in the digital era -Investigating new aspects of recuperation 1. XIX ISA World Congress of Sociology / RC57 Visual Sociology, Jul 2018, Toronto, Canada. hal-02349016 HAL Id: hal-02349016 https://hal.archives-ouvertes.fr/hal-02349016 Submitted on 5 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 Re-adapting radical forms of expression in the digital era - Investigating new aspects of recuperation1. Michael Tsangaris, University of Piraeus, Greece Undoubtedly, all past media forms held possibilities for alternative communications but most of the times commodification that turns everything into ‘Spectacle’ degenerated such options. Even some of the most experimental forms of painting, photography, music or moving images, after all, removed far away from the original ideological frames in which they were initially created, and got absorbed by the mainstream cultural industry. In fact, alternative media forms such as aggressive rock music, street graffiti or tattoos, were initially used to express distinctive youth cultural scenes or counter-movements challenging the dominant culture. - 
												
												Culture and Accompany.Indd
CULTURE CUltURE AND accomPANIMENT is called cultural imperialism, and has been identi- HOW CUltURE relates to fied by theologians as one of the “impure motives accomPANIMENT for mission.” A lens and methodology for mission today How we engage “the other” is the defining question for mission today. Because culture can enable or The ELCA Global Mission program unit defines ac- hinder our ability to engage “the other” respectfully companiment as Walking together in solidarity that and with open minds and hearts, this paper ex- practices interdependence and mutuality. In this plores culture and how it shapes and affects us and walk, gifts, resources and experiences are shared our relationships in mission. with mutual advice and admonition to deepen and expand our work within God’s mission. The concept of culture: How where we come You can find a deeper discussion of accompani- from affects what we think ment in a DVD featuring Executive Director Rev. Culture is the way that we pattern our human activi- Rafael Malpica Padilla called the 2007 Global ties and give them meaning. It’s a sort of second Mission Executive Briefing, and in the paper called “skin” of language, habits, ideas, beliefs, customs, Accompaniment: A lens and methodology for mis- social organization and values that teach us how sion today. But in brief, accompaniment is not a we eat, dress, wed or raise children. In short, cul- new theology but a new theological understanding ture is how we “do life.” of mission methodology. It is a living concept that continues to be articulated and contextualized as This shared, learned, symbolic system of values, we North American Lutherans learn from our history beliefs and attitudes shapes and influences our of mission practice and our current engagement perception and behavior.