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Hermann Park Japanese Garden Day Honors 40 Years of Friendship
Estella Espinosa Houston Parks and Recreation Department 2999 South Wayside Houston, TX 77023 Office: (832) 395-7022 Cell: (832) 465-4782 Alisa Tobin Information & Cultural Affairs Consulate-General of Japan 909 Fannin, Suite 3000 Houston, Texas 77010 Office: (713) 287-3745 Release Date: 06/15/2012 (REVISED) Hermann Park Japanese Garden Day Honors 40 Years of Friendship Between COH & Chiba City, Japan 20 Cherry Blossom Trees to Be Planted As Part of Centennial Celebration of Tree Gift to US from Japan Mayor Annise Parker will recognize Mr. Kunio Minami, local community groups, & many individuals for their dedication & work to the maintenance of one of Houston's most enduring symbols of friendship, the Japanese Garden at Hermann Park. In recognition of this dedication & in honor of the friendship between the City of Houston & its sister city, Chiba City, Japan, Tuesday, June 19 will be proclaimed Hermann Park Japanese Garden Day in the City of Houston. "For the past two decades, the Japanese Garden has served as a visible symbol of the friendship between Houston & Chiba City," said Houston Mayor Annise Parker. "We are truly honored to acknowledge the lasting friendship this garden personifies, with its beautiful pathways, gardens, & trees." In 1912, the People of Japan gave to the People of the United States 3,000 flowering cherry trees as a gift of friendship. In commemoration of this centennial & in recognition of the 40th anniversary of the Houston-Chiba City sister city relationship, 20 new cherry trees will be planted in the Japanese Garden in Hermann Park in October of this year. -
Bayou Place Houston, Texas
Bayou Place Houston, Texas Project Type: Commercial/Industrial Case No: C031001 Year: 2001 SUMMARY A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements Bayou Place Houston, Texas Project Type: Adaptive Use/Entertainment Volume 31 Number 01 January-March 2001 Case Number: C031001 PROJECT TYPE A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. SPECIAL FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements DEVELOPER The Cordish Company 601 East Pratt Street, Sixth Floor Baltimore, Maryland 21202 410-752-5444 www.cordish.com ARCHITECT Gensler 700 Milam Street, Suite 400 Houston, Texas 77002 713-228-8050 www.gensler.com CONTRACTOR Tribble & Stephens 8580 Katy Freeway, Suite 320 Houston, Texas 77024 713-465-8550 www.tribblestephens.com GENERAL DESCRIPTION Bayou Place occupies the shell of the former Albert Thomas Convention Center in downtown Houston’s theater district. -
Senator Borris Miles Texas Senate District: 13
Senator Borris Miles Texas Senate District: 13 Arts and Cultural Grants Listed by Texas Senate District Fiscal Year 2020 Alley Theatre Arts Create - Operational Support $12,500 To advance the creative economy of Texas by investing in the operations of this arts organization. Arts Respond Education $3,000 To support Staging STEM, a two-week theater residency program for K-8th grade students in the Houston metropolitan area. Arts Respond Public Safety & Criminal Justice $4,000 To support the Slam Poetry at Alley Theatre program, offering two eight-week poetry workshops for incarcerated youth at Harris County Juvenile Probation Department facilities. Commission Initiative-Texas CARES Act $1,361 To provide Texas CARES Act relief support to arts organizations impacted by the COVID-19 virus. Designated Funding-Texas Women for the Arts $2,500 To support the Alley Character Education Series, designed to educate and entertain students in the Houston area. High Quality Arts Programming $100,000 To support the production of 'A Christmas Carol - A Ghost Story of Christmas' in the Houston Theater District in conjunction with the annual tree lighting ceremony to attract visitors during the holiday season. Asia Society Texas Center Arts Create - Operational Support $7,500 To advance the creative economy of Texas by investing in the operations of this arts organization. Arts Respond Economic Development $3,000 To support Night Market, celebrating Houston's arts and food scene and engaging participants in a variety of activities and thought-provoking exhibitions of work by Vicky Roy and Tsuruya Kokei. Commission Initiative-Texas CARES Act $1,361 To provide Texas CARES Act relief support to arts organizations impacted by the COVID-19 virus. -
Motorcycle Parking
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ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
View Annual Report
Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
Where's the Revolution?
[Where’s the] 32 REVOLUTION The CHANGING LANDSCAPE of Free Speech in Houston. FALL2009.cite CLOCKWISE FROM TOP: Menil Collection north lawn; strip center on Memorial Drive; “Camp Casey” outside Crawford, Texas; and the George R. Brown Convention Center. 1984, Cite published an essay by Phillip Lopate en- titled “Pursuing the Unicorn: Public Space in Hous- ton.” Lopate lamented: “For a city its size, Houston has an almost sensational lack of convivial public space. I mean places where people congregate on their own for the sheer pleasure of being part of a INmass, such as watching the parade of humanity, celebrating festivals, cruis- ing for love, showing o! new clothing, meeting appointments ‘under the old clock,’ bumping into acquaintances, discussing the latest political scandals, and experiencing pride as city dwellers.” Twenty-seven years later, the lament can end. After the open- the dawn of a global day of opposition. In London between ing of Discovery Green, the Lee and Joe Jamail Skatepark, 75,000 and two million were already protesting. For Rome, and the Lake Plaza at Hermann Park, the city seems an alto- the estimates ranged from 650,000 to three million. Between gether different place. The skyline itself feels warmer and 300,000 and a million people were gathering in New York more humane when foregrounded by throngs of laughing City, and 50,000 people would descend upon Los Angeles children of all stripes. The strenuous civic activity of count- later in the day. less boosters and offi cials to make these fabulous public Just after noon, when the protest in Houston was sched- spaces is to be praised. -
Printable Schedule
CALENDAR OF EVENTS AUGUST – NOVEMBER 2021 281-FREE FUN (281-373-3386) | milleroutdoortheatre.com Photo by Nash Baker INFORMATION Glass containers are prohibited in all City of Houston parks. If you are seated Location in the covered seating area, please ensure that your cooler is small enough to fit under your seat in case an emergency exit is required. 6000 Hermann Park Drive, Houston, TX 77030 Smoking Something for Everyone Smoking is prohibited in Hermann Park and at Miller Outdoor Theatre, including Miller offers the most diverse season of professional entertainment of any Houston the hill. performance venue — musical theater, traditional and contemporary dance, opera, classical and popular music, multicultural performances, daytime shows for young Recording, Photography, & Remote Controlled Vehicles audiences, and more! Oh, and it’s always FREE! Audio/visual recording and/or photography of any portion of Miller Outdoor Theatre Seating presentations require the express written consent of the City of Houston. Launching, landing, or operating unmanned or remote controlled vehicles (such as drones, Tickets for evening performances are available online at milleroutdoortheatre.com quadcopters, etc.) within Miller Outdoor Theatre grounds— including the hill and beginning at 9 a.m. two days prior to the performance until noon on the day of plaza—is prohibited by park rules. performance. A limited number of tickets will be available at the Box Office 90 minutes before the performance. Accessibility Face coverings/masks are strongly encouraged for all attendees in the Look for and symbols indicating performances that are captioned for the covered seats and on the hill, unless eating or drinking, especially those hearing-impaired or audio described for the blind. -
Tru Agm 2018 Spring
TRU AGM 2018 SPRING • Roll Call • State of the Union • 2017-2018 Competitions • Hall of Fame • Summit AGENDA • Referees • USA Rugby Congress • High Performance • Brand • Elections • Summer AGM ROLL CALL STATE OF THE UNION CIPP #S Texas Geographic Union Memberships by Type Sep 1, 2017 - % Change Sep 1, 2016 - % Change Sep 1, 2015 - Ty p e Aug 31, 2018 Curr/Prior Aug 31, 2017 Curr/Prior Aug 31, 2016 Senior Player 1,703 -24.61% 2,259 -1.05% 2,283 College Player 9 -91.18% * 102 -29.17% 144 Coach 95** -18.80% 117 17.00% 100 Administrator 64 -20.00% 80 -4.76% 84 To t a l s 1,871 -26.80% 2,558 -4.20% 2,611 *SWWC College left the TRU to join the LonestarWomen’s Conference. **98% of our teams have a USA Rugby Level 200 coach. Individual Players, Coaches, $250.00 , Other, $1,700.00 , 6% $1,000.00 , 3% GRANTS 1% Administration, $250.00 , 1% 15s Grants, Referees, $10,800.00 $11,480.00 , 36% , 34% 7s Grants, $6,115.00 , 19% Individual Players Coaches Administration 15s Grants 7s Grants Referees Other FINANCIALS COMPETITIONS CHAMPIONSHIPS May 4-6, 2018 May 12, 2018 Austin, TX* Keller, TX Men’s D1 – May 4 & 7 Men’s D4 and Women’s D3 Women’s D1, Men’s D2, Women’s D2 and Men’s D3 – May 5 - 6 *The Men’s D1 will be playing Fri/Sun and Austin has committed to upgrading their lights and/or finding a suitable backup field in the Austin area. -
Calendar of Events May – August 2021
CALENDAR OF EVENTS MAY – AUGUST 2021 281-FREE FUN (281-373-3386) | milleroutdoortheatre.com Photo by Nash Baker INFORMATION Picnics Location A picnic on the hill is a tradition at Miller. Bring your own or purchase food 6000 Hermann Park Drive, Houston, TX 77030 and beverages from the Miller concession stand and help support the theatre: credit cards only. Go to milleroutdoortheatre.com for a complete menu. Something for Everyone Glass containers are prohibited in all City of Houston parks. If you are seated Miller offers the most diverse season of professional entertainment of any Houston in the covered seating area, please ensure that your cooler is small enough to performance venue — musical theater, traditional and contemporary dance, opera, fit under your seat in case an emergency exit is required. classical and popular music, multicultural performances, daytime shows for young audiences, and more! Oh, and it’s always FREE! Smoking Smoking is prohibited in Hermann Park and at Miller Outdoor Theatre, including Seating the hill. Tickets for evening performances are available online!! Tickets will be available at milleroutdoortheatre.com beginning at 9 a.m., one week prior to the performance Recording, Photography, & Remote Controlled Vehicles date until noon on the day of performance. All seating will be socially distanced. Audio/visual recording and/or photography of any portion of Miller Outdoor Theatre Seating is extremely limited due to COVID-19 capacity restrictions. All ticket holders presentations require the express written consent of the City of Houston. Launching, will have temperatures checked prior to entry to the covered seating area. landing, or operating unmanned or remote controlled vehicles (such as drones, quadcopters, etc.) within Miller Outdoor Theatre grounds— including the hill and Face coverings/masks are required for all attendees.. -
Download All English Factsheets
Astrodome Fact Sheet Spring / Summer 2021 Page 1 / 7 English History of the Astrodome The Astrodome is Houston’s most significant architectural Houston Oilers and cultural asset. Opened in 1965, and soon nicknamed the “8th Wonder of the World,” the world’s first domed stadium was conceived to protect sports spectators from Houston’s heat, humidity, and frequent inclement weather. The brainchild of then-Houston Mayor Roy Hofheinz, the former Harris County Judge assembled a team to finance and develop the Dome, with the help of R.E. Bob Smith, who owned the land the Astrodome was built on and was instrumental in bringing professional baseballs’ Colt 45s (now the Astros) to Houston. The Astrodome was the first Harris County facility specifically designed and built as a racially integrated building, playing an important role in the desegregation of Houston during the Civil Rights Movement. football configuration The Astrodome was revolutionary for its time as the first fully enclosed and air conditioned multi-purpose sports arena - an Football Between 1968 and 1996, the Houston Oilers engineering feat of epic proportions. The innovation, audacity, called1965 1968 the Dome home as well, until1996 the franchise left town2021 and “can-do” spirit of Houston at mid-Century was embodied to become the Tennessee Titans. It served several other in the Astrodome. It was home to multiple professional and professional football teams, including the Houston Texans amateur sports teams and events over the years, as well in 1974, the Houston Gamblers from 1984 to 1985, and the as hosting the annual Houston Livestock Show and Rodeo Houston Energy (an independent women’s football team) (HLSR), concerts, community and political events. -
CITY of HOUSTON Archaeological & Historical Commission Planning and Development Department
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department PROTECTED LANDMARK DESIGNATION REPORT LANDMARK NAME: Mr. and Mrs. S.I. Morris House AGENDA ITEM: D.1 OWNER: S.I. Morris Interests, Ltd. HPO FILE NO.: 15PL124 APPLICANT: David K. Morris DATE ACCEPTED: Apr-15-2015 LOCATION: 2 Waverly Court – Museum District HAHC HEARING DATE: May-21-2015 SITE INFORMATION Lot 2, Waverly Court, City of Houston, Harris County, Texas. The site includes a historic two-story, contemporary style single-family residence facing west on Waverly Court at the corner of Bissonnet Street. TYPE OF APPROVAL REQUESTED: Protected Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Mr. and Mrs. S.I. Morris House is a contemporary residence at 2 Waverly Court in the Museum District south of downtown Houston. The house was designed by prominent Houston architect Seth Irwin “S.I.” Morris, Jr. (1914-2006) and completed in 1952 as his family’s home. Morris’ firms – Wilson, Morris & Crain, AIA; Wilson, Morris, Crain & Anderson, AIA; S.I. Morris Associates; Morris*Aubry Architects and Morris Architects – left a timeless imprint on Houston through their crucial roles in creating such treasured landmarks as the Astrodome (1965), Pennzoil Place (1976), Transco (now Williams) Tower (1983) and Gus S. Wortham Theater Center (1987), among many others. In Building A Houston Practice: The Career of S.I. Morris, Barry Moore notes that Morris insisted the only building he had ever personally designed was the house built at the corner of Waverly Court and Bissonnet in the 1950s. That house remains in the Morris family and is home to the architect’s widow, Mrs.