Phase Two Program Report
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Liz Magor I Have Wasted My Life
Andrew Kreps 22 Cortlandt Alley, Tue–Sat, 10 am–6 pm Tel. (212)741-8849 Gallery New York, NY 10013 andrewkreps.com Fax. (212)741-8163 Liz Magor I Have Wasted My Life May 21 - July 3 Opening Reception: Friday, May 21, 4 - 7 pm Andrew Kreps Gallery is pleased to announce I Have Wasted My Life, an exhibition of new works by Liz Magor at 22 Cortlandt Alley. On the wall, a new sculpture titled Perennial is formed from a duffle coat, which in the 1960s and 1970s had become a de-facto uniform for student protestors, including those part of the nascent environmental movement in Vancouver, where Greenpeace was founded in 1971. A near artifact from this time, the coat carries with it the accumulated wear from these actions. The artist’s own interventions seek to repair the garment, though in lieu of erasure, Magor marks the damage using paint, ink, and sculptural material. Simultaneously, Magor adds vestiges of the coat’s past activity, such as two cookies cast in gypsum placed in its pocket to resuscitate it to its prior use. Magor often positions humble objects at the center of her sculptures, the stuff that plays fleeting roles in our lives as repositories for memories and affection before being replaced. Three found workbenches, positioned throughout the galleries, become stages for these objects, suggesting sites for their rehabilitation. On each, a meticulously molded and cast toy animal rests between an array of accumulated items that range from the deeply personal, such as small collections of rocks, shells, and dried flowers, to those that are ubiquitous, such as Ikea Lack furniture, which is produced in a way that it is no longer contained to one place, or time. -
Marian Penner Bancroft Rca Studies 1965
MARIAN PENNER BANCROFT RCA STUDIES 1965-67 UNIVERSITY OF BRITISH COLUMBIA, Arts & Science 1967-69 THE VANCOUVER SCHOOL OF ART (Emily Carr University of Art + Design) 1970-71 RYERSON POLYTECHNICAL UNIVERSITY, Toronto, Advanced Graduate Diploma 1989 SIMON FRASER UNIVERSITY, Visual Arts Summer Intensive with Mary Kelly 1990 VANCOUVER ART GALLERY, short course with Griselda Pollock SOLO EXHIBITIONS 2019 REPUBLIC GALLERY, Vancouver, upcoming in May 2019 WINDWEAVEWAVE, Burnaby, BC, video installation, upcoming in May 2018 HIGASHIKAWA INTERNATIONAL PHOTOGRAPHY FESTIVAL GALLERY, Higashikawa, Hokkaido, Japan, Overseas Photography Award exhibition, Aki Kusumoto, curator 2017 REPUBLIC GALLERY, Vancouver, RADIAL SYSTEMS photos, text and video installation 2014 THE REACH GALLERY & MUSEUM, Abbotsford, BC, By Land & Sea (prospect & refuge) 2013 REPUBLIC GALLERY, Vancouver, HYDROLOGIC: drawing up the clouds, photos, video and soundtape installation 2012 VANCOUVER ART GALLERY, SPIRITLANDS t/Here, Grant Arnold, curator 2009 REPUBLIC GALLERY, Vancouver, CHORUS, photos, video, text, sound 2008 REPUBLIC GALLERY, Vancouver, HUMAN NATURE: Alberta, Friesland, Suffolk, photos, text installation 2001 CATRIONA JEFFRIES GALLERY, Vancouver THE MENDEL GALLERY, Saskatoon SOUTHERN ALBERTA ART GALLERY, Lethbridge, Alberta, By Land and Sea (prospect and refuge) 2000 GALERIE DE L'UQAM, Montreal, By Land and Sea (prospect and refuge) CATRIONA JEFFRIES GALLERY, Vancouver, VISIT 1999 PRESENTATION HOUSE GALLERY, North Vancouver, By Land and Sea (prospect and refuge) UNIVERSITY -
Post-War & Contemporary
post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. -
Canadian, Impressionist & Modern
CanAdiAn, impressionist & modern Art Sale Wednesday, december 2, 2020 · 4 pm pt | 7 pm et i Canadian, impressionist & modern art auCtion Wednesday, December 2, 2020 Heffel’s Digital Saleroom Post-War & Contemporary Art 2 PM Vancouver | 5 PM Toronto / Montreal Canadian, Impressionist & Modern Art 4 PM Vancouver | 7 PM Toronto / Montreal previews By appointment Heffel Gallery, Vancouver 2247 Granville Street Friday, October 30 through Wednesday, November 4, 11 am to 6 pm PT Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Monday, November 16 through Saturday, November 21, 11 am to 6 pm ET Heffel Gallery, Toronto 13 Hazelton Avenue Together with our Yorkville exhibition galleries Thursday, November 26 through Tuesday, December 1, 11 am to 6 pm ET Wednesday, December 2, 10 am to 3 pm ET Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” Consignments or “Auction House” [email protected] appraisals CONTACt [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com absentee, telephone & online bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shipping Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottawa subsCriptions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-6505 montreal Catalogue subsCriptions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. An Annual Subscription entitles vanCouver you to receive our Auction Catalogues and Auction Result Sheets. 2247 Granville Street, Vancouver, British Columbia V6H 3G1 Our Annual Subscription Form can be found on page 103 of this Telephone 604-732-6505, Fax 604-732-4245 catalogue. -
The Group of Seven, AJM Smith and FR Scott Alexandra M. Roza
Towards a Modern Canadian Art 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott Alexandra M. Roza Department of English McGill University. Montreal August 1997 A Thesis subrnitted to the Facdty of Graduate Studies and Researçh in partial fiilfiliment of the requirements of the degree of Master of Arts. O Alexandra Roza, 1997 National Library BiMiotheque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellingtocl Ottawa ON KIA ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aliowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seii reproduire, prêter, distnibuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nim, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. iii During the 19 los, there was an increasing concerted effort on the part of Canadian artists to create art and literature which would afhn Canada's sense of nationhood and modernity. Although in agreement that Canada desperately required its own culture, the Canadian artistic community was divided on what Canadian culture ought to be- For the majority of Canadian painters, wrïters, critics and readers, the fbture of the Canadian arts, especially poetry and painting, lay in Canada's past. -
Winter Exhibitions and Programs Brochure
WELCOME TO 2019 Esker is proud to present the work of Vancouver-based Neil Campbell and Berlin-based Jeremy Shaw. Our transformation of the gallery space for these two exhibitions has been two- fold, involving a disorienting new floor plan to present Shaw’s ambitious film trilogy, as well as a challenging and provocative space for Campbell’s wall paintings. Campbell’s wall paintings have been designed not only to respond to the complex and busy architecture of the galleries, but also to have a calculated effect on our bodies and our minds. As Monika Szewczyk notes in her writing about Campbell’s work, “The interest in this bodily response is derived from the need to bring viewers out of a passive consumption of a spectacle and make them aware of the act of perception.” At the center of Shaw’s first solo show in Calgary are three para-fictional short films: Quickeners (2014), Liminals (2017), and I Can See Forever (2018), the latter of which is making its Canadian installation premiere. This work seeks to create both a physical and mental space for the exploration of altered states of consciousness and transcendental propositions. Both artists' work is inherently about the experience of being alive, as Campbell noted “the body is the central preoccupation of both our work – while Jeremy is interested in rhythm, I am interested in the harmonic.” In the Project Space we are pleased to present, in partnership with TRUCK Contemporary Art, Glenna Cardinal’s mourning home. The artist describes this installation as being “triggered by the loss of my Tsuut’ina Nation childhood home due to the construction of the Southwest Ring Road.” Cardinal’s work is a local reminder of the constant struggle inherent between urban development and Indigenous land rights as well as our collective responsibility to consider preservation over progress. -
Maria Gabankova
1 Maria Gabankova www.paintinggallery.net e-mail: [email protected] Curriculum vitae Ontario College of Art & Design Position Associate professor Program Drawing & Painting, Faculty of Art 1. General Information A. Education: 1997 Sculpture with Evan Penny, Toronto School of Art. 1982 Sculpture I and II with Heinz Klassen, Fraser Valley College, Abbotsford. 1979-1980 The Art Students League of New York. Studied with G. Rehberger, F. Mason, R. B. Hale, D. Leffel. Copied paintings at the Metropolitan Museum of Art (after Rubens, Van Dyck, Murillo, F. Hals and Rembrandt). 1975-1980 Apprenticeship with artists Mr. J. Gabanek and Mrs A. Laník-Gabanek 1975-1977 Vancouver School of Art. Graduated in printmaking. Awarded the Helen Pitt scholarship twice. 1974 School of Art and Design, Montreal. 1970-1971 Studies at University of British Columbia Department of Fine Arts, Vancouver 1970 Graduation from Kitsilano High School, Vancouver. 1966-1968 Part-time studies at the Ostrava Art School B. Academic Appointments 2010 and 1997 Florence Campus program coordinator 2004 Redeemer University College, Fall term. 1998 till present MFA in Drawing and Painting Program - Norwich University, Vermont, artist teacher 1990 till present: Ontario College of Art: Drawing and Painting, Faculty of Art 1996 Realist Academy, Seattle, WA, Course in Figure and Drapery 1985-1990 Etobicoke Art Centre Continuing education courses in drawing and painting throughout Toronto 1985-1989 Oil painting at Seneca College, Toronto 1981-1983 Drawing and painting at Fraser Valley College, Abbotsford 1978-1983 Private classes in Vancouver, figure drawing, painting and portraiture 1976-1979 Drawing painting, printmaking courses at Burnaby Art Centre and at Malaspina Printmakers Society, Vancouver C. -
Landon Mackenzie Is a Canadian Artist Who Has Built an Impressive Body of Work
Landon Mackenzie is a Canadian artist who has built an impressive body of work. Perhaps best known for Lost River Series, and her complex mapping paintings, Mackenzie’s pictures are widely exhibited in Canada and internationally and collected by museums including the National Gallery of Canada, the Vancouver Art Gallery, the Art Gallery of Ontario, the Montreal Museum of Fine Arts and the Musée d’art contemporain de Montréal, among others. Raised in Toronto, She hold a BFA from Nova Scotia College of Art and Design (NSCAD) in Halifax (1972-1976) and an MFA from Concordia University in Montréal (1979). She has received numerous awards including the Golden and Diamond Queen Elizabeth II Jubilee Medals, and the (2017) Governor General’s Award in Visual and Media Arts. Her work has been extensively written about. Based in Vancouver, Mackenzie is professor at Emily Carr University. SOLO AND TWO PERSON EXHIBITIONS 2015-18 Landon Mackenzie: Parallel Journey: Work on Paper (1975-2015), Curator Liz Wylie, Kelowna Art Gallery, Kelowna, Canada. Tour: Confederation Centre for the Arts, Charlottetown, PEI; Dalhousie University Art Gallery, Halifax, NS and MacLaren Art Centre, Barrie, ON, Canada. Accompanied by comprehensive book of 192 pages, with essays by Robin Laurence, David Liss, Peter Dykhuis, Liz Wylie and published by Black Dog Publishing, London, UK 2016-17 Mirror Square and Blue Web (Response to paintings by John Kissick), Katzman Contemporary, Toronto, Canada 2016 Right Side Up: Landon Mackenzie and Paul Mathieu. A collaboration of paintings by Mackenzie with ceramics by Mathieu. Headbones Gallery, Vernon, BC, Canada 2014-15 Emily Carr and Landon Mackenzie: Woodchopper and the Monkey. -
Artist's Curriculum Vitae
Mackenzie has built an impressive body of work and is known for her large-format abstract paintings. Her work has been exhibited in over ninety exhibitions across Canada and internationally, and is collected by many museums including the National Gallery of Canada and the Vancouver Art Gallery. She began her education at the Nova Scotia College of Art and Design (NSCAD) in Halifax (1972-1975), and did her MFA at Concordia University (1976-1979). Mackenzie has received numerous awards and is an influential painter and educator within the Canadian art community. Based in Vancouver, she is an artist and professor at the Emily Carr University of Art + Design. EDUCATION MFA Concordia University, Montreal PQ, 1976-79 BFA Nova Scotia College of Art and Design (NSCAD), Halifax NS, 1972-76 SOLO EXHIBITIONS 2010 Bleu/Blue, Art 45, Montréal, PQ 2009 Map Room, Cité International des Arts, Paris, France 2008 Landon Mackenzie, Neurotransmitter Art45, Montreal, PQ 2008 Landon Mackenzie; Houbart’s Hope, Concordia University FOFA Gallery, Montreal, PQ 2005 Houbart’s Hope, Anna Leonowens Gallery, NSCAD, Halifax, NS. 2001 Tracking Athabasca, Museum of Contemporary Canadian Art, Toronto, ON 2000 Shadows of Davy’s Gray, Art Gallery of Sudbury, ON 2000 Tracking Athabasca, Espace 502 – Project Space of Galerie Rene Blouin, Montreal PQ 1999 Shadows of Davy’s Gray, Art Gallery of the South Okanogan, Penticton, BC 1999 Landon Mackenzie: A Northern Retrospective, 1977-1997 Art Gallery of the Yukon Arts Centre, Whitehorse, YT 1997 Landon Mackenzie, Art Gallery of -
Video History Project
VIDEO HISTORY PROJECT We have been working on the VIDEO HISTORY PROJECT for about five years. It has a varied pedigree - Ralph's long love of old machines; 30 years of work at the Center; teaching A Natural History of Video at Visual Studies Workshop's Summer Institute; concern for reclaiming the history of our medium; an appreciation ofthe transitory nature of human beings and the fragility of the materials which they use to record their thoughts and feelings; a desire to preserve these traces - both tape and apparatus; a love of tools and images; the enthusiasm of friends and co-workers willing to become engaged in this endless work. It is a project with several faces. It is about research, and the collecting and organizing of information which locates and documents media history resources - tapes, artists' instruments, writings and ephemera. It is about sharing information and reaching out to new audiences, about increasing awareness of how and where to find the artworks, and helping to create contexts in which the work can be more widely presented and appreciated . It is about strengthening preservation efforts to rescue deteriorating tape-based works, so there will always be something to see. It is about coming together to celebrate our field, to learn from each other, to discover parallels and intersections between early activities and contemporary practice. To continue the conversations. The conference, VIDEO HISTORY: MAKING CONNECTIONS, is a way to celebrate our history, and to renew a commitment to saving the stories, memories and works which have come out of the last 30 years of experimentation . -
Pres Iden T ’ S
20 18 PRES IDEN T ’ S FORE WORD MESSAGE FROM THE CHAIR This report marks the close of a transformative year at Emily Carr University. Notably, it was the first year in our new Great Northern Way campus, exploring the creative possibilities for our community to grow and thrive in a purpose-built space. It was also the last year of Dr. Ron Burnett’s tenure as our President, who leaves an incredible legacy of achievement. Over the past 22 years, he transformed ECU from a small art and design institute to a world-class university and a leader in creative education. This document showcases only a fraction of what we have achieved under his leadership. We are excited for the bright and limitless future that lies ahead. Kim Peacock Chair of the Board of Governors — 1 — CREATIVITY IS THE LIFEBLOOD OF LEARNING. FARE WELL LETTER FROM THE PRESIDENT Dear Colleagues, I have been President of Emily Carr University of Art and Design for 22 years. Over that time, the university has transformed and become a forward-looking, engaged and innovative teaching and learning institution. However, the core of what was once the Vancouver School of Art remains. That core celebrates creativity in all its forms and modes of expression irrespective of medium or fashions of the moment. Creativity is the lifeblood of learning at Emily Carr along with discovery, surprise and the activities of making, inventing and producing, all of which are geared towards projects, processes and outcomes of varying sorts and in various mediums. The 93-year history of this institution is embedded in its DNA and the devotion to creative work is built into its essence. -
Preview | Gallery and Museum Guide | Sept-Oct 2012
ALBERTA I BRITISH COLUMBIA I OREGON I WASHINGTON GUIDE TO MUSEUMS + GALLERIES September/October 2012 Compliments of Preview Graphics www.preview-art.com 6 PREVIEW I SEPTEMBER/OCTOBER 2012 Sept/Oct 2012 Vol. 26 No.4 previews ALBERTA 10 Louise Bourgeois 1911-2010 8 Banff, Black Diamond, Calgary 14 Edmonton 23 Art Gallery of Alberta 16 Lethbridge 12 Elles: Women Artists 18 Medicine Hat, Red Deer Seattle Art Museum BRITISH COLUMBIA 16 New California Art Circa 1970 18 Abbotsford, Bowen Island 20 Britannia Beach, Burnaby Morris and Helen Belkin Art Gallery 22 Campbell River, Castlegar, 18 Earth Art Chilliwack, Coquitlam VanDusen Botanical Garden 25 Courtenay, Fort Langley, Grand Forks, Kamloops, Kaslo 12 36 Nomi Kaplan: Rain 26 Kelowna, Maple Ridge, Nanaimo, Sidney and Gertrude Zack Gallery Nelson 27 New Westminster, North Vancouver 38 Marcus Bowcott 28 Osoyoos Café for Contemporary Art 29 Penticton, Port Alberni, 64 Port Moody 42 Fragments and Masks 30 Prince George, Prince Rupert, Xchanges Gallery Qualicum Beach, Richmond 44 Herald Nix 31 Rock Creek, Salmon Arm, Salt Spring Island SAGA Public Art Gallery 33 Sidney, Sooke, Squamish, 50 Bratsa Bonifacho Sunshine Coast (Roberts Creek, Foster/White Gallery Sechelt), Surrey 67 Bau-Xi Gallery 34 Tsawwassen 35 Vancouver 56 Joseph Plaskett 52 Vernon Winchester Galleries 53 Victoria Penticton Art Gallery 57 West Vancouver 58 Whistler, White Rock 64 Renato Muccillo 59 Williams Lake White Rock Gallery OREGON 36 66 Richard Serra 59 Cannon Beach, Marylhurst, Elizabeth Leach Gallery Portland 68 African American Quilts 62 Salem Bellevue Arts Museum WASHINGTON 64 Bellevue, Bellingham, Friday Harbor, 70 Hector Acebes La Conner, G.