DOCSLIB.ORG

For Immediate Release: August 7, 2015 Press Contacts: Rachelle Roe, 312-294-3090 Photos Available by Request Eileen Chambers, 312-294-3092 [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
For Immediate Release: August 7, 2015 Press Contacts: Rachelle Roe, 312-294-3090 Photos Available by Request Eileen Chambers, 312-294-3092 PR@CSO.Org For Immediate Release: August 7, 2015 Press Contacts: Rachelle Roe, 312-294-3090 Photos Available By Request Eileen Chambers, 312-294-3092 [email protected] October 2015 Calendar of Events Chicago Symphony Orchestra Thursday, October 1, 2015, 8:00 p.m. Friday, October 2, 2015, 8:00 p.m. Saturday, October 3, 2015, 8:00 p.m. Riccardo Muti, conductor Leif Ove Andsnes, piano BEETHOVEN Leonore Overture No. 3, Op. 72b MOZART Piano Concerto No. 20 in D minor, K. 466 HINDEMITH Concert Music for String Orchestra and Brass, Op. 50 PROKOFIEV Scythian Suite, Op. 20 Tickets: $34-$221 From the sweet melancholy of Mozart's Piano Concerto No. 20, played by Chicago favorite Leif Ove Andsnes, to the unbridled ferocity of Prokofiev's Scythian Suite, this program embraces a wide gamut of emotions. Riccardo Muti also leads Beethoven's hymn to fraternity and liberation, the Leonore Overture No. 3, and Hindemith's intriguing blend of neoclassicism and modernism, strikingly scored for only strings and brass. These performances are generously sponsored by the Randy L. and Melvin R. Berlin Family Fund for the Canon. ___________________________________________________________________________________ Symphony Center Presents Sunday, October 4, 2015, 3:00 p.m. Piano Maurizio Pollini, piano SCHUMANN Allegro in B Minor, Op. 8 SCHUMANN Fantasy in C Major, Op. 17 CHOPIN Barcarolle in F-sharp Major, Op. 60 CHOPIN Two Nocturnes, Op. 55 CHOPIN Polonaise-Fantasy in A-flat Major, Op. 61 CHOPIN Scherzo No. 3 in C-sharp Minor, Op. 39 Tickets: $35-$102 Maurizio Pollini, one of the world's most celebrated pianists, returns to open the 2015/16 Symphony Center Presents Piano series with a program of expressive and fantastical works by Schumann and Chopin. "Noted for his crystalline interpretations of modern masterpieces, the Italian pianist can also transform the simplest Mozart sonata into an elevating experience and the most intellectual Beethoven sonata into an emotional catharsis" (Chicago Reader). ___________________________________________________________________________________ Chicago Symphony Orchestra Thursday, October 8, 2015, 8:00 p.m. Friday, October 9, 2015, 1:30 p.m. Tuesday, October 13, 2015, 7:30 p.m. Seymon Bychkov, conductor Renaud Capuҫon, violin GLANERT Brahms-Fantasie (U.S. Premiere) BRAHMS Violin Concerto in D Major, Op. 77 BRAHMS Symphony No. 1 in C minor, Op. 68 Tickets: $36-$255 Conductor Semyon Bychkov brings an imaginative program inspired by Johannes Brahms. His triumphant First Symphony is coupled with a modern-day reflection of Brahms' work by one of Germany's leading composers, Detlev Glanert. French violinist Renaud Capuçon, praised for his "intensely lyrical" tone and "gloriously rich sound" (BBC Music Magazine), is the soloist in Brahms' invigorating and heavenly Violin Concerto. CSO Tuesday series concerts are sponsored by United. Symphony Center Presents Sunday, October 11, 2015, 3:00 p.m. Special Concert Mariachi Vargas de Tecalitlán Tickets: $35-$100 The world-renowned Mariachi Vargas de Tecalitlán return for their annual Symphony Center program that has enchanted audiences year after year. Celebrated as "the greatest mariachi in the world," the acclaimed ensemble showcases the rich tradition of Mexican folk music with unparalleled musicianship and joyful pageantry. Civic Orchestra of Chicago Monday, October 12, 2015, 8:00 p.m. Civic Orchestra of Chicago Semyon Bychkov, conductor Program to include: TCHAIKOVSKY Manfred Symphony, Op. 58 Free and open to the public; tickets are required. Chicago Symphony Orchestra Thursday, October 15, 2015, 8:00 p.m. Special Concert Sir Andrew Davis, conductor Evgeny Kissin, piano BACH orch. DAVIS Passacaglia and Fugue in C minor, BWV 582 STRAVINSKY Divertimento, Suite from The Fairy’s Kiss TCHAIKOVSKY Piano Concerto No. 1 in B-flat minor, Op. 23 Tickets: $39-$295 Bach's timeless Passacaglia and Fugue in C Minor opens a program of expressive power and enchantment. Sir Andrew Davis conducts the Divertimento from Stravinsky's The Fairy's Kiss, a charming arrangement of transformed Tchaikovsky songs and piano pieces. Legendary Russian pianist Evgeny Kissin, a Symphony Center favorite, joins the Orchestra for Tchaikovsky's celebrated First Piano Concerto, one of the best-known concertos of all time. This concert is partially supported by a generous grant from the E. Nakamichi Foundation. Symphony Center Presents Friday, October 16, 2015, 8:00 p.m. Jazz The Bad Plus Joshua Redman Joshua Redman, saxophones The Bad Plus Reid Anderson, bass Ethan Iverson, piano David King, drums Tickets: $28-$89 Powerhouse trio The Bad Plus gained international attention with their interpretations of works by musicians as wonderfully diverse as Nirvana, ABBA and Stravinsky. In a brilliantly inspired move, the boundary-smashing ensemble has collaborated with fiery saxophonist Joshua Redman to create a hotly anticipated supergroup of phenomenal musicians. ___________________________________________________________________________________ Chicago Symphony Orchestra Saturday, October 17, 2015, 8:00 p.m. Tuesday, October 20, 2015, 7:30 p.m. James Feddeck, conductor Christopher Martin, trumpet FRANCK Les Éolides HAYDN Trumpet Concerto in E-flat Major, Hob. Vlle:1 RACHMANINOV Symphony No. 2 in E minor, Op. 23 Tickets: $34-$221 After Principal Trumpet Christopher Martin's 2007 performance of Haydn's Trumpet Concerto with the CSO, the Chicago Tribune said, "Martin played beautifully spinning, shapely phrases with a sweet, rounded tone, nailing the high-wire runs of the finale with easy brilliance." Martin returns to perform the concerto under James Feddeck, who makes his Symphony Center podium debut. Feddeck also leads Rachmaninov's well-known Second Symphony, a masterpiece brimming with emotion and gorgeous melodies. CSO Tuesday series concerts are sponsored by United. ___________________________________________________________________________________ Chicago Symphony Orchestra Friday, October 23, 2015, 8:00 p.m. CSO at the Movies Chicago Symphony Orchestra Richard Kaufman, conductor BERNSTEIN On the Waterfront Tickets: $34-$110 Experience a thrilling new presentation of this iconic film, as the (name of orchestra) plays Leonard Bernstein’s electrifying score live while the re-mastered film is shown in hi-def on the big screen with the original dialog intact. Winner of 8 Academy Awards®, the film, directed by Elia Kazan, screenplay by Budd Schulberg, features Marlon Brando, Karl Malden, Lee J. Cobb and Eva Marie Saint. ___________________________________________________________________________________ Chicago Symphony Orchestra Saturday, October 24, 2015, 7:30 p.m. Beyond the Score® Sunday, October 25, 2015, 3:00 p.m. Steven Sloane, conductor Program to include: BERNSTEIN Symphonic Dances from West Side Story Tickets: $26-$144 In its fearless exuberance, stylistic openness and garish and unashamed variety, the music of Leonard Bernstein perfectly embodies the time and place in which he lived, the United States in the second half of the 20th century. Beyond the Score celebrates the approaching 100th anniversary of this legendary artist's birth with a loving portrait of the dazzling range of his imagination through passages from his iconic compositions and extraordinary footage and archival material. The performance ends with Bernstein's most famous orchestral showpiece, the much loved Symphonic Dances from West Side Story. These performances are made possible by a generous gift from Richard and Mary L. Gray. Symphony Center Presents Friday, October 30, 2015, 8:00 p.m. Chamber Music Joshua Bell, violin Sam Haywood, piano BEETHOVEN Violin Sonata No. 8 in G Major, Op. 30, No. 3 STRAUSS Violin Sonata in E-flat Major, Op. 18 FAURÉ Violin Sonata No. 1 in A Major, Op. 13 Tickets: $40-$116 Joshua Bell, the "most perfect interpreter of this generation" (Houston Chronicle) and a Symphony Center favorite, returns to Chicago for a captivating performance of sonatas by Beethoven, Fauré and Strauss. Expect an evening of Bell's signature combination of technical precision and breathtaking artistry. Bank of America is the Global Sponsor of the Chicago Symphony Orchestra. The Symphony Center Presents PowerShares QQQ Chamber Music and Piano Series are sponsored by PowerShares QQQ. The Symphony Center Presents Jazz Series is sponsored by Exelon. TICKETS for all 2015/16 Chicago Symphony Orchestra, Symphony Center Presents and Civic Orchestra of Chicago concerts can be purchased by calling CSO ticketing services at 312-294-3000 or 800-223-7114, online at cso.org, or by visiting the Symphony Center box office at 220 S. Michigan Ave., Chicago, IL 60604. Discounted student tickets can be purchased, subject to availability, online in advance or at the box office on the day of the concert. For group rates, please call 312-294-3040. Artists, programs and ticket prices are subject to change. # # # Press Contact: [email protected] ___________________________________________________________________________________ .
Load more

Recommended publications
  • Pierre-Laurent Aimard, Piano Tamara Stefanovich, Piano
    Thursday, March 12, 2015, 8pm Zellerbach Hall Pierre-Laurent Aimard, piano Tamara Stefanovich, piano The Piano Music of Pierre Boulez PROGRAM Pierre Boulez (b. 1925) Notations (1945) I. Fantastique — Modéré II. Très vif III. Assez lent IV. Rythmique V. Doux et improvisé VI. Rapide VII. Hiératique VIII. Modéré jusqu'à très vif IX. Lointain — Calme X. Mécanique et très sec XI. Scintillant XII. Lent — Puissant et âpre Boulez Sonata No. 1 (1946) I. Lent — Beaucoup plus allant II. Assez large — Rapide Boulez Sonata No. 2 (1947–1948) I. Extrêmement rapide II. Lent III. Modéré, presque vif IV. Vif INTERMISSION PLAYBILL PROGRAM Boulez Sonata No. 3 (1955–1957; 1963) Formant 3 Constellation-Miroir Formant 2 Trope Boulez Incises (1994; 2001) Boulez Une page d’éphéméride (2005) Boulez Structures, Deuxième livre (1961) for two pianos, four hands Chapitre I Chapitre II (Pièces 1–2, Encarts 1–4, Textes 1–6) Funded, in part, by the Koret Foundation, this performance is part of Cal Performances’ – Koret Recital Series, which brings world-class artists to our community. This performance is made possible, in part, by Patron Sponsor Françoise Stone. Hamburg Steinway piano provided by Steinway & Sons, San Francisco. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES PROGRAM NOTES THE PROGRAM AT A GLANCE the radical break with tradition that his music supposedly embodies. If Boulez belongs to an Tonight’s program includes the complete avant-garde, it is to a French avant-garde tra - piano music of Pierre Boulez, as well as a per - dition dating back two centuries to Berlioz formance of the second book of Structures for and Delacroix, and his attitudes are deeply two pianos.
    [Show full text]
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Thu, Jun 18, 2020 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 11:59 Handel Trio Sonata in F, Op. 2 No. 4 Heinz Holliger Wind 00341 Denon 7026 N/A Ensemble 00:14:2918:00 Brahms Variations on a Theme by Saint Louis 01966 RCA 7920 078635792027 Haydn, Op. 56a Symphony/Slatkin 00:33:29 26:06 Mozart Violin Concerto No. 4 in D, K. Stern/English Chamber 02925 Sony 66475 074646647523 218 Orchestra/Schneider 01:01:0528:17 Chadwick Aphrodite, a symphonic poem Czech State 03308 Reference 2104 030911210427 Philharmonic, Recordings Brno/Serebrier 01:30:2212:50 Rossini Overture to Semiramide Vienna 03679 Seraphim/ 69137 724356913721 Philharmonic/Sargent EMI 01:44:1214:53 Haydn Piano Sonata No. 47 in B minor Emanuel Ax 10100 Sony 53635 074645363523 Classical 02:00:3510:51 Bizet Children's Games, Op. 22 Concertgebouw/Haitink 01008 Philips 416 437 028941643728 (Jeux d'enfants) 02:12:2612:02 Wagner Die Meistersinger: Selections Chicago 05288 BMG 63301 090266330126 (for orchestra) Symphony/Reiner 02:25:2833:21 Medtner Piano Concerto No. 1 in C Tozer/London 02666 Chandos 9039 095115903926 minor, Op. 33 Philharmonic/Jarvi 03:00:1910:51 Schumann Fantasy Pieces, Op. 73 du Pre/Moore 09531 EMI 65955 724356595521 03:12:1031:22 Mendelssohn String Quintet No. 1 in A, Op. L'Archibudelli 05537 Sony 60766 074646076620 18 Classical 03:44:32 13:38 Carpenter Sea Drift Indianapolis 08678 Decca 458 157 028945845725 Symphony/Leppard 03:59:4017:01 Tubin Suite on Estonian Dances Lubotsky/Gothenburg 01654 BIS 286 N/A Symphony/Jarvi 04:17:41 02:56 Halvorsen Valse caprice Trondheim 01943 Aurora 1921 702626219212 Symphony/Ruud 6 04:21:3738:22 Beethoven Piano Concerto No.
    [Show full text]
  • Juilliard Percussion Ensemble Daniel Druckman , Director Daniel Parker and Christopher Staknys , Piano Zlatomir Fung , Cello
    Monday Evening, December 11, 2017, at 7:30 The Juilliard School presents Juilliard Percussion Ensemble Daniel Druckman , Director Daniel Parker and Christopher Staknys , Piano Zlatomir Fung , Cello Bell and Drum: Percussion Music From China GUO WENJING (b. 1956) Parade (2003) SAE HASHIMOTO EVAN SADDLER DAVID YOON ZHOU LONG (b. 1953) Wu Ji (2006) CHRISTOPHER STAKNYS, Piano BENJAMIN CORNOVACA LEO SIMON LEI LIANG (b. 1972) Inkscape (2014) DANIEL PARKER, Piano TYLER CUNNINGHAM JAKE DARNELL OMAR EL-ABIDIN EUIJIN JUNG Intermission The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. CHOU WEN-CHUNG (b. 1923) Echoes From the Gorge (1989) Prelude: Exploring the modes Raindrops on Bamboo Leaves Echoes From the Gorge, Resonant and Free Autumn Pond Clear Moon Shadows in the Ravine Old Tree by the Cold Spring Sonorous Stones Droplets Down the Rocks Drifting Clouds Rolling Pearls Peaks and Cascades Falling Rocks and Flying Spray JOSEPH BRICKER TAYLOR HAMPTON HARRISON HONOR JOHN MARTIN THENELL TAN DUN (b. 1957) Elegy: Snow in June (1991) ZLATOMIR FUNG, Cello OMAR EL-ABIDIN BENJAMIN CORNOVACA TOBY GRACE LEO SIMON Performance time: Approximately 1 hour and 45 minutes, including one intermission Notes on the Program Scored for six Beijing opera gongs laid flat on a table, Parade is an exhilarating work by Jay Goodwin that amazes both with its sheer difficulty to perform and with the incredible array of dif - “In studying non-Western music, one ferent sounds that can be coaxed from must consider the character and tradition what would seem to be a monochromatic of its culture as well as all the inherent selection of instruments.
    [Show full text]
  • The Blake Collection in Memory of Nancy M
    The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.
    [Show full text]
  • Sunday Playlist
    January 5, 2020: (Full-page version) Close Window “There was no one near to confuse me, so I was forced to become original.” — Joseph Haydn Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Beethoven Piano Sonata No. 25 in G, Op. 79 "Sonatina" Maurizio Pollini DG 427 642 028942764224 Awake! Czech State Philharmonic, 00:11 Buy Now! Chadwick 2nd mvt (Romanza) ~ Suite Symphonique in E flat Reference Recordings 2104 030911210427 Brno/Serebrier 00:22 Buy Now! Dvorak Slavonic Dances, Op. 72 Cleveland Orchestra/Dohnanyi London 430 171 028943017121 01:01 Buy Now! Ravel La Valse Boston Symphony/Haitink Philips 454 452 028945445229 01:13 Buy Now! Haydn String Quartet in D, Op. 33 No. 6 Mosaic Quartet Auvidis 8570 9298490085707 Zukerman/Saint Paul Chamber 01:33 Buy Now! Mozart Violin Concerto No. 3 in G, K. 216 CBS SONY 37290 07464372902 Orchestra 02:01 Buy Now! Debussy Prelude to the Afternoon of a Faun New York Philharmonic/Bernstein Sony Classical 60972 074646097229 02:12 Buy Now! Beethoven Overture ~ Egmont, Op. 84 Boston Symphony/Ozawa Telarc 80060 N/A Philips Silver Line 02:22 Buy Now! Mendelssohn Symphony No. 3 in A minor, Op. 56 "Scottish" London Philharmonic/Haitink 420 884 028942088429 Classics 03:01 Buy Now! Schubert Piano Trio No. 2 in E flat, D. 929 Stern/Rose/Istomin Sony 64516 074646451625 03:48 Buy Now! Bach Gigue ~ Partita No. 3 in E for solo violin, BWV 1006 Sergei Rachmaninoff RCA 48971 886974897125 03:50 Buy Now! Brahms Academic Festival Overture, Op.80 New York Philharmonic/Bernstein Sony Classical 61846 074646184622 Johannesen/Radio Luxembourg 04:01 Buy Now! Fauré Ballade for Piano and Orchestra, Op.
    [Show full text]
  • Artist Index
    SEASON Artist Index Following is an alphabetical list of artists and ensembles performing in Stern Auditorium / Perelman Stage (SA/PS), Zankel Hall (ZH), and Weill Recital Hall (WRH) during Carnegie Hall’s 2014–2015 season. Corresponding concert date(s) and concert titles are also included. For full program information, please refer to the 2014–2015 chronological listing of events. Abduraimov, Behzod 1/27/2015 Mariinsky Orchestra (SA/PS) 2/18/2015 Abduraimov, Behzod (WRH) Academy of Ancient Music 11/7/2014 Academy of Ancient Music (ZH) Aimard, Pierre-Laurent 11/13/2014 Pierre-Laurent Aimard (SA/PS) 3/16/2015 Pierre-Laurent Aimard / Tamara Stefanovich (SA/PS) Ainslie, Ross 3/28/2015 Zakir Hussain / Celtic Connections (SA/PS) American Composers Orchestra 11/21/2014 American Composers Orchestra (ZH) 2/27/2015 American Composers Orchestra (ZH) Anderszewski, Piotr 3/19/2015 Piotr Anderszewski (SA/PS) Andsnes, Leif Ove 2/23/2015 Mahler Chamber Orchestra / Leif Ove Andsnes (SA/PS) 2/25/2015 Mahler Chamber Orchestra / Leif Ove Andsnes (SA/PS) Andueza, Raquel 4/7/2015 L’Arpeggiata (ZH) Apollon Musagète Quartet 11/7/2014 Apollon Musagète Quartet (WRH) Armbrust, Kyle 2/22/2015 Richard Goode and Friends (ZH) 3/26/2015 Richard Goode and Friends (ZH) Artemis Quartet 4/15/2015 Artemis Quartet (ZH) Atxalandabaso, Mikeldi 12/7/2014 Teatro Regio Torino (SA/PS) Australian Chamber Orchestra 4/26/2015 Australian Chamber Orchestra (ZH) Avital, Avi 3/11/2015 Venice Baroque Orchestra (ZH) Ax, Emanuel 5/14/2015 The Philadelphia Orchestra (SA/PS) Baráti, Kristóf
    [Show full text]
  • FALL 2018 Artistic Consultants Panel Dr
    CHOPIN FOUNDATION OF THE UNITED STATES, INC. Officers & Directors Krzysztof Penderecki - Honorary Chairman Blanka A. Rosenstiel - Founder & President Olga Melin - Vice President Richard Lubman - Treasurer Renate Ryan - Secretary Directors Agustin Anievas, Roberta O. Chaplin, Norman Edelcup, Rosa Rita Gonzalez, Keith Gray, Edith Hall Friedheim, Vivianne Swietelsky Volume XXIX / Number 1 • FALL 2018 Artistic Consultants Panel Dr. Adam Aleksander, Chair Agustin Anievas, Kevin Kenner, Margarita Shevchenko TABLE OF CONTENTS Executive Director Jadwiga Viga Gewert Message from the Founder/President .....................................2 Regional Councils of the Chopin Foundation Donors and Contributors ...............................................................3 San Francisco Chopin Council - Mack McCray, President Message from the Executive Director ......................................4 Northwest Chopin Council - Adam Aleksander, President Virginia Chopin Council - Robert Joskowiak, President Highlights from the 2017-2018 Season .....................................5 Scholarship Committee 2018 Frost Chopin Academy & Festival ....................................6 Dr. Adam Aleksander, Peter Miyamoto, Tian Ying 2018/2019 Chopin Concert Schedule ........................................8 Advisory Board 2020 National Chopin Piano Competition Bonnie Barrett - Yamaha Artist Services Joel Harrison - American Pianists Association Rules and Repertoire .................................................................9 Gary Ingle - Music Teachers National
    [Show full text]
  • Tchaikovsky Considered
    Tchaikovsky Considered Tracks and clips 1. Introduction 6:10 a. Tchaikovsky, Pyotr Il’yich (PT), Piano Concerto No. 2 in G, Op. 44, Gary Graffman, Eugene Ormandy, Philadelphia Orchestra, Columbia MS-6755 recorded 2/17/1965. b. PT, Symphony No. 4 in f, Op. 36, Christoph Eschenbach, Philadelphia Orchestra, Phil. Orch. Priv. Label recorded 3/16/2006.* c. PT, Eugene Onegin, James Levine, Staatskapelle Dresden, Deutsche Grammophon, 0289 423 9592 3 GF 2 released 12/29/1988. ‡ d. PT, Piano Trio in a, Op. 50, Lyubov Timofeyeva, Maxim Fedotov, Kirill Rodin, Mezhdunarodnaya Kniga MK 417001 recorded April, 1990. e. PT, Symphony No. 5 in e, Op. 64, Christoph Eschenbach, Philadelphia Orchestra, Ondine ODE 1076-5 recorded September, 2006. f. Ibid. 2. The Five 20:43 a. Cimarosa, Domenico, Il matrimonio segreto, Daniel Barenboim, English Chamber Orchestra, Deutsche Grammophon 0289 437 6962 4 GX 3 recorded 1975. ‡ b. Glinka, Mikhail Ivanovich, Nochnoi smotr (The Night Review), Lina Mkrtchyan, Evgeni Talisman, Opus 111 OP30277 released 10/1/2012.◊ c. Dargomïzhsky, Alexander Sergeyevich, The Stone Guest, Andrey Chistiakov, Bolshoi Theatre Orchestra, Brilliant Classics 94028 recorded 1993. d. Balakirev, Alexander Porfir’yevich, Islamey, Julius Katchen Deutsche Grammophon 0289 460 8312 3 DF 2 released 1/12/2004. ‡ e. Cui, César, Préludes, Op. 64, Jeffrey Biegel, Marco-Polo 8.223496 released 11/3/1993.◊ f. Rimsky-Korsakov, Nikolay Andreyevich, The Legend of the invisible City of Kitezh and the Maiden Fevroniya, Vladimir Fedoseyev, Vienna Symphony Orchestra, Koch 3-1144-2-Y5 recorded 7/20/1995. g. Borodin, Alexander Porfir’yevich, String Quartet No. 2 in D, Wister Quartet, Direct-to-Tape released 2008.
    [Show full text]
  • Music Collection News
    M USIC COLLECTION NEWS Summer, 2012 Greetings musicians! Summer may be more relaxed in Muncie but the Library doesn’t slow down. We remain open our usual hours, and new materials continue to arrive daily. Reference services also continue, so feel free to call or e-mail even if you are off-campus. Your Ball State log-in is all you need to access databases from off- campus. I can send a link to the “answer” if you get stuck! —Amy Edmonds Listening Carrels Naxos Music Library News Two listening carrels now have high quality CD players, so listen- ers can hear CDs NML now streams over one with the best million tracks from over 70,000 CDs! possible audio. New labels include Crystal Records, Erato, We also now offer Y-cables (splitters) that allow Teldec and Warner Classics. Stars of these two listeners to study together at carrels or labels include Nicholas Harnoncourt, Kurt Masur, computers. They can be checked out at the In this issue: Chanticleer, Thomas Hampson, The Chicago Music Collection counter. Adapters and new headphones are also available. Symphony, The Tubadours, The Westwood Wind Quintet, Barbara Bonney, Yizhak Schotten, and the Esterhazy Quartet. New CDs 2 Talent is Overrated: What Really Separates World-Class Perform- New DVDs 2 ers from Everybody Else BF 481 .C625 2010 Hang onto your hats! It turns out that hard work and New on Naxos 2 focused (“deliberate”) practice Music Online are the secrets to musical success! Colvin explains the theories of An- ders Ericsson in a readable and inspiring book New Books 3 meant for the general public but applicable to musicians.
    [Show full text]
  • “Do Deutsch!” German Campus Week (Oct. 10 – 14, 2011)
    SPECIAL PROGRAMMING DURING “do Deutsch!” German Campus Week (Oct. 10 – 14, 2011) http://dodeutsch.utk.edu/ MORNING CONCERT (9a-12p) hosted by Melony Maness Pieces playing during THE 11 A.M. HOUR: Monday, October 10 JOHANN STRAUSS: Symphonic Fantasy from "Die Frau ohne Schatten" Vienna Philharmonic; Christian Thielemann, conductor *German composer Tuesday, October 11 ANTON BRUCKNER: Mass No.2 in E minor Pamela Coburn, soprano; Ingeborg Danz, alto; Christian Elsner, tenor; Franz-Josef Selig, bass; Gachinger Kantorei Stuttgart; Bach-Collegium Stuttgart; Helmuth Rilling *German Orchestra & German conductor Wednesday, October 12 ROBERT SCHUMANN: Davidsbündlertänze, Op.6 Maurizio Pollini, piano *German composer Thursday, October 13 FRANZ SCHUBERT: Selections from "Die schöne Müllerin", D 795 Dietrich Fischer-Dieskau, baritone; Gerald Moore, piano *German performer and songs set to German poetry Friday, October 14 DVORAK: Violin Concerto in A minor, Op.53 Christian Tetzlaff, violin; Czech Philharmonic Orchestra; Libor Pesek, conductor *German performer (violinist) AFTERNOON CONCERT (1-3p) hosted by Allan Ellstrom Pieces playing during the times listed: Tuesday, October 11: 3:00 GEORG FRIEDRICH HÄNDEL: Sonata for Two Oboes No. 5, G Burkhard Glaetzner, Ingo Goritzki, oboes; Siegfried Pank, viola da gamba; Achim Beyer, violone; Walter Heinz Bernstein, harpsichord 3:10 CLAUDE DEBUSSY: Children’s Corner Werner Haas, piano 3:29 CARL PHILIPP EMANUEL BACH: Viola da gamba Sonata, C, Wq. 136 Siegfried Pank, viola da gamba; Christiane Jaccottet, harpsichord 3:46 RICHARD WAGNER: Die Götterdämmerung: Siegfried’s Rhine Journey Berlin State Opera Orchestra/Hans Knappertsbusch Wednesday, October 12 3:00 RICHARD WAGNER (arr. Seidel): Siegfried-Fantasie United States Marine Band/John Bourgeois 3:23 JOHANN SEBASTIAN BACH: Flute Sonata, g, BWV 1029 Maxence Larrieu, flute; Wieland Kuijken, viola da gamba; Rafael Puyana, harpsichord 3:41 OTTORINO RESPIGHI: The Fountains of Rome Berlin Philharmonic Orchestra/Herbert von Karajan Thursday, October 13 3:00 JOHANNES BRAHMS: String Quintet No.
    [Show full text]
  • 2 0 1 9 – 2 0 2 0 S E a S
    IGNITE PASSION. EMBRACE JOY. 2019–2020 SEASON CELEBRATIONCELEBRATION He rouses our spirits, moves us to tears, and inspires our most profound thoughts. Revolutionary, seminal, colossal—he is without challenge the face of Western classical music. To mark the 250th anniversary of Beethoven’s birth, Carnegie Hall presents one of the largest explorations of the great master’s music in our time. Sir John Eliot Gardiner with the Orchestre Révolutionnaire et Romantique Ludwig van Beethoven—studied from the death mask [i.e., life mask] Hugo Hagen (ca. 1892), based on life mask by Franz Klein (1812), loc.gov/item/2001700485. Ludwig van Beethoven—studied from the death mask [i.e., life mask] Hugo Hagen (ca. 1892), based on life mask by Franz Klein (1812), loc.gov/item/2001700485. Yannick Nézet-Séguin with The Philadelphia Orchestra | Quatuor Ébène Emanuel Ax | Leonidas Kavakos | Yo-Yo Ma | Anne-Sophie Mutter Kristian Bezuidenhout | Yefim Bronfman | Evgeny Kissin | Maurizio Pollini Sir András Schiff | Mitsuko Uchida | and more , photograph of bust statue by , photograph of bust statue by George Bernard Shaw called Beethoven “a temple of the most turbulent spirit that ever found expression in sound.” carnegiehall.org/carnegiehall.org/beethovenbeethoven Come marvel at the temple and be swept away. 2019–2020 Season Highlights Photos: DiDonato by Simon Pauly; Gadriner by Sim-Canetty Clarke; Kidjo by Sofia Sanchez and Mauro Mongiello; Nézet-Séguin by Hans van der Woerd; Widmann by Marco Borggreve; Stern by Henry Grossman, courtesy of the Carnegie Hall Archives. PERSPECTIVES Photos: DiDonato by Simon Pauly; Gadriner by Sim-Canetty Clarke; Kidjo by Sofia Sanchez and Mauro Mongiello; Nézet-Séguin by Hans van der Woerd; Widmann by Marco Borggreve; Stern by Henry Grossman, courtesy of the Carnegie Hall Archives.
    [Show full text]
  • Erinnerungen an Herbert Von Karajan
    DailyNr. 18, 15./16. August 2008 Erinnerungen an Herbert von Karajan Geheimnisse eines Großen SALZBURGER FESTSPIELE 2008 Herbert von Karajan,Herbert von Foto: S. Institut Karajan und Herbert Lauterwasser / Eliette von SALZBURGER FESTSPIELE 2008 Daily Nr. 18, 15./16. August 2008 auberflöten-Freuden. Riccardo Muti und sein Team flatterten beschwingt nach der bejubel- ten Premiere von Mozarts Zauberflöte nur wenige Meter Luftlinie weiter. Im Stiftskeller ZSt. Peter war der Tisch gedeckt. Die Gäste erwartete ein mindestens so reiches Mahl wie den unglücklichen Papageno auf der Suche nach seinem Weibchen. Und so wie die Zauberflöte ein Teil der Salzburger Identität ist, gehört auch der bereits im Jahr 803 erwähnte Stiftskeller zu den tra- ditionsreichen und gerne besuchten Institutionen der Stadt. Koch und Mundschenk machten ihre Sache jedenfalls gut. Sänger und Musiker erholten sich somit rasch von überstandenen Feuer- und Wasserproben, die sie in den herrlich farbenfrohen Bühnenbildern des großen, 2006 verstor- benen Karel Appel und unter Anleitung von Regisseur Pierre Audi zu bestehen hatten. Auch wenn es am Ende der Zauberflöte heißt: „Die Strahlen der Sonne vertreiben die Nacht“, hielt das bunte Zauberflöten-Ensemble dann trotzdem nicht bis zum Morgengrauen durch. he Joys of Die Zauberflöte. After the celebrated premiere of Mozart’s Zauberflöte, Riccardo Muti and his team alighted cheerfully just a few meters down the road. The tables had been set Tat the Stiftskeller St. Peter. The guests were greeted by a meal at least as sumptuous as the one offered to the unhappy Papageno in search of his wife. And just as Die Zauberflöte is part of Salz- burg’s identity, the Stiftskeller, first mentioned in records in 803, is one of the most traditional and popular institutions of the city.
    [Show full text]