Lyrics-The Honey Dewdrops These Old Roots
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114 S.Ct. 1164 Supreme Court of the United States Luther R. CAMPBELL
114 S.Ct. 1164 Supreme Court of the United States Luther R. CAMPBELL aka Luke Skyywalker, et al., Petitioners, v. ACUFF–ROSE MUSIC, INC. No. 92–1292. | Argued Nov. 9, 1993. | Decided March 7, 1994. Opinion Justice SOUTER delivered the opinion of the Court. We are called upon to decide whether 2 Live Crew’s commercial parody of Roy Orbison’s song, “Oh, Pretty Woman,” *572 may be a fair use within the meaning of the Copyright Act of 1976, 17 U.S.C. § 107 (1988 ed. and Supp. IV). Although the District Court granted summary judgment for 2 Live Crew, the Court of Appeals reversed, holding the defense of fair use barred by the song’s **1168 commercial character and excessive borrowing. Because we hold that a parody’s commercial character is only one element to be weighed in a fair use enquiry, and that insufficient consideration was given to the nature of parody in weighing the degree of copying, we reverse and remand. I In 1964, Roy Orbison and William Dees wrote a rock ballad called “Oh, Pretty Woman” and assigned their rights in it to respondent Acuff–Rose Music, Inc. See Appendix A, infra, at 1179. Acuff–Rose registered the song for copyright protection. Petitioners Luther R. Campbell, Christopher Wongwon, Mark Ross, and David Hobbs are collectively known as 2 Live Crew, a popular rap music group.1 In 1989, Campbell wrote a song entitled “Pretty Woman,” which he later described in an affidavit as intended, “through comical lyrics, to satirize the original work....” App. to Pet. -
Blues Lyric Formulas in Early Country Music, Rhythm and Blues, and Rock and Roll *
Blues Lyric Formulas in Early Country Music, Rhythm and Blues, and Rock and Roll * Nicholas Stoia NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.20.26.4/mto.20.26.4.stoia.php KEYWORDS: blues, country music, rhythm and blues, rock and roll, lyric formulas ABSTRACT: This article briefly recounts recent work identifying the most common lyric formulas in early blues and then demonstrates the prevalence of these formulas in early country music, rhythm and blues, and rock and roll. The study shows how the preference for certain formulas in prewar country music—like the preference for the same formulas in prewar blues—reflects the social instability of the time, and how the de-emphasis of these same formulas in rhythm and blues and rock and roll reflects the relative affluence of the early postwar period. This shift in textual content is the lyrical counterpart to the electrification, urbanization, and growing formal complexity that mark the transformation of prewar blues and country music into postwar rhythm and blues and rock and roll. DOI: 10.30535/mto.26.4.8 Received May 2018 Volume 26, Number 4, November 2020 Copyright © 2020 Society for Music Theory [0.1] Singers and songwriters in many genres of American popular music rely on lyric formulas for the creation of songs. Lyric formulas are fragments of lyrical content—usually lines or half lines— that are shared among singers and recognized by both musicians and listeners. Blues is the genre for which scholars have most conclusively established the widespread use of lyric formulas, and this study briefly recounts recent work that identifies the most common lyric formulas in commercially recorded blues from the early 1920s to the early 1940s—research showing that the high frequency of certain formulas reflects the societal circumstances of much of the African American population during that period. -
April 2009 Local Electric Cooperative Edition The
STW_Apr09_01-20_ 3/9/09 11:44 AM Page 1 LOCAL ELECTRIC COOPERATIVE EDITION APRIL 2009 THE OTHER BIG BEND O. HENRY IN TEXAS Y’ALLY’ALL COME BACKBACKCOME TEXAS TOURIST TOWNS THAT TREAT YOU RIGHT ;`g`ekf<E;C<JJC8B<JXe[=I<<$=CFN@E>I@M<IJ# <O:@K@E>:@K@<JXe[I<C8O@E>i\jfikj#LE@HL<CPCLOLI@FLJ _fk\cjXe[:?8ID@E>Y\[Xe[Yi\Xb]Xjkj#@EM<EK@M<cfZXcZl`j`e\ Xe[8LK?<EK@:;FNE$?FD<=C8MFIJ#c`m\;<CK89CL<JXe[ XI<=I<J?@E>i`m\imXcc\pN@E<:FLEKIP% =@E<;@E@E> ?<C<E8$N<JK?<C<E8 8IB8EJ8JN@E<:FLEKIP#8CKLJ C@KKC<IF:B C8B<>I<<JFE :FJJ8KFKI@M<I KXb\XkfliXifle[K_\EXkliXcJkXk\Xe[[`jZfm\iXn_fc\e\n nfic[f]n\cZfd\n`k_nfic[$ZcXjj]`j_`e^#]cfXk`e^Xe[_`b`e^XcnXpj e\XiYp%M`j`kfliN\Yj`k\fiZXcck_\kfcc$]i\\eldY\i]fipfli Zfdgc\k\MXZXk`feGcXee`e^B`k% C<8IEDFI<89FLKK?<J<G?FKFJ8K8IB8EJ8J%:FD April 2009 VOLUME 65 NUMBER 10 FEATURES 8 Y’all Come Back Now: Tourist Towns That Treat You Right By Melissa Gaskill In a state as big and varied as Texas, finding a weekend getaway is as easy as opening the map. Small and big towns offer reason- able prices, friendly folks and many one-of-a-kind attractions. Here are five places that would love to have you for a visit: Bandera, Corpus Christi, Round Top, Amarillo and Jefferson. 18 The Other Big Bend By Dan Oko 8 Come explore the wild wonders of Texas’ largest state park. -
The Mississippi Mass Choir
R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z. -
Luther Vandross the Best of Luther Vandross the Best of Love Mp3, Flac, Wma
Luther Vandross The Best Of Luther Vandross The Best Of Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: The Best Of Luther Vandross The Best Of Love Country: Europe Released: 1989 Style: Soul, Disco MP3 version RAR size: 1663 mb FLAC version RAR size: 1318 mb WMA version RAR size: 1842 mb Rating: 4.3 Votes: 143 Other Formats: MP3 MP2 DMF AC3 MMF TTA ADX Tracklist Hide Credits Searching 1-1 Arranged By – Mario Malavasi*Engineer – Bill Scheniman, Maurizio BiancaniProducer – 8:02 Jacques Fred PetrusVocals [Uncredited] – Change The Glow Of Love 1-2 Arranged By – Mario Malavasi*Engineer – Bill Scheniman, Maurizio BiancaniProducer – 6:12 Jacques Fred PetrusVocals [Uncredited] – Change 1-3 Never Too Much 3:52 If This World Were Mine 1-4 5:24 Vocals [Duet] – Cheryl Lynn A House Is Not A Home 1-5 7:09 Arranged By – L. Leon Pendarvis, Jr.* Bad Boy/Having A Party 1-6 5:19 Arranged By – Marcus Miller 1-7 Since I Lost My Baby 5:23 Promise Me 1-8 4:42 Arranged By – L. Leon Pendarvis, Jr.* 1-9 'Til My Baby Comes Home 5:34 1-10 If Only For One Night/Creepin' 8:20 2-1 Superstar/Until You Come Back To Me 9:18 2-2 Stop To Love 5:09 2-3 So Amazing 3:43 There's Nothing Better Than Love 2-4 4:44 Arranged By – John 'Skip' Anderson*Vocals [Duet] – Gregory Hines 2-5 Give Me The Reason 4:47 2-6 Any Love 5:03 2-7 I Really Didn't Mean It 5:43 2-8 Love Won't Let Me Wait 7:19 Treat You Right Backing Vocals – Arnold McCuller, David Lasley, Fred White , Eugene Van Buren*, Joey 2-9 6:37 DiggsGuitar – Paul Jackson Jr.Programmed By [Synthesizer] – Jason Miles Synthesizer – Marcus Miller Here And Now Backing Vocals – Brenda White*, Cissy Houston, Fonzi Thornton, Lisa Fischer, Paulette 2-10 McWilliams, Tawatha Agee*Drums [Overdubs] – Ivan HampdenGuitar – Doc Powell, Paul 5:22 Jackson Jr.Percussion – Paulinho Da CostaProgrammed By [Synthesizer] – Jason Miles Synthesizer – Nat Adderley Jr. -
Discography 2006-2015
www.rustywrightband.com [email protected] 810-496-3051 Discography 2006-2015 Wonder Man [Rusty Wright Band/Sadson Music 2015] #8 Billboard Blues chart; #4 Billboard Heatseeker chart - Midwest; #3 Hit Tracks Top 100 chart; #1 Blues411 chart; Top 10 Relix Magazine Jambands chart. Nomination: Vintage Guitar Magazine Reader’s Choice Award - Album of the Year; Nomination: WYCE Jammie Award - Album of the Year”. Nomination: Blues411 Jimi Award - Contemporary Blues Album of the year. Songs: Length Written by Wonder Man 3:59 Rusty Wright Ain’t That the Blues 4:28 Rusty Wright Black Hat Boogie 4:27 Rusty Wright You Know, I Know 3:50 Rusty Wright Love’s Gonna Treat You Right 4:27 Rusty Wright Gonna Come a Day 5:18 Rusty Wright [International Songwriting Competition Finalist - Blues] Corvette Sunday 4:05 Rusty Wright Arms of Another 3:46 Rusty Wright Whiskey Drinkin’ Woman 3:58 Rusty Wright Chinfoot Ball 4:34 Rusty Wright This, That & the Other Thing [Rusty Wright Band/Sadson Music 2013] Blues411 Jimi Award - 2013 Best Contemporary Blues Release; Nominations: WYCE Jammie Awards - Best Blues/Soul Album, Best Regional Album. Included: WMHB 89.7 FM Waterville, ME Top 100 Blues Releases of 2013. Top 10 (5 months) - Relix Magazine/Jambands.com airplay chart; #15 - Roots Music Report; #21 - Living Blues chart; #149 - AMA chart. Songs: Length Written by Whole Lotta Rosie 4:31 Music by Rusty Wright, Lyrics by Bon Scott Man on Fire 6:23 Rusty Wright Alarm Clock Blues 5:22 Rusty Wright How Blue are You 5:27 Rusty Wright Mississippi Queen 4:56 Leslie West, additional lyrics by Rusty Wright Trouble & the Marryin’ Kind 3:39 Rusty Wright Hide in Plain Sight 3:07 Rusty Wright Baby Roll On 5:38 Rusty Wright High Price Woman 3:26 Rusty Wright Handyman 3:43 Rusty Wright Pen or Sword 8:53 Rusty Wright Live Fire [Rusty Wright Band/Sadson Music 2011] In 2011 RWB quietly released a digital compilation of live cuts from various concerts recorded over the course of several years. -
Ella Lassiter (Life and Songs in Slavery)]
Library of Congress [Ella Lassiter (Life and Songs in Slavery)] 26672 Folklore - Sebring [Life & Songs in Slavery*1] WPA WRITERS PROJECT OF FLORIDA FOLKLORE [19?]; FOLKLORE. FLORIDA INFORMANT's NAME Ella Lassiter, centenarian, [?] INFORMANT's ADDRESS Tangerine St. Sebring, Fla. DATE OF INTERVIEW March [?] & [?]; April 14, [1940?] NAME OF INTERVIEWER Barbara B. Darsey [*1] approx. 5718 words approx. 22.8 pages FORM C TEXT OF INTERVIEW (UNEDITED) STATE FLORIDA NAME OF WORKER Barbara B. Darsey ADDRESS [33?] South Commerce Aven. Sebring, Florida DATE April [18-21?]; May [?], 6-[?], [1910?] SUBJECT LIFE AND SONGS IN SLAVERY NAME AND ADDRESS OF INFORMANT Ella Lassiter, Tangerine St., Sebring, Fla. [Ella Lassiter (Life and Songs in Slavery)] http://www.loc.gov/resource/wpalh1.10131337 Library of Congress I had already planned my visit to Mother Lassiter, through her daughter Annie Mae Warren, whom I met in town on Saturday. Annie Mae stated that her Mother was as well as usual and would indeed be glad to see me. Said she in her precise manner. “Mothah she suah do love to talk, and to tell of her early life it suah do give her joy.” So I told Annie Mae that I would plan to call the first [of?] the week and I [?] asked her to request her Mother to be thinking particularly of her early life in anticipation of my visit. The day was dark and gloomy, for the sun had been hiding and sulking most of the day behind dark clouds. There was a piercing wind too, which swept the streets bare and sent the dust about in great clouds, and angrily scattered leaves and trash everywhere. -
The Description of Figurative Language Used in Avril
THE DESCRIPTION OF FIGURATIVE LANGUAGE USED IN AVRIL LAVIGNE’S SONGS: THE BEST DAMN THING ALBUM A PAPER BY RIZKY SASKIA PUTRI LUBIS NIM : 152202006 DIPLOMA OF ENGLISH DEPARTMENT FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am, RIZKY SASKIA PUTRI LUBIS, declare that I am the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award or another degree in any tertiary education. Signed : Date : November 30th,, 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : RIZKY SASKIA PUTRI LUBIS Title of Paper : THE DESCRIPTION OF FIGURATIVE LANGUAGE USED IN AVRIL LAVIGNE’S ALBUM: THE BEST DAMN THING Qualification : D-III / Ahli Madya Study Program : English 1. I am willing that my paper should be available for reproduction at the discretion of the Libertarian of the Diploma III English Study Program Faculty of Cultural studies, USU on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. 2. I am not willing that my papers be made available for reproduction. Signed : Date : November 30th, 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRAK Kertas karya ini berjudul Description of Figurative Language used in Avril Lavigne’s album: The Best Damn Thing. -
Songs About You
Songs About You All Music & Lyrics: Ari Jacobson I’ve always been someone who loves lyrics, remembers them, responds to them, and I’ve always wanted to be able to have a conversation with the writer when I see a great lyric that I respond to. With that in, mind I decided to write up this commentary on the lyrics of “Songs About You” as one half of that conversation. I’d love it if you got involved in the other half; one of the marks of good writing is that it can mean different things to different people, and that’s one reason I chose the title “Songs About You”: good writing catches a hint of that indefinable something that’s universal, and I hope that I occasionally get to a place with my songs where someone will hear them and think the song is about them. Don’t be shy if you hear something different than I do in one of these tunes, or just want to discuss/debate: send me an email at [email protected]. I apologize in advance to anyone who’s been a loyal fan and seen me play live; you’ll probably have heard a few of these explanations, maybe multiple times. Hope you enjoy. -Ari J. 1. I Will Save Your Life This tune is about me, but from the point of view of an ideal someone who sees me at my worst. I toyed for a while with the idea of having a female singer (there’s a Weezer song called “I Just Threw Out the Love of My Dreams” that did that) and I may re-record it with a female voice someday for shits n’ giggles. -
Bright White Lyrics
SHAWN PHILLIPS – BRIGHT WHITE LYRICS Bright Whte Now I told you a long time ago That I'd hold you Never let you go behind Anywhere I might flow And I know you believe in me And I hope you are seeing my dream A whole lot of people in this world Is a running around And it's a long way in the face of fear And there's a lot of men left without any tears Anymore And money is the name in the game of fame But the music don't come out quite the same Anymore It's all about a bright white light Shining through your mind and guiding your way Mama put your arms around me Fill me with your joy and rock me tonight I said, bright white light Shining through your mind and guiding your way I told you a long time ago That I'd hold you Never let you go behind Anywhere I might flow And I'll hold you in winter and spring And behold you in everything I sing Being in your arms is just like coming home And it's a long way in the face of fear And there's a lot of men left without any tears Anymore And money is the name in the game of fame But the music don't come out quite the same Anymore It's all about a bright white light Shining through your mind and guiding your way Bright white light Shining through your mind and guiding your way Mama put your arms around me Fill me with your joy and rock me tonight I said, bright white light Shining through your mind and guiding your way Bright white light Shining through your mind and guiding your way Bright white light Shining through your mind and guiding your way Bright white light Shining through your mind and guiding -
“Are You Lonesome Tonight?”, Compared with Elvis Presley's
Table One: Cumulative Errors in Ten Concert Performances of “Are You Lonesome Tonight?”, Compared with Elvis Presley’s Studio Recording (right column) Version # Total Errors 3 4 5 6 7 8 9 10 11 12 per Line --------------------------------- ------------------ [Sung:] 0 Are you lonesome tonight? * 1 Do you miss me tonight? * 1 Are you sorry we drifted apart? * 1 Does your memory stray 0 To a bright summer day 0 When I kissed you and called you sweetheart? 0 Do the chairs in your parlor seem empty and bare? * * 2 Do you gaze at your doorstep and picture me there? * 1 Is your heart filled with pain? * 1 Shall I come back again? * * 2 Tell me, dear, are you lonesome tonight? [Spoken:] * * * 3 I wonder if – you’re lonesome tonight. * * * 3 You know, someone said that the world’s a stage, * * * * 4 And each must play a part. * * * * 4 Fate had me playing in love * * * * * 5 With you as my sweetheart.. * * * * * * 6 Act One was where we met.. * * * * * * * * 8 I loved you at first glance. * * * * * * 6 You read your lines so cleverly, * * * * 4 And never missed a cue. * * * * * 5 Then came Act Two. * * * * * * * 7 You seemed to change, you acted strange, * * * * * * * 7 And why, I’ve never known. * * * * * * 6 Honey, you lied when you said you loved me, * * * * * 5 And I had no cause to doubt you. * * * * * * 6 But I’d rather go on hearing your lies * * * * * 5 Than to go on living without you. * * * * 4 Now the stage is bare, * * * * * 5 And I’m standing there, * * * * * * * 7 With emptiness all around, * * * * 4 And if you won’t come back to me, * * * * * 5 Then they can bring the curtain down. -
Jim's Song Book
J i m’s S o n g B o o k A C OLLE C TION OF F A VORITES , M OSTLY Back to Contents JIM’S SONG BOOK: A COLLECTION OF FAVORITES–PRETTY MUCH T ab LE OF C ONTENTS ( TITLES LINKED TO pa GES ) 1. Ain’t Nobody Gonna Miss Me 47. I’ll Fly Away 90. Rocky Road Blues 2. All the Good Times Are Past 48. I’m Blue, I’m Lonesome 91. Rocky Top and Gone 49. I’m Going Back to Old Kentucky 92. Roll In My Sweet Baby’s Arms 3. Amber Tresses Tied in Gold 50. I’m Gonna Sleep With One Eye Open 93. Russian Lullaby 4. Angel Band 51. I’m Just Here to Get My Baby 94. Salty Dog 5. Are You Tired of Me My Darling? Out of Jail 95. Shady Grove (Garcia) 6. Are You Waiting Just For Me 52. I’m On My Way Back To The 96. Shady Grove (Doc Watson) 7. Ashes of Love Old Home 97. She Caught the Katy 8. Big Spike Hammer 53. I’m Troubled 98. Sitting Alone in the Moonlight 9. Big Rock Candy Mountain 54. I’m Working On A Building 99. Sittin’ On Top Of The World 10. Blue Night 55. In Her Own Peculiar Way 100. Stealin’ 11. Blue Railroad Train 56. In The Pines 101. Sugar Coated Love 12. Blue Ridge Cabin Home 57. Jesus Is On the Main Line 102. Sunny Side of the Mountain 103. Sweetheart, You Done Me Wrong 13. Bury Me Beneath the Willow 58.