Songs About You
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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Popular Love Songs
Popular Love Songs: After All – Multiple artists Amazed - Lonestar All For Love – Stevie Brock Almost Paradise – Ann Wilson & Mike Reno All My Life - Linda Ronstadt & Aaron Neville Always and Forever – Luther Vandross Babe - Styx Because Of You – 98 Degrees Because You Loved Me – Celine Dion Best of My Love – The Eagles Candle In The Wind – Elton John Can't Take My Eyes off of You – Lauryn Hill Can't We Try – Vonda Shepard & Dan Hill Don't Know Much – Linda Ronstadt & Aaron Neville Dreaming of You - Selena Emotion – The Bee Gees Endless Love – Lionel Richie & Diana Ross Even Now – Barry Manilow Every Breath You Take – The Police Everything I Own – Aaron Tippin Friends And Lovers – Gloria Loring & Carl Anderson Glory of Love – Peter Cetera Greatest Love of All – Whitney Houston Heaven Knows – Donna Summer & Brooklyn Dreams Hello – Lionel Richie Here I Am – Bryan Adams Honesty – Billly Joel Hopelessly Devoted – Olivia Newton-John How Do I Live – Trisha Yearwood I Can't Tell You Why – The Eagles I'd Love You to Want Me - Lobo I Just Fall in Love Again – Anne Murray I'll Always Love You – Dean Martin I Need You – Tim McGraw & Faith Hill In Your Eyes - Peter Gabriel It Might Be You – Stephen Bishop I've Never Been To Me - Charlene I Write The Songs – Barry Manilow I Will Survive – Gloria Gaynor Just Once – James Ingram Just When I Needed You Most – Dolly Parton Looking Through The Eyes of Love – Gene Pitney Lost in Your Eyes – Debbie Gibson Lost Without Your Love - Bread Love Will Keep Us Alive – The Eagles Mandy – Barry Manilow Making Love -
Misused English Words and Expressions in EU Publications EN
EN 2016 1 EUROPEAN COURT OF AUDITORS Misused English words and expressions in EU publications 2 Preface to the May 2016 edition It has been over two years since I last updated this guide. During this period, I have conducted a number of talks and workshops and have been able to benefit from a good deal of feedback. At the risk of being repetitive, I would once again like to emphasise that I aim neither to criticise the work of EU authors nor to dictate how people should speak or write in their internal or private correspondence. In addition to providing guidance to readers who are unfamiliar with the EU parlance, my comments are mainly designed for those who, for reasons of character or personal taste, would like their English to be as correct as possible1, and those who need, or want, their output to be understood by people outside the European institutions, particularly in our two English-speaking member states. This takes up a principle that is clearly set out in the Court of Auditor’s performance audit manual: ‘In order to meet the addressees’ requirements, reports should be drafted for the attention of an interested but non-expert reader who is not necessarily familiar with the detailed EU [or audit] context’. Roughly translated, this means that we need to be aware of what constitutes our in-house jargon and attempt to avoid it, particularly in documents intended for publication. Of course, if a text is exclusively for internal consumption or it is not necessary for the ‘European citizen’ to be able to understand it, there may be grounds for ignoring the advice below. -
Language Development Language Development
Language Development rom their very first cries, human beings communicate with the world around them. Infants communicate through sounds (crying and cooing) and through body lan- guage (pointing and other gestures). However, sometime between 8 and 18 months Fof age, a major developmental milestone occurs when infants begin to use words to speak. Words are symbolic representations; that is, when a child says “table,” we understand that the word represents the object. Language can be defined as a system of symbols that is used to communicate. Although language is used to communicate with others, we may also talk to ourselves and use words in our thinking. The words we use can influence the way we think about and understand our experiences. After defining some basic aspects of language that we use throughout the chapter, we describe some of the theories that are used to explain the amazing process by which we Language9 A system of understand and produce language. We then look at the brain’s role in processing and pro- symbols that is used to ducing language. After a description of the stages of language development—from a baby’s communicate with others or first cries through the slang used by teenagers—we look at the topic of bilingualism. We in our thinking. examine how learning to speak more than one language affects a child’s language develop- ment and how our educational system is trying to accommodate the increasing number of bilingual children in the classroom. Finally, we end the chapter with information about disorders that can interfere with children’s language development. -
Patrizia Sandretto Re Rebaudengo
April 2017 Dylan Lewis, Trans-Figure I Patron, collector and game-changer PATRIZIA SANDRETTO RE REBAUDENGO Mat Collishaw: THE TIME TRAVELLER’S ARTIST Shaking up Australia’s art scene with Danny Goldberg PLUS Classic Week at Christie’s New York APRIL 2017 Contents 062 Letters from Lisbon Take a typographical tour of a city that has stylish signwriting down to a ne art 072 Lit from within Helaine Blumenfeld creates monumental works that seem to glow with an inner life A selection of works and maquettes at Helaine Blumenfeld’s Cambridgeshire studio 082 Queen of Turin With a shrewd eye for emerging talent and a taste for the experimental, collector Patrizia Sandretto Re Rebaudengo has transformed the art scene in her native Italy and beyond 094 God is in the detail Northern Europe’s churches are treasure houses of spectacular limewood sculpture 100 Man on a mission Danny Goldberg wants as many people as possible to see his superb contemporary art collection 110 Nature writ large The South African wilderness is the ideal habitat for the sculptures of Dylan Lewis 120 I bought it at Christie’s Interior designer Edward Bulmer on his passion for an 18th-century religious painting 172 That was then Damien Hirst with Mother and Child (Divided) at the Venice Biennale, 1993 Photo: Nick Ballon. Artworks: © Helaine Blumenfeld, courtesy Artworks: Ballon. Blumenfeld, Nick of the artist © Helaine Photo: and Hignell Gallery [ 008 ] L I T F R O M W ITHIN Helaine Blumenfeld’s abstractions of the human form appear animated, as if by an inner soul. -
Blax, Snake, Home
Episode 201 Blax, Snake, Home Written by Josh Bycel Directed by Anthony Russo Shooting Script 08/01/11 Shooting Script (Full Blue) 08/04/11 (pg. 1-3,18,22,22A,23,23A,24,30,30A) Shooting Script (Pink Rev.) 08/05/11 (pg. 8) Shooting Script (Yellow Rev.) 08/05/11 (pg. 26) Shooting Script (Green Rev.) 08/08/11 SONY PICTURES TELEVISION INC. © 2011 All Rights Reserved No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. 10202 West Washington Boulevard Culver City, CA 90232 Happy Endings "Blax, Snake, Home" [201] a. Shooting Script (Pink Rev.) 08/05/11 CAST JANE .................................................................................................... Eliza Coupe ALEX ...............................................................................................Elisha Cuthbert DAVE...........................................................................................Zachary Knighton MAX ...................................................................................................... Adam Pally BRAD .......................................................................................Damon Wayans, Jr. PENNY ...............................................................................................Casey Wilson ANNOUNCER (V.O.)......................................................................................... TBD DARYL (GUY)..............................................................................Brandon -
“Rapper's Delight”
1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap. -
P. Diddy with Usher I Need a Girl Pablo Cruise Love Will
P Diddy Bad Boys For Life P Diddy feat Ginuwine I Need A Girl (Part 2) P. Diddy with Usher I Need A Girl Pablo Cruise Love Will Find A Way Paladins Going Down To Big Mary's Palmer Rissi No Air Paloma Faith Only Love Can Hurt Like This Pam Tillis After A Kiss Pam Tillis All The Good Ones Are Gone Pam Tillis Betty's Got A Bass Boat Pam Tillis Blue Rose Is Pam Tillis Cleopatra, Queen Of Denial Pam Tillis Don't Tell Me What To Do Pam Tillis Every Time Pam Tillis I Said A Prayer For You Pam Tillis I Was Blown Away Pam Tillis In Between Dances Pam Tillis Land Of The Living, The Pam Tillis Let That Pony Run Pam Tillis Maybe It Was Memphis Pam Tillis Mi Vida Loca Pam Tillis One Of Those Things Pam Tillis Please Pam Tillis River And The Highway, The Pam Tillis Shake The Sugar Tree Panic at the Disco High Hopes Panic at the Disco Say Amen Panic at the Disco Victorious Panic At The Disco Into The Unknown Panic! At The Disco Lying Is The Most Fun A Girl Can Have Panic! At The Disco Ready To Go Pantera Cemetery Gates Pantera Cowboys From Hell Pantera I'm Broken Pantera This Love Pantera Walk Paolo Nutini Jenny Don't Be Hasty Paolo Nutini Last Request Paolo Nutini New Shoes Paolo Nutini These Streets Papa Roach Broken Home Papa Roach Last Resort Papa Roach Scars Papa Roach She Loves Me Not Paper Kites Bloom Paper Lace Night Chicago Died, The Paramore Ain't It Fun Paramore Crush Crush Crush Paramore Misery Business Paramore Still Into You Paramore The Only Exception Paris Hilton Stars Are Bliind Paris Sisters I Love How You Love Me Parody (Doo Wop) That -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Heather Hayes Experience Songlist Aretha Franklin Chain of Fools
Heather Hayes Experience Songlist Aretha Franklin Chain of Fools Respect Ben E. King Stand By Me Drifters Under The Boardwalk Eddie Floyd Knock On Wood The Four Tops Sugar Pie Honey Bunch James Brown I Feel Good Sex Machine The Marvelettes My Guy Marvin Gaye & Tammie Terrell You’re All I Need Michael Jackson I’ll Be There Otis Redding Sittin’ On The Dock Of The Bay Percy Sledge When A Man Loves A Woman Sam & Dave Soul Man Sam Cooke Chain Gang Twistin’ Smokey Robinson Cruisin The Tams Be Young, Be Foolish, Be Happy The Temptations OtherBrother Entertainment, Inc. – Engagement Contract Page 1 of 2 Imagination My Girl The Isley Brothers Shout Wilson Pickett Mustang Sally Contemporary and Dance 50 cent Candy Shop In Da Club Alicia Keys If I Ain’t Got You No One Amy Winehouse Rehab Ashanti Only You Ooh Baby Babyface Whip Appeal Beyoncé Baby Boy Irreplaceable Naughty Girls Work It Out Check Up On It Crazy In Love Dejá vu Black Eyed Peas My Humps Black Street No Diggity Chingy Right Thurr Ciara 1 2 Step Goodies Oh OtherBrother Entertainment, Inc. – Engagement Contract Page 2 of 2 Destiny’s Child Bootylicious Independent Women Loose My Breath Say My Name Soldiers Dougie Fresh Mix Planet Rock Dr Dre & Tupac California Love Duffle Mercy Fat Joe Lean Back Fergie Glamorous Field Mobb & Ciara So What Flo Rida Low Gnarls Barkley Crazy Gwen Stefani Holla Back Girl Ice Cube Today Was A Good Day Jamie Foxx Unpredictable Jay Z Give It To Me Jill Scott Is It The Way John Mayer Your Body Is A Wonderland Kanye West Flashy Lights OtherBrother Entertainment, Inc. -
Countryladies 1257 Titel, 3,2 Tage, 7,71 GB
Seite 1 von 49 -CountryLadies 1257 Titel, 3,2 Tage, 7,71 GB Name Dauer Album Künstler 1 Abilene (ft Natalie Maines - Background) 4:08 C'mon, C'mon - Sheryl Crow - 2002 (RS-192) Crow Sheryl 2 Absence of fear / This little bird 7:26 Spirit - Jewel - 1998 (RS-256) Jewel (Kilcher) 3 Absence of the heart 3:31 Everything's Gonna Be Alright - Deana Carter - 1998 (RS) Carter Deana 4 Across America 3:06 The Loving Kind - Nanci Griffith - 2009 (RS) Griffith Nanci 5 Act of faith (ft McDonald Michael) 9:16 (2) - Olivia Newton-John - 2002 (RS) Newton-John Olivia 6 After all 3:55 Patty Loveless - Patty Loveless - 1986 (RS-192) Loveless Patty 7 The age of miracles 4:33 The Age Of Miracles - Mary-Chapin Carpenter - 2010 (RS-256) Carpenter Mary-Chapin 8 Ain't gonna happen 3:38 Confessions Of A Nice Girl - Katie Armiger - 2010 (RS) Armiger Katie 9 Ain't no sunshine 3:29 Hollywood, Tennessee - Crystal Gayle - 1981 (LP) Gayle Crystal 10 Ain't no sunshine 3:19 Sing: Chapter 1 - Wynonna Judd - 2009 (RS) Judd Wynonna 11 Ain't that lonely yet 3:09 Whitney Duncan - Single 2007 Duncan Whitney 12 Ain't that something 3:53 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 13 The air that i breathe (Newton-John) 3:56 Have You Never Been Mellow - Olivia Newton-John - 1975 (RS) Newton-John Olivia 14 Alison 3:28 Living In The USA - Linda Ronstadt - 1978 (RS) Ronstadt Linda 15 All dressed up (with nowhere to go) 3:14 For My Broken Heart - Reba McEntire - 1991 (RS) McEntire Reba 16 All i have to do is dream 2:14 A Little Bit Of Heartache - Rosie Flores -
114 S.Ct. 1164 Supreme Court of the United States Luther R. CAMPBELL
114 S.Ct. 1164 Supreme Court of the United States Luther R. CAMPBELL aka Luke Skyywalker, et al., Petitioners, v. ACUFF–ROSE MUSIC, INC. No. 92–1292. | Argued Nov. 9, 1993. | Decided March 7, 1994. Opinion Justice SOUTER delivered the opinion of the Court. We are called upon to decide whether 2 Live Crew’s commercial parody of Roy Orbison’s song, “Oh, Pretty Woman,” *572 may be a fair use within the meaning of the Copyright Act of 1976, 17 U.S.C. § 107 (1988 ed. and Supp. IV). Although the District Court granted summary judgment for 2 Live Crew, the Court of Appeals reversed, holding the defense of fair use barred by the song’s **1168 commercial character and excessive borrowing. Because we hold that a parody’s commercial character is only one element to be weighed in a fair use enquiry, and that insufficient consideration was given to the nature of parody in weighing the degree of copying, we reverse and remand. I In 1964, Roy Orbison and William Dees wrote a rock ballad called “Oh, Pretty Woman” and assigned their rights in it to respondent Acuff–Rose Music, Inc. See Appendix A, infra, at 1179. Acuff–Rose registered the song for copyright protection. Petitioners Luther R. Campbell, Christopher Wongwon, Mark Ross, and David Hobbs are collectively known as 2 Live Crew, a popular rap music group.1 In 1989, Campbell wrote a song entitled “Pretty Woman,” which he later described in an affidavit as intended, “through comical lyrics, to satirize the original work....” App. to Pet.