Les Cantiques Du Domaine Public
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THE ORGAN WORKS of HEALEY WILLAN THESIS Presented to The
{ to,26?5 THE ORGAN WORKS OF HEALEY WILLAN THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of Master of Music By Robert L. Massingham, B. S., M. S. Denton, Texas August, 1957 PREFACE LHealey Willan occupies an unique position in Canadian Music and can be considered as that nation's "elder musical statesman." At the time of writing he is a septuagenarian and still very much active in his profession. Born and trained in England, he was well-established there when he was persuaded to come to Toronto, Canada, in 1913 at the age of thirty-three. Since that time he has contributed enor- iously to the growth of music in his adopted country, carry- ing on the traditions of his fine English background in music while encouraging the development of native individuality in Canadian music. Iillan has been first and foremost a musician of the church--an organist and choirmaster--a proud field which can boast many an eminent name in music including that of J. S. Bach. Willan's creativity in music has flowered in many other directions--as a distinguished teacher, as a lecturer and recitalist, and as a composer. He has written in all forms and for all instruments, but his greatest renown, at any rate in the TUnited States, is for his organ and choral works. The latter constitute his largest single body of compositions by numerical count of titles, and his organ works are in a close second place. iii Willants Introduction, Passaqaglia, and Fuue has been well-known for decades as one of the finest compositions in organ literature, enjoying a position alongside the organ works of Liszt, Yranck, and Reubke. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Guest Speakers to Explore Augustana's Legacy at Gathering VIII in St. Peter, June 21–24, 2012
TheAugustana Heritage Newsletter Volume 7 Number 3 Fall 2011 Guest speakers to explore Augustana’s legacy at Gathering VIII in St. Peter, June 21–24, 2012 Guest speakers will explore The plenary speakers include: Bishop Antje Jackelén the theme, “A Living of the Diocese of Lund, Church of Sweden, on “The Legacy,” at Gathering VIII Church in Two Secular Cultures: Sweden and America”; of the Augustana Heritage Dr. James Bratt, Professor of Church History at Calvin Association at Gustavus College, Grand Rapids, Michigan, on “Augustana in Adolphus College in St. American Church History”; The Rev. Rafael Malpica Peter, Minnesota, from Padil, executive director of the Global Mission Unit, June 21-24, 2012. Even Evangelical Lutheran Church in America, on “Global though 2012 will mark Missions Yesterday, Today and Tomorrow”. the 50th anniversary of “Augustana: A Theological Tradition” will be the the Augustana Lutheran theme of a panel discussion led by the Rev. Dr. Harold Church’s merger with Skillrud, the Rev. Dr. Dale Skogman and the Rev. Dr. other Lutheran churches Theodore N. Swanson. The Rev. Dr. Arland J. Hultgren after 102 years since its will moderate the discussion. founding by Swedish The Jenny Lind Singer for 2012, a young musician immigrants in 1860, it from Sweden, will give a concert on Saturday evening, continues as a “living June 23. See Page 14 for the tentative schedule for each Bishop Antje Jackelén of legacy” among Lutherans day in what promises to be another wonderful AHA the Church of Sweden today. Gathering. Garrison Keillor, known internationally for the Minnesota Public Radio show “A Prairie Home Companion,” will speak on “Life among the Lutherans,” at the opening session on Thursday, June 21. -
Bachs Kantater for Hele Kirkeåret
BACHKANTATER FOR ET HELT KIRKEÅR Av Sigmund Hjorthaug Hva er en kantate? En kantate består av flere sanger som er satt sammen til en enhet. Det kan være både korsanger og solosanger. Bach skrev mange kantater som ble sunget under gudstjenesten. I Leipzig hvor han var organist skrev han en ny kantate for hver søndag og helligdag i året. Det gjorde han i fem år. Det vil si at han har laget over 300 kantater i kirken. 100 av dem er gått tapt, så vi har 200 kirkekantater av ham i dag. Bach har dagens evangelium som utgangspunkt når han lager sine kantater. Det kan være en salme som berører dagens tema, han kan bruke bibeltekster eller andre tekster som noen har$ skrevet for ham. Bach er opptatt av å forkynne evangeliet gjennom sine kantater. De ble alltid sunget etter at evangeliet ble lest. Deretter kom kantaten som en liten preken i sang. Så ble evangeliet lest igjen og presten holdt dagens preken. Hvorfor skal vi høre Bachs kantater i dag? Bach var lutheraner. Selv hadde han Luthers samlede verker i sitt hjem. Han kjente godt til den lutherske lære. Den lutherske lære kommer tydelig frem i hans kantatetekster. Han hadde også en meget stor interesse for den lutherske salme og bruker den rikelig i sin kirkemusikk. Han formår med sin musikk å formidle evangeliet som ingen annen komponist kan gjøre. Derfor vil en luthersk kristen ha stort utbytte av å lytte til hans musikk. Noen kan synes musikken fra denne tid virker noe uvant. Da kan det være lurt å starte med de enkle korsangene som han alltid avslutter kantatene med. -
Kalendár Výročí
Č KALENDÁR VÝROČÍ 2010 H U D B A Zostavila Mgr. Dana Drličková Bratislava 2009 Pouţité skratky: n. = narodil sa u. = umrel výr.n. = výročie narodenia výr.ú. = výročie úmrtia 3 Ú v o d 6.9.2007 oznámili svetové agentúry, ţe zomrel Luciano Pavarotti. A hudobný svet stŕpol… Muţ, ktorý sa narodil ako syn pekára a zomrel ako hudobná superstar. Muţ, ktorého svetová popularita nepramenila len z jeho výnimočného tenoru, za ktorý si vyslúţil označenie „kráľ vysokého cé“. Jeho zásluhou sa opera ako okrajový ţáner predrala do povedomia miliónov poslucháčov. Exkluzívny svet klasickej hudby priblíţil širokému publiku vystúpeniami v športových halách, účinkovaním s osobnosťami popmusik, či rocku a charitatívnymi koncertami. Spieval takmer výhradne taliansky repertoár, debutoval roku 1961 v úlohe Rudolfa v Pucciniho Bohéme na scéne Teatro Municipal v Reggio Emilia. Jeho ľudská tvár otvárala srdcia poslucháčov: bol milovníkom dobrého jedla, futbalu, koní, pekného oblečenia a tieţ obstojný maliar. Bol poverčivý – musel mať na vystú- peniach vţdy bielu vreckovku v ruke a zahnutý klinec vo vrecku. V nastupujúcom roku by sa bol doţil 75. narodenín. Luciano Pavarotti patrí medzi najväčších tenoristov všetkých čias a je jednou z mnohých osobností, ktorých výročia si budeme v roku 2010 pripomínať. Nedá sa v úvode venovať detailnejšie ţiadnemu z nich, to ani nie je cieľom tejto publikácie. Ţivoty mnohých pripomínajú román, ľudské vlastnosti snúbiace sa s géniom talentu, nie vţdy v ideálnom pomere. Ale to je uţ úlohou muzikológov, či licenciou spisovateľov, spracovať osudy osobností hudby aj z tých, zdanlivo odvrátených stránok pohľadu ... V predkladanom Kalendári výročí uţ tradične upozorňujeme na výročia narodenia či úmrtia hudobných osobností : hudobných skladateľov, dirigentov, interprétov, teoretikov, pedagógov, muzikológov, nástrojárov, folkloristov a ďalších. -
& 34 Œœ˙˙ Œœ ˙ ˙Œœœœ Œ Œ Œ Œœœœœ Œœœœœ Œœ ? 34 Œ Œ ˙ ˙Œœ ˙ #Œœ˙˙Œœ ˙Œ Œœœœœœ
Se, dagen gryr och mörkret flyr 1 Jublande = 88-100 q [] œ 3 ˙ œ œ œ œ œ Œ œ œ & 4œœ ˙ œ ˙ œ œ œ œ œ œ œ œ 1. Se, da - gen gryr och mörk - ret flyr. Si - ons ba - 2. Nu töck - nen, vil - lo - lä - rors hägn, sking-ras för 3. Gud å - ter ta - lat till vår jord: San - ning - en œ ˙ œ 3 œ ˙ #œœ ˙ œ ˙ œ œ œ ? 4 œ ˙ œ œ œ Œ j j œ. œ œ Œ ∑∑ & ˙ œ œ ˙œ . œ #œœ ˙ ner nu veck - las ut! En lju - sets dag för san - nings kla - ra ljus. Guds ord, lik - som ett up - pen - ba - rad är. Allt folk skall hö - ra ˙ œ œ ˙ ˙ œ ˙ œ ˙ œ ? ˙ œ ˙ œ œ œ œ œ j j ∑ œ. œ œ. œ & Ó œœ œ . œ œ œ ˙ œ œ œ . œ œ œ värl - den gryr; en lju - sets dag för värl - den him - melskt regn, Guds ord, lik - som ett him - melskt Her - rens ord. Allt folk skall hö - ra Her - rens œ œ œ #œ œ ˙ ∑∑∑ ? ˙ Œ [] ˙ œ œ œ œ œ œ œ ˙ œ ˙ & ˙ œ ˙ œ œ œ œ ˙ œ ˙ gryr; min själ, din tack - sam - het ut - gjut! regn, milt fal - ler ö - ver jor - dens grus. ord. O Si - on, gläd dig, lov hem - bär! ˙ œ œ œ œ ˙ œ ˙ œ œ ˙ œ # œ ˙ œ ? Ó ˙ ˙ Text: Parley P. Pratt, 1807–1857 Jesaja 60:1–3 Musik: George Careless, 1839–1932 3 Nephi 16:7–20 2 Den himmelska elden Jublande = 96-112 q [] j bb 4 ˙ œ œ ˙ œ œ ˙ œ & 4 œ ˙ œ œ ˙ œ œ ˙ œ œ œœ. -
CONTENTS for LEAD ME, GUIDE ME—SECOND EDITION MASSES
CONTENTS for LEAD ME, GUIDE ME—SECOND EDITION This is a preliminary list of contents for the new Lead Me, Guide Me—Second Edition hymnal. It does not include a complete listing of service music, ritual music, or music for the Liturgy of the Hours. This list is subject to change. MASSES AND EUCHARISTIC ACCLAMATIONS FULL SETTINGS Unity Mass.........................................................................................Norah Duncan IV Sound of My People ..........................................................................Roger M. Holland Mass of St. Cyprian ...........................................................................Kenneth W. Louis Community Mass...............................................................................Richard Proulx New Mass ..........................................................................................Kenneth W. Louis HYMNS AND SONGS A Follower of Christ......................................................................................J. W. Harris, Kenneth W. Louis A Living Faith ...............................................................................................Henry F. Hemy, James G. Walton A Mighty Fortress Is Our God.......................................................................Martin Luther A Praying Spirit.............................................................................................Elbernita “Twinkie” Clark, Nolan Williams, Jr. A Stable Lamp Is Lighted..............................................................................David -
(Danish) Evangelical Lutheran Church, 1896-1960
The Bridge Volume 27 Number 1 Article 17 2004 Danish Lutheran Churches in America: Contributions of the United (Danish) Evangelical Lutheran Church, 1896-1960 Edward A. Hansen Follow this and additional works at: https://scholarsarchive.byu.edu/thebridge Part of the European History Commons, European Languages and Societies Commons, and the Regional Sociology Commons Recommended Citation Hansen, Edward A. (2004) "Danish Lutheran Churches in America: Contributions of the United (Danish) Evangelical Lutheran Church, 1896-1960," The Bridge: Vol. 27 : No. 1 , Article 17. Available at: https://scholarsarchive.byu.edu/thebridge/vol27/iss1/17 This Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in The Bridge by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Danish Lutheran Churches in America: Contributions of the United (Danish) Evangelical Lutheran Church, 1896-1960 by Edward A. Hansen The most noteworthy contribution of the UELC was its people. The laity and clergy of this church brought a willingness to change their old ethnic ways in order to convey their faith, their energy, and their insights to the broader body of Lutherans in America. The Situation in the UDELC at the close of World War II The United Danish Evangelical Lutheran Church was formed in 1896 by a merger of two Danish immigrant groups. One group, the "Blair Synod" had been excluded from the Danish Lutherans organized in America in 1872, in a controversy mainly involving the Bible as the Word of God. The second group, the "North Church," had been organized in 1884 by Danish members of the Norwegian Danish Evangelical Lutheran Church (founded in 1870). -
Jens Lyster Forfatterportræt Af Hans Thomissøn
Fra Det Kgl. Biblioteks tekstportal (tekster.kb.dk) Forfatter: Jens Lyster Titel: Forfatterportræt af Hans Thomissøn Citation: ”Hans Thomissøn”, i Hans Thomissøn. Onlineudgave fra Arkiv for Dansk Litteratur: https://tekster.kb.dk/text/adl-authors-thomissoen-p-root.pdf (tilgået 29. september 2021) Hans Thomissøn - Forfatterportræt skrevet af Jens Lyster Hans Thomissøn Indhold Indledning Biografi Forfatterskabet Modtagelse Forfatterskabets efterliv Tekstoplysninger Bibliografi Om forfatteren til dette forfatterportræt Indledning. Maria med skæg I Den Danske Salmebog, 1953, nr. 56 skiller "Jeg vil mig Herren love" i sin begejstrede og henførte lovprisning af Vorherre Jesus sig mærkbart ud fra samtidens, dvs. 1500-tallets salmer. Om Jesus hedder det, at "Han lignes ved solen den klare, som skinner på himlens bold", og han tiltales som "O Jesus, morgenstjerne, mit lys, mit liv, min lyst". Den tørt knirkende sprogtone i de salmer, der skulle undervise den danske almue i den nye lære fra Wittenberg, får ikke lov at præge denne tekst. Ifølge de historiske oplysninger ved salmebogens nr. 56 skyldes salmen Hans Thomissøn, der dog bygger på en i dag ukendt dansk Mariavise. Thomissøn selv lagde ikke skjul på sin inspirationskilde, da han i 1569 gav salmen denne overskrift: "Jeg vil mig en Jomfru loffue, er en gammel Sang om Jomfru Maria, Christelige foruent Jesu Christo til loff oc ære" (Den danske Psalmebog 1569 (forkortet DdP) 39r). Endvidere opregner Thomissøn i sin salmebog denne og syv andre salmer i et særligt "Register paa de gamle Papistiske Sang, som ere Corrigeret oc rettede" (DdP Bbb1r). Det er imidlertid ikke at undres over, at nogen i eftertiden har fået ondt af den behandling, der i reformationstiden blev Mariaviserne til del. -
Order of Worship Palm Sunday Sunday, April 5, 2020 – 10:15 A.M
Order of Worship Palm Sunday Sunday, April 5, 2020 – 10:15 a.m. PRELUDE HERB GEISLER, ORGANIST WELCOME OPENING SONG ABIDING PRAISE “Hosanna” Praise is rising, eyes are turning to You, we turn to You. Hope is stirring, hearts are yearning for You, we long for You. ‘Cause when we see You, we find strength to face the day, And in Your presence all our fears are washed away, washed away. Chorus: Hosanna! Hosanna! You are the God who saves us, worthy of all our praises. Hosanna! Hosanna! Come have Your way among us, We welcome You here, Lord Jesus. Hear the sound of hearts returning to You, we turn to You. In Your Kingdom broken lives are made new, You make us new. ‘Cause when we see You, we find strength to face the day, And in Your presence all our fears are washed away, washed away. Chorus Twice Words & Music by Paul Baloche & Brenton Brown © Copyright 2005,2006 Integrity’s Hosanna! Music Thankyou Music Used By Permission. All Rights Reserved. CCLI Song #4662491 CCLI License #520682 INVOCATION Pastor: In the Name of the Father and of the † Son and of the Holy Spirit. Amen. CONFESSION AND ABSOLUTION THE FIRST READING JOHN 12:20-34 Now among those who went up to worship at the feast were some Greeks. So these came to Philip, who was from Bethsaida in Galilee, and asked him, “Sir, we wish to see Jesus.” Philip went and told Andrew; Andrew and Philip went and told Jesus. And Jesus answered them, “The hour has come for the Son of Man to be glorified. -
Med Fred Og Fryd
Sct. Peders Kirke, Næstved Fredag 3. november 2017 kl. 19.30 Sct Mariæ Kirke, Helsingør Lørdag 4. november 2017 kl. 16.00 Garnisonskirken, København Søndag 5. november 2017 kl. 16.00 MED FRED OG FRYD – STEMMER FRA REFORMATIONEN DR VokalEnsemblet Lionel Meunier, dirigent Philip Schmidt-Madsen, orgel Med fred og fryd DR Koncerthuset 2017/18 2 Program Sct. Peders Kirke, Næstved LUCAS OSIANDER (1534-1604) Fredag 3. november kl. 19.30 DIETRICH BUXTEHUDE (ca. 1637-1707) Ein feste Burg, tenorsolo: Adam Riis Sct Mariæ Kirke, Helsingør Ein feste Burg, koralforspil, BuxWV 184 Lørdag 4. november kl. 16.00 MOGENS PEDERSØN (ca. 1585-ca. 1623) Garnisonskirken, København af Pratum spirituale (1620) Søndag 5. november kl. 16.00 Deus misereatur Victimae paschali laudes DR VokalEnsemblet MOGENS PEDERSØN (ca. 1585-ca. 1623) Lionel Meunier DIETRICH BUXTEHUDE (ca. 1637-1707) dirigent Fader vor udi Himmerig Vater unser im Himmelreich, koralforspil, BuxWV 219 Philip Schmidt-Madsen orgel THOMAS SCHATTENBERG (ca. 1580-efter 1622) af Jubilus S. Bernardi (1620) Lørdagskoncerten optages O dulcissime Jesu og sendes i P2 Koncerten O quam dulcis mandag 6. november kl. 19.20. Ved denne koncert er THOMAS KINGO (1634-1703) Celine Haastrup scenevært. af Aandelige siunge-koor (1681) Sorrig og glæde MOGENS PEDERSØN (ca. 1585-ca. 1623) JOHANN SEBASTIAN BACH (1685-1750) Vi tro alle sammen på én Gud Wir glauben all’ an einen Gott, in organo pleno, koralforspil, BWV 680 Koncerten i Garnisonskirken indgår i Copenhagen Renaissance Music Festival PAUSE (15’) ca. 16.45/20.15 NICOLAUS BRUHNS (1665-1697) Præludium, e-mol (‘det store’) DIETRICH BUXTEHUDE (ca. 1637-1707) Mit Fried und Freud – Klaglied Contrapunctus 1 Evolutio Contrapunctus 2 Evolutio Klaglied, sopransolo: Malene Nordtorp JOHANN SEBASTIAN BACH (1685-1750) Jesu, meine Freude, BWV 227 Chef for DR Kor & Orkestre: Kim Bohr Producer: Michael Emery Design: E-Types & DR Design Repertoirechef: Tatjana Kandel Musikteknik: Ossian Ryner Forside: Lucas Cranach d. -
Music and Bell Ringing Catalog
Catalog of Music and Bell Ringing for the Chime Master VERSION 3.0 www.ChimeMaster.com Selections Catalog This catalog is provided as a supplement to the Chime Master System Millennium manual. It contains lists of frequently used bell ringing functions as well as specific music selection numbers. Should you need additional instruction, please refer to the Overview and Scheduling Automatic Performances sections of the operating manual. Typically you will only need to enter selection numbers when editing your program schedule, programming function buttons or using the Play Selections menu for special occasions. We highly recommend using random music groups for your weekly program schedule. This both saves you time and the community will always have a great variety of music to enjoy. Entering Selections New selections may be entered over the existing program selections. Entering all zeros for a selection will delete it. In the Setup Function Button menu, and the Play Selections menu, if only one selection is entered, 001 Time(s) will be displayed allowing you to repeat the selection up to 199 times. These repeats are usually used to program the number of strikes of a toll. On Screen Title Lookup Whenever a four digit number is flashing on the editing display, and you don’t remember the number for your favorite selection, press the [NO] cursor down button (as in “No, I don’t know what number I want"). This will bring up the Title Lookup Screen which is subdivided into four groups: User Recordings Titles of recordings that have been recorded by you. Any untitled selections will be displayed as untitled nnnn with its catalog number.