Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0
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Indie Mixtape 20 Q&A Is with Proper., Who Can Sing All the Words to Every Kanye and Say Anything Album (Even the Bad Ones)
:: View email as a web page :: Chuck Klosterman once observed that every straight American man “has at least one transitionary period in his life when he believes Led Zeppelin is the only good band that ever existed.” Typically, this “Zeppelin phase” occurs in one’s teens, when a band that sings lasciviously about squeezing lemons while contemplating hobbits aligns with the surging hormones of the listener. But what about when you hit your early 30s? Is there a band that corresponds with graying beards and an encroaching sense of mortality? We believe, based on anecdotal evidence, that this band is the Grateful Dead. So many people who weren’t Dead fans when Jerry Garcia was alive have come to embrace the band, including many people in the indie-rock community, whether it’s Ezra Koenig of Vampire Weekend, Jim James of My Morning Jacket, or scores of others. Check out this piece on why the Dead is so popular now, even as the 25th anniversary of Garcia’s death looms, and let us know why you like them on Twitter. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century PS: Was this email forwarded to you? Join the band here. In case you missed it... Our YouTube channel just added a swath official music videos from Tori Amos and Faith No More. After a handful of delays, we now have an official release date for the new album from The Killers, as well as a new song. -
Theguardian and NUS: Campaign DidnT Organise a Moves to Parliament Piss-Up in a Brewery
Issue 949 - Weekly Thursday 19th November 1998 Tuition Fees TheGuardian and NUS: Campaign Didnt organise a Moves to Parliament piss-up in a brewery he Guardian / NUS London”. Student Media Awards Tare the highlight of the The following academic year for all involved morning, back at in producing student media, the Media be it newspapers, magazines, Conference, NUS radio or television. President Andrew Pakes released a Last Saturday saw the 20th statement from Anniversary event, part of the the NUS which Student Media Conference, claimed that The take place at the Truman Guardian were Breweries building in East responsible for the London. Unfortunately around arrangements for Union Officers campaigning at Westminster 200 of the conference dele- the awards cere- n Thursday 12th November, students from gates were unable to get into mony and that it across the country converged on the awards ceremony due to was The Guardian OWestminster to take the Student Rights the ceremony taking place in a who had refused Charter to the Government. After the successful venue that could not cater for entry to confer- Day of Action held in the Unions on 30th October, the required number of peo- ence delegates, Some of the entries for the media awards with Pluto winning the coveted ple. who have in the campaign was taken to MPs in the Houses of Newspaper of the Year Award - full list of winners on page 2. Parliament. It was also a chance for Union officials previous years to gather more information about why the battle is As the situation developed the attended the the problem, but look forward workshops presented by so important to all students. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit". -
James Ramsay Email [email protected] 00447973750112
James Ramsay Email [email protected] 00447973750112 International Specialist in all TV/Film Camera crane Operation. Awards for Jimmy Jib and Technocrane Operation 1998 Cameraman of the year (Technocrane) Guild of Cameramen 1999 Primetime Emmy award winner (cher) 2003 Primetime Emmy award winner (Janet Jackson) 2006 Primetime Emmy Nomination Barry Manilow 2012 Emmy Consideration Jim Jefferies: Alcoholocaust: Some recent Credits Cirque du soleil (Directed by James Cameron) 3D The Voice Popes Visit Royal Wedding (In the Abbey) Celebrity Juice Dancing on Ice Strictly come dancing Take That NTA Awards Top Gear Watchdog 8 out of 10 Cats ACDC (Red Cameras) Britain’s got talent NME Awards 10 O’clock Live MTV Awards Cirque du soleil Quidam Dallion Cirque du soleil (directed by James Cameron) Cats Shooting Stars To Nights the Night Pride of Britain Des O’Conner special Friday Night with Jonathan Ross TFI Friday Don’t Forget your toothbrush Reading Festival Elton John Celine Dion Party in the Park Joseph Pop Idol Comic relief Would I Lie to you Live from the Electric Big Brother Test the Nation Celebrity Wrestling Evening Standard Film Awards Rod Stewart The Lottery Miss World Ant and Dec Isle of Wright Festival Eddie Izzard Paul Weller Muse Cliff Richard Laureus World Sports Awards The Weakest Link Terry And Gabby Simply Red Big Brother REM Mobos Britt Awards Jo Brand Cher Janet Jackson Sport Relief Recent Clients BBC Granada Zeal Tv Tiger Aspect Visions CCTC Scream Films Mem/otp Productions Laureus Umtv TalkBack Objective MME Entertainment Twenty Twenty Production Simply Red. Com Roll to record Scarlet Boom Factory Zenith Ent Endemol Initial MTV Talent Universal Fountain Tv Cclabs Serpent Films Wall to Wall Salt Beef . -
Tony Mitchell Director
Tony Mitchell Director Tony is also represented by Gersh in the US and holds both Canadian and UK passports as well as a US Green Card. Agents Sean Gascoine Assistant Amy Sparks [email protected] +44 (0) 20 3214 0946 Hannah Thornton Assistant [email protected] Lili Davies [email protected] +44 (0)20 3214 0994 Credits Television Production Company Notes AD NBC / Lightworks Media Directed 3 episodes of sequel to THE BIBLE 2014 THE BIBLE History Channel Directed 3 episodes of this Mark Burnett mini 2012 series. A massive ratings hit in the US, it has since become the biggest-selling miniseries on DVD/Blu-ray of all time. * Nominated for Best Outstanding Mini Series or Movie at EMMY Awards, 2013 * Nominated for Best Sound mixing For A Miniseries, Movie Or A Special at EMMY awards, 2013 HOMINID BBC; Producer: Jennifer McAufield 2-part drama for BBC1 2010 ATLANTIS BBC 1 x 90min drama/disaster movie for prime-time 2009 BBC1 PRIMEVAL Impossible Pictures/ITV/ Prosieben Directed two episodes of this popular ITV 2008 Saturday night drama United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] 1 Production Company Notes SUPERVOLCANO BBC/Discovery 2 x 1hr, Starring Gary Lewis and Michael Riley 2004 Channel/Mediaset/Prosieben & NHK *Nominated for Best Visual Effects at Emmy Awards, 2005; *Nominated for Best Visual Effects, BAFTA, 2006 *Nominated for Best Cinematography and Editing, RTS Craft Awards, 2005 ANCIENT EGYPTIANS Channel 4/TLC/Canal +/NDR & 4 x 1hr, Factual Dramas; set in the Age of the 2002 Granada International Pharaohs, and revealing the compelling true stories of people who lived at the heart of the world's greatest civilisation. -
Britpop 1 a Free Quiz About the Music and the Musicians Associated with Britpop
Copyright © 2021 www.kensquiz.co.uk Britpop 1 A free quiz about the music and the musicians associated with Britpop. 1. Which journalist and DJ was credited for first using the term "Britpop" in 1993? 2. Which Oasis single provided them with their first UK number one in April 1995? 3. Gaz Coombes was the guitarist and lead singer of which 90s band? 4. The Verve's "Bittersweet Symphony" samples an orchestral version of which Rolling Stones hit? 5. Which Pulp album featured the single "Common People"? 6. Brett Anderson was the lead singer of which Britpop band? 7. What was the title of The Boo Radley's only UK top ten single? 8. In which northern city were Shed Seven formed in 1990? 9. Which song by Ocean Colour Scene was used by Chris Evans to introduce his guests on TFI Friday? 10. What was the original name of Britpop band Blur? 11. A founding member of Suede, which female fronted the band Elastica? 12. "Smart" was the debut album of which band? 13. Which band received the inaugural NME Brat Award for Best New Act in 1995? 14. Who sang alongside Space on their 1998 top five single "The Ballad of Tom Jones"? 15. Which single of 1991 gave Blur their first UK top ten hit? 16. Released in 1995, what was the title of Cast's debut album? 17. What was the name of the 90's band fronted by radio personality Laureen Laverne? 18. The 1996 single "Good Enough" was the only UK top ten hit for which band? 19. -
American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world. -
“All Politicians Are Crooks and Liars”
Blur EXCLUSIVE Alex James on Cameron, Damon & the next album 2 MAY 2015 2 MAY Is protest music dead? Noel Gallagher Enter Shikari Savages “All politicians are Matt Bellamy crooks and liars” The Horrors HAVE THEIR SAY The GEORGE W BUSH W GEORGE Prodigy + Speedy Ortiz STILL STARTING FIRES A$AP Rocky Django Django “They misunderestimated me” David Byrne THE PAST, PRESENT & FUTURE OF MUSIC Palma Violets 2 MAY 2015 | £2.50 US$8.50 | ES€3.90 | CN$6.99 # "% # %$ % & "" " "$ % %"&# " # " %% " "& ### " "& "$# " " % & " " &# ! " % & "% % BAND LIST NEW MUSICAL EXPRESS | 2 MAY 2015 Anna B Savage 23 Matthew E White 51 A$AP Rocky 10 Mogwai 35 Best Coast 43 Muse 33 REGULARS The Big Moon 22 Naked 23 FEATURES Black Rebel Motorcycle Nicky Blitz 24 Club 17 Noel Gallagher 33 4 Blanck Mass 44 Oasis 13 SOUNDING OFF Blur 36 Paddy Hanna 25 6 26 Breeze 25 Palma Violets 34, 42 ON REPEAT The Prodigy Brian Wilson 43 Patrick Watson 43 Braintree’s baddest give us both The Britanys 24 Passion Pit 43 16 IN THE STUDIO Broadbay 23 Pink Teens 24 Radkey barrels on politics, heritage acts and Caribou 33 The Prodigy 26 the terrible state of modern dance Carl Barât & The Jackals 48 Radkey 16 17 ANATOMY music. Oh, and eco light bulbs… Chastity Belt 45 Refused 6, 13 Coneheads 23 Remi Kabaka 15 David Byrne 12 Ride 21 OF AN ALBUM De La Soul 7 Rihanna 6 Black Rebel Motorcycle Club 32 Protest music Django Django 15, 44 Rolo Tomassi 6 – ‘BRMC’ Drenge 33 Rozi Plain 24 On the eve of the general election, we Du Blonde 35 Run The Jewels 6 -
Different Class Pulp Island; 1 995 Originally Published January 22, 2013 on Probably Just Hungry
Different Class Pulp Island; 1 995 originally published January 22, 2013 on Probably Just Hungry Despite a love for fish and chips and a nostalgic fondness for my punk and goth phases, I don’t claim to know much more than a little about the way class systems work in the United Kingdom. What I do understand is that it’s something that pervades the culture there, maybe a bit like race does in the U.S. — a topic with a long and complex history, further complicated by the tumult of the post-Industrial age. I mean, that would make sense looking back at the way counter culture movements seemed to flourish there. Punk, as an example, is an original concoction of the grimy underbelly of New York City, but it never really took off until it hit British shores, where it went global and remains, to this day, a defining characteristic of that generation. Of course, in 1 995, when Pulp’s Different Class was released, I knew nothing of the above, much less who Pulp was. In fact, I wouldn’t even discover the band/album until almost 1 0 years later. Even then, well into high school, I wasn’t aware of any of the topical undercurrents on the album. (Well, aside from the smarmy swagger of Jarvis Cocker, which reach near-predatory levels here.) But now, much later, it clicks. With a name like Different Class, a track titled ”Common People” and lyrics like, ”Mis-shapes, mistakes, misfits / raised on a diet of broken biscuits / We don’t look the same as you / We don’t do the things you do / but we live around here too,” there’s no question that this is an album about class. -
Dusting 'Em Off: Lush – Lovelife
Dusting ‘Em Off: Lush – Lovelife consequenceofsound.net/2012/04/dusting-em-off-lush-lovelife/ 4/28/2012 Lush’s third and final album, Lovelife, turns 16 this year. A sixteenth birthday is admittedly an unusual time to revisit an album, as tradition dictates that such occasions be reserved for anniversaries divisible by five, but Lovelife is one of those albums that has and will likely continue to remain uncelebrated and forgotten on its milestone anniversaries. Sure, Lush still retains a dedicated, loyal following and continues to gain new fans, but how often do they appear in critics’ “top albums and songs of the ’90s” lists? Not often enough. One of the guarantees in the world of music journalism is that any discussion of the history and relevance of 1/3 shoegaze will inevitably focus on how Cocteau Twins and The Jesus and Mary Chain pioneered the shimmering style, while My Bloody Valentine perfected it. Sometimes, Slowdive and Ride will be included, but Lush will likely earn a passing reference at best. Despite generally positive reviews and a commercial viability that found the London quartet playing television shows everywhere and successfully touring American cities other British bands of the ’90s never dared to tread, Lush has seemingly been forgotten or omitted for consideration as one of the shoegaze greats. This diminished legacy is at least partly because Lovelife is when Lush allegedly “went pop.” “Ladykillers” opens Lovelife with an attention-seizing circular melody and spunky vocals from Miki Berenyi that are no longer floating along in a sea of reverb. Confidently at the forefront, Berenyi eviscerates Anthony Kiedis, Matt Sharp, and men with transparent agendas and dubious attitudes towards women everywhere with an infectiously sarcastic wit. -
For Everyone in the Business of Music Tom Jones
FOR EVERYONE IN THE BUSINESS OF MUSIC TOM JONES ^OBBIE WILLIAIIIS THE CARDIGANS CEHYS FROM CATATWHA STEREOPHONICS NATAL!E l/fy SI TOM JONES RELOAD 27 September 1999 The much anticipated album of collaborations with Tom Jones will be released on Gut Records on 27 September. With unique interprétations of covers as well as original material, this project spans générations and genres • 'An Audience With Tom • Live on Zoë Ball's A major éditorial campaign Jones' (ITV) Breakfast Show (Radio 1) is underway which includes: • The National Lottery, New • Co-host on the Lunchtime • Loaded - feature Saturday Edition (BBC1) Show with Jo Whiley • Q - feature • TFI Friday (Channel 4) (Radio 1) • Mojo-feature • Jerry Springer UK Spécial • Morning Show 'Record Of • Observer Life - Cover fea- (ITV) The Week' (Radio 1) ture • Live & Kicking (Mot Seat) • Breakfast Show 'Record of • Big Issue - Cover feature (BBC1) The Week' (Virgin Radio) • Times Métro - Cover fea- • The O Zone (BBC2) • Spécial guest on Chris ture • MTV/VH-1 specials Tarrant's Breakfast Show • NME - Feature VH-1 Artist of the Month (Capital Radio) • The Source - Cover fea- • Later with Jools Holland • 'Tom Jones Weekend' 9th- ture (The Sun) (BBC2) 10th October (Capital • The Look - Cover feature • The Big Breakfast Radio) • Select-Think Tank fea- (Channel 4) • Guest on the Pepsi Chart ture • CD/UK People's Choice Show (ILR) • Daily Mail - Night & Day (ITV) • Spécial guest on the Cover feature • The Jo Whiiey Show Jonathan Ross Show (Channel 4) (Radio 2) • A two part Tom Jones • e-mailable