The Redwood, V.18 1918-1919 Santa Clara University
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Ina Coolbrith of California's "Overland Trinity95 by BENJAMIN DE CASSERES
Boolcs and the Book World of The Sun, December 7, 1919. 15 Ina Coolbrith of California's "Overland Trinity95 By BENJAMIN DE CASSERES. written, you know. I have just sent down ASTWARD the star of literary cm-- town for one of my books, want 'A J and I pire takes its way. After twenty-liv-e to paste a photograph as well as auto- years Ina Donna Coolbrith, crowned graph in it to mail to you. poet laureate of California by the Panama-P- "The old Oakland literary days! Do acific Exposition, has returned to yon know you were the first. one who ever New York. Her house on Russian Hill, complimented me on my choice of reading San Francisco, the aristocratic Olympus matter? Nobody at home bothered then-hea- of the Musaj of the Pacific slope, stands over what I read. I was an eager, empty. thirsty, hungry little kid and one day It is as though California had closed a k'Prsmmm mm m:mmm at the library I drew out a volume on golden page of literary and artistic mem- Pizzaro in Pern (I was ten years old). ories in her great epic for the life of You got the book and stamped it for me; Miss Coolbrith 'almost spans the life of and as you handed it to me you praised California itself. Her active and acuto me for reading books of that nature. , brain is a storehouse of memories and "Proud ! If you only knew how proud ' anecdote of those who have immortalized your words made me! For I thought a her State in literature Bret Harte, Joa- great deal of you. -
The Destruction of Religious and Cultural Sites I. Introduction The
Mapping the Saudi State, Chapter 7: The Destruction of Religious and Cultural Sites I. Introduction The Ministry for Islamic Affairs, Endowments, Da’wah, and Guidance, commonly abbreviated to the Ministry of Islamic Affairs (MOIA), supervises and regulates religious activity in Saudi Arabia. Whereas the Commission for the Promotion of Virtue and the Prevention of Vice (CPVPV) directly enforces religious law, as seen in Mapping the Saudi State, Chapter 1,1 the MOIA is responsible for the administration of broader religious services. According to the MOIA, its primary duties include overseeing the coordination of Islamic societies and organizations, the appointment of clergy, and the maintenance and construction of mosques.2 Yet, despite its official mission to “preserve Islamic values” and protect mosques “in a manner that fits their sacred status,”3 the MOIA is complicit in a longstanding government campaign against the peninsula’s traditional heritage – Islamic or otherwise. Since 1925, the Al Saud family has overseen the destruction of tombs, mosques, and historical artifacts in Jeddah, Medina, Mecca, al-Khobar, Awamiyah, and Jabal al-Uhud. According to the Islamic Heritage Research Foundation, between just 1985 and 2014 – through the MOIA’s founding in 1993 –the government demolished 98% of the religious and historical sites located in Saudi Arabia.4 The MOIA’s seemingly contradictory role in the destruction of Islamic holy places, commentators suggest, is actually the byproduct of an equally incongruous alliance between the forces of Wahhabism and commercialism.5 Compelled to acknowledge larger demographic and economic trends in Saudi Arabia – rapid population growth, increased urbanization, and declining oil revenues chief among them6 – the government has increasingly worked to satisfy both the Wahhabi religious establishment and the kingdom’s financial elite. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
The Outpouring of Support
Sir Harold Evans Sir Harold Evans was the editor of The Sunday Times from 1967 to 1981 and the Times in 1981. From 1990 until 1997, he was the president and publisher of Random House, and later the editorial director for US News and World Report, the New York Daily News, and The Atlantic Monthly. He edited three books by Henry Kissinger, My American Journey by Colin Powell, Game Plan: How to Conduct the U.S. Soviet Contest by Zbiginew Brzezinski; Debt and Danger: The World Economic Crisis by Harold Lever; and The Yom Kippur War by The Insight Team of The Sunday Times. He is additionally the author, in association with Edwin Taylor, of Pictures on a Page. Continuously in print for 37 years, the publication is the culmination of a five-volume series on editing and design featuring interviews by Henri Cartier Bresson, Bert Stern, Harry Benson, Bill Brandt, Eddie Adams, Andre Kertesz, Eugene Smith, and Richard Avedon. Evans' best known work, The American Century, won critical acclaim when published in 1998, staying on the New York Times bestseller list for 10 weeks. The sequel, They Made America (2004), describes the lives of some of the country's most important inventors and innovators, and was named by Fortune as one of the best books in the 75 years of that magazine's publication. The latter was adapted as a four-part television mini-series that same year and as a National Public Radio special in the USA in 2005. sirharoldevans.com Dedicated to the public exploration of the early history of New Amsterdam and New York City April 1, 2020 Hon. -
Contents Part One Page Pioneer Voices
Copyright McClur Co . A . C. g I91 7 em e 1 1 Published N ov b r , 9 7 M . N D L . L . A . L A R . To . M . G J , . TO OTHER FRIENDS I N SANTA BARBARA W HO TAU G HT M E T HE LOVELINESS OF CALIFORNIA CONTENTS P art One PAGE PIONEER VOICES Part T wo VOICES OF THE GREAT SING ERS Part T hree LIVI NG VOICES INTRODUCTION IN PREPARI NG this collection o f verse for publi ha two ! cation , I have d purposes first , to make an — - interesting book the ancient and ever living pur f l e —and pose o al makers O f good literatur second , to give to all who may desire it a volume of poems that sing and celebrate the traditions, the life , and the natural beauty o f one o f the greatest common n r wealths in the union . The roma ce and ha dship, the gayety an d the heroism o f the days o f the padres a and the later pioneers , the adventurous d sh and ’ o f -niners flare the forty , the rich , golden health and prosperity o f all the days that have followed the pioneer period — all these things are most vivid and colorful history an d tradition and have had no smal l part in creating for Californians that heritage o f naive and fierce affection — belligerent devotion to — their commonwealth and its life and customs by which they are known and with which they startle the quieter and cooler hearts o f men and women o f r o f mo e staid and sober states . -
6 My Bright Abyss: Thoughts on Modern Belief 34 Why Science
EXPLORING THE INTEGRATION OF FAITH, JUSTICE, AND THE INTELLECTUAL LIFE IN JESUIT, CATHOLIC explore HIGHER EDUCATION P UBLISHED BY THE I GNATIAN C ENTER AT S ANTA C LARA U NIVERSITY SPRING 2014 VOL. 17 6 My Bright Abyss: 18 Why Is God for 34 Why Science 46 The Fragility Thoughts on Christians Good Needs God of Faith Modern Belief for Nothing? Published by the Ignatian Center for Jesuit Education at Santa Clara University SPRING 2014 EXPLORING THE INTEGRATION OF FAITH, JUSTICE, AND THE INTELLECTUAL LIFE IN JESUIT, CATHOLIC HIGHER EDUCATION Michael C. McCarthy, S.J. ’87 Executive Director Theresa Ladrigan-Whelpley Editor Elizabeth Kelley Gillogly ’93 Managing Editor Amy Kremer Gomersall ’88 Design Ignatian Center Advisory Board Margaret Taylor, Chair Katie McCormick Gerri Beasley Charles Barry Dennis McShane, M.D. Patti Boitano Russell Murphy Jim Burns Mary Nally Ternan Simon Chin Saasha Orsi 4 Dialogue and Depth: Nicole Clawson William Rewak, S.J. Michael Engh, S.J. Exploring What Good Is God? Jason Rodriguez Frederick Ferrer Richard Saso Introduction to Spring 2014 explore Javier Gonzalez Robert Scholla, S.J. Michael Hack BY THERESA LADRIGAN-WHELPLEY Gary Serda Catherine Horan-Walker Catherine Wolff Tom Kelly Michael Zampelli, S.J. Michael McCarthy, S.J. 6 My Bright Abyss: Thoughts on Modern Belief explore is published once per year by the Ignatian Center for Jesuit Education at Santa Clara University, BY CHRISTIAN WIMAN 500 El Camino Real, Santa Clara, CA 95053-0454. 408-554-6917 (tel) 408-551-7175 (fax) www.scu.edu/ignatiancenter 10 On Modern Faith: “Out of the The views expressed in explore do not necessarily represent the views of the Ignatian Center. -
Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
Diggin’ You Like Those Ol’ Soul Records 181 Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America Tammy L. Kernodle Today’s absolutist varieties of Black Nationalism have run into trouble when faced with the need to make sense of the increasingly distinct forms of black culture produced from various diaspora populations. The unashamedly hybrid character of these black cultures continually confounds any simplistic (essentialist or antiessentialist) understanding of the relationship between racial identity and racial nonidentity, between folk cultural authenticity and pop cultural betrayal. Paul Gilroy1 Funk, from its beginnings as terminology used to describe a specific genre of black music, has been equated with the following things: blackness, mascu- linity, personal and collective freedom, and the groove. Even as the genre and terminology gave way to new forms of expression, the performance aesthetic developed by myriad bands throughout the 1960s and 1970s remained an im- portant part of post-1970s black popular culture. In the early 1990s, rhythm and blues (R&B) splintered into a new substyle that reached back to the live instru- mentation and infectious grooves of funk but also reflected a new racial and social consciousness that was rooted in the experiences of the postsoul genera- tion. One of the pivotal albums advancing this style was Meshell Ndegeocello’s Plantation Lullabies (1993). Ndegeocello’s sound was an amalgamation of 0026-3079/2013/5204-181$2.50/0 American Studies, 52:4 (2013): 181-204 181 182 Tammy L. Kernodle several things. She was one part Bootsy Collins, inspiring listeners to dance to her infectious bass lines; one part Nina Simone, schooling one about life, love, hardship, and struggle in post–Civil Rights Movement America; and one part Sarah Vaughn, experimenting with the numerous timbral colors of her voice. -
PURE PRAIRIE LEAGUE/THE SHOE FIT Simon, Capt
March 13, 1976 >T1 CD (t) SD es '21 D (-3 CD C) "Nee. PURE PRAIRIE LEAGUE/THE SHOE FIT Simon, Capt. & Tennille, Ian, Sondheim - Grammy Winners WB Demonstrates R&B Credentials With California Soul Concerts In N.Y. Fire Destroys One -Stop In Chicago k MCA Earnings And Sales Set Records In 1975 Music & Dollars - The Happy Medium (Ed) www.americanradiohistory.com *Also available on Tape. "Livin'forZs458- the Weekend"is the blistering new O'Jays single with"monster"written all over it.It's the follow-up single to their million-seller,"I Love Music;'and it's from their platinum plus album,"Family Reunion'."`Livin'for the Weekend"is hot off the presses, and it's already hitbound on Top 40 stations all over. The OJays Family Reunion /Love Music/Leviincluding:ForThe And Weekend She's OnlyOn/ Unity/youWoman/Stairway Me To Heaven "Livin'for the Weekend'. Thank God it's The O'Jays. On Philadelphia Records. DIS-RIBUTED BY CBS RECORDS ® 1976 CBS INC. www.americanradiohistory.com THE INTERNATIONAL MUSIC -RECORD WEEKLY CASHVOLUME XXXVII BOXNUMBER 43 -- March 13. 1976 7CM1-1VC PeLOGIII I President and Publisher MARTY OSTROW Executive Vice President cash box editorial Editorial DAVID BUDGE Editor In Chief IAN DOVE East Coast Editorial Director New York GARY COHEN BOB KAUS PHIL DIMAURO Music & Dollars --- The Happy Medium ERIC RUDOLPH Hollywood The sales and earnings reports of companies involved in the JESS LEVITT MARC SHAPIRO record industry are important news to For record STEPHEN FUCHS everyone. the J B. CARMICLE JOHN MANKIEWICZ business, like any other business, is a money making enterprise. -
ONE ^ ALTY O'hara WOMAN HEU) in DEATH Reslom HERE Torn Yoht Clock Abead an Hour Tonight RAKESCUT
y r ’j-r- NET PRESS RUE inia WEATHER. AVERAGE DAILV CIRCULATIOE OF THE EVENING HFRALD Unsettled, prohabljr showers for the month of March, 1926, and warmer tonli^t. Sonda^ fafr and cooler. 4 , 7 3 6 MANCHESTER, CONN., SATURDAY, APRIL 24,1926. .(TWELVE PAGES) PRICE THREE CENTS VOL. X U V ., NO. 175. Classlfled Advertising on Page 0 GBllMAN, RUSSIA SIGN WILL CELEBRATE 108TH NON-ATTACK COMPACT BIRTHDAY OP ‘♦DAUGHTER’’ O’HARA WOMAN WETS TO MAKE MARNE BATHE Berlin, April 24— ^The Russo- Putnam, April 24.— Plans Torn Yoht Clock Abead German treaty was signed to are being made by Elizabeth day. The treaty, which is a Porter Putnam Chapter, D. A. HEU) IN DEATH RAKESCUTRATE mutual agreement of non-at BIG DRIVE ON REFODGHT HERE; R., to celebrate the 108th birth An Hour Tonight tack, is described by German day of the oldest living Daugh statesmen as extending the Lo ter, Mrs. Sarah Bosworth BEAUT^ARLOR carno a^eements to the Rus A R E ^E N D U M ONE ^ A L T Y Bradbury, which occurs next RESlOm HERE Manchester and most of the cities in the state, Massa sian frontiers. Friday. A delegation from the chusetts and Rhode Island, will go back again to a Day- .The text of the treaty is ex local chapter intends to motor pected to be published early to Mrs. Bradbury’s home at ‘light Saving schedule tonight at'midnight. Do not for Chicago Price War Brings 92 next week. That Will Be Chief Goal ‘ ^Johwiy, the Baker” Starts Eastford in order to call on her Rockville Girl, Accused as get to set your clock ahead one hour. -
Intentional Destruction of Cultural Heritage As a Violation of Human Rights in Bahrain and Saudi Arabia
Intentional destruction of cultural heritage as a violation of human rights in Bahrain and Saudi Arabia 1. Bahrain The Government of Bahrain’s destruction of cultural heritage sites disproportionately affects its Shia population, leading to violations of human rights and cultural rights. The Bahraini authorities’ destruction of cultural heritage sites manifests itself in the demolition of the Pearl Roundabout and Shia mosques. The destruction of the Pearl Roundabout and harassment and imprisonment of individuals displaying images of the Roundabout prevent Bahrainis from engaging with their cultural heritage. These practices also violate their right to be free of arbitrary detention, the right to association, assembly, and expression. The destruction of Shia mosques and harassment of worshippers violates Shia’s right to freedom of religion, association, and expression. It also prevents them from practicing their beliefs and taking part in cultural life. Moreover, the targeted nature of the Bahraini Government’s actions single out Shia and violates their rights to non-discrimination and equality under the law. A. Pearl Roundabout Before February 2011, the Pearl Roundabout stood as a symbol of Bahrain and its membership in the Gulf Cooperation Council (GCC). Bahrain erected the monument in 1982 in tribute to the GCC summit held in Bahrain that year. The monument was composed of six swords, representing the six states of the GCC, supporting a pearl, representing Bahrain’s pearling past. 1 During the 2011 demonstrations, the Pearl Roundabout’s significance shifted as it became a symbol of the national protests calling for freedom and democracy. As a result, the government demolished the monument in March 2011 and took measures to erase all imagery of the Roundabout from public view.