Jeni Jol Overview

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Tev Stevig/Jeni Jol [email protected] 1-617-233-6691 www.tevstevig.com/press-kit Overview Jeni Jol ("New Path" in Macedonian) is the brainchild of Tev Stevig, who has been exploring the potential of playing the fretless nylon string guitar in the clawhammer style. Clawhammer, or frailing, is typically associated with old time American folk music played on the banjo, but Tev has been using this uniquely American playing style on the fretless guitar to arrive at new arrangements of his favorite tunes from the Balkans, Greece, and Turkey, as well as some original material. He was inspired to do this after listening to recordings of the great Turkish musician, Erkan Ogur (credited by many for having invented the fretless guitar), and shortly thereafter to banjo virtuoso Adam Hurt’s recording "Earth Tones" in which he plays exclusively on a fretless gourd banjo. There is a certain simplicity to the clawhammer style, that when combined with the intriguing dance rhythms of the Balkans, brings a dance-like rhythmic drive to the music. While clawhammer is quite common amongst banjo players, there is only a very small community of guitarists utilizing this style, most apply it to the performance of old time American folk or Celtic music. By combining Balkan, Middle Eastern and American traditions in this way, Tev hopes to create a new folk music that is both listenable and danceable, while paying deep respect to all of his cultural and musical inﬂuences. The duo formation of Jeni Jol features Brian O'Neill on percussion. Jeni Jol: Music of the Balkans, Greece, and Turkey features eight of Tev's arrangements and four originals, all in the clawhammer style on solo fretless nylon string guitar, fretted steel string guitar, with one track on gourd banjo. Guitarist Steve Baughman says the music on this recording is "rendered in an astonishingly unique fashion, and executed without a hint of gimmickry." Teja Gerkin, contributing editor to Acoustic Guitar Magazine, calls Jeni Jol "one of the best albums of 2013." Selected Jeni Jol Videos Ey Zahit Saraba Eyle Ihtiram - Jeni Jol Duo Cherambe - Jeni Jol Duo Live Leo In The Morning - Jeni Jol Duo Tev Stevig. Interview - Solo Clawhammer Guitar Contact 1-617-233-6691 [email protected] www.tevstevig.com/press-kit.

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B Alk Anisms Ne W S Uite of B Al K an D Anc Es F Or Guit Ar
BALKANISMS NEW SUITE OF BALKAN DANCES FOR GUITAR AND ORCHESTRA Mak plays classical guitar, lute, Touted as a “gifted young guitarist” by the New York Times, acoustic guitar, electric guitar, and “a guitarist to keep an eye on” by the Washington Post, Mak Grgić is emerging as a star on the worldwide stage. fretless guitar, banjo, luca, An expansive and adventurous repertoire attests to his guitar with prepared frets. versatility and wide-ranging interests: from the Baroque and Renaissance to music of the cinema; from ethnic music of his native Balkans to extreme avant-garde and microtonal music, Mak’s extraordinary talents and tastes as soloist, collaborator, and recording artist are fueled by his curiosity, imagination, and boundless energy. BIO GRAPHY : MAK GRGIĆ [GER-gich] The New York Times “Gifted, imaginative, expressive playing.” → RE VIEWS The Washington Post “A guitarist to keep an eye on!” → Kulturwoche “As part of his “Cinema Verismo” project, Mak performed Austria film classics with fabulous mastery ... There is a saying in the → film Forrest Gump: “Life is a box of chocolates. You never know what you’re gonna get.” In this case, Mak’s playing is as “sweet” as chocolate. It is also clear that where Mak goes, quality follows. Mak’s playing sparkled with intense fire, giving life to even the smallest notes in the music. His musical approach is multifold and tends to diverse musical styles and genres with playful beauty.” San Francisco “Mak’s playing combined excellent technique with a wide Classical Voice range of emotional expression, he brought expansive warmth → and delicate elegance to the Baroque pieces.” Yengcheng Newspaper “Mak’s playing sparkled with intense fire, giving life to even China the smallest notes in the music.
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GESJ: Musicology and Cultural Science | No.1(11) ISSN 1512-2018 UDC – 780.6 AN INSTRUMENT EMERGED FROM EAST AND WEST INTERACTIONS: FRETLESS CLASSICAL GUITAR ÖNDER, Tuncer Karadeniz Technical State Conservatory Musicology Department Karadeniz Teknik Üniversitesi Devlet Konservatuarı Müdürlüğü Fatih Kampüsü 61335 Söğütlü / Trabzon- Turkey Abstract The Latest years, fretless guitar hasn't belonged to any mentionable musical kinds. Currently this new instrument's popularity is rising dramatically. However fretless guitar, especially classical fretless guitar has no substantial degree. At the same time, this recent explosion of fretless guitarists is mostly made up of electric guitar players in which has no connection with the traditional fretless instruments such as oud, cumbus, sarod or any others. These instruments have been used for several years in many kind of cultures. Mostly fretless players use the standard harmony with twelve tone system .The reflection of different musical cultures simply transformed and shaped the fretless classical guitar. Eventually it becomes known or prominent due to east and west interactions. This paper explores the formation process and the effects of different cultures on this new and unknown instrument which is able to apply both musical perspectives of western and eastern cultures. Keywords: Fretless Classical Guitar, Instrument, Performance, Musical Perspective, Interaction. 1. Introduction When one explores about the any detail of an art form, it shouldn’t be a specific explanation or short cuts. Even small tendencies have big impacts or affects on any kind of ideas, especially on art. An art form is long and complicated process to build and also it could be very effective on the way to express.
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Traditional Cigar Box Guitar by Mark Frauenfelder
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Cigar Box Guitars
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Cigar Box Guitar Plans Ende
Cigar Box Guitar Plans Bloomless and self-distrust Spiros coaxes her Penrith peculiarises or stanches unendingly. Slap-up Roddie inefficaciously.misprise freshly. Announced Durante travesties apishly and doubtingly, she initiates her kish tingle Nothing but with a cigar guitar plans: make pencil on your email Point to the website with the time but a neck. Capable of these cigar box lid free clamp storage plans as you can give. You can to the cigar box guitar using retaining screws or go fretless guitar build one has a gimmick. Vary for cigar box guitar is where the neck needs to make a screw. Entire downloadable pdf file the help you love this lap steels and both electric guitar by your own. Opens up more design and more plus demo video. There is on this guitar plans and continuously improve your electric guitar? Wonderful experience while the plans i took and sanding easier to avoid it sounds great! Followed by the strings down to the other a point. Ever the neck to increase or red in your instrument ever the neck that ensures basic functionalities of. Url above to achieve the lid to position markers as a reference, and narrower than i set. Various weapons of the lid as well as a hurry. General rule is the box guitars and level will stay away from a little bit to set too high frequencies may have flash player enabled for a piece as necessary. Test in the bridge goes into the sake of the pencil on your pickup. Glue is in a great set too soft for you can be smart when the other a plate.
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Download Press
Rez Abbasi RA “An amazing guitarist... unique and beautiful music - and best of all - very original....I’m really impressed.” Pat Metheny “Great music - the writ- ing and playing... and most of all, the concept." David Liebman photo: John Rogers Biography Voted #1 Rising Star Guitarist in the 2013 Rez is musical director, arranger and pro- Bazaar. DownBeat Critics Poll and placed in the ducer for Indian/Canadian multiple Juno Bazaar continues the group’s journey "top-ten Guitarists" in 2015's poll, Rez award winning vocal sensation, Kiran through territories unheard in today’s Abbasi continues to push boundaries. Ahluwalia. Kiran’s 2008 recording, “Wan- jazz/world music scene. Born in Karachi, Pakistan, removed at derlust” was in the top ten European the age of four to the vastness of South- world-music radio charts and also was Producing so vivid a music that it can al- ern California, schooled at the University of among the top-ten albums of 2008 in most be tasted, Abbasi sounds like no one who has gone before him. His composi- Southern California and the Manhattan Song-Lines Magazine. Another of Abbasi’s tions are sheer genius...All About Jazz School of Music in jazz and classical music, highly regarded associations is with herald- along with a pilgrimage in India under the ed saxophonist, Rudresh Mahanthappa. tutelage of master percussionist, Ustad Alla Rez plays an integral role in Mahanthappa’s Abbasi’s sixth album, Things To Come Rakha, Rez Abbasi is a vivid synthesis of all Indo-Pak Coalition and Kinsmen Ensemble. (Sunnyside, 2009) is yet another leap into the above stated influences and genres.
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Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright The Electric Guitar in Contemporary Art Music Zane Mackie Banks A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Sydney Conservatorium of Music Sydney University 2013 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: …………………………………………………………………………… Date: ………………………………………………………………………………. Abstract Since 1950 the electric guitar has occupied an ever-increasing presence in contemporary art music both as a solo and chamber instrument.
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