The Road to Oz by L. Frank Baum the Road to Oz in Which Is Related How
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The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
Yvette Gopar Professor C. Chavez English 85 29 July 2013 More Than
Yvette Gopar Professor C. Chavez English 85 29 July 2013 More than ever society needs meaning in their lives something that they can relate to, to make sense of their life. Today people are searching for answers and have no clue in how to find them so they begin to find meanings in all things. One such thing happens to be the book by L. Frank Baum, The Wonderful Wizard of Oz. There have been many interpretations of The Wonderful Wizard of Oz most of which have not been what Baum had intended for his story. Throughout history The Wonderful Wizard of Oz, has been one of the most popular fairy tales ever written in America. “No other American children’s book of the twentieth century has proved to be as popular or as controversial as the wizard of Oz” (xiv). The book was not only loved by children, but by adults as well. The colorful and descriptive characters were fascinating to the public; they were unlike any other characters of most common fantasies. Dorothy, the scarecrow, the lion, and the tin man are seen as having their own persona. Baum had the ability to work the imagination of the reader to a point where they began to put their own perception of The Wonderful Wizard of Oz in their minds. The Wizard of Oz seems to have hidden meanings for many people of different occupational titles. The Wonderful Wizard of Oz has easily been construed by any who have decided to read it. Some have believed the wizard of Oz characters to interpret real life people. -
New Tales of the Gobi Desert the Hong Kong Young Writers Awards Online Anthology - Non-Fiction, Poetry and Cover Art Sponsors
New Tales of the Gobi Desert The Hong Kong Young Writers Awards Online Anthology - Non-Fiction, Poetry and Cover Art Sponsors Supported by Organiser Official Charity New Tales of the Gobi Desert Non-Fiction Group 1 The Gobi Desert AD & FD of Pok Oi Hospital Mrs Cheng Yam On School, Hung Tsz To, Non-Fiction: Group 1 am losing, losing, losing......in the Gobi Desert. How do I walk across it? It’s an unboundary region, all you could see are and dunes, sand......Will I lose my life in Gobi Desert? Let’s know more about the Gobi Desert. The Gobi Desert is the fifth largest desert in the world and occupies an area of 1,300,000 Ik², and it is a large desert region in Asia. The Gobi is most notable in history as part of the great Mongol Empire and as the location of several important cities along the Silk Road. The Gobi is a cold desert with frost and occasionally snow occurring on its dunes. The climate of the Gobi is one of great extremes, these can occur not only seasonally but within 24 hours. The temperature in Gobi is extremely, ranging from -40º(-46º) in winter to +50º(122º) in summer. The Gobi Desert is the source of many important fossil finds including the first dinosaur eggs. Despite the harsh conditions, these deserts and the surrounding regions sustain over 45 different species of animals and birds. But the Gobi Desert is expanding at an alarming rate, in a process known as desertification. The expansion of the Gobi is attributed mostly to human activities, notably deforestation, overgrazing, and depletion of water resources. -
L. Frank Baum and the Technology of Love
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1978 L. Frank Baum and the Technology of Love Robert Bruce Goble Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Goble, Robert Bruce, "L. Frank Baum and the Technology of Love" (1978). Masters Theses. 3220. https://thekeep.eiu.edu/theses/3220 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Inly ate27b 1978 · Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author pdm L. FrankBa.um and the Technology of Love (TITLE) BY Robert. Bruce Goble THESIS SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE Iuly ;l.�1 1q7{ DATE ADVISER L. -
THE WONDERFUL WIZARD of OZ Adapted by Rachel Teagle from the Book by L
THE WONDERFUL WIZARD OF OZ Adapted by Rachel Teagle From the book by L. Frank Baum For all inquiries, please contact: Rachel Teagle (408) 316-8123 [email protected] Serenbe Playhouse Production Draft 2014 SMALL CAST CHARACTER BREAKDOWN Dorothy ACTOR 1- Scarecrow (male) ACTOR 2 - Tin Man (male) ACTOR 3 - Lion (female) ACTOR 4 – With of the North, Witch of the South, Oz Guard, Auxiliary Puppeteer, etc (female) ACTOR 5 – Witch of the West, Elfra, Glinda Guard, Aunt Em, Auxiliary Puppeteer (female) ACTOR 6 - Oz, King of Flying Monkeys, Boq, Auxiliary Puppeteer (male) ALTERNATE LARGE CAST BREAKDOWN Dorothy Toto Scarecrow Tin Man Lion Elfra Boq Additional Munchkin Townspeople Witch of the North/Witch of the South Oz Guard Oz Witch of the West/Aunt Em King of Flying Monkeys Additional Flying Monkeys STAGE: In an arc through the audience runs the yellow brick road, functioning like an apron, to accommodate travel and distraction from scene changes, with a path down the middle of the audience for the Witch of the West's entrance and the poppy scene. PRELUDE The audience gathers in Kansas. Perhaps Aunt Em passes through, looking for Dorothy. Dorothy passes through avoiding Aunt Em, her nose in a book. A tornado siren signals the audience to enter the space, and they travel down a path passing by characters they will see later in the play. SCENE 1: THE COUNCIL WITH THE MUNCHKINS DOROTHY Toto? Toto! Are you okay? I thought I'd lost you. Toto, I don't know what I would have done. I swear, Kansas has got to be the absolute most boring, awful place I've ever been. -
The Emerald City of Oz
TTHE EEMERALD CCITY OF OOZ by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. The Emerald City of Oz Contents --Author’s Note— 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy’s Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End 2 L. Frank Baum Author’s Note Perhaps I should admit on the title page that this book is “By L. -
Magic of Oz,The
The Magic of Oz A Faithful Record of the Remarkable Adventures of Dorothy and Trot and the Wizard of Oz, together with the Cowardly Lion, the Hungry Tiger and Cap'n Bill, in their successful search for a Magical and Beautiful Birthday Present for Princess Ozma of Oz by L. Frank Baum "Royal Historian of Oz" Contents --To My Readers-- 1. Mount Munch 2. The Hawk 3. Two Bad Ones 4. Conspirators 5. A Happy Corner of Oz 6. Ozma's Birthday Presents 7. The Forest of Gugu 8. The Li-Mon-Eags Make Trouble 9. The Isle of the Magic Flower 10. Stuck Fast 11. The Beasts of the Forest of Gugu 12. Kiki Uses His Magic 13. The Loss of the Black Bag 14. The Wizard Learns the Magic Word 15. The Lonesome Duck 16. The Glass Cat Finds the Black Bag 17. A Remarkable Journey 18. The Magic of the Wizard 19. Dorothy and the Bumble Bees 20. The Monkeys Have Trouble 21. The College of Athletic Arts 22. Ozma's Birthday Party 23. The Fountain of Oblivion To My Readers Curiously enough, in the events which have taken place in the last few years in our "great outside world," we may find incidents so marvelous and inspiring that I cannot hope to equal them with stories of The Land of Oz. However, "The Magic of Oz" is really more strange and unusual than anything I have read or heard about on our side of The Great Sandy Desert which shuts us off from The Land of Oz, even during the past exciting years, so I hope it will appeal to your love of novelty. -
C. Edward Wheaton Big Dog Publishing
C. Edward Wheaton Adapted from the Oz novels by L. Frank Baum Big Dog Publishing Return to Oz 2 Copyright © 2016, C. Edward Wheaton ALL RIGHTS RESERVED Return to Oz is fully protected under the copyright laws of the United States of America, and all of the countries covered by the Universal Copyright Convention and countries with which the United States has bilateral copyright relations including Canada, Mexico, Australia, and all nations of the United Kingdom. Copying or reproducing all or any part of this book in any manner is strictly forbidden by law. No part of this book may be stored in a retrieval system or transmitted in any form by any means including mechanical, electronic, photocopying, recording, or videotaping without written permission from the publisher. A royalty is due for every performance of this play whether admission is charged or not. A “performance” is any presentation in which an audience of any size is admitted. The name of the author must appear on all programs, printing, and advertising for the play. The program must also contain the following notice: “Produced by special arrangement with Big Dog/Norman Maine Publishing LLC, Rapid City, SD.” All rights including professional, amateur, radio broadcasting, television, motion picture, recitation, lecturing, public reading, and the rights of translation into foreign languages are strictly reserved by Big Dog/Norman Maine Publishing LLC, www.BigDogPlays.com, to whom all inquiries should be addressed. Big Dog Publishing P.O. Box 1401 Rapid City, SD 57709 Return to Oz 3 Return to Oz CLASSIC. Adapted from the Oz novels by L. -
The Forest Monster of Oz Evans, Robert J
The Forest Monster of Oz Evans, Robert J. Published: 2003 Categorie(s): Fiction, Fantasy Source: http://gutenberg.org 1 Also available on Feedbooks for Evans: • Abducted to Oz (2003) • Dorothy's Mystical Adventures in Oz (2003) Also available on Feedbooks for Dulabone: • Abducted to Oz (2003) Copyright: Please read the legal notice included in this e-book and/or check the copyright status in your country. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 You've got to be taught to hate and fear. You've got to be taught from year to year, It's got to be drummed in your dear little ear— You've got to be carefully taught! You've got to be taught to be afraid Of people whose eyes are oddly made And people whose skin is a different shade— You've got to be carefully taught. You've got to be taught before it's too late, Before you are six or seven or eight, To hate all the people your rel- atives hate— You've got to be carefully taught! Love is quite different. It grows by itself. It will grow like a weed On a mountain of stones; You don't have to feed Or put fat on its bones; It can live on a smile Or a note of a song; It may starve for a while, But it stumbles along, Stumbles along with its banner un- furled, The joy and the beauty, the hope of the world. -
Abducted to Oz, He Had Considered It His Mission to Get Home Again
CHAPTER ONE: THE ABDUCTION The boy was doing his homework. His parents had taken his little brother to see Return to Oz at the movie theater. He had seen it when it first came out and, although he enjoyed it at the time, he felt he was getting too old for that sort of stuff. Besides, he had too much work to do. It seemed to him that each teacher allocated enough work to practically take up a fellow's entire evening—as if their class was the only one. So Graham, for that was his name, knew he would have to work for several more hours if he was to complete all the assignments. Graham began to work on his math problems, but he could not concentrate. His mind drifted off to the original L. Frank Baum story: The Wonderful Wizard of Oz. He was thinking about the characters in it and what a terrific imagination Mr. Baum must have had, when suddenly, out of the stillness of the house, came a weird screeching sound. The sound was like nothing he had ever heard before. It seemed to have come from behind him; from the vicinity of the fireplace. Graham shivered. He did not believe in ghosts, and at twelve years old (almost thirteen) he should not be afraid to be home alone. But he was scared right now —no question about it. However, when no other sound was forthcoming, he began to rationalize that it had all been his imagination, perhaps just the wind whistling down the chimney. -
The Marvelous Land of Oz
The Marvelous Land of Oz Audition Information Packet The Beverly Arts Center spring musical, The Marvelous Land of Oz, is an original musical premiering on the Beverly Arts Center stage. The show offers lead and supporting roles for students of both genders between the ages of 10 and 18. There are both singing and non-singing leads, as well as a number of small chorus groups and roles for dancers (see character descriptions on page 3 for more information.) About the Casting Process An audition is required to participate in the program. Please call 773.445.3838 x216 to reserve an audition slot. Auditions will be held: Tuesday, March 24, 5:30 to 7pm • Audition slots will be 5 minutes in length. • Audition Monologues are included at the end of this information packet. We ask that students memorize one of the four monologues included for their audition. • Students will be asked to sing 16 bars (one chorus or one verse) a capella (without musical accompaniment) of a song of their choice. • Students who are invited to callbacks may be asked to learn and short vocal selection and/or dance number from the production, as well as participate in cold readings. • Please take a look at the rehearsal, tech, and performance schedule on Page 2 and come to the auditions prepared to note any conflicts on your audition sheet. Callbacks will be held: Thursday, March 26, 5:30 to 7:30 pm Please Note: We call back about half of the actors who will be cast. If you are not invited to callbacks, you may still have a role in the production! The Cast List will be sent out via email and posted on the BAC School of Theater Callboard by Noon on Saturday, March 28. -
The Baum Bugle
Fourth Draft Three Column Version August 15, 2002 The Baum Bugle The Journal of the International Wizard of Oz Club Index for Volumes 1-45 1957-2001 Volumes 1 through 31: Frederick E. Otto Volumes 32 through 45: Richard R. Rutter Dedications The Baum Bugle’s editors for giving Oz fans insights into the wonderful world of Oz. Fred E. Otto [1927-95] for launching the indexing project. Peter E. Hanff for his assistance and encouragement during the creation of this third edition of The Baum Bugle Index (1957-2001). Fred M. Meyer, my mentor during more than a quarter century in Oz. Introduction Founded in 1957 by Justin G. Schiller, The International Wizard of Oz Club brings together thousands of diverse individuals interested in The Wonderful Wizard of Oz and this classic’s author, L. Frank Baum. The forty-four volumes of The Baum Bugle to-date play an important rôle for the club and its members. Despite the general excellence of the journal, the lack of annual or cumulative indices, was soon recognized as a hindrance by those pursuing research related to The Wizard of Oz. The late Fred E. Otto (1925-1994) accepted the challenge of creating a Bugle index proposed by Jerry Tobias. With the assistance of Patrick Maund, Peter E. Hanff, and Karin Eads, Fred completed a first edition which included volumes 1 through 28 (1957-1984). A much improved second edition, embracing all issues through 1988, was published by Fred Otto with the assistance of Douglas G. Greene, Patrick Maund, Gregory McKean, and Peter E.