Souvenir International Year of Light & Light Based Technologies-IS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Academic Catalog 2020
Academic Catalog 03/01/2020 – 12/31/2020 University of Silicon Andhra Dr. Hanimireddy Lakireddy Bhavan 1521 California Circle, Milpitas, CA 95035 1-844-872-8680 www.universityofsiliconandhra.org University of Silicon Andhra, Academic Catalog- 2020 Table of Contents INTRODUCTION: ............................................................................................ 5 Mission Statement ........................................................................................................................................................................................................................... 5 Vision Statement ..............................................................................................................................................................................................................................5 Institutional Learning Outcomes ............................................................................................................................................................................................. 5 Notice to Current and Prospective Students ......................................................................................................................................................................... 6 Academic Freedom Statement .................................................................................................................................................................................................. 6 Notice to Prospective Degree Program Students -
Dance of India Download
IAS YAN An initiative of APTI PLUS Dances Inofd ia Indian folk dances, which typically consist of a few simple steps, are performed throughout the world to celebrate a new season, childbirth, weddings, festivals, and other social occasions. In some Indian folk dances, men and women perform separately; in others, they dance together. On most occasions, the dancers will sing accompanied by musicians. Most folk dances have intricately-designed costumes. Although a number of structured, ancient folk and tribal dances exist, many others are evolving. Andhra Pradesh Kuchipudi, Vilasini Natyam, Andhra Natyam, Bhamakalpam, Veeranatyam, Dappu, Tappeta Gullu, Lambadi, Dhimsa, Kolattam, Butta Bommalu. Assam Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai. Bihar Jata-Jatin, Bakho-Bakhain, Panwariya, Sama Chakwa, Bidesia. Gujarat Garba, Dandiya Ras, Tippani Juriun, Bhavai. Haryana Jhumar, Phag, Daph, Dhamal, Loor, Gugga, Khor, Gagor. Himachal Pradesh Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Nati, Dangi. Jammu and Kashmir Rauf, Hikat, Mandjas, Kud Dandi Nach, Damali. Karnataka Yakshagan, Huttari, Suggi, Kunitha, Karga, Lambi. Kerala Kathakali (Classical), Ottamthullal, Mohiniattam, Kaikottikali. Maharashtra Lavani, Nakata, Koli, Lezim, Gafa, Dahikala Dasavtar or Bohada. Odisha Odissi (Classical), Savari, Ghumara, Painka, Munari, Chhau. West Bengal Kathi, Gambhira, Dhali, Jatra, Baul, Marasia, Mahal, Keertan. Punjab Bhangra, Giddha, Daff, Dhaman, Bhand, Naqual. Rajasthan Ghumar, Chakri, Ganagor, Jhulan Leela, Jhuma, Suisini, Ghapal, Kalbeliya. Tamil Nadu Bharatanatyam, Kumi, Kolattam, Kavadi. Uttar Pradesh Nautanki, Raslila, Kajri, Jhora, Chappeli, Jaita. Uttarakhand Garhwali, Kumayuni, Kajari, Jhora, Raslila, Chappeli. Goa Tarangamel, Koli, Dekhni, Fugdi, Shigmo, Ghode, Modni, Samayi nrutya, Jagar, Ranmale, Gonph, Tonnya mell. Madhya Pradesh Jawara, Matki, Aada, Khada Nach, Phulpati, Grida Dance, Selalarki, Selabhadoni, Maanch. -
Memory and the Recovery of Identity: Living Histories and The
9 Memory and the Recovery of Identity Living Histories and the Kalavantulu of Coastal Andhra Pradesh DAVESH SONEJI Peddapuram is a town located in the east Godavari district of Andhra Pradesh, about 20 km from the city of Kakinada. It is famous for its celebration of the annual festival (jatra) of the local goddess Maridamma2 in the month ofJyaishtha, and infamous for its rows of brothels. Today, the town of Peddapuram is known for the exceptionally high numbers of pros- titutes who inhabit its streets. Many of them are kalavantulu. These women work in the brothels of towns like Peddapuram as the result of a complex social, political, aesthetic and cultural restructuring that began in the nine- teenth century. One of the senior-most kalavantulu living in Peddapuram is Jakkula Radha. Today Radha sells bidis (tendu-leaf cigarettes), candy, and other confectionary at a small stall outside her home. For about an hour after I met her, Radha refused to discuss her kalavantula identity. Instead, she talked about the fact that she has converted to Christianity, because the local mission pays her Rs 60 (about $2) per month for maintaining a Christian lifestyle. 3 When she finally began to speak openly about her past, she insisted on continuing our conversation elsewhere. We helped her into our Ambassador car and started to back out of the lane on which her house "V 285 284 Performing Pasts Memory and the Recovery of Identity was located. Sure enough, four young men rushed out from nearby houses, and provide us with insights that cannot be found elsewhere. -
Bharatanatyam
P 2 | OCTOBER 2017 Contents Volume 2, Issue 4 | October 2017 Editorial Team 04 Beacons of Light 24 Anupama: Editor’s Note 05 The Unparalleled Cultural Bulletin 06 Dance in India 10 Reviews 35 Sai Nrityotsav @ 100 A Magical Evening with Palpable Excitement A Confluence of Impressive Nritta - Tribute to Legendary Guru Narmada Rays of Hope 28 10th Anniversary Rita Andrade: Vysakhi Nrithyotsav 2017: Torch Bearers 14 Passion A Decade of Classical Personified Dance Cover Story 18 Reliability Reports 46 Then and Now Scholarly Corner 60 Augmenting Brain with Indian Music Kindled Spirits 62 Frozen in Time 63 Arangetram 64 Celebrations 31 Tributes 65 Reformer of In Sight 66 Kuchipudi Natyam Classifieds 67 P 3 | OCTOBER 2017 Editorial ‘The Dance India’- a monthly cultural magazine in English is our humble "If the art is poor, attempt to capture the spirit and culture of art in all its diversity. the nation is sick." Articles may be submitted for possible Editor-in-Chief publication in the magazine in the following BR Vikram Kumar manner. Executive Editor • Send in your articles to [email protected] Paul Spurgeon Nicodemus Please include your full name, contact Associate Editor information (address and telephone number) and a short bio data. RMK Sharma • Articles are published in the magazine only Assistant Editor on the condition that the author agrees to UNS Vijayshri the terms of the Copyright Statement and Policy Sub Editor D Praveena Regd. Office: Trivikram Publications, Feature Writer D.No. 50-01-50/1, ASR Nagar, Seethammadhara, Visakhapatnam - 530 013, A.P. Ch Nikhitha Coordinators (News, Advertisements & Tel: 0891-2525656 Editorial Advisor Subscriptions) The opinions, beliefs and viewpoints expressed by the various writers in the articles and B Ratan Raju Sai Venkatesh Karnataka reviews do not necessarily reflect the opinions, beliefs and viewpoints of the editorial team or Contributions by Kashmira Trivedi Maharashtra official policies of The Dance India. -
ANNUAL REPORT 2016 15 March Final.Pdf
INDIA INTERNATIONAL CENTRE 2015-2016 INDIA INTERNATIONAL CENTRE Board of Trustees Mr. Soli J. Sorabjee, President Justice (Retd.) B.N. Srikrishna Prof. M.G.K. Menon Mr. Vipin Malik Dr. (Smt.) Kapila Vatsyayan Dr. R.K. Pachauri Mr. N.N. Vohra Executive Committee Mr. Soli J. Sorabjee, Chairman Mr. K.N. Rai Air Marshal Naresh Verma (Retd.), Director Mr. Suhas Borker Cmde. Ravinder Datta, Secretary Smt. Shanta Sarbjeet Singh Mr. Dhirendra Swarup, Hony. Treasurer Dr. Surajit Mitra Mr. K. Raghunath Dr. U.D. Choubey Finance Committee Justice (Retd.) B.N. Srikrishna, Chairman Air Marshal Naresh Verma (Retd.), Director Dr. U.D. Choubey Cmde. Ravinder Datta, Secretary Mr. Rajarangamani Gopalan Mr. Ashok K. Chopra, CFO Mr. Dhirendra Swarup, Hony. Treasurer Medical Consultants Dr. K.A. Ramachandran Dr. Rita Mohan Dr. Mohammad Qasim Dr. Gita Prakash IIC Senior Staff Ms Omita Goyal, Chief Editor Ms Hema Gusain, Purchase Officer Dr. S. Majumdar, Chief Librarian Mr. Vijay Kumar Thukral, Executive Chef Mr. Amod K. Dalela, Administration Officer Mr. Inder Butalia, Sr. Finance & Accounts Officer Ms Premola Ghose, Chief, Programme Division Mr. Rajiv Mohan Mehta, Manager, Catering Mr. Arun Potdar, Chief, Maintenance Division Annual Report 2015–2016 This is the 55th Annual Report of the India International Centre for the year commencing 1 February 2015 to 31 January 2016. It will be placed before the 60th Annual General Body Meeting of the Centre, to be held on 31 March 2016. Elections to the Executive Committee and the Board of Trustees of the Centre for the two-year period, 2015–2017, were initiated in the latter half of 2014. -
State-Wise List of Folk Dances of India
State-wise List of Folk Dances of India Folk Dances are performed on various occasions like festivals, weddings, the arrival of the season, etc. These dances are full of energy and vitality. Some are performed by men and women separately while in others they perform together. Each of these dance forms has a specific costume, extensive jewellery, sometimes headgears, etc. offering a unique identity to it. India is a land of diversities and festivals where folk dances are a way of expression and holds great importance in ancient history. There are various folk dances performed in India, the table below mentions some of the famous folk dances of Indian states. You May Also Check: Updated All Topic wise Static GK PDF (E-Book) – Click Here to Download Page 1 Follow us: Official Site, Telegram, Facebook, Instagram, Instamojo State Folk Dances Andhra Bhamakalpam, Veeranatyam, Dappu, Tappeta Gullu, Pradesh Kuchipudi, Vilasini Natyam, Andhra Natyam, Lambadi, Dhimsa, Kolattam, Butta Bommalu Arunachal Ponung, Popir, Bardo Chham, Buiya, Chalo, Wancho, Pasi Pradesh Kongki Assam Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Canoe, Jhumura Hobjanai Bihar Panwariya, Sama Chakwa, Bidesia, Jata-Jatin, Bakho- Bakhain Chhattisgarh Gaur Maria, Panthi, Raut Nacha, Pandwani, Vedamati, Kapalik, Bharthari Charit, Chandaini Goa Tarangamel, Modni, Samayi nrutya, Jagar, Koli, Dekhni, Fugdi, Shigmo, Ghode, Ranmale, Gonph, Tonnya mell Gujarat Garba, Dandiya Ras, Tippani Juriun, Bhavai Haryana Jhumar, Phag, Daph, Dhamyal, -
Activity Chart 2017-2018.Cdr
(Workshop-Demonstration) Indian Institute of Management Kumaon 14-Oct-17 Malti Shyam Kathak Modern Era Public School (Bunor) Najibabad 02-Feb-18 Deepa Chakravarthy Mohiniattam 16-Aug-17 Abhinaya Nagajyothy Kuchipudi 14-Oct-17 Malti Shyam Kathak Rama Institute of Higher Education Najibabad (Workshop-Demonstration) Vidya Vihar High School Muzaffarpur (Workshop-Demonstration) GIC Padinda Dehradun 14-Oct-17 Tarun Krishna Das Haveli Sangeet (Folk) Caitanya Prem Sanstha Vrindavan 03-Feb-18 Dhananjay Hegde Vocal (Hindustani) Delhi Public School (East Zone Convention) Patna 16-Aug-17 Abhinaya Nagajyothy Kuchipudi 14-Oct-17 Shiv Pujan Shukla Awadhi Lok Geet (Folk) Caitanya Prem Sanstha Vrindavan 03-Feb-18 Johar Ali Khan Violin (Hindustani) Arcade Business College Patna (Workshop-Demonstration) GIC Syunti Dehradun 14-Oct-17 Som Thakur Talk Caitanya Prem Sanstha Vrindavan 03-Feb-18 Chinibas Mahato Purulia Chhau Delhi Public School (East Zone Convention) Patna 17-Aug-17 Abhinaya Nagajyothy Kuchipudi 15-Oct-17 Rupak Kulkarni Flute (Hindustani) Caitanya Prem Sanstha Vrindavan 03-Feb-18 Deepa Chakravarthy Mohiniattam (Workshop-Demonstration) GIC Baijro Dehradun 23-Oct-17 Kaivalya Kumar Gurav Vocal (Hindustani) Saharanpur Public School Saharanpur (Workshop-Demonstration) Delhi Public School (East Zone Convention) Patna 17-Aug-17 Abhinaya Nagajyothy Kuchipudi 31-Oct-17 Roze Khan Rajasthani Folk Shanti Niketan School Jhansi 04-Feb-18 Dhananjay Hegde Vocal (Hindustani) (Workshop) Delhi Public School (East Zone Convention) Patna (Workshop-Demonstration) GIC Jiwai Dehradun 01-Nov-17 Roze Khan Rajasthani Folk Rani Laxmi Bai School Jhansi 04-Feb-18 Deepa Chakravarthy Mohiniattam (Workshop) Delhi Public School (East Zone Convention) Patna 18-Aug-17 Abhinaya Nagajyothy Kuchipudi 01-Nov-17 Roze Khan Rajasthani Folk Kendriya Vidyalaya No. -
Latest Nartanam 17-4.Pmd
ISSN 2455-7250 Vol. XVII No. 4 October-December 2017 A Quarterly Journal of Indian Dance G. M. Sarma (1936-2017) A Tribute Nartanam Conclave-2017 Burra Venkatesham, Secretary to Government of Telangana Youth Advancement, Tourism & Culture Department (extreme left) making a point; with him, Mandakranta Bose & Upendro Singh, Director, JNMDA L to R : K.K. Gopalakrishnan, Leela Venkataraman and Sunil Kothari A scene from Keibul Lamjao by JNMDA Madhavi Mudgal and Arushi Mudgal Manjari Sinha: A Critic's take Photos Courtesy: Avinash Pasricha A Quarterly Journal of Indian Dance Volume: XVII, No. 4 October-December 2017 Sahrdaya Arts Trust Hyderabad RNI No. APENG2001/04294 ISSN 2455-7250 Nartanam, founded by Kuchipudi Kala Founders Kendra, Mumbai, now owned and Late G. M. Sarma published by Sahrdaya Arts Trust, M. Nagabhushana Sarma Hyderabad, is a quarterly which provides a forum for scholarly dialogue on a Chief Editor broad range of topics concerning Indian Madhavi Puranam dance. Its concerns are theoretical as well Patron as performative. Textual studies, dance criticism, intellectual and interpretative Edward R. Oakley history of Indian dance traditions are its Chief Executive focus. It publishes performance reviews Vikas Nagrare and covers all major events in the field of dance in India and notes and comments Advisory Board on dance studies and performances Anuradha Jonnalagadda (Scholar, Kuchipudi dancer) abroad. Avinash Pasricha (Former Photo Editor, SPAN; SNA Awardee) The opinions expressed in the articles and the reviews are the writers’ own and C.V. Chandrasekhar (Bharatanatyam Guru, Padma Bhushan) do not reflect the opinions of the editorial Kedar Mishra (Poet, Scholar, Critic) committee. -
List of Folk Dances in India
List of Folk Dances in India State of Origin Folk Dance Andhra Pradesh Vilasini Natyam, Bhamakalpam, Veeranatyam, Dappu, Tappeta Gullu, Lambadi, Dhimsa, Kolattam. Arunachal Pradesh Buiya, Chalo, Wancho, Pasi Kongki, Ponung, Popir Assam Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal. Bihar Jata-Jatin, Bakho-Bakhain, Panwariya Chattisgarh Gaur Maria, Panthi, Raut Nacha, Pandwani, Vedamati, Kapalik Gujarat Garba, Dandiya Raas, Tippani Juriun, Bhavai Goa Tarangamel, Koli, Dekhni, Fugdi, Shigmo, Ghode, Modni, Samayi nrutya, Jagar, Ranmale Haryana Jhumar, Phag, Daph, Dhamal, Loor, Gugga, Khor. Himachal Pradesh Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu Jammu & Kashmir Rauf, Hikat, Mandjas, Kud Dandi Nach Jharkhand Alkap, Karma Munda, Agni, Jhumar, Janani Jhumar, Mardana Jhumar, Paika, Phagua Karnataka Yakshagana, Huttari, Suggi, Kunitha, Karga Kerala Ottam Thula,, Kaikottikali Maharashtra Lavani, Nakata, Koli, Lezim, Gafa, Dahikala Dasavtar. Madhya Pradesh Jawara, Matki, Aada, Khada Nach, Phulpati, Grida Dance, Selalarki, Selabhadoni Manipur Dol Cholam, Thang Ta, Lai Haraoba, Pung Cholom Meghalaya Ka Shad Suk Mynsiem, Nongkrem, Laho Mizoram Cheraw Dance, Khuallam, Chailam, Sawlakin, Chawnglaizawn, Zangtalam Nagaland Rangma, Bamboo Dance, Zeliang, Nsuirolians, Gethinglim Odisha Savari, Ghumara, Painka, Munari Punjab Bhangra, Giddha, Daff, Dhaman, Bhand Rajasthan Ghumar, Chakri, Ganagor, Jhulan Leela, Jhuma, Suisini, Ghapal Sikkim Chu Faat, Sikmari, Singhi Chaam or the Snow Lion, Yak Chaam, Denzong Gnenha, Tashi Yangku Tamil Nadu Kumi, Kolattam, Kavadi Tripura Hojagiri Uttar Pradesh Nautanki, Raslila, Kajri, Jhora, Chappeli Uttarakhand Garhwali, Kumayuni, Kajari, Jhora, Raslila . -
Dances of India.Pdf
Classical Dance Folk Dance Classical dance originates from Folk dance is the kind of dance that Natya Shastra. The 2 basic aspects is developed by the people of Classical dance are Lasya and reflecting their lives, often to the Tandava. local music. Classical dances are associated with Folk dance is associated with Spirituality. celebrating agricultural harvest or social gatherings like weddings etc. Classical Dance Folk Dance Classical dances are more about Folk dances are all about energy, grace and composure enthusiasm and power. Classical dances are performed by Folk dances are not performed by professional or highly trained professional dancers. It is a dance of dancers who have studied their common people. form for many years. There are eight classical Dances in There are more than 30 folk dances India. They are Kathak from North in India. Some of the most popular India, Sattriya of Assam, folk dances are Ghoomer Bharatnatyam of Tamil Nadu, (Rajasthan), Kacchi Gori Chari Kuchipudi of Andhra Pradesh, (Rajasthan), Kalbelia (Rajasthan). Kathakali and Mohiniaattam of Kerala, Manipuri of Northeast India, and Odissi of Odisha. State of Origin List of Folk Dances in India Vilasini Natyam, Bhamakalpam, Veeranatyam, Andhra Pradesh Dappu, Tappeta Gullu, Lambadi, Dhimsa, Kolattam. Buiya, Chalo, Wancho, Pasi Kongki, Ponung, Arunachal Pradesh Popir Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Assam Bagurumba, Naga dance, Khel Gopal Bihar Jata-Jatin, Bakho-Bakhain, Panwariya Gaur Maria, Panthi, Raut Nacha, Pandwani, Chattisgarh Vedamati, Kapalik Gujarat Garba, Dandiya Raas, Tippani Juriun, Bhavai Tarangamel, Koli, Dekhni, Fugdi, Shigmo, Goa Ghode, Modni, Samayi nrutya, Jagar, Ranmale State of Origin List of Folk Dances in India Jhumar, Phag, Daph, Dhamal, Loor, Gugga, Haryana Khor. -
Folk Art & Culture
KURUKSHETRA VOL.01 April 2021 Folk Art & Culture Nurturing India's Rich Indian Folk Art : Showcasing Folk Art Cultural Heritage An Information, Education and Culture at Global Stage and Communication Tool MSME- A Powerful Engine of Arts and Crafts of Northeast India India's Economic Growth BYJU’S IAS presents another comprehensive learning program for UPSC aspirants. The BYJU’S Online Classroom for IAS provides you with the opportunity to attend the live classes conducted by India’s best IAS faculty, from the control of your homes, assuring you uninterrupted learning so that you can clear the IAS exam with ease. Check the program details below. Here’s how you can get started: Attend Live Classes by India’s Leading IAS Trainers Choose a slot that works best for you Morning Batch Evening Batch Weekend Batch Monday to Friday Monday to Friday Saturday Sunday 06:00 AM to 09:00 AM 05:30 PM to 08:30 PM 02:00 PM to 08:00 PM 10:00 AM to 08:00 PM Participate in the ‘Doubt Destroyer’ session How will BYJU’S Online Classroom for IAS help you in your preparation? Test Yourself: Evaluate your IAS Tab: Get a complimentary IAS performance by attending weekly learning tab with pre-recorded video MCQ-based and descriptive tests. lectures for revising important concepts and topics. Comprehensive Study Material: Study Current Aairs Webinars: Be a part material provided is complete and of the two-hour live sessions every includes well-known books like Indian Tuesday and Thursday for Current Polity by M Laxmikanth, Ancient History Aairs analysis of major newspapers, by R S Sharma, etc. -
Yk Gist – April 2021 I Iasbaba
YK GIST – APRIL 2021 I IASBABA www.iasbaba.com Page 1 YK GIST – APRIL 2021 I IASBABA www.iasbaba.com Page 2 YK GIST – APRIL 2021 I IASBABA Preface This is our 73rd edition of Yojana Gist and 64th edition of Kurukshetra Gist, released for the month of April 2021. It is increasingly finding a place in the questions of both UPSC Prelims and Mains and therefore, we’ve come up with this initiative to equip you with knowledge that’ll help you in your preparation for the CSE. Every issue deals with a single topic comprehensively sharing views from a wide spectrum ranging from academicians to policy makers to scholars. The magazine is essential to build an in-depth understanding of various socio-economic issues. From the exam point of view, however, not all articles are important. Some go into scholarly depths and others discuss agendas that are not relevant for your preparation. Added to this is the difficulty of going through a large volume of information, facts and analysis to finally extract their essence that may be useful for the exam. We are not discouraging from reading the magazine itself. So, do not take this as a document which you take read, remember and reproduce in the examination. Its only purpose is to equip you with the right understanding. But, if you do not have enough time to go through the magazines, you can rely on the content provided here for it sums up the most essential points from all the articles. You need not put hours and hours in reading and making its notes in pages.