DOCSLIB.ORG

Nartanam 16-4.Pmd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nartanam 16-4.Pmd A Quarterly Journal of Indian Dance Volume: XVI, No. 4 October - December 2016 Sahrdaya Arts Trust Hyderabad RNI No. APENG2001/04294 ISSN 2455-7250 Nartanam, founded by Kuchipudi Kala Kendra, Founders Mumbai, now owned and published by Sahrdaya G. M. Sarma Arts Trust, Hyderabad, is a quarterly which provides a forum for scholarly dialogue on a broad M. Nagabhushana Sarma range of topics concerning Indian dance. Its concerns are theoretical as well as performative. Chief Editor Textual studies, dance criticism, intellectual and Madhavi Puranam interpretative history of Indian dance traditions are its focus. It publishes performance reviews Patron and covers all major events in the field of dance in Edward R. Oakley India and notes and comments on dance studies and performances abroad. Chief Executive The opinions expressed in the articles and the Vikas Nagrare reviews are the writers’ own and do not reflect the opinions of the editorial committee. The editors and publishers of Nartanam do their best to Advisory Board verify the information published but do not take Anuradha Jonnalagadda (Scholar, Kuchipudi dancer) responsibility for the absolute accuracy of the Avinash Pasricha (Former Photo Editor, SPAN) information. C.V. Chandrasekhar (Bharatanatyam Guru, Padma Bhushan) Cover Photo: Kedar Mishra (Poet, Scholar, Critic) Top: Oggu Dolu drummers at Bonalu celebrations. Below: Gusadi, Chindu, Perini, Kuchipudi & Lambada Kiran Seth (Padma Shri; Founder, SPIC MACAY) K. K. Gopalakrishnan (Critic, Scholar) Photo Courtesy: Department of Youth Advancement, Tourism and Leela Venkataraman (Critic, Scholar, SNA Awardee) Culture, Government of Telangana. Mallika Kandali (Sattriya dancer, Scholar) Top Photo: Pappu Venugopala Rao (Scholar, Former Associate D G, N N G Motion Pictures American Institute; Secretary, Music Academy) Photos at the bottom: Reginald Massey (Poet, FRSA & Freeman of London) NNG Motion Pictures, Avinash Pasricha and Nehru Centenary Tribal Museum, Hyderabad Sunil Kothari (Scholar, Padma Shri & SNA Awardee) Suresh K. Goel (Former Director General, ICCR) Cover, Design & Layout Shakeel Ahmed This Special Issue of Nartanam on Dances of Telangana is supported by Department of Youth Advancement, Tourism & Culture, Government of Telangana. Annual Subscription: In India: Individual: ` 1000 Institutional: ` 2000 Past issues can be obtained from our office ` Overseas: Individual: US $ 60 Institutional: US $ 80 @ 350/- per copy for individuals ` (All Inclusive of postage) @ 500/- per copy for instiutions Note: Students in India can avail of 25% discount on (Inclusive of postage in India; Subject to availabil- individual subscriptions) ity; Please check with the office.) For all editorial enquiries, sending manuscripts, details of subscriptions, and past issues please visit www.nartanam.in Registered Office: Sahrdaya Arts Trust, 508, Dwarakamai Apartments, Srinagar Colony Post, Hyderabad- 500073 Email: [email protected], [email protected] Phone: 9989314829, 9000020879 website: www.nartanam.in All articles, photographs and other materials, appearing in Nartanam, whether in whole or in part, in any form are exclusive copyright of Sahrdaya Arts Trust unless otherwise specified, and may not be reproduced in any form or stored in any electronic or retrievable format without prior written consent. Printed and published by Madhavi Puranam on behalf of Sahrdaya Arts Trust, Hyderabad Printed at Karshak Art Printers, 40-APHB, Vidyanagar, Hyderabad-500044. (Ph:27618261) and published at Hyderabad. Editor: Madhavi Puranam NARTANAM Volume: XVI, No. 4 October-December 2016 CONTENTS Editorial/ 6 Folk Dances of Telangana VAKULABHARANAM LALITHA /19 Folk Arts N. BHAKTAVATSALA REDDY & Y. A. SUDHAKAR REDDY / 83 The Bhagavata traditions and Kuchipudi: The Telangana Connection ANUPAMA KYLASH / 103 Telanganam-Yakshaganam An extract from Andhra Yakshagana Vangmaya Charitram S.V. JOGA RAO / 115 Nataraja Ramakrishna: Crusader and Visionary M. NAGABHUSHANA SARMA / 127 Perini: A Virile Dance Form GUDIPUDI SRIHARI / 137 Perini Panchangas: Reconstruction by Nataraja Ramakrishna KALAKRISHNA / 143 Dakhni Culture SALMA AHMAD FAROOQUI / 153 Tribal Dances of Telangana DYAVANAPALLI SATYANARAYANA / 167 Kakatiyan Art D. VIDYANATH / 195 Surabhi in Telangana REAKAMDAR NIRUPAMA SUNETRI / 203 The Saga of Sringaramanjari MADHAVI PURANAM/ 211 An Overview of Nrtta Ratnavali YASHODA THAKORE/ 217 PERFORMANCE REVIEWS Some Significant Dance Events in the Capital / 222 LEELA VENKATARAMAN The Festival Circuit / 229 SUNIL KOTHARI Parampara Festival 2016 / 236 SREE VEENA MANI 6 Nartanam EDITORIAL A chance meeting with a Stone Waller in Wales, Bruce Maudsley, along with Reginald Massey, adviser to Nartanam, revealed how passion can transform work into art. Bruce’s paper on the ancient art of building stonewalls in England reads like poetry. An impressively educated gentleman, Bruce embraced his calling to be close to the earth that he belonged to. He chose to build dry stone walls all his life. The Stone Waller had the oldest editions of Tagore’s works in his library. A chat with Bruce affirms my belief that culture is a composite of the myriad facets of human sensibility, education, and work which are often compartmentalized into various genres and disciplines, in vain. Often, the partitions are water-tight. The realization that one has failed to transcend these barriers in order to achieve a holistic education, marked by grace and spiritual ascent, dawns too late. In Plato’s Republic, Socrates reflects on the importance of musical and poetic education to youth. He elaborates on how the rhythm and the mode of music penetrate deeply into the human soul infusing the idea of harmony as a universal principle even before man masters conceptual arguments for moral behaviour. The great philosopher says, aiming for “grace” should be true for all arts and crafts, even the condition of our bodies and all the things that grow. (Bychkov and Sheppard, 2010: Republic, 2-3, 2.376e-3.402a & reference 23). I draw attention to Abhinavagupta (10-11 century AD) who stressed on the attributes of a great dramaturge – Pratibha (creative faculty, poetic imagination or creative genius), Vasana (proclivity, memory, latent impressions) and Vyutpatti (mature judgement). The Natyasastra (2BC-2AD) highlights Abhyasa (constant practice) as an important attribute for effective communication of emotions in a play. At Purdue University, in a conversation with Mete Sozen, the renowned Professor of Earthquake Engineering, another attribute for producing great work was stressed upon. Mete remarked that one need not necessarily be a genius to achieve greatness in academia. It’s the interest or passion for one’s work that makes all the difference. It rings true of any discipline including dance. Nartanam 7 SPECIAL ISSUE ON DANCES OF TELANGANA Passion for dance academics has taken Nartanam through sixteen years of its publication, non-stop, four issues every year. No matter, the severe manpower and financial crunch. We are pleased to bring out this issue of Nartanam, a special on the dances of Telangana, despite many challenges. To bridge the divide between the scholars of the two new states of Telangana and Andhra Pradesh carved out from the former Andhra Pradesh, was a tough call. It was quite a task segregating the forms of the entire Telugu speaking region, and assigning them to the two new states. Most of the forms are performed across both the states. The forms included in this issue span the classical, folk, and tribal dance and traditional theatre. The two states share a big chunk of history, literature and arts. It would be interesting to look at some of the historic facts pertaining to Telangana, before we serenade our readers with fantastic academic content coupled with a visual treat. The Comprehensive History and Culture of Andhra Pradesh, Vol IV, Medieval Andhradesa AD 1000-1324, 2011 (referred hereafter as CHCAP-IV) edited by Somasundara Rao, makes for a rich source of the history of Telangana. The Kakatiyas rose to be a dominant power in the then Andhradesa from the middle of the twelfth century and controlled central Telangana, Guntur and Prakasam districts of coastal Andhra. Warangal emerged under them as the premier cultural and political center in place of Vengi, which lay between the Godavari and Krishna deltas and was the bone of contention through the centuries and various dynasties. (Thapar, 1976: 167-68). It was during the period 700-1300 AD and especially under the Kakatiyas that the region ruled by them came to be known in the pan-Indian context, variously, as Andhra Tailing, Trilinga, Tilanga. The Muslim chronicles of this period refer to the Kakatiya kingdom as ‘Tiling’ and Warangal as Andhranagari. Regional identity and efflorescence in every sphere of life and the art of Andhra were shaped during this formative period. (C. Somasundara Rao, "Transition", in CHCAP-IV, 2011: 6). Under the Kakatiyas, for the first time the upland areas of Telangana, which had hitherto formed the peripheral regions of the previous dynasties ruling the region, became the center of power. (I. Lakshmi, "Kakatiya Polity and Nature of the State", in CHCAP-IV, 2011: 173). From the sixth century AD inscriptions began to be composed in Telugu prose, while verse came later. The script in the 8 Nartanam Telugu region underwent many variations from 624 -1324 AD. However, Telugu literature in the classical form developed in the eleventh century AD, with the script changing drastically, especially during the
Load more

Recommended publications
  • Ksg:Newspaper Crux 7Th January, 2021
    KSG:NEWSPAPER CRUX 7TH JANUARY, 2021 NEWSPAPER HIGHLIGHTS NATIONAL CENTRE FOR SEISMOLOGY(NCS) Karnataka Chief Minister B.S. 1.NCS has started a geophysical survey over the Delhi Yediyurappa laid the region for accurate assessment of seismic hazards, foundation stone for the ‘New following tremors last year. Anubhava Mantapa’ in 2.Measuremnets are being conducted across three major Basavakalyan, the place where seismic sources:Mahendragarh-Dehradun Fault, Sohna 12th century poet philosopher Fault and Mathura Fault. Basaveshwara lived for most of 3.NCS, under Ministry of Earth Science, is the nodal his life. agency for monitoring of earthquake activity in the country. A committee would be constituted under Minister of CONFLICT OVER NILE State for Home G. Kishan Reddy 1.Ethiopia, Sudan and Egypt have recently agreed to to find an appropriate solution resume negotiations to resolve their decade-long complex to the issues related to dispute over the Grand Renaissance Dam hydropower language, culture and project in the Horn of Africa. conservation of land in the 2.Horn of Africa is the easternmost extension of Union Territory of Ladakh, the African land and includes the region that is home to Home Ministry said in a the countries of Djibouti, Eritrea, Ethiopia, and statement. Somalia, whose cultures have been linked throughout their long history. Avian flu has been reported at 3.The Nile, Africa’s longest river, has been at the center of 12 epicentres in four States — a decade-long complex dispute involving several countries Rajasthan, Madhya Pradesh, that are dependent on the river’s waters. Himachal Pradesh and Kerala.
    [Show full text]
  • GRMB Annual Report 2017-18
    Government of India Ministry of Water Resources, RD & GR Godavari River Management Board ANNUAL REPORT 2017-18 GODAVARI BASIN – Dakshina Ganga Origin Brahmagiri near Trimbakeshwar, Nasik Dist., Maharashtra Geographical Area 9.50 % of Total GA of India Area & Location Latitude - 16°19’ to 22°34’ North Longitude – 73°24’ to 83° 4’ East Boundaries West: Western Ghats North: Satmala hills, the Ajanta range and the Mahadeo hills East: Eastern Ghats & the Bay of Bengal South: Balaghat & Mahadeo ranges stretching forth from eastern flank of the Western Ghats & the Anantgiri and other ranges of the hills and ridges separate the Gadavari basin from the Krishna basin. Catchment Area 3,12,812 Sq.km Length of the River 1465 km States Maharashtra (48.6%), Telangana (18.8%), Andhra Pradesh (4.5%), Chhattisgarh (10.9%), Madhya Pradesh (10.0%), Odisha (5.7%), Karnataka (1.4%) and Puducherry (Yanam) and emptying into Bay of Bengal Length in AP & TS 772 km Major Tributaries Pravara, Manjira, Manair – Right side of River Purna, Pranhita, Indravati, Sabari – Left side of River Sub- basins Twelve (G1- G12) Dams Gangapur Dam, Jayakwadi dam, Vishnupuri barrage, Ghatghar Dam, Upper Vaitarna reservoir, Sriram Sagar Dam, Dowleswaram Barrage. Hydro power stations Upper Indravati 600 MW Machkund 120 MW Balimela 510 MW Upper Sileru 240 MW Lower Sileru 460 MW Upper Kolab 320 MW Pench 160 MW Ghatghar pumped storage 250 MW Polavaram (under 960 MW construction) ANNUAL REPORT 2017-18 GODAVARI RIVER MANAGEMENT BOARD 5th Floor, Jalasoudha, Errum Manzil, Hyderabad- 500082 FROM CHAIRMAN’S DESK It gives me immense pleasure to present the Annual Report of Godavari River Management Board (GRMB) for the year 2017-18.
    [Show full text]
  • Odissi Dance
    ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing
    [Show full text]
  • MAP:East Godavari(Andhra Pradesh)
    81°0'0"E 81°10'0"E 81°20'0"E 81°30'0"E 81°40'0"E 81°50'0"E 82°0'0"E 82°10'0"E 82°20'0"E 82°30'0"E EAST GODAVARI DISTRICT GEOGRAPHICAL AREA (ANDHRA PRADESH) 47 MALKANGIRI SH Towards Sileru 18°0'0"N 18°0'0"N IR (EXCLUDING: AREA ALREADY AUTHORISED) ERVO I RES AY AR NK DO MALKANGIRI V IS H KEY MAP A K H A P A T N A M M Towards Polluru CA-02 A CA-01 M M ± A CA-07 H CA-35 CA-34 K V CA-60 I CA-03 CA-57 CA-58 S CA-33 CA-59 H CA-04 CA-57 CA-37 CA-36 AKH 17°50'0"N CA-32 CA-56 17°50'0"N CA-31 CA-55 CA-05 CA-38 CA-55 CA-39 AP CA-06 CA-30 CA-53 CA-54 CA-40 CA-39 A CA-07 CA-29 CA-41 CA-51 T CA-08 CA-41 T NAM CA-07 CA-28 CA-51 oward CA-42 CA-52 CA-27 CA-51 CA-09 CA-26 CA-44 CA-44 CA-25 s Tu T CA-10 CA-11 CA-43 CA-45 CA-46 o L lasipaka w W CA-24 A ar E CA-12 CA-23 S NG T CA-13 E d G CA-47 CA-22 B s O CA-48 D CA-21 F K A CA-14 CA-50 O V CA-20 o A R CA-49 Y.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility.
    [Show full text]
  • The 45Th ALL INDIA COMPETITIONS in MUSIC and DANCE, 2013
    The 45th ALL INDIA COMPETITIONS IN MUSIC AND DANCE, 2013 (This form duly filled in should reach the Organising Secretary, Navya Nataka Samiti, # 1-8-522/12, Chikkadpally, Hyderabad - 500 020 or the Y.M.C.A., Narayanguda, Hyderabad - 500 029 on or before the 20th November, 2012 ENTRY FORM 1. Name in full (in Block Letters) : Sri / Smt. / Kum.________________________________________________ 2. Address with Pin Code ___________________________________________________________________ ___________________________________________________________________Pin : ______________ 3. Age and Date of Birth____________________________________________________________________ (Proof of age to be produced) 4. Contact No.: ___________________________________________________________________________ 5. Branch and Section in which the entry is made : ______________________________________________ (Tick the appropriate item) 1. Karnatak - Vocal - Senior 11. Bharatanatyam - Senior 2. Karnatak - Veena - Senior 12. Bharatanatyam - Junior 3. Karnatak - Violin - Senior 13. Bharatanatyam - Sub - Junior 4. Karnatak - Mridangam - Senior 14. Kuchipudi - Senior 5. Karnatak - Vocal - Junior 15. Kuchipudi - Junior 6. Karnatak - Vocal - Sub-Junior 16. Kuchipudi - Sub-Junior 7. Hindustani - Vocal - Senior 17. Andhra Natyam - Senior 8. Hindustani - Sitar - Senior 18. Andhra Natyam - Junior 9. Hindustani - Tabla - Senior 19. Andhra Natyam - Sub-Junior 10. Hindustani - Tabla - Junior 20. Kathak - Senior 21. Kathak - Junior Entry fee remitted : Seniors / Juniors / Sub-Juniors Rs.100/-
    [Show full text]
  • Academic Catalog 2020
    Academic Catalog 03/01/2020 – 12/31/2020 University of Silicon Andhra Dr. Hanimireddy Lakireddy Bhavan 1521 California Circle, Milpitas, CA 95035 1-844-872-8680 www.universityofsiliconandhra.org University of Silicon Andhra, Academic Catalog- 2020 Table of Contents INTRODUCTION: ............................................................................................ 5 Mission Statement ........................................................................................................................................................................................................................... 5 Vision Statement ..............................................................................................................................................................................................................................5 Institutional Learning Outcomes ............................................................................................................................................................................................. 5 Notice to Current and Prospective Students ......................................................................................................................................................................... 6 Academic Freedom Statement .................................................................................................................................................................................................. 6 Notice to Prospective Degree Program Students
    [Show full text]
  • Fairs and Festivals, Part VII-B
    PM. 179.9 (N) 750 CENSUS OF INDIA 1961 VOLUME II ANDHRA PRADESII PART VII-B (9) A. CHANDRA SEKHAR OF THE INDIAN ADMINISTRATIVE SERVICE Superintendent of Census Operations, Andhra Pradesh Price: Rs. 5.75 P. or 13 Sh. 5 d. or 2 $ 07 c. 1961 CENSUS PUBLICATIONS, ANDHRA PRADESH (All the Census Publications of this State will bear Vol. No. II) J General Report PART I I Report on Vital Statistics (with Sub-parts) l Subsidiary Tables PART II-A General Population Tables PART II-B (i) Economic Tables [B-1 to B-IVJ PART II-B (ii) Economic Tables [B-V to B-IX] PART II-C Cultural and Migration Tables PART III Household Economic Tables PART IV-A Report on Housing and Establishme"nts (with Subsidiary Tables) PART IV-B Housing and Establishment Tables PART V-A Special Tables for Scheduled Castes and Scheduled Tribes PART V-B Ethnographic Notes on Scheduled Castes and Scheduled Tribes PART VI Village Survey Monographs PART VII-A tIn Handicraft Survey Reports (Selected Crafts) PART VII-A (2) f PA&T VII-B Fairs and Festivals PART VIII-A Administration Report-Enumeration } (Not for PART VIII-B Administration Report-Tabulation Sale) PART IX Maps PART X Special Report on Hyderabad City PHOTO PLATE I Tower at the entrance of Kodandaramaswamy temple, Vontimitta. Sidhout Tdluk -Courtesy.- Commissioner for H. R. & C. E. (Admn. ) Dept., A. p .• Hydcrabad. F 0 R,E W 0 R D Although since the beginning of history, foreign traveller~ and historians have recorded the principal marts and ~ntrepot1'l of commerce in India and have even mentioned important festival::» and fairs and articles of special excellence availa ble in them, no systematic regional inventory was attempted until the time of Dr.
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • Causelistgenerate Report
    WEEKLY DAILY THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR MONDAY THE 6TH SEPTEMBER 2021 CHIEF JUSTICE'S COURT (2ND FLOOR) AT 10:30 AM THE CHIEF JUSTICE AND MR. JUSTICE B. P. ROUTRAY This Bench will function through hybrid arrangement ( virtual/ physical mode). ( Learned counsel desirous to appearing through Virtual Mode shall intimate the name, item number, case details etc. to the Court Master through Mobile No.8763760499 between 8.00 P.M. to 10.00 P.M. on the previous date of the hearing of the case. ) Learned advocates are requested to submit the memos for urgent listing of matters first to the D.R.(Judicial), and only where the D.R.(Judicial) has communicated that the request has been declined or the date given is not convenient for some reasons, should the matters be mentioned orally before the bench of the Chief Justice or such bench assigned for the purpose. For the oral mentioning before the division bench in Chief Justice’s court through virtual mode and physical mode, learned advocates will first obtain from the court master between 9.30 a.m. and 10.15 a.m. on all working days, over phone no.8763760499, a Mentioning Matter (MM) number. In matters other than fresh admission matters, the learned advocates will furnish to the court master on e-mail id- [email protected] proof of intimation of the mentioning to learned counsel for the opposite parties. When the court of the Chief Justice assembles, the mentioning matters for virtual mentioning will be called out serial wise.
    [Show full text]
  • M.P.A DANCE Hall Ticket No
    s- L1 UNIVERSITY OF HYDERABAD SAROJINI NAIDU SCHOOL OFARTS AND COMMUNICATION Gachibowli, Hyderabad - 500 046 ENTRANCE EXAMINATION, JUNE 2O1O M.P.A DANCE Hall Ticket No. Date:02 - 6 -2010 Time: 10.00 a.m-12.00 pm. Max.Marks:50 Instructions: 1. Part 'A' should be answered in the Question Paper itself and returned to the Invigilator. 2. Part 'B' should be answered in the answer book provided to the candidate. 3. All questions in Part 'A' carry equal marks. There will be a negative marking of 0.33 mart for eacn attemptea won . PART - A z5xl:25 l. Choose the correct Answer: 1. Karagattam is a folk form of A) A.P B) Tamil Nadu c) u.P D) none 2. Bhagavatam or Veedhinatakam involves the performance of ( A) A group with story B) A group without story C) Solo D) None 3. Abhinaya Darpana is written by: ( ) A) Nandikeswara B) Kshetrayya C) Narayanatirdha D) Jayadeva 4. Anita Ratnam is an exponent of A) Contemporary dance B) Kuchipudi C) Bharatanatyam D) Manipuri 5. Kalamandalam of Kerala is founded by: ( A) M.K.Menon B) Swati Tirunal C) Vallathole D) None 6. According to Abhinaya Darpana, the total number of Drishti bhedas is ( 4.)36 B)8 c)6 D) none 7. Tribhanga position is significantly seen in the dance style ( A) Kuchipudi B) BharatanatYam C) Mohiniattam D) Odissi J- , s '21 8. Adhyatma Ramayana Kirtanas are written by ( A) Munipalle Subrahmanya Kavi B) Tyagaraja C) Tandu D) Kshetrayya 9. One of the percussion instruments used traditionally in Kathakal ( A) Pakhawaj B) Mridangam C) Tabla D) Chanda l0' Andhra Praja Natya Mandali is a group actively involved in presenting ( A) classical performances B) only Tribal dance performances C) All Folk performing genres D) none 11.
    [Show full text]
  • CBSE NET Performing-Art December-2013 Solved Paper III Download All the Papers to Prepare for NET 2021
    9/17/2021 CBSE NET Performing-Art December 2013 Solved Paper III Download All the Papers to Prepare for NET 2021- Examrace Examrace Paper 3 has been removed from NET from 2018 (Notification)- now paper 2 and 3 syllabus is included in paper 2. Practice both paper 2 and 3 from past papers. CBSE NET Performing-Art December-2013 Solved Paper III Download All the Papers to Prepare for NET 2021 Online Paper 1 complete video course with Dr. Manishika Jain. Lifetime subscription. Includes tests and expected questions. Join now! 1. Select the correct sequence from the following as per Natyashastra (A) Rasa, Tandava Lakshmana, Nandi, Nayaka Bheda (B) Tandava Lakshmana, Rasa, Nandi, Nayaka Bheda (C) Nandi, Tandava Lakshmana, Rasa, Nayaka Bheda (D) Nandi, Rasa, Nayaka Bheda, Tandava Lakshmana Answer: C 2. The “Nandi” of Natyashastra can be called (A) “Avanu” of Bhavai (B) Preliminary of a Play (C) Purvaranga of Dance (D) All of above Answer: D 3. Assertion (A) : The nature and degree of transformation from martial trait to stylised and aesthetic has great range. Reason (R) : Indian theatrical styles favour martial arts. Codes: (A) Both (A) and (R) true. (B) Both (A) and (R) false. (C) (A) true (R) false. (D) (A) false (R) true. Answer: C 4. Pick the odd one out: 1 of 9/17/2021 CBSE NET Performing-Art December 2013 Solved Paper III Download All the Papers to Prepare for NET 2021- Examrace (A) Gangavataran (B) Talapushpaputa (C) Udhvahita (D) Bhujangatrasit Answer: C 5. Match the following: List – I List – II List I a.
    [Show full text]