A Conversation with John Irving
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By Gwyn Conger Steinbeck the Story
For Immediate Release Lawson Publishing LTD. Discovered--GWYN CONGER STEINBECK. New book relates love and adventures of the "forgotten wife," muse to the Nobel Prizewinning author of American classics MY LIFE WITH JOHN STEINBECK: by Gwyn Conger Steinbeck The Story of John Steinbeck's Forgotten Wife Who was Gwyn Conger Steinbeck? Unlike Steinbeck's first and third wives, she's unmentioned in standard editions of classics, such as The Grapes of Wrath and Of Mice and Men. But that's about to change with the publication of MY LIFE WITH JOHN STEINBECK: by Gwyn Conger Steinbeck, The story of John Steibeck's Forgotten Wife. (Lawson Publishing Ltd. Sept. 6th.). The ms, lost since 1972, was recently discovered in Wales. The book includes her introduction, that of journalist Douglas G. Brown and the acclaimed John Steinbeck biographer, Jay Parini. The book reveals the missing voice of Gwyn, "the forgotten wife," mother of his two sons, during a 6-year marriage that included the tumult of World War 2.. When she met Steinbeck in 1939, Gwyn was a professional singer, working for RKO radio and CBS in L.A. She was an independent young woman, lively and radiant in her love for the great man wooing her--14 years her senior. He was impressed by her beauty and magnetic presence. For women of her era, many of whom had to leave jobs after the war, marriage was considered a woman's true career-- love was life. This journal is her story of that adventure, often "on the road" with a restless Steinbeck, criss-crossing continents and making homes. -
Dijkstra Agency Hot List
DIJKSTRA AGENCY HOT LIST Fall 2017 – Spring 2018 Sandra Dijkstra Elise Capron * Jill Marr * Thao Le Andrea Cavallaro * Roz Foster Jessica Watterson * Suzy Evans Jennifer Kim www.dijkstraagency.com NEW MEMOIR FROM BESTSELLING AUTHOR AMY TAN WHERE THE PAST BEGINS: A Writer’s Memoir Amy Tan (Ecco, October 2017) An exploration of memory, emotion, and the workings of the imagination in the mind of the writer, from the inimitable Amy Tan. Where the Past Begins: A Writer’s Memoir presents Amy Tan, a master of storytelling, offering unparalleled access into her writing process, her fascination with the neurology of creativity, and her exploration of the family histories that led to the creation of indelible characters in beloved works such as The Joy Luck Club and The Valley of Amazement. In these pages, we find hints of trauma in Tan’s past, relationships she has never discussed publicly, and a family mystery that was only solved accidentally, by stumbling on a box of old documents. In evocative descriptions and characteristic humor, this memoir offers us a vivid picture of the author’s childhood in Northern California, the world of her mother and grandmother in China, and her recent forays into plein air sketching. Amy explores how memories, the inspiration of music, and the beauty of the natural world mingle with enigmatic characteristics of the writer’s brain and imaginative capacities to create the magic of a story. Other non-fiction by Amy Tan: THE OPPOSITE OF FATE: Memories of a Writing Life (Putnam, 2003) New York Times bestseller, New York Times notable book “Sharp and invigorating…fertile reading.”— The New York Times Book Review “Wickedly funny and honest.”— O Magazine “A melodramatic, tragic and comedic tale…Tan is refreshingly candid.”— Baltimore Sun Amy Tan is the internationally bestselling author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, The Valley of Amazement, The Opposite of Fate: Memories of a Writing Life, and two children’s books. -
The Novel's Anxieties Over Existence, Purpose, and Believability
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State English Theses English 8-2012 Survival of the Fictiveness: The oN vel’s Anxieties Over Existence, Purpose, and Believability Jesse Mank Buffalo State College, [email protected] Advisor Dr. Aimable Twagilimana, Professor of English First Reader Dr. Barish Ali, Assistant Professor of English Department Chair Dr. Ralph L. Wahlstrom, Associate Professor of English To learn more about the English Department and its educational programs, research, and resources, go to http://english.buffalostate.edu/. Recommended Citation Mank, Jesse, "Survival of the Fictiveness: The oN vel’s Anxieties Over Existence, Purpose, and Believability" (2012). English Theses. Paper 5. Follow this and additional works at: http://digitalcommons.buffalostate.edu/english_theses Part of the Literature in English, North America Commons Survival of the Fictiveness: The Novel’s Anxieties Over Existence, Purpose, and Believability by Jesse Mank An Abstract of a Thesis in English Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts August 2012 State University of New York College at Buffalo Department of English Mank i ABSTRACT OF THESIS Survival of the Fictiveness: The Novel’s Anxieties Over Existence, Purpose, and Believability The novel is a problematic literary genre, for few agree on precisely how or why it rose to prominence, nor have there ever been any strict structural parameters established. Terry Eagleton calls it an “anti-genre” that “cannibalizes other literary modes and mixes the bits and pieces promiscuously together” (1). And yet, perhaps because of its inability to be completely defined, the novel best represents modern thought and sensibility. -
UNIVERZITA PALACKÉHO V OLOMOUCI Bakalářská Práce
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Bakalářská práce 2019 Martina Kopecká UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Ústav cizích jazyků Bakalářská práce Martina Kopecká Anglický jazyk se zaměřením na vzdělávání A Comparison of John Irving's The Cider House Rules and Its Film Adaptation Olomouc 2019 Vedoucí práce: Mgr. Petr Anténe, M.A., Ph.D. Prohlášení: Prohlašuji, že jsem závěrečnou práci vypracovala samostatně pod vedením Mgr. Petra Anténeho, M.A., Ph.D. s využitím pramenů, které jsou uvedeny v bibliografii. Pardubice, 16.6. 2019 . Martina Kopecká Acknowledgement: I would like to express my thanks to my supervisor: Mgr. Petr Anténe, M.A., Ph.D. for his time, support, professional advice, and helpful guidance. Abstract: This bachelor thesis aims to compare the novel The Cider House Rules, written by John Irving in 1985, and its film adaptation (Miramax, 1999). After a short introduction of the writer and his work, the thesis compares the most important differences between the story featured in the original and the adaptation. The main part of the thesis deals with changes made for individual characters in the context of limitations of film as medium. In chapter 5 the thesis aims to impartially refer to the controversial topic of abortions and how the question of abortions differs in the novel and in the film. Table of Contents Introduction ........................................................................................................................... 8 1 John Irving – the Author ..................................................................................................... -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
John Irving, Female Sexuality, and the Victorian Feminine Ideal
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2002 John Irving, Female Sexuality, and the Victorian Feminine Ideal Tara Coburn Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Coburn, Tara, "John Irving, Female Sexuality, and the Victorian Feminine Ideal" (2002). Masters Theses. 1411. https://thekeep.eiu.edu/theses/1411 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS/FIELD EXPERIENCE PAPER REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is receiving a number of request from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow these to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Date I respectfully request Booth Library of Eastern Illinois University NOT allow -
GORE VIDAL the United States of Amnesia
Amnesia Productions Presents GORE VIDAL The United States of Amnesia Film info: http://www.tribecafilm.com/filmguide/513a8382c07f5d4713000294-gore-vidal-the-united-sta U.S., 2013 89 minutes / Color / HD World Premiere - 2013 Tribeca Film Festival, Spotlight Section Screening: Thursday 4/18/2013 8:30pm - 1st Screening, AMC Loews Village 7 - 3 Friday 4/19/2013 12:15pm – P&I Screening, Chelsea Clearview Cinemas 6 Saturday 4/20/2013 2:30pm - 2nd Screening, AMC Loews Village 7 - 3 Friday 4/26/2013 5:30pm - 3rd Screening, Chelsea Clearview Cinemas 4 Publicity Contact Sales Contact Matt Johnstone Publicity Preferred Content Matt Johnstone Kevin Iwashina 323 938-7880 c. office +1 323 7829193 [email protected] mobile +1 310 993 7465 [email protected] LOG LINE Anchored by intimate, one-on-one interviews with the man himself, GORE VIDAL: THE UNITED STATS OF AMNESIA is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time. SYNOPSIS No twentieth-century figure has had a more profound effect on the worlds of literature, film, politics, historical debate, and the culture wars than Gore Vidal. Anchored by intimate one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining portrait of the last lion of the age of American liberalism. -
The Cider House Rules by John Irving - Monkeynotes by Pinkmonkey.Com Pinkmonkey® Literature Notes On
The Cider House Rules by John Irving - MonkeyNotes by PinkMonkey.com PinkMonkey® Literature Notes on . http://monkeynote.stores.yahoo.net/ Sample MonkeyNotes Note: this sample contains only excerpts and does not represent the full contents of the booknote. This will give you an idea of the format and content. The Cider House Rules by John Irving 1985 MonkeyNotes by Lisa A. Tallman http://monkeynote.stores.yahoo.net/ Reprinted with permission from TheBestNotes.com Copyright © 2003, All Rights Reserved Distribution without the written consent of PinkMonkey.com or TheBestNotes.com is strictly prohibited. KEY LITERARY ELEMENTS 1 PinkMonkey.com/TheBestNotes.com. Copyright © 2003, All Rights Reserved. No further distribution without written consent. http://monkeynote.stores.yahoo.net/ The Cider House Rules by John Irving - MonkeyNotes by PinkMonkey.com SETTING The Cider House Rules takes place in two distinct settings. The majority of the action happens in St. Cloud’s, Maine. St. Cloud’s began as a logging camp in a low river valley. It was initially called Clouds because in the low valley, there was fog until midmorning and a constant mist from the waterfalls. It became St. Cloud’s because of the habit of Catholics of adding the word saint before so many things. Eventually, St. …. LIST OF CHARACTERS Major Characters Homer Wells - Father of Angel Wells. Homer is an orphaned boy who “belonged” to St. Cloud’s. Homer is adopted four times before becoming a permanent member of St. Cloud’s. Always of use, Homer becomes Dr. Larch’s protégé, learning to perform obstetric procedures including abortions. However, ….. Dr. -
Actor and Berkshire Parent Sydney Greenstreet's Letters from the Road
Fall 2011/ Winter 2012 BERKSHIRE BULLETIN Actor and Berkshire Parent Sydney Greenstreet’s Letters From the Road OPENING SHOT Big Buss for Brett MARLEE WALLINGFORD ’76 and BESS MALTZ ANDREWS ’81 welcomed BRETT PUTNAM ’81 to his thirtieth reunion last May. Brett is the son of the ever legendary Em Putnam, a former longtime administrator here. Berkshire Bulletin Fall 2011/Winter 2012 BERKSHIRE BULLETIN 2 Reaction 5 Under the Dome 24 College Essays 26 Alumni Events 28 Reunion Weekend 37 Alumni Authors 38 Our Man in Mexico During Reunion Weekend last spring, LUKE HARAN, president of “The Great Class of 1961,” presented Head of School Mike Maher with a plaque 44 As ever — Sydney formally naming the Great Room in Berkshire Hall, representing a fiftieth-reunion gift of $370,462. A great class, indeed: its members also established two scholar- 55 From Students to Heads ship funds: the Class of 1961 John F. Godman Fund in 1985 and the Class of 1961 Edward H. Hunt Scholarship Fund in 2006. 57 Class Notes 74 In Memoriam Cover: Sydney Greenstreet’s correspondence to Seaver Buck came from whichever city he happened to be appearing in at the time. 80 Of Rogers and Heart Rooted in an inspiring natural setting, Berkshire School instills the highest standards of character and citizenship and a commitment to academic, artistic, and athletic excellence. Our community fosters diversity, a dedication to environmental stewardship, and an enduring love for learning. STEPHEN P. NORMAN ’60, President, Board of Trustees DESIGN: Julie Hammill, Hammill Design Michael J. Maher, Head of School PRINTING: Quality Printing Company, Pittsfield, Mass. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Michael Krasny Has Interviewed a Wide Range of Major Political and Cultural Figures Including Edward Albee, Madeleine Albright
Michael Krasny has interviewed a wide range of major political and cultural figures including Edward Albee, Madeleine Albright, Sherman Alexei, Robert Altman, Maya Angelou, Margaret Atwood, Ken Auletta, Paul Auster, Richard Avedon, Joan Baez, Alec Baldwin, Dave Barry, Harry Belafonte, Annette Bening, Wendell Berry, Claire Bloom, Andy Borowitz, T.S. Boyle, Ray Bradbury, Ben Bradlee, Bill Bradley, Stephen Breyer, Tom Brokaw, David Brooks, Patrick Buchanan, William F. Buckley Jr, Jimmy Carter, James Carville, Michael Chabon, Noam Chomsky, Hillary Rodham Clinton, Cesar Chavez, Bill Cosby, Sandra Cisneros, Billy Collins, Pat Conroy, Francis Ford Coppola, Jacques Cousteau, Michael Crichton, Francis Crick, Mario Cuomo, Tony Curtis, Marc Danner, Ted Danson, Don DeLillo, Gerard Depardieu, Junot Diaz, Leonardo DiCaprio, Joan Didion, Maureen Dowd. Jennifer Egan, Daniel Ellsberg, Rahm Emanuel, Nora Ephron, Susan Faludi, Diane Feinstein, Jane Fonda, Barney Frank, Jonathan Franzen, Lady Antonia Fraser, Thomas Friedman, Carlos Fuentes, John Kenneth Galbraith, Andy Garcia, Jerry Garcia, Robert Gates, Newt Gingrich, Allen Ginsberg, Malcolm Gladwell, Danny Glover, Jane Goodall, Stephen Greenblatt, Matt Groening, Sammy Hagar, Woody Harrelson, Robert Hass, Werner Herzog, Christopher Hitchens, Nick Hornby, Khaled Hosseini, Patricia Ireland, Kazuo Ishiguro, Molly Ivins, Jesse Jackson, PD James, Bill T. Jones, James Earl Jones, Ashley Judd, Pauline Kael, John Kerry, Tracy Kidder, Barbara Kingsolver, Alonzo King, Galway Kinnell, Ertha Kitt, Paul Krugman, Ray -
The Narrators and Their Roles in the Works of John Irving
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce The Narrators and Their Roles in the Works of John Irving Eliška Zděnková Plzeň 2015 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi angličtina - francouzština Bakalářská práce The Narrators and Their Roles in the Works of John Irving Eliška Zděnková Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2015 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2015 Ráda bych poděkovala Mgr. et Mgr. Janě Kašparové za cenné rady, věcné připomínky a vstřícnost při konzultacích a vypracování bakalářské práce. Table of contents Introduction ....................................................................................................................... 1 1. Author versus narrator .................................................................................................. 3 2. Point of view ................................................................................................................. 3 3. Narrator ......................................................................................................................... 4 4. Types of narrators ........................................................................................................