An American Journey
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Introducing the Iwatch
May 2014 Jun June 2014 Welcome to Volume 5, Issue 6 of iDevices (iPhone, iPod & iPad) SIG Meetings Need Help? Go to the iDevice FORUM, click HERE To find Apps that are free for a short time, click these 2 icons: Introducing the iWatch Click to see the video New iPhone Lock screen bypass discovered Here's how to protect against it! By Rene Ritchie, Monday, Jun 9, 2014 16 A new iOS 7.1.1 iPhone Lock screen bypass has been discovered. Lock screen bypasses in and of themselves aren't new — trying to protect a phone while also allowing access to convenient features results is an incredible tension — but this one can provide access to an app, which makes it one of the most serious to date. It does require physical access to your iPhone, but if you do lose possession, here's how the bypass works and, more importantly, how you can protect yourself from it. Note: iMore tested the exploit and its scope before reporting on it. We were able to duplicate it but also get a sense of its ramifications and limitations. First, in order to get around the passcode lock, this bypass requires that the iPhone be placed into Airplane mode, and that a missed phone call notification be present. When those conditions are met, tapping or swiping the missed call notification will cause a Settings popup to appear on top of whatever app was last active (in the foreground) on the iPhone prior to it being locked. Dismiss the popup and you have access to the app. -
The Harlem Renaissance: a Handbook
.1,::! THE HARLEM RENAISSANCE: A HANDBOOK A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY ELLA 0. WILLIAMS DEPARTMENT OF AFRO-AMERICAN STUDIES ATLANTA, GEORGIA JULY 1987 3 ABSTRACT HUMANITIES WILLIAMS, ELLA 0. M.A. NEW YORK UNIVERSITY, 1957 THE HARLEM RENAISSANCE: A HANDBOOK Advisor: Professor Richard A. Long Dissertation dated July, 1987 The object of this study is to help instructors articulate and communicate the value of the arts created during the Harlem Renaissance. It focuses on earlier events such as W. E. B. Du Bois’ editorship of The Crisis and some follow-up of major discussions beyond the period. The handbook also investigates and compiles a large segment of scholarship devoted to the historical and cultural activities of the Harlem Renaissance (1910—1940). The study discusses the “New Negro” and the use of the term. The men who lived and wrote during the era identified themselves as intellectuals and called the rapid growth of literary talent the “Harlem Renaissance.” Alain Locke’s The New Negro (1925) and James Weldon Johnson’s Black Manhattan (1930) documented the activities of the intellectuals as they lived through the era and as they themselves were developing the history of Afro-American culture. Theatre, music and drama flourished, but in the fields of prose and poetry names such as Jean Toomer, Langston Hughes, Countee Cullen and Zora Neale Hurston typify the Harlem Renaissance movement. (C) 1987 Ella 0. Williams All Rights Reserved ACKNOWLEDGEMENTS Special recognition must be given to several individuals whose assistance was invaluable to the presentation of this study. -
A Novel Way to Learn: Black Educational Fiction from Reconstruction to the Harlem Renaissance
A NOVEL WAY TO LEARN: BLACK EDUCATIONAL FICTION FROM RECONSTRUCTION TO THE HARLEM RENAISSANCE BY ARJA KAROLIINA ENGSTROM DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Professor Dale M. Bauer, Chair Associate Professor Stephanie Foote Assistant Professor Nancy Castro Associate Professor Peter Mortensen ii Abstract A Novel Way to Learn examines the development of black fiction in tandem with black educational advancement from Reconstruction to the Harlem Renaissance. By reading education in the novels of Frances Ellen Watkins Harper, Sutton Griggs, W.E.B. Du Bois, and Jessie Redmon Fauset, I reveal an underexplored genealogy of black educational thought from initial calls for educational access to more independent, ideological, and pragmatic modes embodied in the texts of black fiction writers. Ultimately, I argue that black educational fiction constitutes a key strand of African American writing before the Harlem Renaissance. iii Acknowledgements It is only thanks to the wisdom, generosity, and guidance of many people in academia that I can write these pages of appreciation. I want to thank my doctoral committee: my director Dale Bauer, Stephanie Foote, Nancy Castro, and Peter Mortensen. I will always be grateful for Dale’s guidance, intellect, and vision as well as her kindness and patience. She is truly phenomenal, and I could not have completed this project had she not been my advisor. Stephanie Foote is second to none when it comes to seeing the potential for greatness in a draft, and I am very lucky to have had her read my work. -
Ios App Reverse Engineering
snakeninny, hangcom Translated by Ziqi Wu, 0xBBC, tianqing and Fei Cheng iOS App Reverse Engineering Table of Contents Recommendation ..................................................................................................................................................... 1 Preface ....................................................................................................................................................................... 2 Foreword ................................................................................................................................................................... 7 Part 1 Concepts ....................................................................................................................................................... 12 Chapter 1 Introduction to iOS reverse engineering ............................................................................................. 13 1.1 Prerequisites of iOS reverse engineering .......................................................................................................... 13 1.2 What does iOS reverse engineering do ............................................................................................................ 13 1.2.1 Security related iOS reverse engineering ...................................................................................................... 16 1.2.2 Development related iOS reverse engineering ............................................................................................ -
Harlem Renaissance Special Points of Interest
Harlem Renaissance Special points of interest: The Harlem Renaissance was also know as the New Negro Movement. Plainfield Public Library Pathfinder September 2010 This captivating period of African American history began after Harlem Renaissance WWI and lasted until about 1935, in the mid- Do you have a special project for Black History dle of the Great involving ? Per- Depression. Month The Harlem Renaissance haps you are working on a college paper and are This great out flux of currently studying this very interesting and creative creativity, artistic period of American arts and letters. If you are start- expression, and ing a book club at home, and would like to begin it intellectualism repre- investing some time in this period of African Ameri- sented a marked can writing, can help concentration of pro- The Plainfield Public Library test, ideological you find the materials you need to form an outline advancement, and the for a discussion group. Or perhaps you saw a film furthering of civil rights or documentary on a title or author in this time peri- for African Americans. od, and you would like to simply find the printed ver- sion for your reading enjoyment. The goal of the move- ment was to create a Romare Bearden doubled disconnect between The Reference Department staff can help you find throughout his life as a social peoples’ perception of printed and electronic resources/items to enlighten worker by day and a visual African Americans and you about this time in American history, and the per- artist by night and weekends. those perpetuated by sonalities and talents that contributed to the flower- The prolific artist was a part mainstream American of the Harlem Artists Guild culture and its ing of African American arts and literature in the after studying art in NYC and institutions. -
Presenter-To-Go™ Springboard™ Module User's Guide
Presenter-to-Go™ Springboard™ Module User’s Guide Digital Projector The Presenter-to-Go Module Slides into the Springboard Slot in the back of the Visor HandspringTM VisorTM Includes Instructions For: • Presenter-to-Go Palm OS Presentation Application with File Creation Support on Windows 98, Millennium, 2000 and Mac OS 9. • MARGI Mirror Palm OS Graphics Display Application. MARGI Systems Inc. • Fremont, CA 94538 • www.presenter-to-go.com 1 Table of Contents 1. Introduction ...............................................................................4 Your Product Packaging Contains:.......................................................4 2. System Requirements................................................................4 Handheld ...............................................................................................5 Desktop or Laptop.................................................................................5 Display Device......................................................................................5 3. Visor Installation/Setup.............................................................5 4. PC Creation Software Installation/Setup ..................................6 Installing the Presenter-to-Go PC Creation Software drivers...............6 Un-Installing the PC Creation Software drivers...................................6 5. Creating Your Presentation.......................................................7 Creating Presentations from within Microsoft PowerPoint on your desktop PC (or laptop): .........................................................................7 -
MFA Boston, Acquisition of Works from Axelrod Collection, Press Release, P
MFA Boston, Acquisition of Works from Axelrod Collection, Press Release, p. 1 Contact: Karen Frascona 617.369.3442 [email protected] MUSEUM OF FINE ARTS, BOSTON, ACQUIRES WORKS BY AFRICAN AMERICAN ARTISTS FROM JOHN AXELROD COLLECTION MFA Marks One-Year Anniversary of Art of the Americas Wing with Display including Works by John Biggers, Eldzier Cortor, and Archibald Motley Jr. BOSTON, MA (November 3, 2011)—Sixty-seven works by African American artists have recently been acquired by the Museum of Fine Arts, Boston (MFA), from collector John Axelrod, an MFA Honorary Overseer and long-time supporter of the Museum. The purchase has enhanced the MFA’s American holdings, transforming it into one of the leading repositories for paintings and sculpture by African American artists. The Museum’s collection will now include works by almost every major African American artist working during the past century and a half. Seven of the works are now displayed in the Art of the Cocktails, about 1926, Archibald Motley Americas Wing, in time for its one-year anniversary this month. This acquisition furthers the Museum’s commitment to showcasing the great multicultural artistry found throughout the Americas. It was made possible with the support of Axelrod and the MFA’s Frank B. Bemis Fund and Charles H. Bayley Fund. Axelrod has also donated his extensive research library of books about African American artists to the Museum, as well as funds to support scholarship. ―This is a proud moment for the MFA. When we opened the Art of the Americas Wing last year, our goal was to reflect the diverse interests and backgrounds of all of our visitors. -
“A Grievous Necessity”: the Subject of Marriage in Transatlantic Modern Women’S Novels: Woolf, Rhys, Fauset, Larsen, and Hurston
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ “A GRIEVOUS NECESSITY”: THE SUBJECT OF MARRIAGE IN TRANSATLANTIC MODERN WOMEN’S NOVELS: WOOLF, RHYS, FAUSET, LARSEN, AND HURSTON A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2004 by Kristin Kommers Czarnecki B.A., University of Notre Dame 1991 M.A., Northwestern University 1997 Committee Chair: Arlene Elder ABSTRACT “A GRIEVOUS NECESSITY”: THE SUBJECT OF MARRIAGE IN TRANSATLANTIC MODERN WOMEN’S NOVELS: WOOLF, RHYS, FAUSET, LARSEN, AND HURSTON My dissertation analyzes modern women’s novels that interrogate the role of marriage in the construction of female identity. Mapping the character of Clarissa in The Voyage Out (1915), “Mrs. Dalloway’s Party” (1923), and primarily Mrs. Dalloway (1925), I highlight Woolf’s conviction that negotiating modernity requires an exploratory yet protected consciousness for married women. Rhys’s early novels, Quartet (1929), After Leaving Mr. Mackenzie (1931), Voyage in the Dark (1934), and Good Morning, Midnight (1939), portray women excluded from the rite of marriage in British society. Unable to counter oppressive Victorian mores, her heroines invert the modernist impulse to “make it new” and face immutability instead, contrasting with the enforced multiplicity of identity endured by women of color in Fauset’s Plum Bun (1929) and Larsen’s Quicksand (1928) and Passing (1929). -
African American Modernist: the Exhibition, the Artist, and His Legacy
Aaron Douglas: African American Modernist 121 Aaron Douglas: African American Modernist: The Exhibition, the Artist, and His Legacy Stephanie Fox Knappe On September 8, 2007, the Spencer Museum of Art at the University of Kansas, Lawrence, opened the first nationally traveling retrospective to com- memorate the art and legacy of Aaron Douglas (1899–1979), the preeminent visual artist of the Harlem Renaissance. Aaron Douglas: African American Modernist reaffirmed his position in the annals of what remains the largely white epic of American modernism and focused new attention on lesser-known facets of the lengthy career of the indefatigable artist. The retrospective of nearly one hundred works in a variety of media from thirty-seven lenders, as well as its accompanying catalogue, conference, and myriad complementary programs, declared the power of Douglas’s distinctive imagery and argued for the lasting potency of his message. This essay provides an opportunity to extend the experience presented by Aaron Douglas: African American Modernist during its fifteen-month tour. Beginning at the Spencer Museum of Art and continuing on to the Frist Center for the Visual Arts in Nashville, and Washington D.C.’s Smithsonian American Art Museum, the exhibition closed on November 30, 2008, at the Schomburg Center for Research in Black Culture in New York. Many of the works that were gathered together for the traveling retrospective with the purpose of showcasing Douglas, his role in American modernism, and his enduring legacy are discussed in this essay. Additionally, to acknowledge that rare is the artist whose work may truly be understood when divorced from the context in which it took root, the 0026-3079/2008/4901/2-121$2.50/0 American Studies, 49:1/2 (Spring/Summer 2008): 121-130 121 122 Stephanie Fox Knappe art that composed Aaron Douglas: African American Modernist is presented here in tandem with key biographical elements. -
Poets of the Harlem Renaissance
Poets of the Harlem Renaissance Curriculum Development Project Anne Dunkelberger ED 863: An Interpretive History of African-American Education, 1700-1950 December 1, 2009 Overview In the years following WWI America went through a time of great social and political transformation. This was the decade of women’s rights, prohibition, low unemployment, the Red Scare, and the Scopes Trial. It was also a decade of great artistic and intellectual contribution. The steady economy and sense of pride from the war led to a resurgence of creative expression throughout the United States. In New York City at this time, African-Americans experienced a revitalization if their culture. The new opportunities afforded to African-Americans in the 1920s gave them greater control over their lives. African-American artists and intellectuals portrayed their community’s unique position through their inspired work. The “roaring twenties,” as the decade is commonly referred to, is also known as the “Jazz Age,” due to the new form of music brought to the North by African-Americans from the South. After WWI thousands of African-Americans were moving to northern cities. In northern cities they saw more opportunity; the wages were higher in the North, there was less racism, and more educational opportunities. More importantly, however, there were more industrial jobs for African Americans due to WWI and immigration reform (United Streaming, “The Harlem Renaissance”). Many African- Americans migrating to the North ended up in New York City, particularly the Harlem section of Manhattan. Harlem began attracting African-Americans around 1904 when the Lennox Avenue subway stop was constructed. -
Extraction Report Apple Iphone Logical
Extraction Report Apple iPhone Logical Summary Connection Type Cable No. 210 Extraction start date/time 10/04/2016 1:10:13 PM Extraction end date/time 10/04/2016 1:10:25 PM Extraction Type Logical Extraction ID 70792f86-897d-4288-a86c-f5fff7af0208 Selected Manufacturer Apple Selected Device Name iPhone 5C UFED Physical Analyzer version 4.2.2.95 Version type Time zone settings (UTC) Original UTC value Examiner name Redacted Device Information # Name Value Delete 1 Apple ID Redacted 2 Device Name iPhone 3 Display Name iPhone 4 ICCID 89012300000010049886 5 ICCID 89012300000010049886 6 IMEI 358815053266580 7 Is Encrypted False 8 Last Activation Time 01/01/1970 12:17:42 AM(UTC+0) 9 Last Used ICCID 89012300000010049886 10 Phone Number Redacted 11 Phone Number Redacted 12 Product Name iPhone 5c (A1456/A1532) 13 Product Type iPhone5,3 14 Product Version 8.4.1 15 Serial Number F8RQC1WRFFHH 16 Unique Identifier 2A9AA94D1D07EDF57351CEEA7B9E71C56A63312C Image Hash Details (1) No reference hash information is available for this project. # Name Info 1 FileDump Path iPhoneBackup.tar Size (bytes) 56177279 1 Plugins # Name Author Version 1 iPhone Backup Parser Cellebrite 2.0 Parses all iPhone Backup/Logical/FS dumps, including decryption and/or FileSystem creation when necessary 2 CpioExtractor Cellebrite 2.0 Decode all the CPIO files in the extraction 3 iPhone Databases Logical Cellebrite 2.0 Reads various databases on the iPhone, containing notes, calendar, locations, Safari bookmarks, cookies and history, Facebook friends and bluetooth pairings. 4 iPhone device info Cellebrite 2.0 Decodes device infromation for iPhone devices 5 QuicktimeMetadata Cellebrite 2.0 Extracts metadata from Apple quicktime movies 6 Garbage Cleaner 7 DataFilesHandler Cellebrite 2.0 Tags data files according to extensions and file signatures 8 ContactsCrossReference Cellebrite 2.0 Cross references the phone numbers in a device's contacts with the numbers in SMS messages and Calls. -
Corbould - Issue Four - Colloquy
Corbould - Issue four - Colloquy "What is Modernism to me?" Individual Selves and Collective Identities in African-American Women's Writing, 1920-1935 Claire Corbould The brick wall that is any attempt to define "modernism" sent me running to the Oxford Companion to English Literature . Here I found that in an effort to break thoroughly with the past, modernist writing is characterised in part by an awareness of the unconscious and an interest in the presentation of personality. At the very least, it can be assumed that popular conceptions of modernist writing concern the "inner" self, its relationship or interaction with the "outer" self, and, more generally, the presentation of the individual [1] . Moreover, popular definitions of modernism ñin the USA as well as in Britain ñ continue to prioritise the avant-garde and experimentation with form. Perhaps the most famous examples are Molly Bloom and Alice B. Toklas. Bloom's "stream-of-consciousness" account which concludes James Joyce's Ulysses is taken as emblematic of modernist expression, and is cited as such by the Oxford Companion [2] . It is easy to see how, within such paradigms, the cultural production of the Harlem Renaissance has been neglected in the historical consideration of modernism. Nathan Huggins, in his important 1971 work, Harlem Renaissance, exemplifies this attitude in his discussion of the poetry of the period. Countee Cullen and Claude McKay, he argues, were hamstrung by their adherence to forms such as the sonnet. Such formalism, he argues, reflects a basic conservatism. Cullen, was, a "perfect example of a twentieth- century poet marching to a nineteenth-century drummer ..