A Novel Way to Learn: Black Educational Fiction from Reconstruction to the Harlem Renaissance
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Vma Championships and Vrwc Races, Dolomore Oval, Mentone, Sunday 10 April 2011
HEEL AND TOE ONLINE The official organ of the Victorian Race Walking Club 2010/2011 Number 28 11 April 2011 VRWC Preferred Supplier of Shoes, clothes and sporting accessories. Address: RUNNERS WORLD, 598 High Street, East Kew, Victoria (Melways 45 G4) Telephone: 03 9817 3503 Hours : Monday to Friday: 9:30am to 5:30pm Saturday: 9:00am to 3:00pm Website: http://www.runnersworld.com.au/ VMA CHAMPIONSHIPS AND VRWC RACES, DOLOMORE OVAL, MENTONE, SUNDAY 10 APRIL 2011 It was cool, overcast and intermittently windy at Mentone for the annual VMA 5000m track walk championships last Sunday morning but the rain held off and our walkers raced well. Kelly Ruddick 23:23 and Stuart Kollmorgen 22:13 won their respective races and there were a whole swag of walkers over the 80% Age Graded Performance mark. The best were Heather Carr with 92.66% (26:59 for W60) and Bob Gardiner 90.31% (29:36 for M75). It was great to see Tony Johnson back in walking mode and doing it in fine style to win the M70 with 30:41. We also welcomed Croatian walker Sasha Radotic, currently in Australia for next weekend's Coburg 24 Hour Run – he took third in the M40 division with 27:15. VMA 5000M CHAMPIONSHIPS – WOMEN W35 1 Ruddick, Kelly 37 23:23 86.19% W45 1 Shaw, Robyn 49 29:58 73.80% W50 1 Elms, Donna 50 32:02 69.65% W55 1 Thompson, Alison 58 29:25 82.14% W60 1 Carr, Heather 61 26:59 92.66% W60 2 Feldman, Liz 62 31:17 80.88% W60 3 Johnson, Celia 63 33:59 75.37% W65 1 Steed, Gwen 68 33:31 81.67% W70 1 Beaumont, Margaret 73 42:05 68.76% W75 1 Browning, Betty 79 45:06 67.67% W75 -
2018 World Masters Championships Women / August 17 - 25, 2018 Age Group W70 Weight Category 58 Body Snatch Clean & Jerk SMF T Name Nat
2018 World Masters Championships Women / August 17 - 25, 2018 Age Group W70 Weight Category 58 Body Snatch Clean & Jerk SMF T Name Nat. Wt. Age 1st 2nd 3rd 1st 2nd 3rd Total Total 1 HUUSKONEN Terttu FIN 54.62 74 29 31 32 39 41 42 73 216.410 2 MCSWAIN Dagmar AUT 57.35 74 23 25 25 28 30 31 55 157.680 Age Group W70 Weight Category 69 Body Snatch Clean & Jerk SMF T Name Nat. Wt. Age 1st 2nd 3rd 1st 2nd 3rd Total Total 1 DOLMAN Lynn GBR 66.72 70 25 26 27 30 32 34 61 144.320 Age Group W70 Weight Category 75 Body Snatch Clean & Jerk SMF T Name Nat. Wt. Age 1st 2nd 3rd 1st 2nd 3rd Total Total 1 QUINN Judy CAN 74.35 70 29 31 33 39 41 41 74 165.290 Age Group W65 Weight Category 48 Body Snatch Clean & Jerk SMF T Name Nat. Wt. Age 1st 2nd 3rd 1st 2nd 3rd Total Total 1 BOURGE Christine FRA 46.18 66 27 29 30 37 39 41 69 191.690 Age Group W65 Weight Category 53 Body Snatch Clean & Jerk SMF T Name Nat. Wt. Age 1st 2nd 3rd 1st 2nd 3rd Total Total 1 BERENDSEN Maria NED 51.42 67 33 35 35 39 41 41 74 193.360 2 DAVIS Julie AUS 51.76 66 26 27 28 35 37 39 65 165.220 3 MATSUZAKI Junko AUS 52.18 69 23 24 25 40 41 42 65 176.230 Age Group W65 Weight Category 58 Body Snatch Clean & Jerk SMF T Name Nat. -
The Harlem Renaissance: a Handbook
.1,::! THE HARLEM RENAISSANCE: A HANDBOOK A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY ELLA 0. WILLIAMS DEPARTMENT OF AFRO-AMERICAN STUDIES ATLANTA, GEORGIA JULY 1987 3 ABSTRACT HUMANITIES WILLIAMS, ELLA 0. M.A. NEW YORK UNIVERSITY, 1957 THE HARLEM RENAISSANCE: A HANDBOOK Advisor: Professor Richard A. Long Dissertation dated July, 1987 The object of this study is to help instructors articulate and communicate the value of the arts created during the Harlem Renaissance. It focuses on earlier events such as W. E. B. Du Bois’ editorship of The Crisis and some follow-up of major discussions beyond the period. The handbook also investigates and compiles a large segment of scholarship devoted to the historical and cultural activities of the Harlem Renaissance (1910—1940). The study discusses the “New Negro” and the use of the term. The men who lived and wrote during the era identified themselves as intellectuals and called the rapid growth of literary talent the “Harlem Renaissance.” Alain Locke’s The New Negro (1925) and James Weldon Johnson’s Black Manhattan (1930) documented the activities of the intellectuals as they lived through the era and as they themselves were developing the history of Afro-American culture. Theatre, music and drama flourished, but in the fields of prose and poetry names such as Jean Toomer, Langston Hughes, Countee Cullen and Zora Neale Hurston typify the Harlem Renaissance movement. (C) 1987 Ella 0. Williams All Rights Reserved ACKNOWLEDGEMENTS Special recognition must be given to several individuals whose assistance was invaluable to the presentation of this study. -
Harlem Renaissance Special Points of Interest
Harlem Renaissance Special points of interest: The Harlem Renaissance was also know as the New Negro Movement. Plainfield Public Library Pathfinder September 2010 This captivating period of African American history began after Harlem Renaissance WWI and lasted until about 1935, in the mid- Do you have a special project for Black History dle of the Great involving ? Per- Depression. Month The Harlem Renaissance haps you are working on a college paper and are This great out flux of currently studying this very interesting and creative creativity, artistic period of American arts and letters. If you are start- expression, and ing a book club at home, and would like to begin it intellectualism repre- investing some time in this period of African Ameri- sented a marked can writing, can help concentration of pro- The Plainfield Public Library test, ideological you find the materials you need to form an outline advancement, and the for a discussion group. Or perhaps you saw a film furthering of civil rights or documentary on a title or author in this time peri- for African Americans. od, and you would like to simply find the printed ver- sion for your reading enjoyment. The goal of the move- ment was to create a Romare Bearden doubled disconnect between The Reference Department staff can help you find throughout his life as a social peoples’ perception of printed and electronic resources/items to enlighten worker by day and a visual African Americans and you about this time in American history, and the per- artist by night and weekends. those perpetuated by sonalities and talents that contributed to the flower- The prolific artist was a part mainstream American of the Harlem Artists Guild culture and its ing of African American arts and literature in the after studying art in NYC and institutions. -
“A Grievous Necessity”: the Subject of Marriage in Transatlantic Modern Women’S Novels: Woolf, Rhys, Fauset, Larsen, and Hurston
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ “A GRIEVOUS NECESSITY”: THE SUBJECT OF MARRIAGE IN TRANSATLANTIC MODERN WOMEN’S NOVELS: WOOLF, RHYS, FAUSET, LARSEN, AND HURSTON A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2004 by Kristin Kommers Czarnecki B.A., University of Notre Dame 1991 M.A., Northwestern University 1997 Committee Chair: Arlene Elder ABSTRACT “A GRIEVOUS NECESSITY”: THE SUBJECT OF MARRIAGE IN TRANSATLANTIC MODERN WOMEN’S NOVELS: WOOLF, RHYS, FAUSET, LARSEN, AND HURSTON My dissertation analyzes modern women’s novels that interrogate the role of marriage in the construction of female identity. Mapping the character of Clarissa in The Voyage Out (1915), “Mrs. Dalloway’s Party” (1923), and primarily Mrs. Dalloway (1925), I highlight Woolf’s conviction that negotiating modernity requires an exploratory yet protected consciousness for married women. Rhys’s early novels, Quartet (1929), After Leaving Mr. Mackenzie (1931), Voyage in the Dark (1934), and Good Morning, Midnight (1939), portray women excluded from the rite of marriage in British society. Unable to counter oppressive Victorian mores, her heroines invert the modernist impulse to “make it new” and face immutability instead, contrasting with the enforced multiplicity of identity endured by women of color in Fauset’s Plum Bun (1929) and Larsen’s Quicksand (1928) and Passing (1929). -
Poets of the Harlem Renaissance
Poets of the Harlem Renaissance Curriculum Development Project Anne Dunkelberger ED 863: An Interpretive History of African-American Education, 1700-1950 December 1, 2009 Overview In the years following WWI America went through a time of great social and political transformation. This was the decade of women’s rights, prohibition, low unemployment, the Red Scare, and the Scopes Trial. It was also a decade of great artistic and intellectual contribution. The steady economy and sense of pride from the war led to a resurgence of creative expression throughout the United States. In New York City at this time, African-Americans experienced a revitalization if their culture. The new opportunities afforded to African-Americans in the 1920s gave them greater control over their lives. African-American artists and intellectuals portrayed their community’s unique position through their inspired work. The “roaring twenties,” as the decade is commonly referred to, is also known as the “Jazz Age,” due to the new form of music brought to the North by African-Americans from the South. After WWI thousands of African-Americans were moving to northern cities. In northern cities they saw more opportunity; the wages were higher in the North, there was less racism, and more educational opportunities. More importantly, however, there were more industrial jobs for African Americans due to WWI and immigration reform (United Streaming, “The Harlem Renaissance”). Many African- Americans migrating to the North ended up in New York City, particularly the Harlem section of Manhattan. Harlem began attracting African-Americans around 1904 when the Lennox Avenue subway stop was constructed. -
Corbould - Issue Four - Colloquy
Corbould - Issue four - Colloquy "What is Modernism to me?" Individual Selves and Collective Identities in African-American Women's Writing, 1920-1935 Claire Corbould The brick wall that is any attempt to define "modernism" sent me running to the Oxford Companion to English Literature . Here I found that in an effort to break thoroughly with the past, modernist writing is characterised in part by an awareness of the unconscious and an interest in the presentation of personality. At the very least, it can be assumed that popular conceptions of modernist writing concern the "inner" self, its relationship or interaction with the "outer" self, and, more generally, the presentation of the individual [1] . Moreover, popular definitions of modernism ñin the USA as well as in Britain ñ continue to prioritise the avant-garde and experimentation with form. Perhaps the most famous examples are Molly Bloom and Alice B. Toklas. Bloom's "stream-of-consciousness" account which concludes James Joyce's Ulysses is taken as emblematic of modernist expression, and is cited as such by the Oxford Companion [2] . It is easy to see how, within such paradigms, the cultural production of the Harlem Renaissance has been neglected in the historical consideration of modernism. Nathan Huggins, in his important 1971 work, Harlem Renaissance, exemplifies this attitude in his discussion of the poetry of the period. Countee Cullen and Claude McKay, he argues, were hamstrung by their adherence to forms such as the sonnet. Such formalism, he argues, reflects a basic conservatism. Cullen, was, a "perfect example of a twentieth- century poet marching to a nineteenth-century drummer .. -
African-American Writers
AFRICAN-AMERICAN WRITERS Philip Bader Note on Photos Many of the illustrations and photographs used in this book are old, historical images. The quality of the prints is not always up to current standards, as in some cases the originals are from old or poor-quality negatives or are damaged. The content of the illustrations, however, made their inclusion important despite problems in reproduction. African-American Writers Copyright © 2004 by Philip Bader All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Bader, Philip, 1969– African-American writers / Philip Bader. p. cm.—(A to Z of African Americans) Includes bibliographical references (p. ) and indexes. ISBN 0-8160-4860-6 (acid-free paper) 1. American literature—African American authors—Bio-bibliography—Dictionaries. 2. African American authors—Biography—Dictionaries. 3. African Americans in literature—Dictionaries. 4. Authors, American—Biography—Dictionaries. I. Title. II. Series. PS153.N5B214 2004 810.9’96073’003—dc21 2003008699 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Joan M. -
Embodied Injustices: COVID-19, Race, and Epigenetics
PANDION: The Osprey Journal of Research & Ideas Volume 2 Number 1 Article 3 2021 Embodied Injustices: COVID-19, Race, and Epigenetics Maria Encinosa University of North Florida, [email protected] Faculty Mentor: Dr. Anne E. Pfister, Associate Professor of Anthropology Department of Sociology, Anthropology, and Social Work 2020-2021 Undergraduate Researcher of the Year Follow this and additional works at: https://digitalcommons.unf.edu/pandion_unf Part of the Anthropology Commons, and the Medical Sciences Commons Recommended Citation Encinosa, Maria (2021) "Embodied Injustices: COVID-19, Race, and Epigenetics," PANDION: The Osprey Journal of Research and Ideas: Vol. 2 : No. 1 , Article 3. Available at: https://digitalcommons.unf.edu/pandion_unf/vol2/iss1/3 This Article is brought to you for free and open access by the Student Scholarship at UNF Digital Commons. It has been accepted for inclusion in PANDION: The Osprey Journal of Research & Ideas by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2021 All Rights Reserved Embodied Injustices: COVID-19, Race, and Epigenetics Maria Encinosa 2020-2021 Undergraduate Researcher of the Year Faculty Mentor: Anne E. Pfister, Ph.D. Department of Sociology, Anthropology, and Social Work University of North Florida Abstract The co-occurrence of the COVID-19 pandemic with the long-lasting effects of systemic racism has been devastating, and results in vast inequities in infection and mortality rates within communities of color. In this article, I analyze the potential for epigenetic research to operationalize the social science theory of embodiment, which describes how the social and material worlds manifest in our physical bodies. -
The Harlem Renaissance: Nation, Physically and Mentally
Faith (New York, NY: Christian College Coalition, 1990), shift, changing the previous image of the rural, 204. uneducated AfricanAmerican to one of urban, [54] Chewning, Business Through the Eyes of Faith, cosmopolitan sophistication. This new identity led to 29;66. increased social consciousness, and endowed a [55] Ibid., 194. population that until this time had only experienced [56] Michael Briznek, “S. Truett Cathy: From Young inferiority and depravity. This movement provided a Entrepreneur to a Foodservice Industry Leader,” Journal source of release of their oppression and gave them of Hospitality & Tourist Education 19, no. 4 (2007): 9. hope, faith, and inspiration to create an empowered [57] Auntie Anne’s Inc., “Store Locator,” Auntie Anne’s, identity. This new movement wasn’t just a coincidence, 2012, however, it was driven by several key circumstances http://web.archive.org/web/20010604192524/http://aunti and figures, and among the most important of these was eannes.knowwhere.com/auntieannes/region/intl.html, Charles Spurgeon Johnson. He, with the support of (November 2012). philosopher and professor Alain LeRoy Locke, guided [58] Calvin Redekop, Mennonite Entrepreneurs the emergence of AfricanAmerican culture into white (Baltimore, MD: The Johns Hopkins University Press, dominated society, and this effort was formally and 1995), 162. symbolically launched through their orchestration of the [59] Cathy Enz, Hospitality Strategic Management Civic Club Dinner in Manhattan on March 21st, 1924. (Hoboken, NJ: John Wiley & Songs, 2010), 107. [60] Nabil Ibrahim and John Angelidis, “Christian Migration to Harlem Companies and Their Secular Counterparts,” Journal of In the South, AfricanAmericans were trapped in Business Ethics 58, no.1 (Spring 2005): 188191. -
2018 Donor Edition Bridge
FROM THE PRESIDENT Greetings from campus! I am confident you will enjoy our fall issue of the Bridge. Among many other stories, its pages contain this year’s advancement theme of Finlandia’s student learning support, a programmatic center of excellence here at Finlandia. We have also dedicated this issue’s cover and special feature to former Finlandia University president, Dr. Robert Ubbelohde (1942-2018). Bob’s imprint is everywhere on Finlandia’s campus today. The Finlandia community is deeply grateful for his faithful, visionary leadership. We also wish to introduce new leadership in this issue. In 2018, Finlandia elected five new Board of Trustee members: Stephen Nikander resides in Santa Clarita, California. Steve, a chartered financial analyst (CFA), brings to Finlandia’s board a wealth of experience and executive leadership in investment management. Steve’s great grandfather, Rev. Juho Kustaa Nikander served as Finlandia’s first president from 1896 to 1919. See this year’s spring issue of the Bridge for more on Steve. Steve serves on the committee for administration and finance. John Niska divides his time between Providence, Rhode Island and Ontonagon, Michigan. He describes how his Finnish grandparents “instilled in their children and grandchildren the value of education, the importance of hard work and pride in their heritage.” John spent his entire professional career in K-12 and higher education. John serves on the committee for academics and assessment. There is a feature on him and the new position he’s taken with the Finnish Council in America on page 14. Ross Rinkinen (’04) resides in Chassell, Michigan. -
LIT 6358, Section 22C8, Reid
Dr. Reid LIT 6358 sec.22C8 : A Critical-Theoretical Look at the Harlem Renaissance T 3-5 (9:35pm -12:30pm) Office 4318 TURL (W 9TH [4PM-5PM]); TEL: 392-6650 x 246; E-MAIL:[email protected] This course extends the Harlem Renaissance and the geographical place of Harlem to embrace an international movement in Black creative and intellectual production between the 1920s and the end of the 1930s. During this period between the war years, Harlem was in vogue and Caribbean, African, and American Blacks began a consorted effort to redefine Blackness in their literatures, arts, and political writings. In discussing this period, the students should critically and theoretically discuss issues of class, gender, race, and ethnicity. The critical and theoretical component includes such commentators as Houston Baker, Hazel Carby, Stuart Hall, Paul Gilroy, Homi Bhabha, Barbara Christian, Louis Althusser, and Antonio Negri. I. REQUIRED TEXTS: Amazon or University Bookstore (more expensive) Jessie Redmon Fauset, Plum Bun; A Novel Without a Moral Author Nella Larson, Quicksand and Passing David Levering Lewis The Portable Harlem Renaissance Reader Alain LeRoy Locke, The New Negro: Voices of the Harlem Renaissance Claude McKay, Home T о Harlem Wallace Thurman, The Blacker the Berry Jean Toomer, Cane Nathan Irvin Huggins, Voices From the Harlem Renaissance Cary D. Wintz, Black Culture and the Harlem Renaissance Daylanne K. English, Unnatural Selections: Eugenic in American Modernism and the Harlem Renaissance TEXTS: On Reserve in Library (ARES) Library West ARES webpage, click on the link for LIT 6358 sec.22C8 II. COURSE REQUIREMENTS: A. Reaction Papers 20 points Due WEEKS 2, 3, 4, 5, 6, 7, 8, 9,10,11, [12,13] Students are responsible for all weekly assigned readings and must submit a one to two-page single-space typed critical reaction paper on the weekly readings and film screenings for weeks two through thirteen.