1 Ulbricht's Berlin Problem
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Violence and the Word
Essays Violence and the Word Robert M. Coverf I. INTRODUCTION: THE VIOLENCE OF LEGAL ACTS Legal interpretation' takes place in a field of pain and death. This is true in several senses. Legal interpretive acts signal and occasion the im- position of violence upon others: A judge articulates her understanding of a text, and as a result, somebody loses his freedom, his property, his chil- dren, even his life. Interpretations in law also constitute justifications for violence which has already occurred or which is about to occur. When interpreters have finished their work, they frequently leave behind victims whose lives have been torn apart by these organized, social practices of violence. Neither legal interpretation nor the violence it occasions may be properly understood apart from one another. This much is obvious, though the growing literature that argues for the centrality of interpretive practices in law blithely ignores it.2 t Chancellor Kent Professor of Law and Legal History, Yale University. There are always legends of those who came first, who called things by their right names and thus founded the culture of meaning into which we latecomers are born. Charles Black has been such a legend, striding across the landscape of law naming things, speaking "with authority." And we who come after him are eternally grateful. I wish to thank Harlon Dalton, Susan Koniak and Harry Wellington for having read and com- mented upon drafts of this essay. Some of the ideas in this essay were developed earlier, in the Brown Lecture which I delivered at the Georgia School of Law Conference on Interpretation in March, 1986. -
Escape to Freedom: a Story of One Teenager’S Attempt to Get Across the Berlin Wall
Escape to Freedom: A story of one teenager’s attempt to get across the Berlin Wall By Kristin Lewis From the April 2019 SCOPE Issue Every muscle in Hartmut Richter’s body ached. He’d been in the cold water for four agonizing hours. His body temperature had plummeted dangerously low. Now, to his horror, he found himself trapped in the water by a wall of razor-sharp barbed wire. Precious seconds ticked by. The area was crawling with guards carrying machine guns. Some had snarling dogs at their sides. If they caught Hartmut, he could be thrown in prison—or worse. These men were trained to shoot on sight. Hartmut grabbed the wire with his bare hands. He began pulling it apart, hoping he could make a hole large enough to squeeze through. Hartmut Richter was not a criminal escaping from jail. He was not a bank robber on the run. He was simply an 18-year-old kid who wanted nothing more than to be free—to listen to the music he wanted to listen to, to say what he wanted to say and think what he wanted to think. And right now, Hartmut was risking everything to escape from his country and start a new life. A Bleak Time Hartmut was born in Germany in 1948. He lived near the capital city of Berlin with his parents and younger sister. This was a bleak time for his country. Only three years earlier, Germany had been defeated in World War II. During the war, Germany had invaded nearly every other country in Europe. -
Tageszeitung (Taz) Article on the Opening of the Berlin Wall
Volume 10. One Germany in Europe, 1989 – 2009 The Fall of the Berlin Wall (November 9, 1989) Two journalists from Die Tageszeitung (taz), a left-of-center West Berlin newspaper, describe the excitement generated by the sudden opening of the Berlin Wall on November 9, 1989. The event was the result of internal pressure applied by East German citizens, and it evoked spontaneous celebration from a people who could once again freely cross the border and rekindle relationships with friends and relatives on the other side. (Please note: the dancing bear mentioned below is a figurative reference to West Berlin's official mascot. Beginning in 1954, the flag of West Berlin featured a red bear set against a white background. In 1990, the bear became the mascot of a unified Berlin. The former West Berlin flag now represents the city as a whole.) "We Want In!" The Bear Is Dancing on the Border Around midnight, RIAS – the American radio station broadcasting to the East – still has no traffic interruptions to report. Yet total chaos already reigns at the border checkpoint on Invalidenstrasse. People parked their cars at all conceivable angles, jumped out, and ran to the border. The transmission tower of the radio station "Free Berlin" is already engulfed by a throng of people (from the West) – waiting for the masses (from the East) to break through. After three seconds, even the most hardened taz editor finds himself applauding the first Trabi he sees. Everyone gets caught up in the frenzy, whether she wants to or not. Even the soberest members of the crowd are applauding, shrieking, gasping, giggling. -
ISUM #3, Per10d Ending 142400 Dec 61
, 6-2.. • S'=I'R..."'~ ET. HEAIlQUARTElIS BERLIN BRIGADE Off ice of the AC of 8, G2 APO 742 US FOR::ES + 1 . (8 \ ~!l..'ClE1' FORCES: a. Hf'llccpter f light over Installation 4154 and AUf,J'1..lst Bebel PIa t."':t.:1 E.l.f"t Ber::'ln on 13 December revealed the following: (1) 29 T-S4 tanks , 1 BTR ~ 1 bus and 3 wheeled vehicles are lonat;u 1n August Ecbel Platz. (2) Tho tanks that were parked 1n Installation 4154 are n':) 10n3C'r jX.rkC'd oJ!" th::! hardstand inside the in::>tall at:'..on . 02 C:nlr.l.Cnt: It 1s possible thf'.t 10 to 12 tunI.s w'uld b,- p~.~'·:(r0. inside ::::h3ds 1n Insullatlon 415 1~ . Br;1 l.icved, ho~·e"E.r, thE'.t fO.ll tt.rks h'we dep.-,rtcd this installation. Tank unit in Bebel Platz 1s b_'1.i8ved to be Jchc Tt..nk Battalion, 83d Motorized Riflo il0giment fr.i:n Installation 4161 1n Karlshorst. Un! t to have departed IlStnllatl~n 4154 believe d to be a tank battalion of 68th Tnnk Regiment f rom InstallE:.tion 4102 (Berl~n Blesdorf). b . Headquarters, GSfo'G imposed new permanent 1'cstrictions on Wcs.tern Mili t:-", ry Missions effective 12000:1. December 1961. The new restrictcd c.r .m,s are located in Schwerin-~udwiglust, W:Ltt.3nburg and Ko·~igsb ru ,ck areas. The permanent r es tric ted areas of Guestrow; Letzlingcr lI~ide . Altengrabow. Jena-Weissenfe1s, Ohrdrv.f and Juetcl'bog were exten,Ld. -
Irina Liebmann Und Der Doppelgänger
https://doi.org/10.25620/ci-03_13 CATHERINE SMALE »Wir sind wie Spiegel« Irina Liebmann und der Doppelgänger ZITIERVORGABE: Catherine Smale, »»Wir sind wie Spiegel«: Irina Liebmann und der Doppelgänger«, in Phantasmata: Techniken des Unheimlichen, hg. v. Martin Doll, Rupert Gaderer, Fabio Camilletti und Jan Niklas Howe, Cultural Inquiry, 3 (Wien: Turia + Kant, 2011), S. 203–17 <https: //doi.org/10.25620/ci-03_13> ANGABE ZU DEN RECHTEN: Phantasmata: Techniken des Unheimlichen, hg. © by the author(s) v. Martin Doll, Rupert Gaderer, Fabio Camil- This version is licensed under a Creative Commons Attribution- letti und Jan Niklas Howe, Cultural Inquiry, 3 ShareAlike 4.0 International License. (Wien: Turia + Kant, 2011), S. 203–17 SCHLAGWÖRTER: Freud, Sigmund – Das Unheimliche; Psychoanalyse; Doppelgänger (Motiv); Liebmann, Irina – Die freien Frauen; Liebmann, Irina – In Berlin; Berliner Mauer (Motiv); Deutschland (Motiv) / Teilung (Motiv); Spiegelung (Motiv); Mise en abyme The ICI Berlin Repository is a multi-disciplinary open access archive for the dissemination of scientific research documents related to the ICI Berlin, whether they are originally published by ICI Berlin or elsewhere. Unless noted otherwise, the documents are made available under a Creative Commons Attribution-ShareAlike 4.o International License, which means that you are free to share and adapt the material, provided you give appropriate credit, indicate any changes, and distribute under the same license. See http://creativecommons.org/licenses/by-sa/4.0/ for further details. In particular, you should indicate all the information contained in the cite-as section above. ¨8*34*/%8*&41*&(&-§ *SJOB-JFCNBOOVOEEFS%PQQFMHjOHFS1 $BUIFSJOF4NBMF If the story of the ›Doppelgänger‹ has to break off here for the purposes of this book, it is certainly not finished yet. -
The Rhetorical Crisis of the Fall of the Berlin Wall
THE RHETORICAL CRISIS OF THE FALL OF THE BERLIN WALL: FORGOTTEN NARRATIVES AND POLITICAL DIRECTIONS A Dissertation by MARCO EHRL Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Nathan Crick Committee Members, Alan Kluver William T. Coombs Gabriela Thornton Head of Department, J. Kevin Barge August 2018 Major Subject: Communication Copyright 2018 Marco Ehrl ABSTRACT The accidental opening of the Berlin Wall on November 9th, 1989, dismantled the political narratives of the East and the West and opened up a rhetorical arena for political narrators like the East German citizen movements, the West German press, and the West German leadership to define and exploit the political crisis and put forward favorable resolutions. With this dissertation, I trace the neglected and forgotten political directions as they reside in the narratives of the East German citizen movements, the West German press, and the West German political leadership between November 1989 and February 1990. The events surrounding November 9th, 1989, present a unique opportunity for this endeavor in that the common flows of political communication between organized East German publics, the West German press, and West German political leaders changed for a moment and with it the distribution of political legitimacy. To account for these new flows of political communication and the battle between different political crisis narrators over the rhetorical rights to reestablish political legitimacy, I develop a rhetorical model for political crisis narrative. This theoretical model integrates insights from political crisis communication theories, strategic narratives, and rhetoric. -
A Most Certain Tragedy, but Reason Enough to Side-Step the Constitution and Values of the United States David R
Penn State International Law Review Volume 23 Article 10 Number 1 Penn State International Law Review 9-1-2004 A Most Certain Tragedy, but Reason Enough to Side-Step the Constitution and Values of the United States David R. Chludzinski Follow this and additional works at: http://elibrary.law.psu.edu/psilr Recommended Citation Chludzinski, David R. (2004) "A Most Certain Tragedy, but Reason Enough to Side-Step the Constitution and Values of the United States," Penn State International Law Review: Vol. 23: No. 1, Article 10. Available at: http://elibrary.law.psu.edu/psilr/vol23/iss1/10 This Comment is brought to you for free and open access by Penn State Law eLibrary. It has been accepted for inclusion in Penn State International Law Review by an authorized administrator of Penn State Law eLibrary. For more information, please contact [email protected]. A Most Certain Tragedy, but Reason Enough to Side-Step the Constitution and Values of the United States? David R. Chludzinski* I. Introduction Twenty-five years ago, in the midst of a bloody Cold War that pitted communism against democracy, two East German citizens hijacked a Polish airliner at gunpoint and diverted it to the sector of West Berlin, then occupied and operated by the United States.' These East Germans were eventually captured by the U.S. and held as detainees in a military area also occupied and operated by the U.S. 2 Although these East Germans violated the law by hijacking an airliner at gunpoint,3 the United States Court for Berlin held, in United States v. -
DEFA Directors and Their Criticism of the Berlin Wall
«Das ist die Mauer, die quer durchgeht. Dahinter liegt die Stadt und das Glück.» DEFA Directors and their Criticism of the Berlin Wall SEBASTIAN HEIDUSCHKE MONTANA STATE UNIVERSITY This article examines the strategies used by directors of the East German film monopoly Deutsche Film-Aktiengesellschaft (DEFA) to voice their disap- proval of the Berlin Wall.1 My aim is to show how it was possible, despite universal censorship in East Germany, to create films that addressed the wall as an inhumane means to imprison the East German people. Although many DEFA films adhered to socialist law and reiterated the official doctrine of the «antifascist protection rampart» on the silver screen, an analysis of three DEFA films will demonstrate how the representation of human crisis was used as a means to criticize the wall.2 The films Das Kleid (Konrad Petzold, 1961), Der geteilte Himmel (Konrad Wolf, 1964), and Die Architekten (Peter Kahane, 1990) address walls in a variety of functions and appearances as rep- resentations, symbols, and metaphors of the barrier between East and West Germany. Interest in DEFA has certainly increased during the last decade, and many scholars have introduced a meaningful variety of topics regarding the history of East Germany’s film company and its films. In addition to book-length works that deal exclusively with the cinema of East Germany, many articles have looked at DEFA’s film genres, provided case studies of single DEFA films, and engaged in sociological or historical analyses of East German so- ciety and its films.3 In order to expand the current discussion of DEFA, this article applies a sociocultural reading to the three DEFA films Das Kleid, Der geteilte Himmel, and Die Architekten with the goal of introducing the new subtopic of roles and functions of the Berlin Wall in East German film to the field of DEFA studies. -
At Checkpoint Charlie, US and Soviet Tanks Faced Each Other at Point-Blank Range
At Checkpoint Charlie, US and Soviet tanks faced each other at point-blank range. AP Ppoto/Kreusch 92 AIR FORCE Magazine / September 2011 Showdown in BerlinBy John T. Correll any place was ground zero for the The First Crisis from the 1948 confrontation—Walter Cold War, it was Berlin. The first Berlin crisis was in 1948, Ulbricht, the Communist Party boss in Awash in intrigue, the former when the Soviets and East Germans East Germany. capital of the Third Reich lay 110 attempted to cut the city off from the Ulbricht, handpicked for the job by miles inside the Iron Curtain but outside world. However, three air the Soviet Premier, Joseph Stalin, was was not part of East Germany. corridors into Berlin, each 20 miles charmless, intense, and dogmatic, but IEach of the four victorious powers in wide, remained open. The Americans a good administrator and a reliable en- Europe in World War II—the United and British responded with the Berlin forcer of Soviet hegemony. Stalin had States, Britain, France, and the Soviet Airlift, which sustained West Berlin visions of a unified Germany as part Union—held control of a sector of the with food, fuel, and other supplies from of the Soviet sphere of influence, but city, which would be preserved as the June 1948 to September 1949. Ulbricht had so antagonized the popu- future capital of a reunified Germany. Some senior officials in the US De- lace the Communists had no chance of Soviet Premier Nikita Khrushchev partment of State had favored abandon- winning free elections. called it “the most dangerous place in the ing Berlin. -
The Fall of the Wall: the Unintended Self-Dissolution of East Germany’S Ruling Regime
COLD WAR INTERNATIONAL HISTORY PROJECT BULLETIN, ISSUE 12 /13 131 The Fall of the Wall: The Unintended Self-Dissolution of East Germany’s Ruling Regime By Hans-Hermann Hertle ast Germany’s sudden collapse like a house of cards retrospect to have been inevitable.” He labeled this in fall 1989 caught both the political and academic thinking “whatever happened, had to have happened,” or, Eworlds by surprise.1 The decisive moment of the more ironically, “the marvelous advantage which historians collapse was undoubtedly the fall of the Berlin Wall during have over political scientists.”15 Resistance scholar Peter the night of 9 November 1989. After the initial political Steinbach commented that historians occasionally forget upheavals in Poland and Hungary, it served as the turning very quickly “that they are only able to offer insightful point for the revolutions in Central and Eastern Europe and interpretations of the changes because they know how accelerated the deterioration of the Soviet empire. Indeed, unpredictable circumstances have resolved themselves.”16 the Soviet Union collapsed within two years. Along with In the case of 9 November 1989, reconstruction of the the demolition of the “Iron Curtain” in May and the details graphically demonstrates that history is an open opening of the border between Hungary and Austria for process. In addition, it also leads to the paradoxical GDR citizens in September 1989, the fall of the Berlin Wall realization that the details of central historical events can stands as a symbol of the end of the Cold War,2 the end of only be understood when they are placed in their historical the division of Germany and of the continent of Europe.3 context, thereby losing their sense of predetermination.17 Political events of this magnitude have always been The mistaken conclusion of what Reinhard Bendix the preferred stuff of which legends and myths are made of. -
CIA), Oct 1997-Jan 1999
Description of document: FOIA Request Log for the Central Intelligence Agency (CIA), Oct 1997-Jan 1999 Requested date: 2012 Released date: 2012 Posted date: 08-October-2018 Source of document: FOIA Request Information and Privacy Coordinator Central Intelligence Agency Washington, DC 20505 Fax: 703-613-3007 FOIA Records Request Online The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. 1998 Case Log Creation Date Case Number Case Subject 07-0ct-97 F-1997-02319 FOIA REQUEST VIETNAM CONFLICT ERA 1961 07-0ct-97 F-1997-02320 FOIA REQUEST PROFESSOR ZELLIG S. HARRIS FOIA REQUEST FOR MEETING MINUTES OF THE PUBLIC DISCLOSURE COORDINATING COMMITTEE 07-0ct-97 F-1997-02321 (PDCC) 07-0ct-97 F-1997-02322 FOIA REQUEST RE OSS REPORTS AND PAPERS BETWEEN ALLEN DULLES AND MARY BANCROFT 07-0ct-97 F-1997-02323 FOIA REQUEST CIA FOIA GUIDES AND INDEX TO CIA INFORMATION SYSTEMS 07-0ct-97 F-1997-02324 FOIA REQUEST FOR INFO ON SELF 07-0ct-97 F-1997-02325 FOIA REQUEST ON RAOUL WALLENBERG 07-0ct-97 F-1997-02326 FOIA REQUEST RE RAYMOND L. -
Building of the Berlin Wall
BUILDING OF THE BERLIN WALL a A CITY TORN APART b A CITY TORN APART OF BUILDING THE BERLIN WALL in conjunction with a symposium given on 27 OCTOBER 2011 at the NATIONAL ARCHIVES AND RECORDS ADMINISTRATION WASHINGTON, DC WASHINGTON, DC RECORDS ADMINISTRATION NATIONAL ARCHIVES AND at the 27 OCTOBER 2011 in conjunction with a symposium given on BUILDING BERLIN WALL OF ITY TORN APART A C BUILDING OF THE BERLIN WALL brandenburg gate Built in 1791, standing 85 feet high, 215 feet long and 36 feet wide, this former city gate is one of the most iconic symbols of Berlin and Germany. Throughout its existence it has served as a visual representation of various political ideologies, ranging from Prussia’s imperialism to East Germany’s communism. It was closed by the East Germans on 14 August 1961 in a response to West Berliners’ demonstration against the building of the wall dividing their city into East and West. It remained closed until 22 December 1989. Its design is based upon the gate way to the Propylaea, the entry into the Acropolis in Athens, Greece. It has 12 Doric columns, six to a side, forming five passageways. The central archway is crowned by the Quadriga, a statue consisting of a four horse chariot driven by Victoria, the Roman goddess of victory. After Napoleon’s defeat, the Quadriga was returned to Berlin and the wreath of oak leaves on Victoria was replaced with the new symbol of Prussia, the Iron Cross. i A CITYC ITY TORNTO RN APART a family divided A couple from Berlin may never see each other again because they became separated by the newly formed Berlin Wall.