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Boston International Antiquarian Book Fair 2019
BOSTON INTERNATIONAL ANTIQUARIAN BOOK FAIR november 15–17, 2019 | hynes convention center | booth 410 friday, 4pm–8pm | saturday, noon–7pm | sunday, noon–5pm Anthony Bell AFTALION, Albert. Les Crises périodiques de ANTHONY, Susan B. History of Woman Suffrage. surproduction. Paris: Marcel Rivière, 1913 Rochester: Susan B. Anthony, 1886 & 1902 first edition, very scarce: one of the earliest statements of first editions, presentation copies of volumes III and IV the acceleration principle. 2 vols., modern blue cloth, preserving of the “bible” of the women’s suffrage campaign, the only two original paper wrappers and spines. volumes published by Anthony herself; inscribed in both by the $7,500 [135866] author on the occasion of her 85th birthday to her cousin Joshua. 2 vols., original maroon cloth; an excellent set. $15,750 [132954] BELL, Jocelyn; et al. Observation of a Rapidly Pulsating Radio Source. [Offprint from:] Nature, Vol. 217, No. 5130, pp. 709–713, February 24, 1968. London: Macmillan, 1968 first edition, the extremely rare offprint, of the landmark paper which announced the discovery of pulsars, co-authored by British astrophysicist Jocelyn Bell, her thesis supervisor Antony Hewish, and three others. 4to, original blue printed stiff wrappers. Bound with 18 other offprints in contemporary red cloth, all fine or near-fine. $9,800 [131009] Anthony Cather Dickens, The Posthumous Papers of the Pickwick Club BORGES, Jorge Luis. Luna de enfrente. Buenos Aires: DARWIN, Charles. On the Origin of Species. London: Editorial Proa, 1925 John Murray, 1860 first edition, first printing, one of 300 copies of Jorge Luis second edition, the usual issue correctly dated 1860 on the Borges’s scarce second collection of poetry. -
The Bertelsmann Divisions
The Bertelsmann Divisions RTL Group is a leader across broadcast, content and digital, With more than 250 imprints and brands on five continents, with interests in 60 television channels and 31 radio stations, more than 15,000 new titles and close to 800 million print, content production throughout the world and rapidly growing audio and e-books sold annually, Penguin Random House digital video businesses. RTL Group’s television portfolio is the world’s leading trade book publisher. Penguin Random includes RTL Television in Germany; M6 in France; the RTL House is committed to publishing adult and children’s fiction and channels in the Netherlands, Belgium, Luxembourg, Croatia nonfiction print editions and is a pioneer in digital publishing. Its and Hungary; and Antena 3 in Spain. The Group also operates book brands include storied imprints such as Doubleday, Viking the channels RTL CBS Entertainment and RTL CBS Extreme in and Alfred A. Knopf (United States); Ebury, Hamish Hamilton and Southeast Asia. Fremantle Media is one of the largest international Jonathan Cape (United Kingdom); Plaza & Janés and Alfaguara creators, producers and distributors of multigenre content (Spain); Sudamericana (Argentina); and the international imprint outside the United States. Combining the catch-up TV services DK. Its publishing lists include more than 60 Nobel Prize laureates of its broadcasters, the multichannel networks BroadbandTV, and hundreds of the world’s most widely read authors. Penguin StyleHaul and Divimove as well as Fremantle Media’s 260 Random House is dedicated to the mission of nourishing a YouTube channels, RTL Group has become the leading European universal passion for reading by connecting its authors and their media company in online video. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
T. E. Lawrence Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8bg2tr0 No online items T. E. Lawrence Papers: Finding Aid Finding aid prepared by Gayle M. Richardson, April 30, 2009. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2009 The Huntington Library. All rights reserved. T. E. Lawrence Papers: Finding mssTEL 1-1277 1 Aid Overview of the Collection Title: T. E. Lawrence Papers Dates (inclusive): 1894-2006 Bulk dates: 1911-2000 Collection Number: mssTEL 1-1277 Creator: Lawrence, T. E. (Thomas Edward), 1888-1935. Extent: 8,707 pieces. 86 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: The collection consists of papers concerning British soldier and author T.E. Lawrence (1888-1935) including manuscripts (by and about Lawrence), correspondence (including over 150 letters by Lawrence), photographs, drawings, reproductions and ephemera. Also included in the collection is research material of various Lawrence collectors and scholars. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Boxes 82-86 -- Coin & Fine Art, Manuscript & Rare Book Dealers. Restricted to staff use only. These boxes include provenance, price and sale information; please see Container List for an item-level list of contents. Publication Rights All photocopies, for which the Huntington does not own the original manuscript, may not be copied in any way, as noted in the Container List and on the folders. -
Book Publishing 2006
The research was funded by the Department of Arts and Culture (DAC) through the South African Book Development Council (SABDC) and by the Publishers’ Association of South Africa (PASA) PASA ANNUAL INDUSTRY SURVEY 2006 REPORT SEPTEMBER 2007 Research Team SCHOOL OF INFORMATION TECHNOLOGY Dr Francis Galloway DEPARTMENT OF INFORMATION SCIENCE Dr Rudi MR Venter PUBLISHING STUDIES Willem Struik CONTENTS EXECUTIVE SUMMARY 3 BACKGROUND 6 DATA COLLECTION PROCESS 6 Core list of targeted publishers 7 List of entities that participated in the 2005 and 2006 industry surveys 10 Producer profile of entities that participated in the 2006 survey 11 DATA CAPTURING 14 DATA ANALYSIS 15 TURNOVER PROFILE 16 Total Net Turnover 16 Total Net Turnover: Business Activities 17 Net Turnover: Sales of Local vs. Imported Product – According to Sub-sector 19 Educational Net Turnover per Province 26 Net Turnover of Local Books per Language 27 PRODUCTION PROFILE 32 Local Production of First Editions vs. Subsequent Editions & Reprints According to Sub-sector 32 Total Title Production (incl. New Editions, excl. Subsequent Editions & Reprints) per Language and Sub-sector 34 AUTHOR PROFILE 38 Total Number of Authors / Other Parties Receiving Royalties 38 Author Profile According to Population Group and Sub-sector 38 ROYALTY PROFILE 40 Average % Royalty on Net Turnover According to Sub-sector and Publishers’ Category 40 Rand Value of Royalty as % of Net Turnover of Sales of Local Product According to Publishers’ Category 41 FINAL REMARKS 42 © 2007 Francis Galloway, Rudi MR Venter & Willem Struik, Publishing Studies, University of Pretoria PASA ANNUAL INDUSTRY SURVEY REPORT 2006 2 EXECUTIVE SUMMARY Data collection process The core list for the 2006 survey contained 99 targeted entities. -
Paul Mellon Centre for Studies in British Art. Library: New Accessions March 2016
Paul Mellon Centre for Studies in British Art. Library: New accessions March 2016 1904931553 Public Catalogue Foundation Oil paintings in public ownership in the Arts Council London: Public Catalogue Foundation, 2012 067 PUB Collection 1781300348 Burn, Lucilla The Fitzwilliam Museum : a history London: Philip Wilson, published for the Fitzwilliam Museum, 068 CAM-FIT 2016 0856676888 Manchester City Art Gallery A world observed, 1940-2010 : photographs by London: Philip Wilson, 2010 7 BOHM(D).B Dorothy Bohm D11680 Sparrow, Walter Shaw Prints and drawings by Frank Brangwyn with some London: John Lane, The Bodley Head, 1919 7 BRAN(F).S other phases of his art 1907372784 Parissien, Steven Celebrating Britain : Canaletto, Hogarth and London: Paul Holberton, c2015 7 CANA(G).P patriotism 095671773X Duncalfe, John Katharine Church 1910-1999 : a life in colour : the later Harrogate: Tillington Press, 2015 7 CHUR(K).D years 0224097768 Blackburn, Julia Threads : the delicate life of John Craske London: Jonathan Cape, 2015 7 CRAS(J).B 1846825326 Bowe, Nicola Gordon Wilhelmina Geddes : life and work Dublin: Four Courts Press, c2015 7 GEDD(W).B D11588 Thorp, Joseph Eric Gill London: Jonathan Cape, 1929 7 GILL(E).T D11997 Hallé, C E Notes from a painter's life : including the founding of London: John Murray, 1909 7 HALL(C).H two galleries 0954162773 Olding, Simon John Hinchcliffe Uplyme: Canterton Books in association with the Crafts Study 7 HINC(J).O Centre, University College for the Creative Arts at Farnham, 2006 1848220545 Beaumont, Mary Rose Albert Irvin : the complete prints Farnham: Lund Humphries in association with Advanced 7 IRVI(A).B Graphics London, 2010 190832662X Usherwood, Nicholas Sonia Lawson : passions and alarms Bristol: Sansom, 2014 7 LAWS(S).U D11681 Watkins, Harold The art of Gerald Moira .. -
Annual Report 2016 at a Glance 2016
Annual Report 2016 At a Glance 2016 Key Figures (IFRS) in € millions 2016 2015 2014 2013 2012 Business Development Group revenues 16,950 17,141 16,675 16,179 16,065 Operating EBITDA 2,568 2,485 2,374 2,311 2,210 EBITDA margin in percent1) 15.1 14.5 14.2 14.3 13.8 Bertelsmann Value Added (BVA)2) 147 155 188 283 362 Group profit 1,137 1,108 572 885 612 Investments3) 1,240 1,259 1,578 1,312 655 Consolidated Balance Sheet Equity 9,895 9,434 8,380 8,761 6,083 Equity ratio in percent 41.6 41.2 38.9 40.9 32.2 Total assets 23,794 22,908 21,560 21,418 18,864 Net financial debt 2,625 2,765 1,689 681 1,218 Economic debt4) 5,913 5,609 6,039 4,216 4,773 Leverage factor 2.5 2.4 2.7 2.0 2.3 Dividends to Bertelsmann shareholders 180 180 180 180 180 Distribution on profit participation certificates 44 44 44 44 44 Employee profit sharing 105 95 85 101 92 Figures until 2015 are the most recently reported previous year’s figures. The figures shown in the table are, in some cases, so-called Alternative Performance Measures (APM), which are neither defined nor described in IFRS. Details are presented in the “Alternative Performance Measures” section in the Combined Management Report. Rounding may result in minor variations in the calculation of percentages. 1) Operating EBITDA as a percentage of revenues. 2) Bertelsmann uses BVA as a strictly defined key performance indicator to evaluate the profitability of the operating business and return on investment. -
Books & Manuscripts (1669) Lot
Books & Manuscripts (1669) May 28, 2020 EDT, ONLINE ONLY Lot 158 Estimate: $200 - $300 (plus Buyer's Premium) [Poetry] Zukofsky, Louis 3 Titles by Louis Zukofsky Found Objects Georgetown, Kentucky: H.B. Chapin/A Blue Grass Book (Blue Grass #3), (1964). First edition. 8vo. 43 pp. Cover designed by Dan McIntosh. Original limp wrappers; creasing at bottom corners. Together with: Little, a fragment for careenagers (Los Angeles): Black Sparrow Press, (1967). Limited edition, #86 of 250 copies, signed by Louis Zukofsky. 8vo. (iv), (25), (3) pp. Inscribed by Zukofsky to his publisher Tom Maschler on front free endpaper: "again/all happiness/to/Tom Maschler/from/Louis & Celia/Nov. 17, 1968". From the library of Tom Maschler, and with his book- plate on verso of front wrapper. Original limp green wrappers, faded; offsetting on front free endpaper. Together with: Zukofsky, Celia A Bibliography of Louis Zukofsky Los Angeles: Black Sparrow Press, 1969. First and limited edition, letter M of 20 lettered copies (of a total of 320 copies), signed by Celia and Louis Zukofsky. 8vo. (56) pp. Additionally inscribed by Celia Zukofsky to Louis's publisher Tom Maschler on verso of first free leaf: "Tom Maschler's/copy/with kindest thoughts/Celia/6/1/69". From the library of Tom Maschler, and with his book-plate on front paste-down. Original quarter leather over ochre-yellow paper- covered boards, stamped in black, paper spine label; in acetate wrapper. Tom Maschler (b. 1933) is well renowned publisher, who acted as head publisher at Jonathan Cape, and was one of the founders of the Booker Prize in the 1960s. -
The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I
The Roy Davids Collection Part III Poetry: Poetical Manuscripts & Portraits of Poets Volume I: A - K Wednesday 10 April 2013 at 1pm New Bond Street, London 2 | Bonhams The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I: A-K. Lots 1-263 Wednesday 10 April 2013 at 1pm New Bond Street, London Bonhams Customer Services Illustrations Please see back of catalogue 101 New Bond Street Monday to Friday 8.30am to 6pm Front cover: Lot 229 for Notice to Bidders London W1S 1SR +44 (0) 20 7447 7447 Back cover: Lot 224 www.bonhams.com Inside covers: Lot 151 New bidders must also provide proof Viewing of identity when submitting bids. Bids Friday 5 April 9am to 4.30pm Please see back of catalogue Failure to do this may result in your +44 (0) 20 7447 7448 Sunday 7 April 11am to 3pm for important notice to bidders bids not being processed. +44 (0) 20 7447 7401 fax Monday 8 April 9am to 4.30pm To bid via the internet Tuesday 9 April 9am to 4.30pm Live online bidding is Bidding by telephone will only be please visit www.bonhams.com available for this sale accepted on a lot with a lower Enquiries Please email [email protected] estimate in excess of £400. Please provide details of the lots Matthew Haley with “Live bidding” in the on which you wish to place bids Luke Batterham subject line 48 hours before at least 24 hours prior to the sale. Simon Roberts the auction to register for Francesca Spickernell this service. -
Changing Anarchism.Pdf
Changing anarchism Changing anarchism Anarchist theory and practice in a global age edited by Jonathan Purkis and James Bowen Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave Copyright © Manchester University Press 2004 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors. This electronic version has been made freely available under a Creative Commons (CC-BY-NC- ND) licence, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/3.0/ Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 6694 8 hardback First published 2004 13 12 11 10 09 08 07 06 05 04 10 9 8 7 6 5 4 3 2 1 Typeset in Sabon with Gill Sans display by Servis Filmsetting Ltd, Manchester Printed in Great Britain by CPI, Bath Dedicated to the memory of John Moore, who died suddenly while this book was in production. His lively, innovative and pioneering contributions to anarchist theory and practice will be greatly missed. -
How the Booker Prize Won the Prize 206
How the Booker Prize Won the Prize 206 DOI: 10.2478/abcsj-2019-0023 American, British and Canadian Studies, Volume 33, December 2019 How the Booker Prize Won the Prize MERRITT MOSELEY University of North Carolina at Asheville, USA Abstract This article shows that the Booker Prize for fiction, which is neither the oldest nor the richest award given for novels in English, is nevertheless widely conceded to be the pre-eminent recognition. Sometimes it is called the "most significant"; sometimes the "most famous"; ultimately these two qualities are inseparable. I canvass some of the explanations for the Booker's position as top prize and argue that the most important reasons are Publicity, Flexibility, and Product Placement. The Booker has managed its public image skillfully; among the devices that assure its continued celebrity is the acceptance, almost the courting, of scandal. Flexibility is partly a function of the practice of naming five new judges each year, but the Booker has also been responsive to challenges, including the recognition that it paid too little attention to female authors. The decision to admit American books into the competition was a sign of flexibility, as it was a guarantee of scandal. And the Booker has followed a path of "product placement" that positions it accurately between demands for high art and for "readability," as examination of several periods in its history demonstrate. Keywords : Booker Prize; scandal; shortlist; popular novel; literary novel; Martyn Goff; American; Orange Prize; publicity; product placement Anthony Thwaite, writing in 1986, declared that The Booker Prize “is internationally recognized as the world’s top fiction prize.” An English author who was a Booker judge at the time, he may be suspected of some partisan overreach.