Joseph Eichler Sah/Scc Lecture and Tour: Saturday, September 15Th
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Bauhaus 1 Bauhaus
Bauhaus 1 Bauhaus Staatliches Bauhaus, commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term Bauhaus, literally "house of construction" stood for "School of Building". The Bauhaus school was founded by Walter Gropius in Weimar. In spite of its name, and the fact that its founder was an architect, the Bauhaus did not have an architecture department during the first years of its existence. Nonetheless it was founded with the idea of creating a The Bauhaus Dessau 'total' work of art in which all arts, including architecture would eventually be brought together. The Bauhaus style became one of the most influential currents in Modernist architecture and modern design.[1] The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, 1921/2, Walter Gropius's Expressionist Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe Monument to the March Dead from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, and politics. For instance: the pottery shop was discontinued when the school moved from Weimar to Dessau, even though it had been an important revenue source; when Mies van der Rohe took over the school in 1930, he transformed it into a private school, and would not allow any supporters of Hannes Meyer to attend it. -
Modernism Without Modernity: the Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940 Mauro F
University of Pennsylvania ScholarlyCommons Management Papers Wharton Faculty Research 6-2004 Modernism Without Modernity: The Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940 Mauro F. Guillen University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/mgmt_papers Part of the Architectural History and Criticism Commons, and the Management Sciences and Quantitative Methods Commons Recommended Citation Guillen, M. F. (2004). Modernism Without Modernity: The Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940. Latin American Research Review, 39 (2), 6-34. http://dx.doi.org/10.1353/lar.2004.0032 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/mgmt_papers/279 For more information, please contact [email protected]. Modernism Without Modernity: The Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940 Abstract : Why did machine-age modernist architecture diffuse to Latin America so quickly after its rise in Continental Europe during the 1910s and 1920s? Why was it a more successful movement in relatively backward Brazil and Mexico than in more affluent and industrialized Argentina? After reviewing the historical development of architectural modernism in these three countries, several explanations are tested against the comparative evidence. Standards of living, industrialization, sociopolitical upheaval, and the absence of working-class consumerism are found to be limited as explanations. As in Europe, Modernism -
Mountain View and Los Altos
MOUNTAIN VIEW VOICE | 2017 EDITION Mountain View and Los Altos PROFILES, MAPS AND VITAL FACTS OF FEATURED NEIGHBORHOODS IN THE COMMUNITY mv-voice.com Experience is Everything OVER 1,600 HOMES SOLD IN 30 YEARS Mountain View, Los Altos & Surrounding Areas 31 12 diamondcertifi ed.org www.HowardBloom.com [email protected] 650.947.4780 CalBRE# 00893793 2 | Mountain View Voice | Neighborhoods Thinking of Taking Advantage of the Spring Market? If so, it’s not too soon to start the process of preparing your home for sale. Our services range from minor touch-up to a complete makeover, with concierge service that includes: QRepairs and upgrades QLandscape and design QInterior design QStaging QProfessional Photography & Video QFull Page Newspaper Ads QPrint Marketing Whether your home is market-ready or in need of some TLC,, we offer strategic options designed to generate the highest possible sales price foror yyourour home. Derk is a born and raised Palo Altan, and the top producing agentagent in Alain Realtors Palo Alto office. Call today to schedule a consultation,ultation, and leverage the “Home Team” advantage offered by a true localocal who knows your neighborhood inside and out. Local Knowledge, Local Resources, Global Reach. Derk Brill Call Derk to schedule a one-on-one meeting at CELL 650.814.0478 Alain Pinel Realtors 578 University Avenue Palo Alto CalBRE# 01256035 [email protected] www.DerkBrill.com Neighborhoods | Mountain View Voice | 3 Judy Bogard-Tanigami Judy 650.207.2111 [email protected] CalBRE# 00298975 Sheri Bogard-Hughes 650.279.4003 [email protected] CalBRE# 01060012 Cindy Bogard-O’Gorman 650.924.8365 [email protected] Cindy Sheri CalBRE# 01918407 ConsultantsInRealEstate.com TOP REASONS TO WORK WITH OUR TEAM We Provide Individual Expertise Combined in a Successful Team Approach Ranked Among Top Agents “We knew that we were in good hands, and we also knew that you were in the Wall Street Journal for the best in the business. -
A. Quincy Jones: Building for Better Living Free
FREE A. QUINCY JONES: BUILDING FOR BETTER LIVING PDF Brooke Hodge | 224 pages | 25 Jun 2013 | PRESTEL | 9783791352657 | English | Munich, Germany A. Quincy Jones: Building for Better Living – Hammer Store Quincy Jones, Frederick E. Emmons and John L. New York: Reinhold Publishing Corporation, First Edition. Gray cloth stamped in black. Photo illustrated dust jacket. Color cover photograph by Julius Shulman. A truly rare book authored by a pair of architects whose roles in the development of the postwar modern residential movement cannot be overstated. Small ink A. Quincy Jones: Building for Better Living inscription to front free endpaper, otherwise a fine copy in a fine dust jacket. Sketches By Rudy Veland. This book is dedicated to Joseph L. Eichler: "a truly progressive builder, whose untiring efforts have advanced greatly the concepts of todays' development houses, this book is A. Quincy Jones: Building for Better Living dedicated. As Joe Eichler was initiating his fledgling real estate development in the Highlands, the X served as his promotional attraction to reel in crowds for his company's open houses. It was also a vehicle for showcasing new technology such as steel construction, indoor gardens, and other custom elements that was unique or unusual to the homebuilding industry. Here's the importance of Eichler to the authors: Eichler Homes are represented by 70 entries A. Quincy Jones: Building for Better Living the index. The Research Village of Barrington, Illinois is also covered in detail. The Research Village was a building project of United States Gypsum, which sponsored six architects and A. Quincy Jones: Building for Better Living to each design and build a single-family residence. -
Classy City: Residential Realms of the Bay Region
Classy City: Residential Realms of the Bay Region Richard Walker Department of Geography University of California Berkeley 94720 USA On-line version Revised 2002 Previous published version: Landscape and city life: four ecologies of residence in the San Francisco Bay Area. Ecumene . 2(1), 1995, pp. 33-64. (Includes photos & maps) ANYONE MAY DOWNLOAD AND USE THIS PAPER WITH THE USUAL COURTESY OF CITATION. COPYRIGHT 2004. The residential areas occupy the largest swath of the built-up portion of cities, and therefore catch the eye of the beholder above all else. Houses, houses, everywhere. Big houses, little houses, apartment houses; sterile new tract houses, picturesque Victorian houses, snug little stucco homes; gargantuan manor houses, houses tucked into leafy hillsides, and clusters of town houses. Such residential zones establish the basic tone of urban life in the metropolis. By looking at residential landscapes around the city, one can begin to capture the character of the place and its people. We can mark out five residential landscapes in the Bay Area. The oldest is the 19th century Victorian townhouse realm. The most extensive is the vast domain of single-family homes in the suburbia of the 20th century. The grandest is the carefully hidden ostentation of the rich in their estates and manor houses. The most telling for the cultural tone of the region is a middle class suburbia of a peculiar sort: the ecotopian middle landscape. The most vital, yet neglected, realms are the hotel and apartment districts, where life spills out on the streets. More than just an assemblage of buildings and styles, the character of these urban realms reflects the occupants and their class origins, the economics and organization of home- building, and larger social purposes and planning. -
Modern Architecture and Luxury: Aesthetics and the Evolution of the Modern Subject
arts Book Review Modern Architecture and Luxury: Aesthetics and the Evolution of the Modern Subject Joanna Merwood-Salisbury School of Architecture, Victoria University of Wellington, Wellington 6140, New Zealand; [email protected] Received: 30 July 2019; Accepted: 31 July 2019; Published: 6 August 2019 Abstract: A book review of Robin Schuldenfrei, Luxury and Modernism: Architecture and the Object in Germany 1900–1933 (Princeton: Princeton University Press, 2018). This book challenges the canonical interpretation of two of the most revered institutions in the history of modern architecture—the Werkbund and the Bauhaus—and presents a critical interpretation of the relationship between modern architecture and luxury, which first appeared a generation ago. Keywords: architecture; design; luxury; AEG; Werkbund; Bauhaus; Germany; modernism Luxury and Modernism: Architecture and the Object in Germany 1900–1933 challenges the canonical interpretation of two of the most revered institutions in the history of modern architecture—the Werkbund and the Bauhaus—and presents a critical interpretation of the relationship between modern architecture and luxury, which first appeared a generation ago. In the founding documents of the modern movement, architecture and luxury were framed as irreconcilable opposites. To be modern was to reject ornament—the traditional aesthetic signifier of social status (Veblen [1899] 1994; Sombart [1913] 1967; Massey 2004). Cheapened by thoughtless application, ornament was seen as wasteful and excessive—a superfluous excrescence to be sloughed off through purifying processes of subtraction and elimination. Framed in terms of social evolution, to take pleasure in ornament was evidence of a primitive or retarded stage of racial development (Loos [1908] 1970; Muthesius [1903] 1994). -
Eichler Design Guidelines City of Sunnyvale
Eichler Design Guidelines City of Sunnyvale Adopted July 28, 2009 This page has been intentionally left blank. City of Sunnyvale Eichler Design Guidelines TABLE OF CONTENTS 1. INTRODUCTION Why Different Guidelines for Eichlers?............................................... E 5 Intent ............................................................................................. E 5 Applicability ...................................................................................... E 6 When is Design Review Required? .................................................... E 6 2. EICHLER HOMES Special Challenges ..............................................................................E 7 Eichler Home Characteristics ..............................................................E 8 3. DESIGN GUIDELINES 3.1 General Guidelines ................................................................ E 11 3.2 Planning for a Ground Floor Addition .................................... E 13 3.3 Planning for a Second Floor Addition ..................................... E 15 3.4 Planning for an Atrium Cover ................................................. E 17 3.5 Planning for Exterior Improvements ....................................... E 18 3.6 Planning for HVAC Improvements ......................................... E 20 3.7 Planning for a New House ..................................................... E 21 APPENDICES A Eichler Neighborhood Maps ...................................................E 23 B Heritage Resource Districts .....................................................E -
Modern Architecture & Ideology: Modernism As a Political Tool in Sweden and the Soviet Union
Momentum Volume 5 Issue 1 Article 6 2018 Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union Robert Levine University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/momentum Recommended Citation Levine, Robert (2018) "Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union," Momentum: Vol. 5 : Iss. 1 , Article 6. Available at: https://repository.upenn.edu/momentum/vol5/iss1/6 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/momentum/vol5/iss1/6 For more information, please contact [email protected]. Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union Abstract This paper examines the role of architecture in the promotion of political ideologies through the study of modern architecture in the 20th century. First, it historicizes the development of modern architecture and establishes the style as a tool to convey progressive thought; following this perspective, the paper examines Swedish Functionalism and Constructivism in the Soviet Union as two case studies exploring how politicians react to modern architecture and the ideas that it promotes. In Sweden, Modernism’s ideals of moving past “tradition,” embracing modernity, and striving to improve life were in lock step with the folkhemmet, unleashing the nation from its past and ushering it into the future. In the Soviet Union, on the other hand, these ideals represented an ideological threat to Stalin’s totalitarian state. This thesis or dissertation is available in Momentum: https://repository.upenn.edu/momentum/vol5/iss1/6 Levine: Modern Architecture & Ideology Modern Architecture & Ideology Modernism as a Political Tool in Sweden and the Soviet Union Robert Levine, University of Pennsylvania C'17 Abstract This paper examines the role of architecture in the promotion of political ideologies through the study of modern architecture in the 20th century. -
Ludwig Mies Van Der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center
Graduate Theses, Dissertations, and Problem Reports 2011 Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center Elizabeth Stoloff Vehse West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Vehse, Elizabeth Stoloff, "Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center" (2011). Graduate Theses, Dissertations, and Problem Reports. 848. https://researchrepository.wvu.edu/etd/848 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Classicism as Foundation in Architecture: Ludwig Mies van der Rohe’s Richard King Mellon Hall of Science and Michael Graves’s Erickson Alumni Center Elizabeth Stoloff Vehse Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Art History Kristina Olson, M.A., Chair Janet Snyder, Ph.D. -
U.S. Sheet Music Collection
U.S. SHEET MUSIC COLLECTION SUB-GROUP I, SERIES 3, SUB-SERIES A (INSTRUMENTAL) Consists of instrumental sheet music published between 1826 and 1860. Titles are arranged in alphabetical order by surname of known composer or arranger; anonymous compositions are inserted in alphabetical order by title. ______________________________________________________________________________ Box 12 Abbot, John M. La Coralie polka schottisch. Composed for and respectfully dedicated to Miss Kate E. Stoutenburg. For solo piano. New York: J. E. Gould and Co., 1851. Abbot, John M. La reve d’amour. For solo piano. New York: William Hall & Son, 1858. 3 copies. L’Aboyar. La coquetterie polka facile. For solo piano. Boston: Oliver Ditson, 1853. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. New York: James L. Hewitt & Co., [s.d.]. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. Boston: C. Bradlee, [s.d.].. Adam, A. Hungarian flag dance. Danced by forty-eight Danseuses Viennoises at the principal theatres in Europe and the United States. For solo piano. Arranged by Edward L. White. Boston: Stephen W. Marsh, 1847. Adams, A.M. La petite surprise! For solo piano. New York: W. Dubois, [s.d.]. Adams, G. Molly put the kettle on. For solo piano. Boston: Oliver Ditson, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss. R. Brown on the harp at the Boston Concerts. For solo piano or harp. New York: William Hall & Son, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss R. Brown on the harp at the Boston Concerts. For solo piano or harp. -
Modernism in Washington Brochure
MODERNISM IN WASHINGTON MODERNISM IN WASHINGTON The types of resources considered worthy of preservation have continually evolved since the earliest efforts aimed at memorializing the homes of our nation’s founders. In addition to sites associated with individuals or events, buildings and neighborhoods are now looked at not just as monuments to those who lived or worked in them, but as representative expressions of their time. In the past decade, increasing interest and attention has focused on buildings of the relatively recent past, those constructed in the mid-20th century. However, understanding – much less protecting – buildings and sites from the recent past presents several challenges. How do we distinguish which buildings are significant among such an overwhelming representation of a period? How do we appreciate the buildings of an era that often resulted in the destruction of significant 19th and early 20th century buildings, and that have come to be associated with sprawl or failed urban redevelopment experiments? How can we think critically about evaluating and possibly preserving buildings which are simply so … modern? Understanding what Modernism is and what it has meant is an important first step towards recognizing significant or representative buildings. This brochure offers a broad outline of the ideas and trends in the emergence and evolution of Modern design in Washington so that Modernism can be incorporated into discussions of our city’s history, culture, architecture and preservation. INTRODUCTION The term “Modernism” is generally used to describe various 20th century architectural trends that combine functionalism, redefined aesthetics, new technologies, and the rejection of historical precepts. Unlike its immediate predecessors, such as Art Deco and Streamlined Moderne, Modernism in the mid-20th century was not so much an architectural style as it was a flexible concept, adapted and applied in a wide variety of ways. -
October 2008
THE UNDERGRADUATE MAGAZINE OF COLUMBIA UNIVERSITY , EST . 1890 THE BLUE AND WHITE Vol. XV No. II October 2008 SUPERNATURAL SPECIAL About The Author, Final Fantasy, We See Dead People, Verily Veritas, and Love Potion No 116 BOOM AND BUST How the financial crisis has liquidated the dreams of would-be bankers. By James Downie PLAYING FOR KEEPS: The philosophers of St. Nicholas Park A LSO : ALAN BRINKLEY , REPUBLICANS , AND MUSIC ON CAMPUS Editor-in-Chief ANNA PHILLIPS Publisher MARYAM PARHIZKAR Managing Editor KATIE REEDY Bwog Editor JULI N. WEINER Features Editor LYDIA DEPILLIS Literary Editor Senior Editor ANNA LOUISE CORKE ALEXANDRA MUHLER Layout Editor Copy Chief HANS E HYTTINEN ALEXANDER STATMAN Graphics Editor Web Master ALLISON A. HALFF THOMAS CHAU Staff Writers SUMAIYA AHMED, ANISH BRAMHANDKAR, COOGAN BRENNAN, JAMES DOWNIE, TONY GONG, CHRISTOPHER MORRIS-LENT, MARIELA QUINTANA, ELIZA SHAPIRO, PIERCE STANLEY, ROB TRUMP, J. JOSEPH VLASITS, SARA VOGEL, SASHA DE VOGEL Artists STEPHEN DAVAN, CHLOE EICHLER, JENNY LAM, WENDAN LI, RACHEL LINDSAY, SHAINA RUBIN, IGOR SIMIC, CASSIE SPODAK, SONIA TYCKO, LORRAINE WHITE Contributors EMILY CHEESMAN, BILLY GOLDSTEIN, JON HILL, ROBERT KOHEN, HANNAH LEPOW, AMANDA PICKERING, MELISSA SIMKOVIC, LIZZY STRAUS, BARRY WEINBERG, GLOVER WRIGHT THE BLUE AND WHITE Vol. XV FAMAM EXTENDIMUS FACTIS No. II COLUMNS 4 BLUEBOOK 8 CAMPUS CHARACTERS 24 DIGITALIA COLUMBIANA 33 VERILY VERITAS 36 MEASURE FOR MEASURE 39 CAMPUS GOSSIP THE SUPERNA T URAL Alexandra Muhler 10 ABOUT THE AUTHOR The Blue and White crashes the Butler Marxist’s salon. Alexander Statman 12 FINAL FANTASY Foul is fair and fair is foul at Fort Tryon’s Medieval Festival.