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Katharina Konradi SOPRANO Eric Schneider PIANO 2019 L’AUDITORI | Sala 2 Oriol Martorell BARCELONA V 08 NOV 20:00h BARCELONA SCHUBERT LIED Katharina Konradi SOPRANO Eric Schneider PIANO © Peter Adamik © Peter L’AUDITORI DE BARCELONA Franz Schubert (1797-1828) 1. Katharina Konradi Im Abendrot, D 799 (1825) Eric Schneider An die untergehende Sonne, D 457 (1817) Alinde, D 904 (1827) 2. Konstantin Krimmel An mein Herz, D 860 (1825) Doriana Tchakarova An den Mond, D 259 (1815) Der Traum, D 213 (1815) 3. Natalia Labourdette An die Nachtigall, D 497 (1816) Anastasiya Timofeeva Die Vögel, D 691 (1820) Guarda, che bianca luna, D 688/2 (1820) 4. Sheva Tehoval Zwei Szenen aus dem Schauspiel ‘Lacrimas’, D 857 (1825) Daniel Heide Strophe aus ‘Die Götter Griechenlands’, D 677 (1819) Der Geistertanz, D 116 (1812) En coproducción con Der zürnenden Diana, D 707 (1820) Der Zwerg, D 771 (1822) Romanze aus ‘Rosamunde’, D 797/3b (1823) Verklärung, D 59 (1813) Cora an die Sonne, D 263 (1815) Fischerweise, D 881 (1826) BARCELONA SAMPLER SÈRIES Katharina Konradi, que hizo un brillante debut en el año 2018 en la Schubertíada de Vilabertran y vuelve en 2019, hará su primer recital en Barcelona dentro del VARIOS ESPACIOS ciclo Schubert Lied. Acompañada por un pianista de referencia como Eric Schneider, la soprano 1. Sarah Maria Sun presentará un programa donde Alberto Rosado encontraremos lieder tan conocidos Kaoru Kakizakai como An den Mond, Fischerweise o Neopercusión Der Zwerg, combinados con otros Peiju Chien-Pott poco habituales como Die Vögel o Cora an die Sonne. La naturalidad 2. Barcelona Clarinet Players con la que Konradi afronta el canto la convierte en una intérprete ideal En coproducción con para la franqueza y sobriedad que exige el lied. © De-Da Productions CIRCUITOS 217 2019 2020 L’AUDITORI | Sala 2 Oriol Martorell BARCELONA J 12 DIC 20:00h L’AUDITORI | Sala 2 Oriol Martorell BARCELONA J 27 FEB 20:00h Konstantin Krimmel BARÍTONO Natalia Labourdette SOPRANO Doriana Tchakarova PIANO Anastasiya Timofeeva PIANO Franz Schubert (1797-1828) Franz Schubert (1797-1828) Die Hoffnung, D 637 (1819) Der Hirt auf dem Felsen, D 965 (1828) Die vier Weltalter, D 391 (1816) Die Forelle, D 550 (1817) Strophe aus ‘Die Götter Griechenlands’, D 677 (1819) Ave Maria, D 839 (1825) Der Kampf, D 594 (1817) Vier Canzonen, D 688 (1820) Der Pilgrim, D 794 (1823) Epistel ‘An Herrn Josef Spaun, Assessor in Linz’, D 749 (1822) Sehnsucht, D 52 (1813) Seligkeit, D 433 (1816) Der Flüchtling, D 402 (1816) Klaglied, D 23 (1812) Hektors Abschied, D 312 (1815) Erntelied, D 434 (1816) Gruppe aus dem Tartarus, D 583 (1817) Pflicht und Liebe, D 467 (1816) Sehnsucht, D 636 (1821) Liebhaber in allen Gestalten, D 558 (1817) An den Frühling, D 283 (1815) Die liebende schreibt, D 673 (1819) Der Alpenjager, D 588 (1817) Liebe schwärmt auf allen Wegen, D 239 (1815) Der Jüngling am Bache, D 638a (1819) Das Mädchen aus der Fremde, D 117 (1814) An Emma, D 113 (1814) Natalia Labourdette es una de las jóvenes cantantes españolas Entzükung an Laura, D 390 (1816) que muestra interés por el repertorio de la canción —y más Das Geheimnis, D 793 (1823) concretamente del lied— y transmite esta pasión con un don Dithyrambe, D 801 (1826) especial para la comunicación con el público. Su presencia regular en festivales dedicados al lied así lo demuestra. Para El barítono Konstantin su recital en Barcelona, ha elegido un programa que va desde Krimmel, que llega a el quinto lied compuesto por Schubert, Klaglied, hasta el Barcelona como ganador penúltimo, Der Hirt auf dem Felsen, compuesto el mes antes de de los concursos Helmut morir. Deutsch (Viena) y Das Lied de Thomas Quasthoff (Heidelberg), es un cantante extrovertido, desacomplejado en la expresión y que lleva sus interpretaciones al límite. Nos propone con su pianista habitual Doriana Tchakarova un programa dedicado íntegramente a Friedrich Schiller, uno de los poetas más musicados por Schubert y, al mismo tiempo y de extraña manera, uno de los menos interpretados. Una oportunidad excelente para profundizar en los lieder con textos de este © Irene Garmtz © Irene poeta imprescindible. Ulrich © Maren CIRCUITOS CIRCUITOS 218 219 2020 2019 L’AUDITORI | Sala 2 Oriol Martorell BARCELONA J 02 ABR 20:00h L’AUDITORI | Sala 2 Oriol Martorell BARCELONA D 06 OCT 20:00h BARCELONA SAMPLER SÈRIES Sheva Tehoval SOPRANO Sarah Maria Sun SOPRANO Daniel Heide PIANO Alberto Rosado PIANO © Ulrike Mönnig © Ulrike Kaoru Kakizakai SHAKUHACHI Franz Schubert (1797-1828) Viola, D 786 (1823) Neopercusión CUARTETO DE PERCUSIÓN Gretchen am Spinnrade, D 118 (1814) Virginie Mécène Gretchens Bitte, D 564 (1817) Peiju Chien-Pott BAILARINA SOLISTA COREOGRAFÍA Suleika I, D 720 (1821) Suleika II, D 717 (1821) Ramon Humet (1968) 4 Gesänge aus ‘Wilhelm Meister’, D 877 (1826) Homenaje a Martha Graham * (2006-2013) Lied der Mignon - Nur wer die Sehnsucht kennt, D 877/4 Lied der Mignon - Heiß mich nicht reden, D 877/2 * Estreno absoluto de la coreografía. Encargo del CNDM y L’Auditori Lied der Mignon - So lasst mich scheinen, D 877/3 de Barcelona Heimliches Lieben, D 922 (1827) Geheimes, D 719 (1821) Ganymed, D 544 (1817) Der Musensohn, D 764 (1822) La obra única que fi gura en el programa de este concierto Die Liebende schreibt, D 673 (1819) de las Barcelona Sampler Sèries representa un homenaje Nähe des Geliebten, D 162 (1815) a la pionera de la danza contemporánea del siglo xx Martha Rastlose Liebe, D 138 (1815) Graham. Este ciclo de canciones, escrito por Ramon Humet entre 2006 y 2013 para soprano y piano, comprende, además, una serie de interludios para la fl auta japonesa shakuhachi La soprano Sheva Tehoval y Daniel Heide, un pianista y cuatro percusionistas que actúan de calderones entre las de innegable talento y presencia al alza en los circuitos piezas a dúo, ofreciendo, así, varios espacios contemplativos, liederísticos, presentan un programa caracterizado por los en oposición a las partes más «activas». personajes femeninos y la poesía de Goethe. La joven soprano belga Tehoval, muy loada por maestros como Christoph Prégardien, destaca por su canto natural de timbre juvenil. El espléndido Rastlose Liebe será el © Rudiger Schestag © S. Baruño último lied que sonará en el ciclo, después de tres temporadas profundizando en la inmensa obra de Schubert. © Olivia Droeshaut CIRCUITOS CIRCUITOS 220 221.
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