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Tian 'An Men Diary (Original Transcription
Tian`an men Diary Original transcription from handwritten notebooks, as typed by the author, Fall 2008 By Karen Linnea Searle ©2009 by Karen Linnea Searle The following is excerpted from the journal I kept while I was a student at a university in Beijing in spring 1989. I arrived in Beijing in early January, and left on May 31, four days before the June 4 crackdown in Tian`an men Square. The names of my Chinese friends have been changed, but the events are all as I witnessed them. —Karen Linnea Searle October 21, 2008 4/22/89 Today was the funeral of Hu Yaobang. I had made plans to go down to Tian`an men this morning to watch with various people at various times. In the end for some reason I left notes for everyone and went down by myself. I ran into another ‘foreigner’ and we rode together to the Square. Getting to Tian`an men was not easy, there were various road blocks and such, but we made it down to Qianmen. My friend had to leave before they opened up the Square. After she left, I got a bit lost and ended up at the Kentucky Fried Chicken (please forgive me). When the Square was opened, I wandered around for a while and ended up smack in the middle of things, not where I intended to be… It was pretty scary there for a little while. People would start running. I had visions of stampedes. There were so many people! I asked a few people what was going on and had various responses. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Tidy Towns Competition 2016
Tidy Towns Competition 2016 Adjudication Report Centre: Ballynacargy Ref: 563 County: Westmeath Mark: 287 Category: B Date(s): 30/06/2016 Maximum Mark Mark Mark Awarded 2015 Awarded 2016 Community Involvement & Planning 60 37 38 Built Environment and Streetscape 50 40 42 Landscaping and Open Spaces 50 40 42 Wildlife, Habitats and Natural Amenities 50 33 34 Sustainable Waste and Resource Management 50 13 15 Tidiness and Litter Control 90 54 55 Residential Streets & Housing Areas 50 29 30 Approach Roads, Streets & Lanes 50 30 31 TOTAL MARK 450 276 287 Community Involvement & Planning / Rannpháirtíocht an Phobail & Pleanáil: Welcome Ballynacargy to 2016 tidy towns competition. It is heartening to read that your hard-working committee of 6 members enjoys the support of dedicated volunteers and that wider community members are always invited to your meetings. It is clear from your application that you have established good links with Westmeath County Council, the Department of Social Protection, the Community Employment Project and local businesses that include Mullingar Credit Union. This partnership approach to your projects is highly commended and we encourage you to also approach the County Leader Programme in order to ascertain whether they can provide you with funding, advice or other assistance for your projects. There was no mention in your application form of other voluntary groups and sports clubs in Ballynacargy and we wondered if the local GAA club (or any of its members) is involved in any of your projects? Please let us know in 2017. Your communication strategy is comprehensive with a good range of communication mediums being used. -
BSMA 2019 Powerpoint Choir B
BSMA 2019 SING! Soloists Some words they can’t be spoken only sung, So hear a thousand voices shouting love. There’s a place, there’s a time in this life When you sing what you are feeling, Find your feet, stand your ground, Don’t you see right now the world is listening to what we say? All Sing Sing it louder, sing it clearer, knowing everyone will hear you, Make some noise, find your voice tonight. Sing it stronger, sing together, make this moment last forever, Old and young shouting love tonight. To sing we’ve had a lifetime to wait (wait, wait, wait) And see a thousand faces celebrate (we have to celebrate) You brought hope, you brought light, Conquered fear, no it wasn’t always easy, Stood your ground, kept your faith, Don’t you see right now the world is listening to what we say? Sing it louder, sing it clearer, knowing everyone will hear you, Make some noise, find your voice tonight. Sing it stronger, sing together, make this moment last forever, Old and young shouting love tonight. Some words they can’t be spoken only sung, To hear a thousand voices shouting love and life and hope. Soloists Just sing; just sing; just sing; just sing. Choir –Come on and Sing it louder, sing it clearer, knowing everyone will Hear you, Make some noise, find your voice tonight, Sing it stronger, sing together make this moment last forever. Old and young shouting love tonight. Soloists – Hear a thousand voices shouting love Danny Boy Oh Danny Boy, the pipes, the pipes are calling, From glen to glen and down the mountain side. -
People & Places NEWS/FEATURES
ARAB TIMES, FRIDAY-SATURDAY, AUGUST 13-14, 2021 NEWS/FEATURES 13 People & Places Siham Mustafa as Nermeen in a scene from the fi lm ‘Our River … Our Sky,’ which is co-produced by Talal Al-Muhanna through his Kuwaiti company Linked Productions. Obit Film An end of an era Baghdad-set fi lm tells stories of ordinary people Pat, daughter of Alfred Kuwaiti producer’s fi lm to debut in Sarajevo Hitchcock, dies aged 93 KUWAIT CITY, Aug 12: An versity professor, Irada Al-Jubori ing some very intense periods of NEW YORK, Aug 12, (AP): Patricia Hitchcock internationally co-produced fea- — won the $100,000 IWC Schaf- sectarian violence in Iraq in 2006 O’Connell, the only child of Alfred Hitchcock and an ture fi lm directed by Maysoon fhausen script prize at Dubai In- and 2007. In many ways, Irada actor herself who made a memorable appearance in Pachachi — a London-based fi lm- ternational Film Festival in 2012, felt unable to write fi ction at the her father’s “Strangers on a Train” and championed maker of Iraqi origin — will have awarded to the fi lmmaker by Head time, when real life itself was so his work in the decades following his death, has died its world premiere at the pres- of Jury Cate Blanchett. Says fi lm- terrifying and awful. An underly- at age 93. tigious Sarajevo Film Festival in maker Maysoon Pachachi: “This Hitchcock died Monday in her sleep at home in ing theme of our fi lm is about how Thousand Oaks, California, her daughter Tere Car- Bosnia & Herzegovina in August. -
Mount Prospect 20/06/2007 12:09 Page 4
WELCOME TO... MULLINGAR CO. WESTMEATH FOR SALE TO LET gar THE PERFECT MARRIAGE OF OLD WORLD STANDARDS AND MODERN COMFORT Mount Prospect 20/06/2007 12:09 Page 4 elcome to Mount Prospect. This is a small luxury development of just 32 apartments set in one of Mullingar’s most in-demand residential areas, just off the old Dublin Road, two minutes by car to the new M4 motorway and five minutes on foot to Mullingar Town Centre. This is modern luxury apartment living, with all the amenities of Mullingar literally on your doorstep. Mullingar is a vibrant town with easy access to Dublin city; This former market town has become a favourite for those wishing to escape the commotion and expense of the city, while still enjoying the convenience of good supermarkets, pubs, hotels, restaurants, speciality shops, coffee shops, sporting clubs and amenities. Mullingar is surrounded by Loughs Owel, Ennell and Derravaragh, and there are ample opportunities for fishing, sailing and watersports. Mullingar Golf Club has 18 holes of first class parkland golf. Equestrian sports are hugely popular – with stables too numerous to mention in the area and hugely popular events such as the Kilbeggan race meetings. Athletics, Hockey, Rugby and GAA are all served by various well-supported local WELCOME TO MOUNT PROSPECT... sporting clubs. Mullingar is a convenient central location: as well as being an easy drive to Dublin, you have excellent proximity to other main road networks leading to Sligo, Castlebar, Galway, Athlone, Tullamore and Dundalk. From the first moment of your arrival it will be obvious that Mount Prospect, is a little bit different and a little bit special. -
Results 11-2
Mullingar Show Results 2011 RESULTS FOR IPS CLASSES Ring 1 Ridden Hunters 133cms 1st Eamon O Connell’s Ardville Caddy, 2nd Viola Callaghan New Oakes Celebration, 3rd Marianne Hayes Morpark Dora. 143ms 1st Trish Hoey's Woodroyd Gold Label, 2nd P&R Shiel-Mullen's Black Bobby Sparrow, 3rd; D O Sullivan’s Rathclooney Matchmaker. 153cms 1st; Rachel Davies Prince of Dromehily, 2nd; Calvin Nugent's Greggs Cavalier, 3rd; Jade Morton's Highland Scarlet. Champion; Rachel Davies Prince of Dromehily, Res Champion; Calvin Nugent's Greggs Cavalier. Class 4 Lead Rein Hunter Pony type 1st; Liz Palussiere's Muskerry Rolo, 2nd; Clare Winters Dukeshill Cupcake, 3rd; Mairead Ryan's Darcystown Spirit. Class 5 Lead Rein Show Pony type, 1st; Becky O Connor’s Haighead Rising Star. Class 7 Show Ponies combined 1st; Clare Winters Dukeshill Cupcake, 2nd; Nigel Cathers Mountcaulfield First Love, 3rd; Rachel Davies Oakwood Jive Talkin. Class 7A First Ridden 1st; Fiona Hayes, 2nd; Sarah Egan's Ivy Sparkle, 3rd; Megan Jerrad-Dinn Class 7B First year first ridden 1st; Yvonne Byrnes' Paulank Tuffy, 2nd; Melissa O’Connor’s Paulank Tinker Bell, 3rd; Ralph Ternier's Apple Drops. Class 8 Registered Welsh Ridden 1st Becky O’Connor’s Dyfed Piccalo, 2nd; Clare Winters Dukeshill Frodo, 3rd; Clare Winters Dukeshill Cupcake. Class 9 Part Bred Welsh. Ridden 1st; Lucy McCarthy’s Chipmonk, 2nd; Eve Wallace's Starfield Jack. Class 10 Junior Side Saddle 1st Viola Callaghan's New oaks Celebration. Class 11 153cms Working Hunter 1st; Calvin Nugent's Greggs Cavalier, 2nd; Pat Gavin's Ardagh Bobby, 3rd; Sarah Love's Small&Mighty. -
Vernon G. Smith
VITA VERNON G. SMITH PERSONAL INFORMATION OFFICE ADDRESS HOME ADDRESS Indiana University Northwest 4333 Broadway 3400 Broadway Phone: (219) 887-2046 Phone: (219) 980-7120 FAX: (219) 981-4208 Email: [email protected] CAREER IN BRIEF Professor, Indiana University Northwest 2009 - Present Associate Professor, Indiana University Northwest 2002-2009 Assistant Professor, Indiana University Northwest 1992-2002 Indiana State Legislator, 14th House District 1990-Present Principal, Gary Community School Corp. 1978-1992 Gary City Councilman, 4th District 1972-1990 Assistant Principal, Gary Community School Corp. 1972-78 Resource Teacher, Gary Community School Corp. 1971-72 Elementary Teacher, Gary Community School Corp. 1966-71 Adjunct Professor, I.U. Northwest and Purdue Calumet 1978-92 (periodically) Founder and President, I.U. Dons, Inc. Founder and Board President, I.U. Dons' Donzel Program, Inc. Founder of five other service or youth organizations Recipient of over 200 awards and citations Recipient of over 100 certificates of achievement or appreciation Listed in over 20 Books of biographical compilation EDUCATION 18 Hrs Post-Doctorate Studies 1986-90 Indiana University Ed. D. Indiana University 1978 Bloomington, IN M.S. Indiana University 1969 Bloomington, IN B.S. Indiana University 1966 Bloomington, IN FIELDS OF COMPETENCE: Education Administration Education Supervision Vita Vernon G. Smith Science Methods Math Methods School - Community Relations Parent - School Partnerships Building Self-Esteem Urban Education Educating African American -
INSOLVENCY [Poetry/Fiction]
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 5 No. 5; October 2014 Copyright © Australian International Academic Centre, Australia INSOLVENCY [Poetry/ Fiction] Angela Brown E-mail: [email protected] Doi:10.7575/aiac.alls.v.5n.5p.10 Received: 13/06/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.5n.5p.10 Accepted: 11/08/2014 Abstract It has been created within the larger realm culture, in that "Black methodology differs from most colonial differences by members of a minority community who reside within a nation of cultural biases." Keywords: Black Scholar, Black Methodology, Blackness Theory Introduction Brown poems are inspired by her aesthetic beauty keying messages of liberty, desponding meaning through dance, expelling reason through sound, desponding language through hymns as she uplifts her audience through an American epic reflective of the social conditions of American culture. Expansion Voices echoing, muttering sounds Like a black hawk calling its mate. Crying out, searching, crying out, No response. Pain will pierce the heart, Sorrow will be a hallow shell, Memories will be broken, Words of the mentally ill. Difficulty is the prisoner of self-thought, Voices die within a glass shield. Words have become a vacant lot, Racy thoughts ready to explode. Words pulled from my lips Recognizes forbidden truth Dangling in the spoken absence of confusion. A delusional mind wonders across the page Infinitely desponding madness. Indulgence Voices climb effortlessly through this gate of thorns I become another wasted suicide. I become prisoner to stolen voices empty hearts letting go Relationships pierce the glass ceiling of my heart i cry for all the life I love. -
Language Notes on Baronies of Ireland 1821-1891
Database of Irish Historical Statistics - Language Notes 1 Language Notes on Language (Barony) From the census of 1851 onwards information was sought on those who spoke Irish only and those bi-lingual. However the presentation of language data changes from one census to the next between 1851 and 1871 but thereafter remains the same (1871-1891). Spatial Unit Table Name Barony lang51_bar Barony lang61_bar Barony lang71_91_bar County lang01_11_cou Barony geog_id (spatial code book) County county_id (spatial code book) Notes on Baronies of Ireland 1821-1891 Baronies are sub-division of counties their administrative boundaries being fixed by the Act 6 Geo. IV., c 99. Their origins pre-date this act, they were used in the assessments of local taxation under the Grand Juries. Over time many were split into smaller units and a few were amalgamated. Townlands and parishes - smaller units - were detached from one barony and allocated to an adjoining one at vaious intervals. This the size of many baronines changed, albiet not substantially. Furthermore, reclamation of sea and loughs expanded the land mass of Ireland, consequently between 1851 and 1861 Ireland increased its size by 9,433 acres. The census Commissioners used Barony units for organising the census data from 1821 to 1891. These notes are to guide the user through these changes. From the census of 1871 to 1891 the number of subjects enumerated at this level decreased In addition, city and large town data are also included in many of the barony tables. These are : The list of cities and towns is a follows: Dublin City Kilkenny City Drogheda Town* Cork City Limerick City Waterford City Database of Irish Historical Statistics - Language Notes 2 Belfast Town/City (Co. -
Outside Mullingar
OUTSIDE MULLINGAR BY JOHN PATRICK SHANLEY DRAMATISTS PLAY SERVICE INC. OUTSIDE MULLINGAR Copyright © 2014, John Patrick Shanley All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of OUTSIDE MULLINGAR is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for OUTSIDE MULLINGAR are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to Creative Artists Agency, 405 Lexington Avenue, 19th Floor, New York, NY 10174. -
What Kind of Irish Was Spoken in Westmeath?
What kind of Irish was spoken in Westmeath? AENGUS FINNEGAN By the time of the Gaelic Revival at the end of the 19th century, the Irish language as a vernacular had largely disappeared across Leinster. The small extent of the language which remained was probably confined to the most remote and out-of-the-way townlands, and scattered among a generation who had been largely forgotten by the outside world – with the possible exception of a small part of Co. Louth. It is no wonder, then, that it is primarily to the north, west and southwest areas of Ireland that scholars of the language in all its varying forms have since directed their attention. It is in these regions that the language continued to be spoKen into the 20th century, and indeed continues to be spoKen, though much less extensively than heretofore. This focus, however understandable, has left a large gap in our understanding of the historical distribution of the dialects of Irish across the eastern half of the country. The only means of filling this gap is to carry out a detailed study of the scant remains of the language, as found in word lists, folKlore collections, the later manuscript tradition (if available), everyday speech, and, last but by no means least, in placenames, including both townland and minor names. The great advantage of evidence from placenames to the historial dialectologist is the universal distribution of the placenames themselves. This means that aspects of the language which come to light in the placenames of one area can safely and easily be compared with developments in another.