December 11, 1944: Brenda Lee Born Learn More

Total Page：16

File Type：pdf, Size：1020Kb

December 11, 1944: Brenda Lee Born Learn More Suggested Readings Brenda Lee, with Robert Oermann and Julie Clay, Little Miss Dynamite: The Life and Times of Brenda Lee (New York: Hyperion, 2002). “Brenda Lee (b. 1944).” New Georgia Encyclopedia. http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-1681&hl=y Brenda Lee, The Lady, The Legend: http://www.brendalee.com/ PBS Women Who Rock: http://www.pbs.org/itvs/welcometotheclub/rock.html Rock N’ Roll Hall of Fame: http://rockhall.com/inductees/brenda-lee/ Georgia Music Hall of Fame: http://www.georgiamusicmag.com/georgia-music-hall-of-fame- inductees/listing/brenda-lee/ Country Music Hall of Fame: http://countrymusichalloffame.org/current/view/brenda-lee- dynamite CMT: http://www.cmt.com/artists/az/lee_brenda/artist.jhtml www.todayingeorgiahistory.org December 11, 1944: Brenda Lee Born Learn More Image Credits Tarpley, Brenday, Performing at School in Atlanta, 1958 Image courtesy of the Kenan Research Center at the Atlanta History Center, ahc071420007 Brenda Tarpley with her family in Atlanta Image courtesy of the Kenan Research Center at the Atlanta History Center, ahc071420012 085-03-17-Brenda Lee recording session,1961 Sid O’Berry photograph © Grand Ole Opry Archives Brenda Lee with unidentified guitarist Image courtesy of the Kenan Research Center at the Atlanta History Center, ahc071420003 www.todayingeorgiahistory.org Brenda Lee Performing “Dynamite” at the Ozark Jubilee, 1957 Courtesy of the Country Music Hall of Fame Brenda Lee Performing “I’m Sorry” on an unidentified Japanese TV Special, circa 1965 Footage Provided by the Country Music Hall of Fame www.todayingeorgiahistory.org .

Copy Link

Recommended publications

2015 11 November
THE OSCAR www.BankDentistry.com 613.241.1010 The Ottawa South Community Association Review l The Community Voice YEAR 43, No.10 NOVEMBER 2015 A Celebration of the Season at OSCA’s Annual Fall Fest People enjoying the food and fun at Fall Fest at Windsor Park. See more \ on page 2. PHOTO BY ALESSANDRO FABBRI, WHITE LASH PHOTOGRAPHY \ COMMUNITY CALENDAR \shop your local talent Holiday Craft Show Wed. Nov. 4, 12:00 - 13:00 Doors Open For Music Series (DOFMS) \ Liszt’s Transcendental Etudes - Yohan Jager, piano, Southminster United \ sunday Nov. 6 - 8 Power of the Arts National Forum, Carleton U \ Mon. Nov. 9, 19:00 Meeting of the OOS Garden Club, november 29 “The Hardy Garden”, Firehall Wed. Nov. 11, 12:00 - DOFMS Howells’ Requiem. New Studio 10-4pm 13:00. Chamber Singers; Roland Graham, conductor, Southminster United the firehall (260 Sunnyside Ave) Sat. Nov. 14, 9:00 -13:00 Southminster United Church Christmas Bazaar For more information, visit www.oldottawasouth.ca Sat. Nov. 14, 9:30 - 14:00 Frosty’s Fair Christmas Bazaar, artwork by Christopher Heilmann Trinity Anglican Wed. Nov. 18, 12:00 - DOFMS “Pictures from the East” - Ioulia 13:00 Blinova & Ruby Jin, piano, Southminster United PRESENTS: Wed. Nov. 25, 12:00 - DOFMS “Schumann Revisited” - Christopher 13:00 Goddard, composer & piano, BREAKFAST Southminster United Sat. Nov. 28, 10:00 Tracy Arnett presents the Polar Express, WITH SANTA Mayfair Theatre Sat. Nov. 28, 10:00 - 14:30 November 28, 10:00 - 14:30. Abbotsford Sunday, Bazaar, Abbotsford at the Glebe Centre DECEMBER 6th 10:30AM to 12:30PM Sat.
[Show full text]
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away.
[Show full text]
BRENDA LEE by Tamela Meredith Partridge “Herald & Review” Newspaper Decatur, IL
BRENDA LEE by Tamela Meredith Partridge “Herald & Review” newspaper Decatur, IL. © 2003 Country Music Hall Of Famer, Brenda Lee, will bring her vibrant vocals to Nashville North USA on Saturday, November 20 at 5 p.m. and again at 8:00 p.m. Tickets are $23.50 and avail- able through the Nashville North USA box office or by calling 287-2103. Country and pop star Brenda Lee has been rockin’ music fans around the world for over four decades with such chart- topping hits as,“Rockin’ Around The Christmas Tree,” “I’m Sorry,” “The Crying Game,” “Nobody Wins” and “Big Four Poster Bed.” “I loved every song I ever recorded,” Brenda Lee said during a recent phone interview. “If I had not, I could not have sung them.” The songstress was born Brenda Mae Tarpley, the second of four children to parents Ruben and Grayce, in a Atlanta, Georgia hospital charity ward. Destined to sing her way out of an impoverished childhood, the young vocalist was first introduced to the music business at age five when she won first place at a local talent show with a touching rendition of “Take Me Out To The Ballgame.” Her father, a carpenter and semi-professional baseball player, was killed in a construc- tion accident when Brenda was only eight years old. In order to support the family, her mother went to work in a cotton mill while Brenda began singing to supplement the family income. Launching her professional singing career at age eleven on entertainer Red Foley’s popular weekly television show, “Ozark Jubilee,” provided a recording contract and financial relief for the struggling family.
[Show full text]
Starr-Waterman American Popular Music Chapter 8: “Rock Around the Clock”: Rock ’N’ Roll, 1954‒1959 Key People
Starr-Waterman American Popular Music Chapter 8: “Rock Around the Clock”: Rock ’n’ Roll, 1954‒1959 Key People Alan Freed (1922‒1965): Disc jockey who discovered in the early 1950s that increasing numbers of young white kids were listening to and requesting rhythm & blues records played on his Moondog Show. Antoine “Fats” Domino (b. 1928): Singer, pianist, and songwriter, who was an established presence on the rhythm & blues charts for several years by the time he scored his first large-scale pop breakthrough with “Ain’t It a Shame” in 1955 and ultimately became the second best-selling artist of the 1950s. Barbra Streisand (b. 1942): Impactful recording artist who has delighted audiences on Broadway, in movies, and in concert, also known for her successful LP sales. Big Joe Turner (1911‒1985): Vocalist who began his career as a singing bartender in the Depression era nightclubs of Kansas City; one of Atlantic Records’ early starts, and recorded the original “Shake, Rattle, and Roll.” Bill Black (1926‒1965): String bassist who recorded with Scotty Moore and Elvis Presley for Sun Records. Bill Haley and the Comets: Influential rock ’n’ roll band influenced by western swing music who recorded the first number one rock ’n’ roll hit “Rock around the Clock.” Brenda Lee (Brenda Mae Tarpley) (b. 1944): Recording artist of the early 1960s known as “Little Miss Dynamite” who sang hits like “Sweet Nothin’s.” Buddy Holly (Charles Hardin Holley) (1936‒1959): Clean-cut, lanky, and bespectacled singer, songwriter, and guitarist of the 1950s who, along with his band, the Crickets, recorded influential hits like “That’ll Be the Day” and made frequent use of double- tracking.
[Show full text]
Whiteness, Femininity, Adolescence and Class in 1960S Music
Laurie Stras, ed. 2010. She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Surrey, UK, and Burlington, VT: Ashgate Publishing. Reviewed by Sayo Yamagata Laurie Stras's edited volume She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music is a welcome addition to the recent scholarship on music by female musicians of the 1960s that attends to the complexity of the women and girls who performed and listened to this music in the United States and the United Kingdom. So unexplored is this area of inquiry from a musicological standpoint that, in her introduc tion, Stras appropriately envisions She's So Fine to be the "beginning of a re-evaluation-with emphasis on value-of the very premises of 1950s and 1960s pop" (23). By extension, Stras's ambitions for the book not only necessitate an interrogation of the merits of the popular music canon, but also call for a reconsideration of the standard criteria for assigning and naturalizing value wherever it calcifies. The pop music of women musicians in the 1960s has, critically and in general popular thought, been denigrated for its polish and mass appeal. Celebrated volumes on rock history such as The Rolling Stone Encyclopedia of Rock and Roll, (2001) or Robert Palmer's Rock and Roll: An Unruly History (1995) have participated in the dismissal of girl groups by credit ing their success to the complex labor force of producers and song-writers "behind" the musicians. Stras observes that "Pop and its attendant girl space, with their alleged emphasis on conformity and concomitant lack of authenticity, have been noted as a phenomenon, but one that always seems to operate as a foil to prove rock's ultimate superior cultural worth" (22).
[Show full text]
The Winning Hand Free
FREE THE WINNING HAND PDF Nora Roberts | 336 pages | 04 Jul 2011 | Harlequin (UK) | 9780263896343 | English | Richmond, United Kingdom Who Has The Best Hands In The NFL? Broncos DL Shelby Harris, That’s Who – CBS Denver Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. And in the bright lights of a Las Vegas casino, The Winning Hand gambled and won! Suddenly the small-town girl was big news - and in need of protection. Robert MacGregor Blade, the casino owner, was determined to make sure Darcy "Did The Winning Hand say I won almost two million dollars? Robert MacGregor Blade, the casino owner, was determined to make sure Darcy could enjoy her good fortune. But Darcy knew what she wanted: a chance with Mac himself. And surely her luck was in? Get A Copy. PaperbackSilhouette Special Edition reprintpages. Published January 1st by Silhouette first published August 25th More Details Original Title. The MacGregors 8. Las Vegas, Nevada United States. Other Editions Friend Reviews. To see what your friends The Winning Hand of this book, please sign up. To ask other readers questions about The Winning Handplease The Winning Hand up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Jul 15, Carol [Goodreads Addict] rated it really liked it Shelves: contemporary-romance.
[Show full text]
The Mini Big Band Song List
The Mini Big Band Song List Classic Swing A Nightingale Sang In Berkley Square - Bobby Darin Ain’t That A Kick In The Head – Dean Martin Aint That Love - Ray Charles All The Way Sinatra Americano Baby Its Cold Outside Beyond The Sea – Bobby Darin Birth Of The Blues – Sammy Davis Jnr Blue Skies - Bobby Darin Blues In The Night Bring Me Sunshine – Morcombe and Wise Bueno Sera Call Me Irresponsible - Michael Buble Can’t Take My Eyes Off You Cheek to Cheek - Sinatra Come Fly With Me – Frank Sinatra Crazy Little Thing Called Love – Michael Buble Cry Me A River - Buble Did You Eva – Robbie Williams Do Nothing Till You Hear From Me – Robbie Williams Everybody Loves Somebody – Dean Martin Feeling Good – Michael Buble Fly Me To The Moon – Frank Sinatra For Once In My Life – Michael Buble Great Balls of Fire - Jerry Lee Lewis Guaglione Have You Met Miss Jones – Robbie Williams I Can’t Believe That Your In Love - Sinatra I Feel Good - James Brown I Get A Kick Out Of You – Frank Sinatra I Left My Heart In San Francisco – Tony Bennett I Wanna Be Like You I Wont Dance - Sinatra I’ve Got A Lot of Livin’ To Do – Sammy Davis Jnr I’ve Got You Under My Skin – Frank Sinatra In The Mood It Don't Mean A thing It Had To Be Youm – Frank Sinatra King Of The Road – Dean Martin L.O.V.E – Nat King Cole La Vie en Rose - Louis Armstrong Let The Good Times Roll Let There Be Love – Nat King Cole Lets Face The Music And Dance - Nat King Cole Luck Be A Lady Mac The Knife - Bobby Darin Mambo Italiano – Dean Martin Me and Mrs Jones – Michael Buble Me and My Shadow Minnie The Moocher – Cab Colloway Moondance – Michael Buble Mr Bojangles – Sammy Davis Jnr My Baby Just Cares – Nina Simone Male My Blue Heaven - Frank Sinatra My Kind Of Girl - Matt Monro My Kind Of Town – Frank Sinatra My Shining Hour – Sammy Davis Jr.
[Show full text]
MCA Label, Part 3
MCA 300 Series by Dvaid Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA 300 Main Series: MCA 300 - Entertainer of the Year - Loretta Lynn [1973]. (3-73 #1CW) Rated “X”/’Til The Pain Outwears The Shame/Ruby, Madge And Mable/Legend In My Mind/Ain't It Funny/Yesterday Will Come Again Tonight//Hanky Panky Woman/I'm All He's Got (But He’s Got All Of Me)/I'm Paying For My Raising/Possessions/I Need Someone To Hold Me (When I Cry) MCA 301 - Do You Know What It’s LikeTo Be Lonesome - Jerry Wallace [1973] (2-73 #179 #6CW) Do You Know What It's Like To Be Lonesome?/Sound Of Goodbye/The Love Song Of The Year/Until You/A Standing Ovation//Hot Line/The Song That Nobody Sings/Even The Bad Times Are Good/Where Did He Come From?/The Greatest Feeling MCA 302 - Old Hat - Uncle Dog [1973] River Road/Movie Time/Old Hat/Boogie With Me/We’ve Got Time//Smoke/I’ll Be Your Baby Tonight/Mystery Train/Lose Me MCA 303 - She Needs Someone - Conway Twitty [1973] (3-73 #3CW) She Needs Someone to Hold Her (When She Cries)/Sweet Memories/I’ve Just Destroyed The World/Even The Bad Times Are Good/It’s Not Love (But It’s Not Bad)/Dim Lonely Places//Darlin’/I Don’t Believe I’ll Fall in Love Today/Each Season Changes You/Why Not Tonight/Don’t Cry Daddy MCA 304 - Hi Ho Silver - Kajanus Pickett [1973] Changes/Cold Harbour Morning/Hometown Girl/Tomorrow/Chosen Wings//Parachute/Nature Man/Flying Machine/Movin' On/Passing Time MCA 305 - Brenda - Brenda Lee [1973] (4-73 #206 #7CW) Nobody Wins/I Can See Clearly Now/Sweet Memories/Everybody’s Reaching Out for Someone/Here I Am Again/Run to Me//Something’s Wrong with Me/I’m a Memory/My Sweet Baby/We Had a Good Thing Going/Always on My Mind MCA 306 - Silverhead - Silverhead [1973] Reissue of Signpost SP 8407.
[Show full text]
Crystal Gayle
2008 Induction Class Crystal Gayle One of the most popular and widely recognized female country singers of her era, Crystal Gayle supported her trademark, nearly floor-length hair with a supple voice, a flair for ballads, and a crossover-friendly country-pop style that netted her the occasional mainstream hit. Gayle was born Brenda Gail Webb in Paintsville, KY, in 1951; her older sister was future superstar Loretta Lynn, though Lynn had already left home by the time Brenda was born. The family moved to Wabash, IN, when Brenda was four, and she started singing along with country and pop songs on the radio at a young age. Inspired in part by Lynn's success, Brenda learned guitar and started performing folk songs in high school, also singing backing vocals in her brother's band. Lynn encouraged her younger sister, and started bringing her out on tour for a few weeks each summer. Lynn's label, Decca, signed the young singer as soon as she was done with high school, but suggested a name change so as to avoid confusion with labelmate Brenda Lee. Lynn suggested the name Crystal, inspired by the Krystal hamburger chain, and Brenda adopted her middle name to come up with Crystal Gayle.Gayle's debut single was 1970's "I've Cried (The Blues Right Out of My Eyes)"; done in a style very similar to Lynn's, it reached the country Top 40. Far from encouraging Gayle to develop her own style, Decca pushed for more "little Loretta" records, and Lynn actually wrote some of her early singles.
[Show full text]
8 Can a Fujiyama Mama Be the Female Elvis?
8 CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS? The wild, wild women of rockabilly David Sanjek I don't want a headstone for my grave. I want a fucking monument! (Jerry Lee Lewis) 1 You see, I was always a well-endowed girl, and the guys used to tell me that they didn't know how to fit a 42 into a 331!3. (Sun Records artist Barbara Pittman ) 2 Female artists just don't really sell. (Capital Records producer Ken Nelson) 3 In the opening scene of the 199 3 film True Romance (directed by Tony Scott from a script by Quentin Tarantino), Clarence Worly (Christian Slater) perches on a stool in an anonymous, rundown bar. Addressing his com ments to no one in particular, he soliloquises about 'the King'. Simply put, he asserts, in Jailhouse Rock (19 5 7), Elvis embodied everything that rocka billy is about. 'I mean', he states, 'he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothin' except rockin' and rollin' and livin' fast and dyin' young and leavin' a good lookin' corpse, you know.' As he continues, Clarence's admiration for Elvis transcends mere identification with the performer's public image. He adds, 'Man, Elvis looked good. Yeah, I ain't no fag, but Elvis, he was prettier than most women, most women.' He now acknowledges the presence on the barstool next to him of a blank-faced, blonde young woman. Unconcerned that his overheard thoughts might have disturbed her, he continues, 'I always said if I had to fuck a guy - had to if my life depended on it - I'd 137 DAVID SANJEK THE WILD,~ WOMEN OF ROCK~BILLY fuck Elvis.' The woman concurs with his desire to copulate with 'the and Roll; rockabilly, he writes, 'suggested a young white man celebrating King', but adds, 'Well, when he was alive, not now.' freedom, ready to do anything, go anywhere, pausing long enough for In the heyday of rockabilly, one imagines more than a few young men apologies and recriminations, but then hustling on towards the new'.
[Show full text]
Nurse Aide Employment Roster Report Run Date: 9/24/2021
Nurse Aide Employment Roster Report Run Date: 9/24/2021 EMPLOYER NAME and ADDRESS REGISTRATION EMPLOYMENT EMPLOYMENT EMPLOYEE NAME NUMBER START DATE TERMINATION DATE Gold Crest Retirement Center (Nursing Support) Name of Contact Person: ________________________ Phone #: ________________________ 200 Levi Lane Email address: ________________________ Adams NE 68301 Bailey, Courtney Ann 147577 5/27/2021 Barnard-Dorn, Stacey Danelle 8268 12/28/2016 Beebe, Camryn 144138 7/31/2020 Bloomer, Candace Rae 120283 10/23/2020 Carel, Case 144955 6/3/2020 Cramer, Melanie G 4069 6/4/1991 Cruz, Erika Isidra 131489 12/17/2019 Dorn, Amber 149792 7/4/2021 Ehmen, Michele R 55862 6/26/2002 Geiger, Teresa Nanette 58346 1/27/2020 Gonzalez, Maria M 51192 8/18/2011 Harris, Jeanette A 8199 12/9/1992 Hixson, Deborah Ruth 5152 9/21/2021 Jantzen, Janie M 1944 2/23/1990 Knipe, Michael William 127395 5/27/2021 Krauter, Cortney Jean 119526 1/27/2020 Little, Colette R 1010 5/7/1984 Maguire, Erin Renee 45579 7/5/2012 McCubbin, Annah K 101369 10/17/2013 McCubbin, Annah K 3087 10/17/2013 McDonald, Haleigh Dawnn 142565 9/16/2020 Neemann, Hayley Marie 146244 1/17/2021 Otto, Kailey 144211 8/27/2020 Otto, Kathryn T 1941 11/27/1984 Parrott, Chelsie Lea 147496 9/10/2021 Pressler, Lindsey Marie 138089 9/9/2020 Ray, Jessica 103387 1/26/2021 Rodriquez, Jordan Marie 131492 1/17/2020 Ruyle, Grace Taylor 144046 7/27/2020 Shera, Hannah 144421 8/13/2021 Shirley, Stacy Marie 51890 5/30/2012 Smith, Belinda Sue 44886 5/27/2021 Valles, Ruby 146245 6/9/2021 Waters, Susan Kathy Alice 91274 8/15/2019
[Show full text]
Download This PDF File
Empirical Musicology Review Vol. 10, No. 3, 2015 “The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Harmonic Syntax in Popular Music from the 1960s HUBERT LÉVEILLÉ GAUVIN [1] Schulich School of Music, McGill University ABSTRACT: The goal of this research is to investigate the pitch structures of popular music in the 1960s through a large corpus study in order to identify any consistent changes in harmonic and tonal syntax. More specifically, two studies based on the Billboard DataSet (Burgoyne, Wild & Fujinaga, 2011; Burgoyne, 2011), a new corpus presenting transcriptions for more than 700 songs, are presented. The first study looks at the incidence of multi-tonic songs throughout the decade, while the second study focuses on the incidence of flat-side harmonies (e.g. bIII, bVI, and bVII) over the same period of time. While no difference was observed in the frequency of multi-tonic songs, the study showed a significant increase in the incidence of flat-side harmonies during the second half of the decade. Submitted 2014 September 16; accepted 2015 April 9. KEYWORDS: popular music, corpus, Billboard, harmony, modulation IN January 1964 Bob Dylan released “The Times They Are A-Changin,” a politically-charged protest song encouraging changes in American society. Indeed the 1960s were a time of great political, but also sociological and cultural changes, accompanied by equally important developments in popular music. Many music scholars have addressed the attitudinal shift associated with this period, noting that “[r]ock musicians no longer aspire[d] so much to be professionals and craftspeople” but “artists” (Covach, 2006, p.
[Show full text]