Dementia Hero Awards 2021 1
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Rangoli Radio (Leeds)
Community Digital Sound Programme (C-DSP) licence Application form – Part A (public) Name of applicant (i.e. the body corporate that will hold the licence): Radio Rangoli CIC Proposed service name: Rangoli Radio Radio multiplex service(s) on which the proposed C-DSP service is to be provided: Leeds Digital Media Public contact details: [email protected] Publication date: 1 September 2020 Contents Section 1. Overview 1 2. Applicant’s details 4 3. The proposed service 13 4. Compliance of the service 20 5. Declaration 24 C-DSP licence: Application form (Part A) 1. Overview You should complete this form if you are applying for a community digital sound programme licence (“C-DSP”). You can find further information about C-DSP services in the guidance notes for licensees and applicants. This application form is divided into two parts – Part A (which we will publish on our website) and Part B (which will be kept confidential). This document constitutes Part A; Part B of the application form is available on our website. If you encounter any issues using these forms, please contact [email protected]. The purpose of this form 1.1 You should complete this form if you are applying for a Community Digital Sound Programme (C-DSP) licence. 1.2 A digital sound programme service intended for broadcast by means of a local or small-scale radio multiplex service requires either a C-DSP licence or a local DSP licence. Ofcom’s published guidance notes set out some of the key issues that potential applicants need to consider in deciding which type of licence is suitable for them. -
As Filed with the Securities and Exchange Commission on July 2, 1998
AS FILED WITH THE SECURITIES AND EXCHANGE COMMISSION ON JULY 2, 1998 REGISTRATION NO. 333-57283 - ------------------------------------------------------------------------------- - ------------------------------------------------------------------------------- SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 --------------- AMENDMENT NO. 1 TO FORM S-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 --------------- CROWN CASTLE INTERNATIONAL CORP. (EXACT NAME OF REGISTRANT AS SPECIFIED IN ITS CHARTER) DELAWARE 4899 76-0470458 (STATE OR OTHER JURISDICTION (PRIMARY STANDARD (I.R.S. EMPLOYER OF INCORPORATION OR INDUSTRIAL IDENTIFICATION NUMBER) ORGANIZATION) CLASSIFICATION NUMBER) 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF REGISTRANT'S PRINCIPAL EXECUTIVE OFFICES) --------------- MR. CHARLES C. GREEN, III EXECUTIVE VICE PRESIDENT AND CHIEF FINANCIAL OFFICER CROWN CASTLE INTERNATIONAL CORP. 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (NAME, ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF AGENT FOR SERVICE) --------------- COPIES TO: STEPHEN L. BURNS, ESQ. KIRK A. DAVENPORT, ESQ. CRAVATH, SWAINE & MOORE LATHAM & WATKINS 825 EIGHTH AVENUE 885 THIRD AVENUE NEW YORK, NEW YORK 10019 NEW YORK, NEW YORK 10022 --------------- APPROXIMATE DATE OF COMMENCEMENT OF PROPOSED SALE TO THE PUBLIC: As soon as practicable after the effective date of this Registration Statement. If any of the securities being registered on this Form are to be offered on a delayed or continuous basis pursuant to Rule 415 under the Securities Act of 1933, check the following box. [_] If this Form is filed to register additional securities for an offering pursuant to Rule 462(b) under the Securities Act, check the following box and list the Securities Act registration statement number of the earlier effective registration statement for the same offering. -
Creating Dementia-Friendly Hospitals
Welcome and introduction Alistair Burns Purpose of this event…. • 1. To hear your feedback on the National Dementia CQUIN – what works well and not so well, how we could make it better. “We know we didn‟t get every detail of the CQUIN right” • 2. To launch a new call to action, asking hospitals to commit to becoming dementia-friendly by March 2013 The event was attended by more than 220 people, including…. • People with dementia and their families • Carers • Clinicians • Representatives from acute hospitals • Representatives from community care • People who support people with dementia and who are working to improve the care of people with dementia and their families A perspective from someone with dementia Trevor Jarvis How it feels to have dementia… • I was first diagnosed with dementia following a stroke • First you learn to live with it, then you have to get your family and friends to understand • When you have dementia you lose your job, your hobbies and your ability to cope with money • You are more reliant on others. People seem to think I can‟t think for myself • You forget your keys, you can‟t get insurance • We are becoming a faceless society – you are expected to serve yourself with machines A message to people in healthcare… • Please include us as much as you can • You can‟t replace the experience and human touch that nurses and staff give to patients • Staff need to know about all forms of dementia and how it affects people • We need to go back to basics – the right people with good training, paid the right salaries • You can‟t have too much information about patients with dementia – it makes your job easier and their lives better • I have a logo, it‟s a CAR – Care, Assist and Respect • If I‟d known what was coming I‟d have done more – Adventure before Dementia. -
Chit-Chat Overview
Overview 1 By 2039, it is estimated that the The problem number of one-person households will rise to 10.7 million ONS (2018) Over 700,000 young people (16 - 24 years) said they were “often” lonely ONS (2018) The number of over-50s experiencing loneliness is set to reach 2 million by 2025/26 Age UK (2018) 2 For everyone. Connecting the nation through conversation Through our phone line and social media hub, we keep everyday conversations alive, are the go-to place for a chat and play an active part in addressing loneliness, isolation and mental health. 3 We are chit-chat. chit-chat is a new not-for-profit organisation creating a place for everyone to have a conversation. Born during the peak of a global pandemic and unprecedented isolation, we strive to change how we interact with one another. We want people to grab a brew, give us a call and engage with us through social media. Any conversation is welcome, from the weather, favourite movies or music, to sport, culture and how to keep fit indoors. Our enthusiastic volunteers oversee the phone line and social media throughout the week and are committed to having a friendly discussion with anyone who reaches out. We’re here to listen, we’re determined to reduce the number of people who are lonely and we’re here to chit-chat. 4 5 At chit-chat, we aim... 1. To ensure everyone can chat and collaborate, finding a conversation through a channel that suits them. 2. To develop meaningful connections. -
News in Brief... MUSIC WEEK NOVEMBER 17, 1979 Hallam
MUSIC WEEK NOVEMBER 17, 1979 News in Hallam boosts a cr. brief... 5S ' ...1 t DAN DAMON — currently a studio facilities 'A presenter for BBC Wales — will m become programme controller of <r ft-" Cardiff Broadcasting, the successful franchise applicant for the Cardiff with mobile rev 1LR franchise. In Damon the company has acquired not only LATEST ADDITION 10 Radio Hallam's studio facilities will be a mi someone who understands the custom built £70.000 mobile recording unit. The vehicle, designed by unique needs of a Welsh radio chief engineer Derrick Connolly and senior engineer Michael Adams station, but also a personality who is is to be fitted out by Hallam staff and is expected to be in service by already well known to the Cardiff April, 1980. audience. Describing the mobile Connolly says: "The unit will be 32 feel long, TaieBt THE LINE-UP for The Year of the built on a Bedford chassis and Child Concert being jointly staged incorporating a control room, tape by Radio One, BBC-1 and Mel Bush machine area and storage winners LAST THURSDA Y Radio on November 22 at Wembley Arena compartment. THE SEARCH for the best new Luxembourg once again donated Piersoo for will include Cat Stevens, David rock band in (he Radio Hallam an evening's broadcasting to Music Essex, Gary Numan, Sky and "It wil be used for live music transmission area ended with a win Therapy in the form of a Telethon. Wishbone Ash. recording and as a mobile control for the Grace Pool Five from Contributions from artists include ieaeOT Mil® room for both major news events Barlhfroiigh, who received £100 and B. -
P R E S S P A
P R E S S P A C K B I O G R A P H Y Joe Stilgoe is an internationally acclaimed singer, pianist and songwriter with a rich musical heritage (his father is lyricist and entertainer Richard; his mother the opera singer Annabel Hunt). His live shows are a mixture of virtuosic musicianship, breathtaking theatricality and witty interaction with the audience, combining on the spot improvisation and the quickest of wits. He is in constant demand around the world with his band and as a solo act, having appeared at Ronnie Scott's, the Royal Festival Hall, The Queen Elizabeth Hall, The Barbican, The London Jazz Festival, The Royal Albert Hall, Cheltenham Jazz Festival, Edinburgh Festival (Time Out award), Henley Festival, Melbourne Festival, Barbados Festival, Sardinia Jazz Festival, Sicily Jazz Festival, Montreux Jazz Festival, Dubai Jazz Festival and in jazz clubs from New York to Berlin to Kuala Lumpur. He has appeared as featured soloist with orchestras including BBC Concert Orchestra, Royal Liverpool Philharmonic, The Northern Sinfonia, Lahti Symphony, Finland and the RTE Orchestra in Dublin. In 2011 he made his solo debut at the Edinburgh Fringe where his show One Hour! was a sell-out and garnered much critical acclaim (5 stars in The Scotsman) and he has just returned from another sell out Edinburgh run and another clutch of top reviews (a second 5 star Scotsman review being the rarest of accolades) for his show Songs On Film, which first originated at the London Jazz Festival in 2013. Having signed to Candid Records in 2008, he then left the label after releasing his first album I Like This One to self fund his second, the 2012 released We Look To The Stars. -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Bradford's International Women's Day Programme
2019 Celebrations across BRADFORD DISTRICT Come and enjoy a fantastic programme of inspirational talks, entertainment and activities taking place across the district celebrating and recognising the achievements of women www.bradford.gov.uk/iwd #BalanceforBetter Life for Dance A message from the Leader of Bradford Council Councillor Susan Hinchcliffe International Women’s Day is a global day celebrating the achievements of women in every sphere. Our programme in Bradford spans two weeks and celebrates some fantastic women from past and present – from Manningham’s pioneering women of the 19th century through to those who fought for women’s rights in the 20th century, to successful modern-day women such as a Paralympic cyclist and others in the worlds of business, sport, the media and beyond. Across the Bradford District we have terrific success stories of local women achieving great things. We have rising female employment and a surge in women entrepreneurs contributing to our vibrant culture and growing economy. But while we see many remarkable women in our own circles and in the public eye, it’s also a time to remember there are still staggering inequalities in this country and of course around the globe. This year’s programme tackles these serious issues while celebrating new opportunities and offering creativity, culture and community. It’s great to see so many hands-on activities this year and I urge you to get involved whatever your age or background. This year’s theme of #balanceforbetter calls for a more gender-balanced world. Whether it’s in the workplace, the home or in any other sphere, it’s not just a moral imperative for women to be able to contribute fully and fulfil their potential – it’s a common-sense one. -
BBC Local Radio Service Licence
BBC Local Radio Service Licence. Issued May 2013 BBC Local Radio This service licence describes the most important characteristics of BBC Local Radio, including how it contributes to the BBC’s public purposes. Service Licences are the core of the BBC’s governance system. They aim to provide certainty for audiences and stakeholders about what each BBC service should provide. The Trust uses service licences as the basis for its performance assessment and as the basis for its consideration of any proposals for change to the UK public services from the BBC Executive. A service may not change in a way that breaches its service licence without Trust approval. The Trust presumes that any proposed change to a stated Key Characteristic of a licence will require it to undertake a Public Value Test. Should it decide not to carry out a Public Value Test before approving any such change, then it must publish its reasons in full. This Service Licence covers all BBC Local Radio stations in England. Each of the 39 stations is described in Annex II of this licence Part I: Key characteristics of the service 1. Remit The remit of BBC Local Radio is to provide a primarily speech-based service of news, information and debate to local communities across England. Speech output should be complemented by music. The target audience should be listeners aged 50 and over, who are not well-served elsewhere, although the service may appeal to all those interested in local issues. There should be a strong emphasis on interactivity and audience involvement. -
BBC Radio Frequency Finder
BBC Radio Frequency Finder For transmitter details see: BBC RADIO 5 LIVE RADIOS 1, 2, 3 AND 4 FM FREQUENCIES Digital Multiplexes (98% stereo coverage, ~100% mono) FM Transmitters by Region Format: News, Sport and Talk; Based Manchester Area R1 R2 R3 R4 AM Transmitters by Region United Kingdom (BBC Mux) DABm 12B SOUTH AND SOUTH EAST ENGLAND FM and AM transmitter details are also included in the London and South East England AM 909 London & South East England 98.8 89.1 91.3 93.5 frequency-order lists. South East Kent AM 693 London area 98.5 88.8 91.0 93.2 East Sussex Coast AM 693 Purley & Coulsdon, London 98.0 88.4 90.6 92.8 National Brighton and Worthing area AM 693 Caterham, Surrey 99.3 89.7 91.9 94.1 South Hampshire and Wight AM 909 Leatherhead area, Surrey 99.3 89.7 91.9 94.1 Radios 1 to 4 are based in London. See tables at end for Bournemouth AM 909 West Surrey & NE Hampshire 97.7 88.1 90.3 92.5 details of BBC FM network. Stations broadcast 24 hours a day Devon, Cornwall and Dorset AM 693 Reading 99.4 89.8 92.0 94.2 except where stated otherwise. Exeter area AM 909 High Wycombe 99.6 90.0 92.2 94.4 West Cornwall AM 909 Newbury & West Berkshire 97.8 88.2 90.4 92.6 South Wales and West England AM 909 West Berkshire & East Wilts 98.4 88.9 91.1 93.3 ADIO BBC R 1 North Dyfed and SW Gwynedd AM 990 Basingstoke 99.7 90.1 92.3 94.5 Format: New Music and Contemporary Hit Music with Talk The Midlands AM 693 East Kent 99.5 90.0 92.4 94.4 United Kingdom (BBC Mux) DABs 12B Norfolk and Suffolk AM 693 Folkestone area 98.3 88.4 90.6 93.1 United Kingdom (see table) FM 97.1, 97.7 - 99.8 Yorkshire, NW England & Wales AM 909 Hastings 97.7 89.6 91.8 94.2 Satellite 0101/700, DTT 700, Cable 901 South Cumbria & N Lancashire AM 693 Bexhill 99.2 88.2 92.2 94.6 Airdate: 30/9/1967. -
Museum of London Annual Report 2004-05
MUSEUM OF LONDON – ANNUAL REPORT 2004/05 London Inspiring MUSEUM OFLONDON-ANNUALREPORT2004/05 Contents Chairman’s Introduction 02 Directors Review 06 Corporate Mandate 14 Development 20 Commercial Performance 21 People Management 22 Valuing Equality and Diversity 22 Exhibitions 24 Access and Learning 34 Collaborations 38 Information and Communication Technologies 39 Collections 40 Facilities and Asset Management 44 Communications 45 Archaeology 48 Scholarship and Research 51 Publications 53 Finance 56 List of Governors 58 Committee Membership 59 Staff List 60 Harcourt Group Members 63 Donors and Supporters 64 MUSEUM OF LONDON – ANNUAL REPORT 2004/05 01 CHAIRMAN’S INTRODUCTION CHAIRMAN’S INTRODUCTION On behalf of the Board of Governors I am pleased to report that the Museum of London has had another excellent year. On behalf of the Board of Governors I am pleased to report that the Museum of London has had another excellent year. My fellow Governors and I pay tribute to the leadership and support shown by Mr Rupert Hambro, Chairman of the Board of Governors from 1998 to 2005. There were many significant achievements during this period, in particular the refurbishment of galleries at London Wall, the first stage of the major redevelopment of the London Wall site, the opening of the Museum in Docklands and the establishment and opening of the London Archaeological Archive and Research Centre at Mortimer Wheeler House.The first stage of the London Wall site redevelopment included a new entrance, foyer and the Linbury gallery, substantially funded by the Linbury Trust.The Museum is grateful to Lord Sainsbury for his continuing support.There were also some spectacular acquisitions such as the Henry Nelson O’Neil’s paintings purchased with the help of the Heritage Lottery Fund, the Introduction National Art Collections Fund and the V&A Purchase Fund.