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Not Just a Christmas Party Regional Integration Takes Please Before the Year’S End
Msgr. Gutierrez The Joy and Sadness of Winter — p. 10 Entertainment AlDub hashtag 2015’s 3rd top trending topic for TV worldwide — p. 9 Housing AARP design contest: Tackling America’s future housing needs — p. 11 Arts & Culture 2015 PASACAT Parol Lantern Festival at Jacobs Center — p. 15 December 11-17, 2015 KPMG report: PH ready to be ASEAN production hub Good News Pilipinas | MA- Our Life and Times NILA, 12/11/2015 -- The Philip- Philippines wins back-to-back pines is ready to be South East Asia’s key production hub when Miss Earth titles Not Just a Christmas Party regional integration takes please before the year’s end. The assessment was contained in the report, “Moving Across Borders: The Philippines and the Asean Economic Community” released by auditing fi rm KPMG R.G. Manabat & Co. The 78-page report discussed the country’s prospects on the looming integration of the 10-member Association of South- east Asian Nations (Asean). According to the document, “In- Philstar.com | MANILA, Philip- Vienna, Austria, the third Filipina vestors can view the Philippines pines - Filipina beauty queen to win the title in the pageant’s as a gateway to the rest of the Angelica Ong was crowned as region as well as to Asean’s six the 2015 Miss Earth yesterday in ( Continued on page 12 ) free trade partners in East Asia.” The regional integration report cited the country’s young work- PH team goes to battle for force and English profi ciency as advantages to factories. liability, compensation for The young demographics, By Simeon G. -
On Thealdub Kalye Serye Phenomenon a Roundtable Discussion Patrick F
DOCUMENT On theAlDub Kalye Serye Phenomenon A Roundtable Discussion Patrick F. Campos Introduction A phenomenal media event was the arrival of the Philippine love team of Alden Richards and Maine Mendoza (a. k. a. Yaya Dub) in the last quarter of 2015. The rise to popularity of “AlDub” was no less phenomenal for its being apparently unexpected and unpredictable, hence begging for explanation. Richards, prior to his being “accidentally” paired with Mendoza, has been a minor celebrity in the major television network, GMA 7, for four years. In spite of playing supporting roles in a number of television dramas since 2011 and eventually starring as the National Hero, Jose Rizal, in the mini-series, Ilustrado (2014), Richards arguably did not enjoy the stature of a “star” until he took his place as one-half of AlDub. Mendoza, meanwhile, came to public attention in early 2015, when her series of Dubsmash videos, many of them parodying Philippine star, Kris Aquino, went viral and received nearly two million views in less than a week. In effect, Mendoza, through a smartphone application that allowed her to poke fun at mainstream stars, rose from being virtually unknown to being an Internet celebrity in a matter of days. Both Richards and Mendoza joined the longest-running variety program, Eat Bulaga!, on GMA 7 in 2015, at a time when the noontime show was losing in the ratings game to Showtime, the variety program of its rival network, ABS-CBN 2. Richards hosted a segment of the show called That’s My Bae, a contest which was not unlike the talent contests he himself Plaridel • Vol. -
The New Manila Sound: Music and Mass Culture, 1990S and Beyond James Gabrillo
The New Manila Sound: Music and Mass Culture, 1990s and Beyond A dissertation submitted for the degree of Doctor of Philosophy in Music James Gabrillo Peterhouse, University of Cambridge November 2018 This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other quali- fication at the University of Cambridge or any other University or similar institution. It does not exceed the word limit prescribed by the Degree Committee. "2 of 293" The New Manila Sound: Music and Mass Culture, 1990s and Beyond James Gabrillo Abstract This dissertation provides the first detailed account of the mass musical culture of the Philippines that originated in the 1990s and continues to be the most popular style of musical entertainment in the country — a scene I dub the New Manila Sound. Through a combination of archival research, musical analysis, and ethnographic fieldwork, my ex- amination focuses on its two major pioneers: the musical television programme Eat Bula- ga! (Lunchtime Surprise) and the pop-rock band Aegis. I document the scene’s rise and development as it attracted mostly consumers from the lower classes and influenced oth- er programmes and musicians to adapt its content and aesthetics. The scene’s trademark kitsch qualities of parody, humour, and exaggeration served as forms of diversion to au- diences recovering from the turbulent dictatorship of Ferdinand Marcos from 1965 to 1986, when musical works primarily comprised of state-commissioned nationalist an- thems, Western art music, and protest songs. -
The Kalyeserye's Metafiction
(Dub)Smashing the Fourth Wall: The Kalyeserye’s Metafiction Ivery Del Campo “God gave me you to show me what’s real.” On September 26, 2015, in what turned out to be an unusually special Saturday in Eat Bulaga’s 36 years as a noontime variety show, actor and TV host Alden Richards, who’s been dubsmashing love songs with (literal) on-screen love interest Yaya Dub, stopped dubsmashing for the first time and sang something for real, live and with his actual voice. In Philippine showbiz, where it’s common for non-singers to lip-sync to their own pre- recorded edited voices, Alden bared his still developing talent and sang, though not always hitting the notes. Then the voice quivered; on national TV and the World Wide Web, Alden broke down in tears but carried on with the singing. The camera panned to the audience, his co-hosts in Broadway studio, and the crowd in a remote location. Everybody was in tears and singing with him. The enigma of the moment was, were his tears as real as his voice? After the song, Alden spoke up saying the song “God Gave Me You” is dedicated to Meng, the pet name for Maine Mendoza who plays Yaya Dub, a character who communicates by dubsmashing lines from songs and movies or by writing fan signs, and whose real voice was, at that point, unheard in the Kalyeserye (street drama serial). Was Alden’s dedication statement scripted, unscripted, or both? For the Kalyeserye audience used to acting-an lang ito (all this is just acting), Alden’s dedication can be both scripted and truthfully meant, with the song dedicated to both Yaya Dub the character and Maine the real person. -
Press Release References: SRC Rule 17 (SEC Form 17-C) Section 4.4 of the Revised Disclosure Rules
C05962-2015 SECURITIES AND EXCHANGE COMMISSION SEC FORM 17-C CURRENT REPORT UNDER SECTION 17 OF THE SECURITIES REGULATION CODE AND SRC RULE 17.2(c) THEREUNDER 1. Date of Report (Date of earliest event reported) Nov 5, 2015 2. SEC Identification Number 5213 3. BIR Tax Identification No. 000-917-916 4. Exact name of issuer as specified in its charter GMA NETWORK, INC. 5. Province, country or other jurisdiction of incorporation Philippines 6. Industry Classification Code(SEC Use Only) 7. Address of principal office GMA Network Center, EDSA corner Timog Avenue, Diliman, Quezon City Postal Code 1103 8. Issuer's telephone number, including area code (632) 982-7777 9. Former name or former address, if changed since last report - 10. Securities registered pursuant to Sections 8 and 12 of the SRC or Sections 4 and 8 of the RSA Title of Each Class Number of Shares of Common Stock Outstanding and Amount of Debt Outstanding Preferred Shares 7,499,507,184 Common Shares 3,361,047,000 11. Indicate the item numbers reported herein - The Exchange does not warrant and holds no responsibility for the veracity of the facts and representations contained in all corporate disclosures, including financial reports. All data contained herein are prepared and submitted by the disclosing party to the Exchange, and are disseminated solely for purposes of information. Any questions on the data contained herein should be addressed directly to the Corporate Information Officer of the disclosing party. GMA Network, Inc. GMA7 PSE Disclosure Form 4-31 - Press Release References: -
PH Typhoon Toll Hits 54 As Floods Shift Members Died During the Lunchtime Attack at a Restaurant on Wednesday
Filipinos dominate FCC Kids Painting Viking Club02 ‘Fun run’ Worksho 04p kicks off www.kuwaittimes.net SUNDAY, OCTOBER 25, 2015 ‘#AlDubEBTamangPanahon’ pulls in over 27 million tweets Page 06 ‘Ilabas n’yo ang dinukot na ministro’ MANILA: Inutusan ng Korte Suprema ngay- ong Biyernes ang Iglesia Ni Cristo na ipakita sa kanila ang umano’y dinukot na ministro. Naglabas ang mataas na hukuman ng writ of amparo at habeas corpus laban kay INC executive minister Eduardo Manalo. Nais din ng korte na humarap si Manalo sa Court of Appeals (CA). Nag-ugat ang kautusan sa petisyong inihain nina Anthony Menorca at Jungko Otsuka laban sa pamunuan ng INC. Ayon sa reklamo, hawak ng INC si Lowell Menorca at ang pamilya niya sa INC central office sa Quezon City. —PSN Two diplomats held in deadly Philippines shooting flown to China MANILA: Two Chinese diplomats have been BENGUET: This handout photo by Office of the Civil Defense-Cordillera Autonomous Region (OCD-CAR) shows an aerial shot of a flown to China to stand trial for a gun attack in road which collapsed October 22, swallowing four houses and creating a sink hole (C) following heavy rains brought on by typhoon the Philippines that killed two of their col- Koppu, in the mining town of Itogon, Benguet province north of Manila. No one was reported injured or killed in the incident. —AFP leagues and wounded another, Philippine authorities said yesturday. China’s consul gener- al in the central city of Cebu survived after being shot in the neck, but two of his staff PH typhoon toll hits 54 as floods shift members died during the lunchtime attack at a restaurant on Wednesday. -
Securities and Exchange Commission
SECURITIES AND EXCHANGE COMMISSION SEC FORM 17-A, AS AMENDED ANNUAL REPORT PURSUANT TO SECTION 17 OF THE SECURITIES REGULATION CODE AND SECTION 141 OF THE CORPORATION CODE OF THE PHILIPPINES OF GMA NETWORK, INC. 1. For the fiscal year ended: December 31, 2016 2. SEC Identification Number: 5213 3. BIR Tax Identification No. 000-917-916-000 4. Exact name of issuer as specified in its charter: GMA NETWORK, INC. 5. PHILIPPINES 6. (SEC Use Only) Province, Country or other jurisdiction of Industry Classification Code: Incorporation or organization 7. GMA NETWORK CENTER, EDSA CORNER TIMOG AVENUE, DILIMAN, QUEZON CITY Address of principal office Postal Code 8. (632) 982 7777 Issuer’s telephone number, including area code 9. NOT APPLICABLE Former name, former address, and former fiscal year, if changed since last report. 10. Securities registered pursuant to Sections 8 and 12 of the SRC, or Sec. 4 and 8 of the RSA Title of Each Class Number of Shares of Common Stock Outstanding Common Stock 3,361,047,000 Preferred Stock 7,499,507,184 11. Are any or all of these securities listed on a Stock Exchange. Yes [ √ ] No [ ] If yes, state the name of such stock exchange and the classes of securities listed herein: PHILIPPINE STOCK EXCHANGE / COMMON STOCK 1 12. Check whether the issuer: (a) has filed all reports required to be filed by Section 17 of the SRC and SRC Rule 17.1 thereunder or Section 11 of the RSA and RSA Rule 11(a)-1 thereunder, and Sections 26 and 141 of The Corporation Code of the Philippines during the preceding twelve (12) months (or for such shorter period that the registrant was required to file such reports); Yes [√ ] No [ ] (b) has been subject to such filing requirements for the past ninety (90) days. -
Mall Tycoon Henry Sy Tops Philippines' Rich List
OFWs dream for Thai PM to Aquino: a crim02e-free PH You sp 03eak so fast www.kuwaittimes.net SUNDAY, AUGUST 30, 2015 Mall tycoon Henry Sy tops Philippines’ rich list Page 07 Philippine economy grew 5.6 pct in the second quarter MANILA: The Philippine economy grew by 5.6 percent in the second quarter from a year ago, slightly below the government’s target, officials said Thursday. The fig- ure brings growth in the first six months to 5.3 percent, down from 6.2 percent for the same period a year ago. The economy grew 5 percent in first quarter. Economic Planning Secretary Arsenio Balisacan said the govern- ment is now likely to miss its 2015 full-year growth tar- get of 7 to 8 percent, with 6 to 6.5 percent growth look- ing more realistic. He called the second-quarter figure “respectable,” saying it reflects a boost in government spending, espe- cially public construction, which grew 20 percent from a 24 percent contraction in the first quarter after efforts to address spending bottlenecks. Private investment, robust exports, and household consumption also con- tributed to growth. “Despite the GDP number hitting slightly below the government’s target, we recognize that it is much more important to ensure that the growth momentum is sustained,” Balisacan said. —AP Three militants MANILA: Members of the religious sect Iglesia Ni Cristo (Church of Christ) shout slogans during a protest against the Justice Department, yesterday in the suburban Mandaluyong city east of Manila, Philippines. The sect members, who earlier camped out killed in Philippine for two days in Manila, are accusing Justice Secretary Leila De Lima of harassing the congregation by ordering an investigation into military clash what it said false allegations by its expelled members. -
Maine Mendoza
MAINE MENDOZA Nicomaine Dei Capili Mendoza (born March 3, 1995 in Santa Maria, Bulacan, Philippines), popularly known as Yaya Dub or Maine Mendoza[1][2], is a Filipina comedienne, television personality and host.[3] She currently appears in the noontime variety show Eat Bulaga! airing on GMA Network and worldwide via GMA Pinoy TV as one of the co-hosts.[4][5] Personal life Mendoza was born and raised on the municipality of Sta. Maria in the province of Bulacan in the Philippines. She is the fourth of five siblings. She finished elementary and high school in St. Paul College located at Bocaue, Bulacan. Mendoza got a bachelor degree on De La Salle-College of St. Benilde. She pursued on the job training for her profession at The Sagamore in Bolton Landing, New York.[6] Career Mendoza's career took off after her Dubsmash compilation, in which she impersonates Kris Aquino, went viral with one million views overnight.[7] Mendoza began posting Dubsmash compilations on Facebook where one of the videos she posted got a million views over a period of 24 hours.[8] This earned her the tag as the "Queen of Dubsmash." This opened several opportunities for Mendoza. She had the opportunity to collaborate with many other Dubsmashers, met Kris Aquino herself and auditioned for Eat Bulaga. Subsequently, she was cast as Yaya Dub, the nanny of Wally Bayola's character, Lola Nidora, in the Juan For All, All For Juan segment of Eat Bulaga.[9] Mendoza's character "Yaya Dub" whom she portrayed is paired with fellow Eat Bulaga co-host Alden Richards, in a rom-com/drama sketch/segment on the show entitled "KalyeSerye". -
Duterte Still Popular Despite Rising Prices Patunay Lamang Na Wala Pa Ring Tunay Na Kalayaan at Demokrasya,” Arellano Said in a Statement
2018 JULY Killing Mayors The League of Municipalities of the Philippines (LMP) has requested a dialogue with President Rodrigo Duterte following the deadly attacks on two mayors this week. Several local officials on that list have been killed in the President’s brutal war on drugs. Mayors want to talk it out with Duterte “The mayors on the list fear for their lives. I pity them. They told me, ‘Mayor, we are not involved in drugs. Why are we on the list?’” said Brondial, mayor of Socorro, Oriental Mindoro province. The League of Cities of the Philippines (LCP) on Wednesday condemned what it called “premeditated killings” of Tanauan City, Batangas, Mayor Antonio Halili on Monday and of General Tinio, Nueva Ecija, Mayor Ferdinand Bote on Tuesday and demanded the overhaul of drug watch lists, which, it said, may have put the lives of local officials in harm’s way. To protect the lives of local officials, Angeles City Mayor Edgardo Pamintuan, LCP president, said the Philippine Drug Enforcement Agency should “follow due process when it validates, adjudicates and revalidates . [the] government’s narcolist so officials [could] be given the chance to clear their names.” A sniper, firing from a grassy knoll 150 meters away, felled Halili during flag-raising rites in front of City Hall in Tanauan. Bote was being driven out of the National Irriga- tion Administration office in Cabanatuan City on Tuesday afternoon when two motorcycle-riding men drove up to his vehicle’s side and pumped five bullets into him, killing him outright. Halili was on the President’s list, but he denied involvement in the illegal drug trade. -
A Roundtable Discussion on the Aldub Kalye Serye Phenomenon
DOCUMENT A Roundtable Discussion on the AlDub Kalye Serye Phenomenon (Dub)Smashing the Fourth Wall: The Kalyeserye’s Metafiction Ivery Del Campo “God gave me you to show me what’s real.” On September 26, 2015, in what turned out to be an unusually special Saturday in Eat Bulaga’s 36 years as a noontime variety show, actor and TV host Alden Richards, who’s been dubsmashing love songs with (literal) on-screen love interest Yaya Dub, stopped dubsmashing for the first time and sang something for real, live and with his actual voice. In Philippine showbiz, where it’s common for non-singers to lip-sync to their own pre- recorded edited voices, Alden bared his still developing talent and sang, though not always hitting the notes. Then the voice quivered; on national TV and the World Wide Web, Alden broke down in tears but carried on with the singing. The camera panned to the audience, his co-hosts in Broadway studio, and the crowd in a remote location. Everybody was in tears and singing with him. The enigma of the moment was, were his tears as real as his voice? After the song, Alden spoke up saying the song “God Gave Me You” is dedicated to Meng, the pet name for Maine Mendoza who plays Yaya Dub, a character who communicates by dubsmashing lines from songs and movies or by writing fan signs, and whose real voice was, at that point, unheard in the Kalyeserye (street drama serial). Was Alden’s dedication statement scripted, unscripted, or both? Plaridel • Vol. -
Re-Locating the Spaces of Television Studies
Media and Communication (ISSN: 2183-2439) 2016, Volume 4, Issue 3, Pages 123-130 Doi: 10.17645/mac.v4i3.563 Article Re-Locating the Spaces of Television Studies Anna Cristina Pertierra School of Humanities and Communication Arts, Western Sydney University, Penrith, NSW 2751, Australia; E-Mail: [email protected] Submitted: 19 January 2016 | Accepted: 22 March 2016 | Published: 14 July 2016 Abstract This paper will extend work originally presented in Pertierra and Turner’s Locating Television (2013) to argue that the reasons for which the demise of television was prematurely assumed can be understood and corrected by critically ex- amining the geopolitics of television scholarship. The spaces from which television has been taken seriously as a topic of investigation have enabled a neglect of empirical and theoretical research that genuinely engages with the ways in which television might be understood as variously surviving, growing, innovating and even leading the current and fu- ture global media landscapes. The paper offers two ways in which television scholars might productively re-locate their spheres of concentration to understand the diversity of television worlds today: 1) empirically, it considers the case of the Philippines where broadcast television is successful in ways that could only be dreamed of by television executives in the so-called ‘world centres’ of the global entertainment industry. 2) theoretically, the paper refers to complemen- tary attempts in sociology, literary and cultural studies to offer alternatives to Europe and North America from which scholars might locate the vanguard for modernity, globalization and innovation. It is by engaging with both of these strands in concert—empirically investigating television beyond the ‘usual places’ in such a way that responds to the call of cultural theorists to question our very assumptions about where television studies’ ‘usual places’ should be, that more nu- anced understandings, and fewer premature declarations, might be made about what television is, and where it is going.