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ROCK 'DO: RESURGENCE of a RESILIENT SOUND in U.S., Fresh Spin Is Put on Format Globally, `No- Nonsense' Music Thrives a Billboard Staff Report
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) ZOb£-L0906 VO H3V38 9N01 V it 3AV W13 047L£ A1N331J9 A1NOW 5811 9Zt Z 005Z£0 100 lllnlririnnrlllnlnllnlnrinrllrinlrrrllrrlrll ZL9 0818 tZ00W3bL£339L080611 906 1I9I0-£ OIE1V taA0ONX8t THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r MARCH 6, 1999 ROCK 'DO: RESURGENCE OF A RESILIENT SOUND In U.S., Fresh Spin Is Put On Format Globally, `No- Nonsense' Music Thrives A Billboard staff report. with a host of newer acts being pulled A Billboard international staff Yoshida says. in their wake. report. As Yoshida and others look for NEW YORK -In a business in which Likewise, there is no one defining new rock -oriented talent, up -and- nothing breeds like success, "musical sound to be heard Often masquerading coming rock acts such as currently trends" can be born fast and fade among the pack, only as different sub-gen- unsigned three -piece Feed are set- faster. The powerful resurgence of the defining rock vibe res, no-nonsense rock ting the template for intelligent, rock bands in the U.S. market -a and a general feeling continues to thrive in powerful Japanese rock (Global phenomenon evident at retail and that it's OK to make key markets. Music Pulse, Billboard, Feb. 6) with radio, on the charts, and at music noise again. "For the THE FLYS Here, Billboard cor- haunting art rock full of nuances. video outlets -does not fit the proto- last few years, it wasn't respondents take a Less restrained is thrashabilly trio typical mold, however, and shows no cool to say you were in a global sound -check of Guitar Wolf, whose crazed, over -the- signs of diminishing soon. -
Music & Arts Festival Calgary, Alberta
MUSIC & ARTS FESTIVAL CALGARY, ALBERTA SLED ISLAND STAFF Adele Brunnhofer – Film Program Coordinator Phil Cimolai – Technical Director TABLE OF Colin Gallant – Web Content & Social Media Vanessa Gloux – Promotions Coordinator CONTENTS Nivedita Iyer – Merchandise Coordinator Megan Jorgensen-Nelson – Artist Logistics Coordinator Briana Mallar McLeod – Volunteer Coordinator Drew Marshall – Marketing Coordinator 07 CURATOR/FESTIVAL MANAGER NOTES Nastassia Mihalicz - Sustainability Assistant Erin Nolan – Transport Director 08 FILM Rachel Park – Graphic Designer Shawn Petsche – Festival Manager 11 ART Josh Ruck – Poster Show Curator Lauren Ruckdaeschel – Box-office Coordinator 14 COMEDY Stephanie Russell – Assistant Volunteer Coordinator 17 SPECIAL EVENTS Becky Salmond – Partnership Assistant Maud Salvi - Executive Director 23 BANDS/MUSIC Jodie Rose – Visual Arts Coordinator/Curator Paisley V. Sim – Immigration Coordinator 37 PULLOUT SCHEDULE Colin Smith – Sustainability Coordinator Justin Smith – Hospitality Coordinator 67 EAST VILLAGE Kali Urquhart – Billet Coordinator Evan Wilson – Comedy Curator 69 GREEN ISLAND Rebecca Zahn – All Ages Coordinator 73 DISCOUNT GUIDE BOARD OF DIRECTORS 76 THANKS Christina Colenutt Chris Gokiert 78 SPONSORS Brian Milne Dan Northfield Sarmad Rizvi Terry Rock Chad Saunders Rob Schultz Craig Stenhouse SLED ISLAND FILM COMMITTEE Adele Brunnhofer HOW TO ATTEND Jesse Cumming Felicia Glatz SLED ISLAND Catie St Jacques Ted Stenson RETURNING FOR THE EIGHTH YEAR, SLED ISLAND IS AN ANNUAL INDEPENDENT Evan Wilson MUSIC AND ARTS FESTIVAL FEATURING OVER 200 BANDS PLUS FILM, VISUAL VISUAL DIRECTOR ART, COMEDY AND SPECIAL EVENTS ACROSS 30+ VENUES IN CALGARY, ALBERTA Dylan Smith FROM JUNE 18-22, 2014. WE OFFER A NUMBER OF WAYS TO EXPLORE AND DISCOVER THIS STAGGERING AMOUNT OF MUSIC AND ART AND EVERYTHING BOOKING ELSE THAT GOES DOWN OVER THESE FIVE JAM-PACKED DAYS. -
Spring 2019 Best-Selling Titles IPG –– Spring 2019
Spring 2019 Best-Selling Titles IPG –– Spring 2019 9780970601971 9781947026025 9781935879510 9781936693771 9781771681452 9781771681360 9781771681339 9781613737002 9781613737217 9781613739358 9781613738207 9781641600415 9781613738955 9781613731895 9780912777252 9780912777740 9781613735473 9780912777429 9780914090359 9781613743416 9781613737545 9780897339292 9781613747964 9781556520747 9780897337038 IPG –– Spring 2019 Best-Selling Titles 9781613735718 9780915864126 9781555917432 9781555914639 9781682570890 9780918172020 9781940842226 9781942733799 9781681121703 9781604864175 9781629634401 9781629635101 9781892005281 9781939650870 9781943156306 9780824522919 9780991399703 9781629374116 9781629372518 9781629375601 9781629375731 9781629375441 9781629371450 9781629374765 9781629375328 Spring 2019 Arts & Entertainment ��������������������������������� 1–7 History & Humanities ������������������������������ 8–33 Comics & Graphic Novels ���������������������� 34–39 Fiction �������������������������������������������������� 40–58 Activities & Crafts ���������������������������������� 59–64 Sports & Recreation ������������������������������ 65–76 Health & Self-Help �������������������������������� 77–78 Business & Travel ���������������������������������� 79–85 Index ���������������������������������������������������� 86–87 IPG General Trade Spring 2019 Arts & Entertainment Dutch Girl Audrey Hepburn and World War II 1st Edition Robert Matzen Foreword by Luca Dotti A fascinating account of the future superstar’s life under Nazi occupation in the -
The History of Popular Music Fund- Ing in Canada
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Repository of Birkbeck Institutional Theses ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output After the goldrush: the history of popular music fund- ing in Canada http://bbktheses.da.ulcc.ac.uk/106/ Version: Full Version Citation: Shapiro, Shain (2014) After the goldrush: the history of popular mu- sic funding in Canada. PhD thesis, Birkbeck, University of London. c 2014 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email After the Goldrush: The History of Popular Music Funding in Canada Graduate Program in Cultural Studies. London Consortium, Birkbeck College, University of London, London, UK December 2014 A thesis submitted to the London Consortium, Birkbeck College, University of London in partial fulfilment of the requirements of the degree of Doctor of Cultural Studies Shain Shapiro I declare this this work is entirely my own, subject to the rules and regulations of the London Consortium, Birkbeck College, University of London. Signed, Shain Shapiro 1 December 2014 London, UK 1 Abstract This dissertation is a cultural and historical analysis of the history of popular music funding in Canada, from 1949 to 2013. Canada has an extensive public subsidy system for popular music, deriving from the implementation of content quotas for publicly licensed airwaves and the need to supply these airwaves with appropriate content. This thesis evaluates and analyses the history that engendered these policies to reveal their impact on the concept of Canadian identity as a whole, and the impact of Canadian identity formation on the popular music industries. -
PRESS KIT “Downright Stunning.” GLOBE & MAIL
THE DARCYS PRESS KIT “Downright stunning.” GLOBE & MAIL “The Darcys haven’t missed a step, expertly arranging their lush, effects-laden soft-rock compositions.” NOW “An ear-catching collection of sweeping, multilayered songs.” NATIONAL POST “Lushly layered, lightly proggy arrangements.” CONSEQUENCE OF SOUND “With a mix of lightly distorted guitars, melodic, instantly catchy riffs, drum beats that propel songs forward to rewarding climaxes, and light keyboard touches that give tracks depth and substance, The Darcys are showing that they are here for the long haul.” BAEBLE “A serious contender to next year’s Polaris Prize, The Darcys is a superb achievement, both meditated and meditative.” HOUR “The Darcys is a monstrously tuneful prog-rock epic that improbably finds common ground between Radiohead and Steely Dan.” TORONTO STAR “An inspiring blend of polished pop and avant garde experimentation.” POP MATTERS “The odd details throughout The Darcys — a gospel choral breakdown, a barely detectable violin solo... lyrics that wink at self-awareness — surface like cream.” ONION A.V. CLUB THEDARCYS.CA MUSIC: CONCERT REVIEW The Darcys: A New and Momentous Beginning BRAD WHEELER At The Horseshoe Tavern in Toronto, on Friday There is the calm, there is the storm, and then there are the Darcys, young art-rock wonders who do both simultaneously. Their results are meaningful, momentous and absolutely enviable. In the beery dark showroom at the Horseshoe Tavern, in front of a bustling co-ed crowd, the Toronto quartet set impassioned melodic emotion against funnelling washes of electric feedback and gauzy textures. Crescendos figured; the drummer and bassist clearly had eaten their Wheaties or spinach. -
After the Goldrush: the History of Popular Music Fund- Ing in Canada
CORE Metadata, citation and similar papers at core.ac.uk Provided by Birkbeck Institutional Research Online ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output After the goldrush: the history of popular music fund- ing in Canada http://bbktheses.da.ulcc.ac.uk/106/ Version: Full Version Citation: Shapiro, Shain (2014) After the goldrush: the history of popular mu- sic funding in Canada. PhD thesis, Birkbeck, University of London. c 2014 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email After the Goldrush: The History of Popular Music Funding in Canada Graduate Program in Cultural Studies. London Consortium, Birkbeck College, University of London, London, UK December 2014 A thesis submitted to the London Consortium, Birkbeck College, University of London in partial fulfilment of the requirements of the degree of Doctor of Cultural Studies Shain Shapiro I declare this this work is entirely my own, subject to the rules and regulations of the London Consortium, Birkbeck College, University of London. Signed, Shain Shapiro 1 December 2014 London, UK 1 Abstract This dissertation is a cultural and historical analysis of the history of popular music funding in Canada, from 1949 to 2013. Canada has an extensive public subsidy system for popular music, deriving from the implementation of content quotas for publicly licensed airwaves and the need to supply these airwaves with appropriate content. This thesis evaluates and analyses the history that engendered these policies to reveal their impact on the concept of Canadian identity as a whole, and the impact of Canadian identity formation on the popular music industries. -
Click Here to Download the PDF File
Changing Technology and the Rise of the Canadian Rock Recording Industry by David J. Promane, B. Mus A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfdment of the requirements for the degree of Master of Arts in Canadian Studies Carleton University OTTAWA, Ontario May 17 2006, David Promane Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16440-2 Our file Notre reference ISBN: 978-0-494-16440-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Canadian Music and American Culture, Pop Music, Culture and Identity, DOI 10.1007/978-3-319-50023-2 270 WORKS CITED
WORKS CITED ‘About Pamela’. Pamela Wallin: Journalist, Diplomat, Entrepreneur and Author. 2014. pamelawallin.com/meet-pamela-wallin/. AC/DC. Back In Black. Atlantic, 1980. Adams, Rachel. Continental Divides: Remapping the Cultures of North America. Chicago: University of Chicago Press, 2010. Adorno, Theodor. The Culture Industry. Ed. J.M. Bernstein. London and New York: Routledge, 1991. Adria, Marco. Music of Our Times: Eight Canadian Singer-Songwriters. Toronto: James Lorimer, 1990. Aguilera, Christina, feat. Peaches. ‘My Girls’. Bionic. RCA, 2010. Aikenhead, Paul David. ‘Man-Sized Inside: A History of the Construction of Masculinity in the Tragically Hip’s Album Fully Completely’. University of Saskatchewan, 2010. ecommons.usask.ca/handle/10388/etd-08112010- 144224 Aikura, Hisato, Yoshio Okabe, and Eiji Ogura. ‘Dare mo shinanai kuni: Amerika to sono ongaku o kataru’ [‘A Nation Where Nobody Dies: Talking About the USA and Its Music’]. Rock of Eiji’s. Music Magazine 41.14 (November 2009): 60–67. Allen, Kevin. ‘Series That Changed a Nation.’ USA Today (17 September 2002): C3. Ammerlaan, Edwin. Saga: The Biography. Amsterdam: EA Media, 2008. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983. Angus, Ian. A Border Within: National Identity, Cultural Identity, and Wilderness. Montreal and Kingston: McGill-Queens University Press, 1997. Arden, Jann. ‘Could I Be Your Girl?’ Living Under June. A&M, 1994. © The Author(s) 2017 269 T. Connolly, T. Iino (eds.), Canadian Music and American Culture, Pop Music, Culture and Identity, DOI 10.1007/978-3-319-50023-2 270 WORKS CITED Arden, Jann. Facebook post, 17 September 2015. www.facebook.com/ JannArden/ Arden, Jann. -
A Lullaby Under the Golden African Skies! the Lion King
YOUR IN-FLIGHT ENTERTAINMENT PLANNER TO A FULFILLED AND RELAXED FLIGHT DECEMBER 2019 #ISSUE12 A LULLABY UNDER THE GOLDEN AFRICAN SKIES! THE LION KING. BE ENTERTAINED IN THE DECEMBER ISSUE CONTENTS 3. December Highlights 4. Interview 6. New Releases 9. African Choice 12. Kids’ Collection 13. Worldwide 14. Asian Collection 15. TV Series 16. TV Features 04 17. Music 18. Radio Features 19. Audio On Demand 20. Remotes 23. Games 09 06 12 South African Airways is proud to offer it’s passengers a wide selection of movies, TV programmes and music tunes to keep you entertained through-out your flight. It’s jingle bells and presents all around the globe as the festivities are under way. Christmas is a time of giving and being with your loved ones as you wait to usher in the new year as the count down for new beginnings begins. Here at SAA we have just the right mix of entertainment to keep you and your family entertained as you jet off to your next destination or heading home to spend time with your family. Young or old, you will enjoy the latest comedy shows and fun kids programming, while for the more discerning tastes, we offer a fine variety of Wildlife, Business and Sport reports with a mix of our Worldwide and Asian titles. Besides the latest Blockbusters and old favourites, We invite you to sit back and relax while we take care of everything else including bringing the festive light to life. AIRSCAPE | 2 DECEMBER HIGHLIGHTS The official fun is in full swing as December is when we close the calendar and gear up for the new year. -
After the Goldrush: the History of Popular Music Fund- Ing in Canada
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output After the goldrush: the history of popular music fund- ing in Canada https://eprints.bbk.ac.uk/id/eprint/40106/ Version: Full Version Citation: Shapiro, Shain (2014) After the goldrush: the history of popu- lar music funding in Canada. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email After the Goldrush: The History of Popular Music Funding in Canada Graduate Program in Cultural Studies. London Consortium, Birkbeck College, University of London, London, UK December 2014 A thesis submitted to the London Consortium, Birkbeck College, University of London in partial fulfilment of the requirements of the degree of Doctor of Cultural Studies Shain Shapiro I declare this this work is entirely my own, subject to the rules and regulations of the London Consortium, Birkbeck College, University of London. Signed, Shain Shapiro 1 December 2014 London, UK 1 Abstract This dissertation is a cultural and historical analysis of the history of popular music funding in Canada, from 1949 to 2013. Canada has an extensive public subsidy system for popular music, deriving from the implementation of content quotas for publicly licensed airwaves and the need to supply these airwaves with appropriate content. This thesis evaluates and analyses the history that engendered these policies to reveal their impact on the concept of Canadian identity as a whole, and the impact of Canadian identity formation on the popular music industries. -
Sit Back, Relax and Let Us Entertain You! BE ENTERTAINED in the NOVEMBER ISSUE CONTENTS
YOUR IN-FLIGHT ENTERTAINMENT PLANNER TO A FULFILLED AND RELAXED FLIGHT NOVEMBER 2019 #ISSUE9 LIGHT’S, CAMERA AND ACTION! ONCE UPON A TIME IN HOLLYWOOD. Sit back, relax and let us entertain you! BE ENTERTAINED IN THE NOVEMBER ISSUE CONTENTS 06 15 09 3. November Highlights 4. Interview 04 6. New Releases 9. African Choice 12. Kids’ Collection 13. Worldwide 14. Asian Collection 15. TV Series 16. TV Features 17. Music 18. Radio Features 19. Audio On Demand 20. Remotes 23. Games South African Airways is proud to offer it’s passengers a wide selection of movies, TV programmes and music tunes to keep you entertained through out your flight. Young or old, you will enjoy the latest comedy shows and fun kids programming, while for the more discerning tastes, we offer a fine variety of Wildlife, Business and Sport reports with a mix of our Worldwide and Asian titles. Besides the latest Blockbusters and old favourites, SAA continuously expands the African choice to support our local talent and provide other nationals with a glimpse into the heart of our nation. We invite you to sit back and relax while we take care of everything else. Refer to page 20 for assistance using your remote. AIRSCAPE | 2 NOVEMBER HIGHLIGHTS THE African skies ensure that we soak up the sun rays from all angles and in South Africa the festive season is one that most citizens look forward to. Make a pit stop onto the ZA soil from the coast to inner cities, summer is right here. November has the upcoming Pink Polo for the 10th year at Val de Vie Estate in the Western Cape. -
Lgbtq Role Models & Symbols
Safe and Caring Schools – A Resource for Equity and Inclusion in Manitoba Schools LGBTQ ROLE MODELS & SYMBOLS LGBTQ ROLE MODELS Advocacy 4 Politics 38 Arthur Blankstein Georgina Beyer Karen Busby Jennifer Howard El-Farouk Khaki Glen R. Murray Richard North Jim Rondeau Jared Kevin Star Chris Vogel Religion 44 Arts & Entertainment 12 Rev. Dr. Brent Hawkes, Trey Anthony C.M. Billy Merasty Rick Mercer Sports 45 Tegan and Sara Quin Lucas Silveira Angela James Michel Tremblay Mark Tewksbury Dany Turcotte Sarah Vaillancourt Business 24 Barbara Bruce Jan Lederman Dr. James Makokis Education 29 Kristine Barr Manny Calisto Albert McLeod Paul Sherwood Catherine Taylor ADVOCACY then moved to Toronto to find his own way. Arthur practiced Interior Design in Toronto for nearly 10 years. During his time in Toronto he served as President of the Registered Interior Designers of Ontario and began his first affiliation with the World Congress of GLBT Jews (an international LGBTQ organization). Upon his return to Winnipeg at the end of the 1970’s he re-established his private practice in Interior Design. Arthur has served on various community boards – The Winnipeg Jewish Theatre, The Jewish Heritage Centre of Manitoba, The Shaarey Zedek b. January 25, 1945 Synagogue, and others. He married his life partner Ken Ure Arthur grew up in a liberal minded home with in Vancouver in 2004 in a civil parents who were very accepting of all lifestyles. ceremony at a cousin’s home He went to Kelvin High School and then attended and then when the opportunity United College (now University of Winnipeg).