Matthew Geller
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Press Release
LOOKING AT MUSIC: SIDE 2 EXPLORES THE CREATIVE EXCHANGE BETWEEN MUSICIANS AND ARTISTS IN NEW YORK CITY IN THE 1970s AND 1980s Photography, Music, Video, and Publications on Display, Including the Work of Jean-Michel Basquiat, Blondie, Richard Hell, Sonic Youth, and Patti Smith, Among Others Looking at Music: Side 2 June 10—November 30, 2009 The Yoshiko and Akio Morita Gallery, second floor Looking at Music: Side 2 Film Series September—November 2009 The Roy and Niuta Titus Theaters NEW YORK, June 5, 2009—The Museum of Modern Art presents Looking at Music: Side 2, a survey of over 120 photographs, music videos, drawings, audio recordings, publications, Super 8 films, and ephemera that look at New York City from the early 1970s to the early 1980s when the city became a haven for young renegade artists who often doubled as musicians and poets. Art and music cross-fertilized with a vengeance following a stripped-down, hard-edged, anti- establishment ethos, with some artists plastering city walls with self-designed posters or spray painted monikers, while others commandeered abandoned buildings, turning vacant garages into makeshift theaters for Super 8 film screenings and raucous performances. Many artists found the experimental music scene more vital and conducive to their contrarian ideas than the handful of contemporary art galleries in the city. Artists in turn formed bands, performed in clubs and non- profit art galleries, and self-published their own records and zines while using public access cable channels as a venue for media experiments and cultural debates. Looking at Music: Side 2 is organized by Barbara London, Associate Curator, Department of Media and Performance Art, The Museum of Modern Art, and succeeds Looking at Music (2008), an examination of the interaction between artists and musicians of the 1960s and early 1970s. -
The Hudson River Valley Review
THE HUDSON RIVER VA LLEY REVIEW A Journal of Regional Studies The Hudson River Valley Institute at Marist College is supported by a major grant from the National Endowment for the Humanities. Publisher Thomas S. Wermuth, Vice President for Academic Affairs, Marist College Editors Christopher Pryslopski, Program Director, Hudson River Valley Institute, Marist College Reed Sparling, Writer, Scenic Hudson Editorial Board The Hudson River Valley Review Myra Young Armstead, Professor of History, (ISSN 1546-3486) is published twice Bard College a year by The Hudson River Valley BG (Ret) Lance Betros, Provost, U.S. Army War Institute at Marist College. College Executive Director Kim Bridgford, Professor of English, West Chester James M. Johnson, University Poetry Center and Conference The Dr. Frank T. Bumpus Chair in Michael Groth, Professor of History, Frances Hudson River Valley History Tarlton Farenthold Presidential Professor Research Assistant Susan Ingalls Lewis, Associate Professor of History, Laila Shawwa State University of New York at New Paltz Hudson River Valley Institute Sarah Olson, Superintendent, Advisory Board Roosevelt-Vanderbilt National Historic Sites Alex Reese, Chair Barnabas McHenry, Vice Chair Roger Panetta, Visiting Professor of History, Peter Bienstock Fordham University Margaret R. Brinckerhoff H. Daniel Peck, Professor of English Emeritus, Dr. Frank T. Bumpus Vassar College Frank J. Doherty Robyn L. Rosen, Professor of History, BG (Ret) Patrick J. Garvey Marist College Shirley M. Handel Maureen Kangas David P. Schuyler, Arthur and Katherine Shadek Mary Etta Schneider Professor of Humanities and American Studies, Gayle Jane Tallardy Franklin & Marshall College Robert E. Tompkins Sr. COL Ty Seidule, Professor and Acting Head, Denise Doring VanBuren Department of History, U.S. -
The Direct Action Politics of US Punk Collectives
DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement. -
Notes CHAPTER 1 6
notes CHAPTER 1 6. The concept of the settlement house 1. Mario Maffi, Gateway to the Promised originated in England with the still extant Land: Ethnic Cultures in New York’s Lower East Tonybee Hall (1884) in East London. The Side (New York: New York University Press, movement was tremendously influential in 1995), 50. the United States, and by 1910 there were 2. For an account of the cyclical nature of well over four hundred settlement houses real estate speculation in the Lower East Side in the United States. Most of these were in see Neil Smith, Betsy Duncan, and Laura major cities along the east and west coasts— Reid, “From Disinvestment to Reinvestment: targeting immigrant populations. For an over- Mapping the Urban ‘Frontier’ in the Lower view of the settlement house movement, see East Side,” in From Urban Village to East Vil- Allen F. Davis, Spearheads for Reform: The lage: The Battle for New York’s Lower East Side, Social Settlements and the Progressive Movement, ed. Janet L. Abu-Lughod, (Cambridge, Mass.: 1890–1914 (New York: Oxford University Blackwell Publishers, 1994), 149–167. Press, 1967). 3. James F. Richardson, “Wards,” in The 7. The chapter “Jewtown,” by Riis, Encyclopedia of New York City, ed. Kenneth T. focuses on the dismal living conditions in this Jackson (New Haven, Conn.: Yale University ward. The need to not merely aid the impover- Press, 1995), 1237. The description of wards in ished community but to transform the physi- the Encyclopedia of New York City establishes cal city became a part of the settlement work. -
Boulder Creek/ St. Vrain Watershed Education
Boulder Creek/ St. Vrain Watershed Education TEACHERS’ RESOURCE GUIDE TABLEOFCONTENTS BOULDER CREEK/ST. VRAIN WATERSHED EDUCATION No. Activity Title Introducing the Boulder Creek/St. Vrain watersheds 1.1 Water, Colorado’s Precious Resource 1.2 The Water Cycle 1.3 The Boulder Water Story 1.4 Water Law and Supply 1.5 Water Conservation 1.6 Water Bingo—An Assessment 2.1 StreamTeams—An Introduction 2.2 Mapping Your Watershed 2.3 Adopt-A-Waterway 2.4 Environmental Networks on the web 2.5 Watershed Walk 2.6 Waterway Clean-up: A Treasure Hunt 2.7 Storm Drain Marking 3.1 Assessing Your Waterway: Water Quality, a Snapshot in Time 3.2 Nutrients: Building Ecosystems in a Bottle 3.3 Assessing Your Waterway: Macroinvertebrates – Long-Term Ecosystem Health 3.4 Stream Gauging: A Study of Flow Appendices A. Glossary B. Native Species List C. References: People and Books D. Teacher Evaluation Form E. Pre-Post Student Assessment WatershED Table of Contents 2 Boulder WatershED: your guide to finding out about the place you live Creek/ St. Vrain WatershED: your guide to becoming a steward of your water resources Watershed Education WatershED: your guide to local participation and action THIS GUIDE WILL HELP YOU . ◆ get to know your Watershed Address—where you live as defined by creeks, wet- lands and lakes ◆ discover the plants, animals, and birds you might see in or around the creek or wetland in your neighborhood ◆ organize a StreamTeam to protect and enhance a nearby waterway WatershED is a resource guide for teachers and students. It provides you with the information needed to learn more about the creek or wetland near your school. -
Chapter 3: History and Land Use of City Hall Park
Chapter 3: History and Land Use of City Hall Park A. Background History Alyssa Loorya Introduction This section is edited from the forthcoming doctoral dissertation from Loorya on City Hall Park. Loorya’s work references several graduate student projects associated with the overall City Hall Park project, most notably the Master’s theses of Mark Cline Lucey (included as the next section) and Julie Anidjar Pai as well as reports by Elizabeth M. Martin, Diane George, Kirsten (Davis) Smyth, and Jennifer Borishansky. These reports are presented in Chapter 6. This section outlines the history of the City Hall Park area. To provide for proper context, a general history of the development of the lower Manhattan area is presented first to provide a more complete picture of overall project area. City Hall Park is a relatively small triangular parcel of land (8.8 acres) within New York City’s Manhattan Island. It is bounded to the north by Chambers Street, to the east by Park Row, to the west by Broadway. It began as a cow pasture and today houses the seat of government for the nation’s largest city. The general history of City Hall Park is fairly well documented though only in a single comprehensive source.1 The changing uses of City Hall Park from the beginning of the colonial periodFig. 3-1: of theCity midHall nineteenthPark Location century reflect 1 The Master’s Thesis City Hall Park: An Historical Analysis by Mark Cline Lucey, 2003, (below) chronicles the physical development of City Hall Park from the Dutch Colonial period to the mid-nineteenth century. -
Users' Behaviour of Small Urban Spaces in Winter and Marginal Seasons
Arch. & Comport. I Arch. & Behav., Vol. 10, no 1, p. 95 - 109 95 Users' Behaviour of Small Urban Spaces in Winter and Marginal Seasons Shaogang Li 43-45 Smart Street Flushing, N. Y. 11355 U.S.A. Summary In this article, the author tries to analyze users' behaviour and the public life of small urban spaces in both winter and marginal seasons from a behavioural perspective, and holds that the planning, design and management of urban spaces should support the "personal control" mechanism in order to mediate the environmental stress caused by cold climate. The author first puts forward the concept of "sub-marginal period" and points out that only when temperature reaches about 40°F (4°C) do ideal microclimate conditions begin to influence users' behaviour and the public life of urban spaces positively and significantly, and suggests that micro-climate design be focused on the improvement of outdoor thermal comfort of urban spaces in sub- marginal periods and that the standard of building height and density control in downtown areas for solar access of urban spaces be based on the local solar altitude of sub-marginal periods. Resume Dans cet article, l'auteur tente d'analyser le comportement des utilisateurs et le dkroulement de la vie publique dans de petits espaces urbains en hiver et dans l'entre-saison. I1 utilise une approche behavioriste et considbre que la planification, l'amtnagement et la gestion des espaces urbain devraient encourager un mtcanisme de "contr8le personnel" permettant de tempkrer le stress causk par un climat froid. I1 propose d'abord le concept de "pkriode sub-marginale" et montre que, lorsque la tempkrature atteint environ 40°F, des conditions micro-climatiques idtales influencent de manikre significative et positive le comportement des utilisateurs et la vie publique. -
Community and Politics in Antebellum New York City Irish Gang Subculture James
The Communal Legitimacy of Collective Violence: Community and Politics in Antebellum New York City Irish Gang Subculture by James Peter Phelan A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Department of History and Classics University of Alberta ©James Phelan, 2014 ii Abstract This thesis examines the influences that New York City‘s Irish-Americans had on the violence, politics, and underground subcultures of the antebellum era. During the Great Famine era of the Irish Diaspora, Irish-Americans in Five Points, New York City, formed strong community bonds, traditions, and a spirit of resistance as an amalgamation of rural Irish and urban American influences. By the middle of the nineteenth century, Irish immigrants and their descendants combined community traditions with concepts of American individualism and upward mobility to become an important part of the antebellum era‘s ―Shirtless Democracy‖ movement. The proto-gang political clubs formed during this era became so powerful that by the late 1850s, clashes with Know Nothing and Republican forces, particularly over New York‘s Police force, resulted in extreme outbursts of violence in June and July, 1857. By tracking the Five Points Irish from famine to riot, this thesis as whole illuminates how communal violence and the riots of 1857 may be understood, moralised, and even legitimised given the community and culture unique to Five Points in the antebellum era. iii Table of Contents Introduction ................................................................................................................................... -
10 Stanton St., Apt,* 3 Mercer / OLX 102 Forayti * 307 Mtt St 307 Mott St
Uza 93 Grand' St. Scott 54 Thoaas", 10013 ^ •Burne, Tim -Coocey, Robert SCorber, Hitch 10 stanton St., Apt,* 10002-••-•-677-744?* -EinG,' Stefan 3 Mercer / \ - • • ^22^-5159 ^Ensley, Susan Colen . 966-7786 s* .Granet, Ilona 281 Mott SU, 10002 226-7238* V Hanadel, Ksith 10 Bleecl:-?4St., 10012 . , 'Horowitz, Beth "' Thomas it,, 10013 ' V»;;'.•?'•Hovagiicyan, Gorry ^V , Loneendvke. Paula** 25 Park PI.-- 25 E, 3rd S . Maiwald, Christa OLX 102 Forayti St., 10002 Martin, Katy * 307 MotMttt SStt ayer. Aline 29 John St. , Miller, Vestry £ 966-6571 226-3719^* }Cche, Jackie Payne, -Xan 102 Forsyth St/, 10002 erkinsj Gary 14 Harrieon?;St., 925-229X Slotkin, Teri er, 246 Mott 966-0140 Tillett, Seth 11 Jay St 10013 Winters, Robin P.O.B. 751 Canal St. Station E. Houston St.) Gloria Zola 93 Warren St. 10007 962 487 Valery Taylor 64 Fr'^hkliii St. Alan 73 B.Houston St. B707X Oatiirlno Sooplk 4 104 W.Broedway "An Association," contact list, 1977 (image May [977 proved to be an active month for the New York art world and its provided by Alan Moore) growing alternatives. The Guggenheim Museum mounted a retrospective of the color-field painter Kenneth Notand; a short drive upstate, Storm King presented monumental abstract sculptures by Alexander Liberman; and the Museum of Modern Art featured a retro.spective of Robert Rauschenberg's work. As for the Whitney Museum of American Art, contemporary reviews are reminders that not much has changed with its much-contested Biennial of new art work, which was panned by The Village Voice. The Naiion, and, of course, Hilton Kramer in the New York Times, whose review headline, "This Whitney Biennial Is as Boring as Ever," said it all.' At the same time, An in America reported that the New Museum, a non- collecting space started by Marcia Tucker some five months earlier, was "to date, simply an office in search of exhibition space and benefac- tors."^ A month later in the same magazine, the critic Phil David E. -
City Guide to Sacred Spaces
NYC Sacred Space International / Tour Sacred Spaces City Guide to Sacred Spaces – New York, NY: Manhattan and Brooklyn © Sacred Space International City Guide to Sacred Spaces in New York City CITY GUIDE TO SACRED SPACES NEW YORK, NY Key Map 2 Table of Sacred New York: Introduction to finding sacred spaces in New York 3 Individual Sacred Space Descriptions: Contents Map A 4 [NYC 01] Islamic Cultural Center of New York (ICCNY) 5 [NYC 02] Bethesda Fountain in Central Park 8 [NYC 03] Central Synagogue 11 [NYC 04] St. Peter’s Church 14 [NYC 05] St. Malachy’s – The Actor’s Chapel 17 Map B 20 [NYC 06] Brotherhood Synagogue 21 [NYC 07] East End Temple 24 [NYC 08] Grace Church 27 [NYC 09] African Burial Ground National Monument 30 [NYC 10] Brooklyn Bridge 32 Map C 35 [NYC 11] St. Ann & The Holy Trinity Church 38 [NYC 12] Fort Greene Park & Prison Ship Martyrs’ Monument 41 [NYC 13] Lafayette Avenue Presbyterian Church 44 [NYC 14] St. Nicholas Antiochian Orthodox Cathedral 47 Bibliography and Acknowledgments 48 Credits 49 A B © Sacred Space International C City Guide to Sacred Spaces in New York City 2 CITY GUIDE TO SACRED SPACES NEW YORK, NY Sacred New York INTRODUCTION TO FINDING SACRED SPACES IN THE CITY In this densely populated city, we found a rich diversity of sacred space, which gave us a sense of quiet and otherworldliness. Our real problem was how to pare down our list. After a long process, we narrowed our field to the boroughs of Manhattan and Brooklyn and focused on less traveled and possibly under-appreciated sites. -
Towards Absorbent Urban Design in New York City Scott Ap Ul Redfern Brown Fordham University, [email protected]
Fordham University Masthead Logo DigitalResearch@Fordham Student Theses 2015-Present Environmental Studies Spring 5-10-2019 The aF ult with Asphalt: Towards Absorbent Urban Design in New York City Scott aP ul Redfern Brown Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/environ_2015 Part of the Environmental Design Commons, Landscape Architecture Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Brown, Scott aP ul Redfern, "The aF ult with Asphalt: Towards Absorbent Urban Design in New York City" (2019). Student Theses 2015-Present. 87. https://fordham.bepress.com/environ_2015/87 This is brought to you for free and open access by the Environmental Studies at DigitalResearch@Fordham. It has been accepted for inclusion in Student Theses 2015-Present by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. The Fault with Asphalt: Towards Absorbent Urban Design in New York City Scott Brown Abstract In the time of metropolises and rapid urbanization, design is instrumental in facilitating a mutualistic relationship between the built urban environment and the surrounding natural processes. This paper addresses the issue of stormwater runoff and identifies design techniques in urban areas used to mitigate the destructive consequences of urbanization related to precipitation and impermeability. With a focus on New York City, this study uses historical and current rainfall data as well as particular case studies to address successful rainwater collection and stormwater mitigation design implementations. To provide an interdisciplinary approach to combating stormwater runoff, the disciplines of environmental history, economics and politics, and related design techniques are discussed to create a more holistic discussion of this urban issue. -
The African Burial Ground in Lower Manhattan
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1-1-2006 Redesigning Civic Memory: The African Burial Ground in Lower Manhattan Sarah R. Katz University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Katz, Sarah R., "Redesigning Civic Memory: The African Burial Ground in Lower Manhattan" (2006). Theses (Historic Preservation). 10. https://repository.upenn.edu/hp_theses/10 Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of Master of Science in Historic Preservation 2006. Advisor: Randall F. Mason This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/10 For more information, please contact [email protected]. Redesigning Civic Memory: The African Burial Ground in Lower Manhattan Disciplines Historic Preservation and Conservation Comments Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of Master of Science in Historic Preservation 2006. Advisor: Randall F. Mason This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/10 REDESIGNING CIVIC MEMORY: THE AFRICAN BURIAL GROUND IN LOWER MANHATTAN Sarah Rachel Katz ATHESIS in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN HISTORIC PRESERVATION 2006 Advisor Reader Randall F. Mason, John Dixon Hunt, Associate Professor of Architecture Professor of the History and Theory of Landscape Frank G. Matero, Professor of Architecture Program Chair Acknowledgements I would like to thank my advisors, Randall F.