DANNY VALLE SAG/AFTRA Height: 5’8” Eyes: Dark Brown Hair: Black

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DANNY VALLE SAG/AFTRA Height: 5’8” Eyes: Dark Brown Hair: Black

bloc, inc. 6100 Wilshire Blvd., Suite 1100 Los Angeles, CA 90048 PHONE: 323-954-7730 FAX: 323-954-7731 DANNY VALLE SAG/AFTRA Height: 5’8” Eyes: Dark Brown Hair: Black Television/Film La La Land Dancer Chor: Mandy Moore The Muppets (TV Show) Assist. Choreographer Chor: Michael Rooney Crazy Ex-Girlfriend Ep. 2 Dancer Chor: Kat Burns Hit the Floor Season 3 Co-Choreographer VH1 Crazy Ex-Girlfriend (Pilot) Assist. Choreographer/Dancer Dir: Marc Webb Hit the Floor Season 2 Co-Choreographer VH1 Hit the Floor Season 1 Assist. Choreographer VH1 Lovestruck The Musical Assist. Choreographer ABC Family The X Factor UK – Taylor Swift Assist. Choreographer ITV Dancing with the Stars (The Muppets) Assist. Choreographer/Dancer ABC The Muppets (Feature Film) Assist. Choreographer/Dancer Disney So You Think You Can Dance Season 8 Assist. Choreographer FOX Cathy Rigby is Peter Pan Pirate/Indian McCoy/Rigby Music Videos All-American Rejects “Beekeepers Daughter” Dancer Dir: Isaac Rentz Ximena Assist. Choreographer Dir: Danielle Katvan Kylie Minogue “Can’t Get You…” Dancer Dir: Dawn Shadforth Fiona Apple “Paper Bag” Assist. Choreographer Dir: Paul Thomas Anderson Greenday “Hithcin’ a Ride” Dancer Dir: Mark Kohr Bjork “It’s Oh So Quiet” Dancer Dir: Spike Jonze Live/Stage Performances Trip the Light Fantastic Choreographer Edge Scholarship Show PDS Julie Andrews Tribute Assist. Choreographer Chor: Michael Rooney Rouge Follies Dancer Chor: Lisa Eaton Tim Armstrong – Rock and Roll Theater Assist. Choreographer Chor: Michael Rooney Emperor’s New Groove Dancer Chor: Mic Thompson Commercials Stubhub Choreographer Dir: Benjamin Weinstein Experian Choreographer Dir: Benjamin Weinstein Bridgeland Choreographer Dir: Michael Rooney Samsung Assist. Choreographer Chor: Michael Rooney Chipotle Assist. Choreographer Chor: Michael Rooney Toyota Camry (Super Bowl 2015) Assist. Choreographer RSA Ford (Super Bowl 2014) Dancer Dir: Danny Kleinman Tropicana Dancer Dir: Paul Weiland Geico Assist. Choreographer Traktor Evian Assist. Choreographer Iconoclast Old Navy Assist. Choreographer Dir: Roman Coppola Bailey’s Assist. Choreographer Dir: Megaforce Target Assist. Choreographer MJZ Smithfield Ham Assist. Choreographer Dir: Joel Peisseg Pepsi Dancer Chor: Vincent Paterson .

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Moonrise Kingdom"
"Moonrise Kingdom" Screenplay by Wes Anderson and Roman Coppola May 1, 2011 INT. BISHOP’S HOUSE. DAY A landing at the top of a crooked, wooden staircase. There is a threadbare, braided rug on the floor. There is a long, wide corridor decorated with faded paintings of sailboats and battleships. The wallpapers are sun-bleached and peeling at the corners except for a few newly-hung strips which are clean and bright. A small easel sits stored in the corner. Outside, a hard rain falls, drumming the roof and rattling the gutters. A ten-year-old boy in pajamas comes up the steps carefully eating a bowl of cereal as he walks. He is Lionel. Lionel slides open the door to a low cabinet under the window. He takes out a portable record player, puts a disc on the turntable, and sets the needle into the spinning groove. A child’s voice says over the speaker: RECORD PLAYER (V.O.) In order to show you how a big symphony orchestra is put together, Benjamin Britten has written a big piece of music, which is made up of smaller pieces that show you all the separate parts of the orchestra. As Lionel listens, three other children wander out of their bedrooms and down to the landing. The first is an eight-year-old boy in a bathrobe. He is Murray. The second is a nine-year-old boy in white boxer shorts and a white undershirt. He is Rudy. The third is a twelve-year-old girl in a cardigan sweater with knee-high socks and brightly polished, patent-leather shoes.
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Bruce Jackson & Diane Christian Video Introduction to This Week's Film
April 28, 2020 (XL:13) Wes Anderson: ISLE OF DOGS (2018, 101m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Bruce Jackson & Diane Christian video introduction to this week’s film (with occasional not-very-cooperative participation from their dog, Willow) Click here to find the film online. (UB students received instructions how to view the film through UB’s library services.) Videos: Wes Anderson and Frederick Wiseman in a fascinating Skype conversation about how they do their work (Zipporah Films, 21:18) The film was nominated for Oscars for Best Animated Feature and Best Original Score at the 2019 Academy Isle of Dogs Voice Actors and Characters (8:05) Awards. The making of Isle of Dogs (9:30) CAST Starting with The Royal Tenenbaums in 2001, Wes Isle of Dogs: Discover how the puppets were made Anderson has become a master of directing high- (4:31) profile ensemble casts. Isle of Dogs is no exception. Led by Bryan Cranston (of Breaking Bad fame, as Weather and Elements (3:18) well as Malcolm in the Middle and Seinfeld), voicing Chief, the cast, who have appeared in many Anderson DIRECTOR Wes Anderson films, includes: Oscar nominee Edward Norton WRITING Wes Anderson wrote the screenplay based (Primal Fear, 1996, American History X, 1998, Fight on a story he developed with Roman Coppola, Club, 1999, The Illusionist, 2006, Birdman, 2014); Kunichi Nomura, and Jason Schwartzman. Bob Balaban (Midnight Cowboy, 1969, Close PRODUCERS Wes Anderson, Jeremy Dawson, Encounters
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FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An
FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An AMERICAN EMPIRICAL PICTURE by WES ANDERSON BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE DIRECTED BY ....................................................................... WES ANDERSON STORY BY .............................................................................. WES ANDERSON ................................................................................................. ROMAN COPPOLA ................................................................................................. JASON SCHWARTZMAN ................................................................................................. and KUNICHI NOMURA SCREENPLAY BY ................................................................. WES ANDERSON PRODUCED BY ...................................................................... WES ANDERSON ................................................................................................. SCOTT RUDIN ................................................................................................. STEVEN RALES ................................................................................................. and JEREMY DAWSON CO-PRODUCER ....................................................................
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JEFF CRONENWETH, ASC Director of Photography
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THE ROYAL TENENBAUMS” Ari Tenenbaum
Touchstone Pictures’ ADDITIONAL CAST “THE ROYAL TENENBAUMS” Ari Tenenbaum. GRANT ROSENMEYER Uzi Tenenbaum . JONAH MEYERSON CAST Young Chas Tenenbaum. ARAM ASLANIAN-PERSICO Young Margot Tenenbaum. IRENE GOROVAIA GENE HACKMAN Young Richie Tenenbaum . AMEDEO TURTURRO as Dudley Heinsbergen. STEPHEN LEA SHEPPARD Royal Tenenbaum Young Eli Cash. JAMES FITZGERALD Peter Bradley . LARRY PINE ANJELICA HUSTON Detective . DON MCKINNON as Hotel Manager. FRANK WOOD Etheline Tenenbaum Walter Sherman. AL THOMPSON Rachael Tenenbaum . JENNIFER WACHTELL BEN STILLER Hotel Clerk . DONAL WARD as Farmer Father/Tex Hayward. ANDREW WILSON Chas Tenenbaum Doctor . DIPAK PALLANA GWYNETH PALTROW Sanjay Gandhi. SANJAY MATHEW as Chas’ Secretary. MARY WIGMORE Margot Tenenbaum Sing-Sang . SONAM WANGMO Neville Smythe-Dorleac . PAWEL WDOWCZAK LUKE WILSON Yasuo Oshima . PETER LEUNG as Franklin Benedict . WILLIAM STURGIS Richie Tenenbaum Reporter in Blue Cardigan . LIAM CRAIG Eli’s Aunt . SHEELAGH TELLERDAY OWEN WILSON Cote d’Ivoire Attendant . MAX FAUGNO as Cote d’Ivoire Radio Operator . GUIDO VENITUCCI Eli Cash Frederick (Bellboy) . EBON MOSS-BACHRACH Elderly “Baumer” Fan #1 . BRIAN SMIAR BILL MURRAY Elderly “Baumer” Fan #2 . JAN V.E. AUSTELL as Raleigh St. Clair Cemetery Maintenance Man . RONY CLANTON Anwar . SALIM MALIK DANNY GLOVER Judge . TOM LACY as Royal’s Lawyer . KEITH CHARLES Henry Sherman Gypsy Cab Driver . GREG GOOSEN Nurse . SADIAH ARRIKA EKULONA SEYMOUR CASSEL Sanchez . VIC MATA as Irish Longshoreman . MICHAEL CONTI Dusty Parisian Girl . TATIANA ABBEY New Guinea Tribesman . KALANI QUEYPO KUMAR PALLANA Punk Rocker . MEL CANNON as Eli’s Egyptian Friends . LEO MANUELIAN Pagoda AMIR RAISSI ROGER SHAMAS Narrator Father Petersen. PHILIP DENNING ALEC BALDWIN Police Officer . GARY EVANS Mr. Levinson . REX ROBBINS Elaine Levinson .
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The Allusive Auteur: Wes Anderson and His Influences
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Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright There’s a Problem with the Connection: American Eccentricity and Existential Anxiety Kim Wilkins 305165062 A thesis submitted in fulfilment of the degree of Doctor of Philosophy. University of Sydney. 1 I hereby declare that, except where indicated in the notes, this thesis contains only my own original work. As I have stated throughout this work, some sections of this thesis have been published previously. A version of Chapter Two features in Peter Kunze’s collection The Films of Wes Anderson: Critical Essays on an Indiewood Icon, published by Palgrave Macmillan in 2014, and Chapter Three was published under the title ‘The sounds of silence: hyper-dialogue and American Eccentricity’ as an article in New Review of Film and Television Studies no.
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FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH
FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An AMERICAN EMPIRICAL PICTURE by WES ANDERSON BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE DIRECTED BY ....................................................................... WES ANDERSON STORY BY .............................................................................. WES ANDERSON ................................................................................................. ROMAN COPPOLA ................................................................................................. JASON SCHWARTZMAN ................................................................................................. and KUNICHI NOMURA SCREENPLAY BY ................................................................. WES ANDERSON PRODUCED BY ...................................................................... WES ANDERSON ................................................................................................. SCOTT RUDIN ................................................................................................. STEVEN RALES ................................................................................................. and JEREMY DAWSON CO-PRODUCER ....................................................................
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Cinema-Booklet-Web.Pdf
1 AN ORIGINAL EXHIBITION BY THE MUSEO ITALO AMERICANO MADE POSSIBLE BY A GRANT FROM THE WRITTEN BY Joseph McBride CO-CURATED BY Joseph McBride & Mary Serventi Steiner ASSISTANT CURATORS Bianca Friundi & Mark Schiavenza GRAPHIC DESIGN Julie Giles SPECIAL THANKS TO American Zoetrope Courtney Garcia Anahid Nazarian Fox Carney Michael Gortz Guy Perego Anne Coco Matt Itelson San Francisco State University Katherine Colridge-Rodriguez Tamara Khalaf Faye Thompson Roy Conli The Margaret Herrick Library Silvia Turchin Roman Coppola of the Academy of Motion Walt Disney Animation Joe Dante Picture Arts and Sciences Research Library Lily Dierkes Irene Mecchi Mary Walsh Susan Filippo James Mockoski SEPTEMBER 18, 2015 MARCH 17, 2016 THROUGH THROUGH MARCH 6, 2016 SEPTEMBER 18, 2016 Fort Mason Center 442 Flint Street Rudolph Valentino and Hungarian 2 Marina Blvd., Bldg. C Reno, NV 89501 actress Vilma Banky in The Son San Francisco, CA 94123 775.333.0313 of the Sheik (1926). Courtesy of United Artists/Photofest. 415.673.2200 www.arteitaliausa.com OPPOSITE: Exhibit author and www.sfmuseo.org Thursdays through co-curator Joseph McBride (left) Tuesdays through Sundays 12 – 4 pm Sundays 12 – 5 pm with Frank Capra, 1985. Courtesy of Columbia Pictures. 2 3 CONTENTS INTRODUCTION Italian American Cinema: From Capra to the Coppolas 6 FOUNDATIONS: THE PIONEERS The Long Early Journey 9 A Landmark Film: The Italian 10 “Capraesque” 11 The Latin Lover of the Roaring Twenties 12 Capra’s Contemporaries 13 Banking on the Movies 13 Little Rico & Big Tony 14 From Ellis Island to the Suburbs 15 FROM THE STUDIOS TO THE STREETS: 1940s–1960s Crooning, Acting, and Rat-Packing 17 The Musical Man 18 Funnymen 19 One of a Kind 20 Whaddya Wanna Do Tonight, Marty? 21 Imported from Italy 22 The Western All’italiana 23 A Woman of Many Parts 24 Into the Mainstream 25 ANIMATED PEOPLE The Golden Age – The Modern Era 26 THE MODERN ERA: 1970 TO TODAY Everybody Is Italian 29 Wiseguys, Palookas, & Buffoons 30 A Valentino for the Seventies 32 Director Frank Capra (seated), 1927.
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Historical/Political Dramas Naturally Capture the Attention of D.C.'S Critics "Zero Dark Thirty" the Big Winner; Kathryn Bigelow Scores Again
FOR IMMEDIATE RELEASE The Washington, D.C. Area Film Critics Association Contact: [email protected], Tim Gordon 202-374-3305 On the Web: www.wafca.com December 10, 2012 Historical/Political Dramas Naturally Capture the Attention of D.C.'s Critics "Zero Dark Thirty" the big winner; Kathryn Bigelow scores again Washington, D.C. — This morning, the Washington, D.C. Area Film Critics Association (WAFCA) announced their winners for 2012, honoring a wide sweep of films, from musicals to science fiction. And while only three films garnered more than one award, it was clear that historical/political dramas resonated most with the critics from the nation's capital. "Zero Dark Thirty," the account of U.S. intelligence specialists' and Army special forces' pursuit and elimination of terrorist Osama bin Laden, won Best Film. In 2009, Kathryn Bigelow became the first woman to ever win the WAFCA prize for Best Director for her Iraq War film, "The Hurt Locker." Just three years later, Bigelow has won the same award again for "Zero Dark Thirty." "In a year full of strong films," said WAFCA President, Tim Gordon, "director Kathryn Bigelow's bold and audacious vision, represented in our Best Picture winner, is the perfect political story for our members in the District of Columbia. This story, told with steely, cold effectiveness, is a worthy entry into WAFCA's Best Picture canon and a cinematic achievement that we are proud to honor." "Zero Dark Thirty" also netted Jessica Chastain her first Best Actress award. Daniel Day-Lewis won Best Actor for his riveting portrayal of President Abraham Lincoln in the year's other outstanding historical drama, "Lincoln." Best Supporting Actor went to Philip Seymour Hoffman for "The Master" and Best Supporting Actress went to Anne Hathaway for "Les Misérables," which also scooped the Best Acting Ensemble.
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Introduction
Notes Introduction 1 . Kristina Jaspers, ‘Zur Entstehungsgeschichte und Funktion des Storyboards’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 15. We are indebted to Julia Knaus for all translations from the original German of this book. 2 . Jean-Claude Carrière, The Secret Language of Film , trans. Jeremy Leggatt (London: Faber, 1995), p. 150. 3 . Nathalie Morris, ‘Unpublished Scripts in BFI Special Collections: A Few Highlights’, Journal of Screenwriting 1.1 (2010), pp. 197–198. 4 . Fionnuala Halligan, Movie Storyboards: The Art of Visualizing Screenplays (San Francisco: Chronicle, 2013), p. 9. 5 . Alan David Vertrees, Selznick’s Vision: Gone with the Wind and Hollywood Filmmaking (Austin: University of Texas Press, 1997), pp. 67, 117. 6 . See Steven Price, A History of the Screenplay (Basingstoke: Palgrave, 2013). 7 . Katharina Henkel and Rainer Rother, ‘Vorwort’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 8. 8 . Vincent LoBrutto, The Filmmaker’s Guide to Production Design (New York: Allworth, 2002), p. 62. 9 . Halligan, p. 8. 10 . John Hart, The Art of the Storyboard: Storyboarding for Film, TV, and Animation (Boston: Focal Press, 1999), p. 5. 11 . Steven Maras, Screenwriting: History, Theory and Practice (London: Wallflower, 2009), p. 120. 12 . Maras, p. 123. 13 . Kathryn Millard, ‘The Screenplay as Prototype’, in Jill Nelmes (ed.), Analysing the Screenplay (London: Routledge, 2011), p. 156. Millard develops related arguments in ‘After the Typewriter: The Screenplay in a Digital Era’, Journal of Screenwriting 1.1 (2010), pp.
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Production Notes International Press Contacts
Production Notes International Press Contacts: Premier PR 91 Berwick Street London W1F 0NE +44 207 292 8330 Jonathan Rutter Annabel Hutton [email protected] [email protected] Focus Features International Oxford House, 4th Floor 76 Oxford Street London, W1D 1BS Tel: +44 207 307 1330 Anna Bohlin Director, International Publicity [email protected] 2 Moonrise Kingdom Synopsis Moonrise Kingdom is the new movie directed by two-time Academy Award- nominated filmmaker Wes Anderson ( The Royal Tenenbaums , Fantastic Mr. Fox , Rushmore ). Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two 12-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore – and the peaceful island community is turned upside down in every which way. Bruce Willis plays the local sheriff, Captain Sharp. Edward Norton is a Khaki Scout troop leader, Scout Master Ward. Bill Murray and Frances McDormand portray the young girl’s parents, Mr. and Mrs. Bishop. The cast also includes Tilda Swinton, Jason Schwartzman, and Bob Balaban; and introduces Jared Gilman and Kara Hayward as Sam and Suzy, the boy and girl. A Focus Features and Indian Paintbrush presentation of an American Empirical Picture. Moonrise Kingdom . Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton. With Jason Schwartzman and Bob Balaban. Introducing Jared Gilman and Kara Hayward. Casting by Douglas Aibel. Associate Producer, Octavia Peissel. Co-Producers, Molly Cooper, Lila Yacoub.
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