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Tom Fleischman CAS
Career Achievement Award Recipient Tom Fleischman CAS CAS Award Nominees Production Equipment FOMO How the CAS Started Remembering Jim Alexander WINTER 2020 CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURE - ADR/DIALOGUE PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD “EXQUISITELY MADE, EVERY DETAIL CAREFULLY CONSIDERED. IT FEELS UTTERLY TRANSPORTING.” NETFLIXGUILDS.COM CAS QUARTERLY, COVER 2 NETFLIX: THE IRISHMAN PUB DATE 12/30/19 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURES FEATURE - ADR/DIALOGUE Production Sound Equipment Purchases . 20 PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD Ever have a “Fear of Missing Out”? 147th AES Convention . 26 Career Achievement Recipient . 34 Re-recording mixer Tom Fleischman CAS CAS Filmmaker Award . 44 34 Director, producer, and writer James Mangold CAS Award Nominations . 46 Outstanding Product Nominees . 50 Student Recognition Award Finalists . 52 The Start of the CAS . 54 Bob Hoyt had a vision A Case Study in Multilanguage Production Sound . 60 Possession 54 The “Sound” of Genre Storytelling . 64 Mixing approaches infl uenced by genre Remembering a Legend . 68 Production sound mixer Jim Alexander “EXQUISITELY MADE, DEPARTMENTS EVERY DETAIL The President’s Letter . 4 From the Editor . 6 CAREFULLY CONSIDERED. 60 Collaborators . 9 Meet the people behind the words IT FEELS UTTERLY Technically Speaking -
2009 MTA Annual Performance Review
PERMANENT CITIZENS ADVISORY COMMITTEE TO THE MTA REPRESENTING MTA RIDERS SINCE 1981 2009 Annual Performance Review of The MTA and Its Operating Agencies Introduction The PCAC’s 2009 Performance Review marks our third report summarizing the accomplishments and continuing challenges of the MTA and its operating agencies. This report addresses a number of broad themes such as leadership, transparency, organizational structure, service performance, communication, and accessibility. These themes relate to the ability of the MTA and its operating agencies to deliver service effectively to the riders that we represent. While PCAC is vitally concerned about the critical issue of the almost $800 million operating funding shortfall from Albany, which is part of ongoing dialogues that the PCAC and its Councils maintain with public officials and the MTA operating agencies, this larger issue is outside the scope of this report. The PCAC is encouraged by the MTA leadership’s initial steps to make the overall organization more effective and efficient, and we intend our report to complement this effort. At the same time we are well aware that internal efficiencies are not enough to prevent serious damage to the system due to state funding shortfalls.1 The PCAC recognizes that some of the issues raised in the report are the subject of ongoing work by the MTA and its agencies, the body of this document addresses issues pertaining to the 2009 calendar year. Several related developments from 2010 are included as footnotes to the Review. The PCAC and its Councils are not legislatively mandated to address the operations of MTA Bridges and Tunnels or MTA Long Island Bus; consequently they are not addressed in this document. -
THE BRILL BUILDING, 1619 Broadway (Aka 1613-23 Broadway, 207-213 West 49Th Street), Manhattan Built 1930-31; Architect, Victor A
Landmarks Preservation Commission March 23, 2010, Designation List 427 LP-2387 THE BRILL BUILDING, 1619 Broadway (aka 1613-23 Broadway, 207-213 West 49th Street), Manhattan Built 1930-31; architect, Victor A. Bark, Jr. Landmark Site: Borough of Manhattan Tax Map Block 1021, Lot 19 On October 27, 2009 the Landmarks Preservation Commission held a public hearing on the proposed designation of the Brill Building and the proposed designation of the related Landmark site. The hearing had been duly advertised in accordance with provisions of law. Three people spoke in support of designation, including representatives of the owner, New York State Assembly Member Richard N. Gottfried, and the Historic Districts Council. There were no speakers in opposition to designation.1 Summary Since its construction in 1930-31, the 11-story Brill Building has been synonymous with American music – from the last days of Tin Pan Alley to the emergence of rock and roll. Occupying the northwest corner of Broadway and West 49th Street, it was commissioned by real estate developer Abraham Lefcourt who briefly planned to erect the world’s tallest structure on the site, which was leased from the Brill Brothers, owners of a men’s clothing store. When Lefcourt failed to meet the terms of their agreement, the Brills foreclosed on the property and the name of the nearly-complete structure was changed from the Alan E. Lefcourt Building to the, arguably more melodious sounding, Brill Building. Designed in the Art Deco style by architect Victor A. Bark, Jr., the white brick elevations feature handsome terra-cotta reliefs, as well as two niches that prominently display stone and brass portrait busts that most likely portray the developer’s son, Alan, who died as the building was being planned. -
Can Studio 54 Founder Make Times Square Cool Again?
A18 dailybusinessreview.com WEDNESDAY, MARCH 13, 2019 DAILY BUSINESS REVIEW BANKING/ FINANCE Can Studio 54 Founder Make Times Square Cool Again? CITY OF DORAL NOTICE OF PUBLIC HEARING All residents, property owners and other interested parties are hereby notified of a Council Zoning Hearing meeting on Wednesday, March 27, 2019 beginning at 6:00 PM, to consider the following text amendments to the City of Doral’s Land Development Code. The City Council will consider this item for FIRST READING. This meeting will be held at the City of Doral, Government Center, Council Chambers located at 8401 NW 53rd Terrace, Doral, Florida, 33166. The City of Doral proposes to adopt the following Ordinance: ORDINANCE No. 2019-13 AN ORDINANCE OF THE MAYOR AND THE CITY COUNCIL OF THE CITY OF DORAL, FLORIDA, APPROVING/DENYING THE PROPOSED AMENDMENTS TO CHAPTER 52, “GENERAL PROVISIONS”, SECTION 52-5 “DEFINITIONS”; CHAPTER 53, “ADMINISTRATION”, ARTICLE II, “PLANNING AND DEVELOPMENT”, DIVISION 5 “SUMMARY OF USES AND DEVELOPMENT STANDARDS”, SECTION 53-128 “USE COMPATABILITY TABLE” AND OTHER CORRESPONDING CHAPTERS OF THE LAND DEVELOPMENT CODE; PROVIDING FOR SEVERABILITY; PROVIDING FOR INCLUSION IN THE CODE; AND PROVIDING FOR AN EFFECTIVE DATE HEARING NO.: 19-01-DOR-08 APPLICANT: City of Doral REQUEST: Text amendments to the City of Doral Land Development Code to modify existing permitted uses within Section 53-128, Use compatibility table. Location Map ZACK DEZON/BLOOMBERG NEWS But even for someone of Ian Schrager’s magnitude, making Times Square cool — and luring Manhattanites to the neighborhood they most love to hate — is a tall order. by Nikki Ekstein ing itself as a mature oasis from one of the world’s most frenetic crossroads. -
Leisure Pass Group
Explorer Guidebook Empire State Building Attraction status as of Sep 18, 2020: Open Advanced reservations are required. You will not be able to enter the Observatory without a timed reservation. Please visit the Empire State Building's website to book a date and time. You will need to have your pass number to hand when making your reservation. Getting in: please arrive with both your Reservation Confirmation and your pass. To gain access to the building, you will be asked to present your Empire State Building reservation confirmation. Your reservation confirmation is not your admission ticket. To gain entry to the Observatory after entering the building, you will need to present your pass for scanning. Please note: In light of COVID-19, we recommend you read the Empire State Building's safety guidelines ahead of your visit. Good to knows: Free high-speed Wi-Fi Eight in-building dining options Signage available in nine languages - English, Spanish, French, German, Italian, Portuguese, Japanese, Korean, and Mandarin Hours of Operation From August: Daily - 11AM-11PM Closings & Holidays Open 365 days a year. Getting There Address 20 West 34th Street (between 5th & 6th Avenue) New York, NY 10118 US Closest Subway Stop 6 train to 33rd Street; R, N, Q, B, D, M, F trains to 34th Street/Herald Square; 1, 2, or 3 trains to 34th Street/Penn Station. The Empire State Building is walking distance from Penn Station, Herald Square, Grand Central Station, and Times Square, less than one block from 34th St subway stop. Top of the Rock Observatory Attraction status as of Sep 18, 2020: Open Getting In: Use the Rockefeller Plaza entrance on 50th Street (between 5th and 6th Avenues). -
Steve Rubell and Ian Schrager Opened Studio 54 40 Years Ago, and It Soon Became the Epicenter of New York City's Nightlife for Nearly Three Years
Steve Rubell and Ian Schrager opened Studio 54 40 years ago, and it soon became the epicenter of New York City's nightlife for nearly three years. While it lasted, many photographers flocked to the bacchanal to capture the celebrities and other lucky denizens as they danced and snorted and frolicked under that iconic Man in the Moon with the coke spoon sculpture. One of the men on the scene was Gene Spatz, a pioneering paparazzo and street photographer who most people have never heard about. Unlike Ron Galella's work – which has been exhibited and is collected as fine art – after Spatz died in 2003 the archive of images was inherited by his younger sister, Amy Lowen, and packed away in filing cabinets in her Kentucky home. She avoided the task of assessing what she had in her possession for nearly a decade until she began to unearth her brother's forgotten treasures. "While he was working in the late Seventies, I had gotten married, moved to Louisville, Kentucky, and wasn't a part of Gene's day-to-day life," Lowen tells Rolling Stone. "It wasn't until he was gone, and I had brought everything home and put it in storage, that I began to open up these envelopes and discover his work." The black-and-white photographs included scenes from iconic clubs like Studio 54 and Xenon; shots of Carrie Fisher, Jackie Kennedy Onassis, Mary Tyler Moore and Robert Redford; as well quirky New York City street life tableaus in the 1970s and Eighties. Lowen recognized some of the celebrities in the photos, but she wasn't sure what exactly her brother's archives contained – or its value to the world. -
2017 CEEES Junior Class Field Trip New York City Behind-The-Scenes Infrastructure Wednesday, November 8 – Sunday, November 12
2017 CEEES Junior Class Field Trip New York City Behind-the-Scenes Infrastructure Wednesday, November 8 – Sunday, November 12 PURPOSE OF THE CEEES JUNIOR CLASS ANNUAL FIELD TRIP: To expose students to some of the biggest and most innovative infrastructure design and construction efforts going on in the United States; to provide an opportunity to see first-hand that the need to rebuild our often failing infrastructure is huge; to learn about the complexity of the structural, transportation, water resources, and environmental projects that keep our nation productive, efficient and healthy; and to interact one on one with project and design engineers. These trips help students see the wide range of opportunities available to become innovative leaders and also help connect the classroom to the outside world. WEDNESDAY, NOVEMBER 8 5:00am Bus to NYC, meet at Eck Visitor Center bus stop (by bookstore) (11 hour drive, 1 - 2 hours of stops, estimate 1 1/2 hours for traffic delays) 7:30pm Dinner at Katz’s Delicatessen 205 E. Houston Street, New York, NY 10002 Founded in 1888, one of New York’s oldest kosher-style delis, each week serves 10,000 pounds of pastrami, 5,000 pounds of corned beef, 2,000 pounds of salami and 12,000 hot dogs. Yes, the deli in When Harry Met Sally… 9:00pm Bus to Brooklyn Bridge (15 minutes) and walk to midway point of bridge for views of Manhattan and to see this iconic bridge up close, back to bus by 10pm BROOKLYN BRIDGE Considered a brilliant feat of 19th- century engineering, the Brooklyn Bridge was a bridge of many firsts. -
COFA for 647 Fifth Avenue, Manhattan, Docket 058804
THE NEW YORK CITY LANDMARKS PRESERVATION COMMISSION 1 CENTRE STREET 9TH FLOOR NORTH NEW YORK NY 10007 TEL: 212 669-7700 FAX: 212 669-7780 PERMIT CERTIFICATE OF APPROPRIATENESS ISSUE DATE: EXPIRATION DATE: DOCKET #: COFA #: 09/30/2005 09/20/2011 05-8804 COFA 06-2546 ADDRESS BOROUGH: BLOCK/LOT: 647 FIFTH AVENUE INDIVIDUAL LANDMARK GEORGE W. VANDERBILT RESIDENCE MANHATTAN 1287/71 Display This Permit While Work Is In Progress ISSUED TO: Kelley Scharf-Property Manager Olympic Tower Associates 645 Fifth Avenue New York, NY 10022 Pursuant to Section 25-307 of the Administrative Code of the City of New York, the Landmarks Preservation Commission, at the Public Meeting of September 20, 2005, following the Public Meeting and Public Hearing of August 9, 2005, voted to approve a proposal for alterations at the subject premises, as put forward in your application completed July 14, 2005. The proposed work, as approved, consists of removing the existing storefront infill, retaining the existing, bronze-finish, egg and dart perimeter framing, installing new laminated glass storefront windows, transoms and glass doors, installing new bronze finish transom bars and base, replacing the existing signs flanking the entrance doors with new, stainless steel signs, installing new, stainless steel lettering on the windows, and installing tan canvas, retractable awnings at the second, third, fourth and fifth floor windows, as shown on presentation boards consisting of historic and existing conditions photographs, photomontages, material samples, a site plan and drawings A-300 and A-306 dated August 9, 2005, and drawings A-301, A-302, A-303, A-304, A-305 dated September 20, 2005, all prepared by Craig Bachellier, and presented at the Public Meeting. -
Studio 54, Disco, and the Culture of the Night Pdf, Epub, Ebook
THE LAST PARTY: STUDIO 54, DISCO, AND THE CULTURE OF THE NIGHT PDF, EPUB, EBOOK Anthony Haden-Guest | 407 pages | 08 Dec 2009 | It Books | 9780061723742 | English | United States The Last Party: Studio 54, Disco, and the Culture of the Night PDF Book Trying to edit it down to just the necessary facts was clearly impossible for him, so we end up reading a lot of useless stories about people only those in the scene would know. I took it over," Brahms says. He gave a sudden hiss of a laugh, like escaping steam, at the memory. But the cousins got on fine. It was a bellwether of what was to come. He worked with Francesco Scavullo and became a long-term lover of the photographer. So I have learned of the shenanigans that went on there in documentar Although there are many of my generation who will heartily deny any association with disco, I must say that it was a formative part of my early adulthood and that I loved it, and still listen to the songs. It was painted black inside, with neon balls. Ken Auletta, the writer, was twenty-two, in his first year as a graduate student there and was a resident hall adviser. Michael Fesco, a club owner and promoter, says that running a gay club at the time was a breeze. It didn't affect their relationship one whit. Flamingo was in an upstairs loft space, and there were two stunning women on the door, with gardenias behind their ears and Tuinal smiles. Grew up in Brooklyn. -
Broadway Theaters
Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W. -
71-105 East 42Nd Street – Grand Central Terminal, Borough of Manhattan
February 23, 2021 Name of Landmark Building Type of Presentation Month xx, year Public Hearing The current proposal is: Preservation Department – Items 7 & 8, LPC-21-05602/21-05603 71-105 East 42nd Street – Grand Central Terminal, Borough of Manhattan How to Testify Via Zoom: https://us02web.zoom.us/j/85652843873?pwd=aHV2VWhNdkc1SDFLeitDbE9YN3NnUT09 Note: If you want to testify on an item, join the Webinar ID: 856 5284 3873 Zoom webinar at the agenda’s “Be Here by” Passcode: 646895 time (about an hour in advance). When the By Phone: Chair indicates it’s time to testify, “raise your 1 646-558-8656 hand” via the Zoom app if you want to speak US (New York) 877-853-5257 (Toll free) (*9 on the phone). Those who signed up in advance will be called first. US 888 475 4499 (Toll free) 175 PARK AVENUE LPC APPLICATION LANDMARKS FEBRUARY 23, 2021 TABLE OF CONTENTS PROJECT OVERVIEW PART I HARMONIOUS RELATIONSHIP TO GRAND CENTRAL TERMINAL PART II IMPROVEMENTS AT GRAND CENTRAL TERMINAL (LOT 1) VIADUCT-LEVEL SIDEWALK IMPROVEMENT CHANGES TO 42ND STREET PASSAGE COPYRIGHTED 2020 © SKIDMORE, OWINGS & MERRILL LLP. ALL RIGHTS RESERVED. Project Overview DEVELOPMENT SITE 394.33' LEXINGTON AVE LEXINGTON 75.00' 200.00' 45.00' LOT 54 LOT 154 42ND ST 340.33' LOT 1 DEVELOPMENT SITE GRAND CENTRAL 208.33' LOT 30 TERMINAL 60' WIDE STREET 80' WIDE STREET VANDERBILT AVENUE VANDERBILT AVENUE LEXINGTON GRAND HYATT HOTEL 42ND STREET 100' WIDE STREET FOR ILLUSTRATIVE PURPOSE ONLY 4 175 PARK AVENUE IT IS MUTUALLY UNDERSTOOD AND AGREED THAT THE INFORMATION CONTAINED HEREIN IS PRELIMINARY IN NATURE AND IS SUBJECT TO FURTHER REVIEW AND VERIFICATION BY THE FEBRUARY 23, 2021 CLIENT’S LAND USE COUNSEL, ACCORDINGLY, AND TO THE FULLEST EXTENT PERMITTED BY LAW, SKIDMORE, OWINGS & MERRILL LLP AND ITS PARTNERS, OFFICERS, EMPLOYEES AND CONSULTANTS SHALL HAVE NO LIABILITY IN CONNECTION WITH THE INFORMATION PROVIDED HEREIN. -
Lightingsound07.Pdf
DEMOCRACY A New Miami Club Celebrates ON THE DANCE FLOOR the Golden Days of Disco By: David Barbour Step into Miami’s newest club and you step into another era. On the site of the former Crobar, one of the city’s longest-running hotspots, now springs Cameo Theatre, a piece of high-drama design that evokes Studio 54 and the Palladium in the days of Andy, Halston, arid Liza. It’s a bril- liant throwback based on an entirely different idea of the disco as a meeting place for all levels of society, a meritoc- racy based on talent, looks, and the appetite for fun. One look at the dance floor is all you need: The dangling glitter balls, the faux-Warhol murals of Marilyn Monroe, the sleek red curved seating, the light poles, the DJ booth made of a 10’ tall mirrorball cracked open like an Easter egg–all these details add up to a faithful rendition of nightlife glamour, circa 1978. At the same time, this is no theme-park version of clubbing–it’s an articulation of what was best about that time and place, placed in a 21st-cen- tury context. Cameo Theatre is the brainchild of Callin Fortis, former club owner and designer (his firm is Big Time De- sign Studios), and, with his business partner, Ken Smith, the force behind the Crobar clubs in Chicago, New York, and Miami. Crobar Miami was installed in a former movie house known as the Cameo Theatre. “The building was built in 1933,” says Fortis. “It was a really delicate job to redo it into Crobar, because it’s an historic building, and the gesture of the theatre, with its proscenium arch, had to be kept.” When the reign of Crobar came to an end, “the key was to erase people’s memories of the Cameo,” says Fortis.