Elizabeth Gould Hochman Collection, 1945-1992, MSS-108

Total Page:16

File Type:pdf, Size:1020Kb

Elizabeth Gould Hochman Collection, 1945-1992, MSS-108 The Ward M. Canaday Center for Special Collections The University of Toledo Finding Aid Elizabeth Gould Hochman Collection, 1945-1992 MSS-108 Size: Approximately 3 linear feet Provenance: Received from Elizabeth G. Herrera on March 10, 1995. Access: open Collection Summary: The bulk of the collection consists of scores, with programs; posters; and other printed material making up the rest. The scores were written for brass, string, and woodwind instruments. Subjects: Music, Art, Drama, and Theatre, Women Copyright: The literary rights to this collection are assumed to rest with the person(s) responsible for the production of the particular items within the collection, or with their heirs or assigns. Researchers bear full legal responsibility for the acquisition to publish from any part of said collection per Title 17, United States Code. The Ward M. Canaday Center for Special Collections may reserve the right to intervene as intermediary at its own discretion. Completed by: Jennifer Kahn Mandell, June, 1996 and Laura Micham, 1998; revised and updated by Tamara Jones, June 2016 1 Elizabeth Gould Hochman Collection, 1945-1992 Biographical Sketch Born Elizabeth Davies on March 8, 1904, Elizabeth Gould Hochman was involved with music throughout her life, first as a performer and later as a composer. She began composing when she was 45 years old prompted by displeasure with the experimental compositions prevalent in the 1950's that she characterized as formulaic. Gould Hochman received her Bachelor of Arts degree in music from the University of Michigan in 1926. She married twice, first to local attorney George Gould and later to author/playwright Eugene J. Hochman. During the course of her composing career, Gould Hochman produced an eclectic body of works, ranging from student pieces for the piano to fully orchestrated comic opera. She won numerous international music competitions, and taught music for many years. Elizabeth Gould Hochman died in Toledo in February, 1995. 2 Elizabeth Gould Hochman Collection, 1945-1992 Scope and Content Note The collection consists almost entirely of sheet music and published scores, all composed by Gould Hochman from ca. 1951 to 1991. The materials are arranged chronologically according to publication date of each piece of music. The collection also contains some promotional material in the form of posters and programs. These items date from portions of the 1950s-1970s, with some items from the 1990s as well. 3 Elizabeth Gould Hochman Collection, 1945-1992 Folder List Box Folder Item 1 1 Programs, Posters, Promotional Materials, 1959, 1967-1968, 1971, 1990, 1992 1 2 Encore, n.d. 1 3 One Crowded Hour of Glorious Strife, n.d. 1 4 Theme and Variations for Eight Hands at One Piano, 1945 1 5 Four Preludes, 1950 1 6 Toccata, 1951 1 7 Sonata (for violin), 1952 1 8 Sonata (for viola and piano), 1952 1 9 Rhythm for Two Pianos, 1955 1 10 Prologue to “Oh, But Men Are Naïve!,” 1955 1 11 The Music of the Spheres, 1956 1 12 Sonata, 1957 1 13 Two Movements for Clarinet, Trumpet, and Strings, 1958 2 1 Sonata for Cello and Piano, 1959 2 2 Concerto for Trumpet and Strings, 1959; Andante for Trumpet and Strings, 1959 2 3 Music for Two Pianos, 8 Hands, n.d. 2 4 String Quartet #2, 1960 (folder 1) 2 5 String Quartet #2, 1960 (folder 2) 2 6 Piano Sonata No. 2, 1961 2 7 Adventures of a Young Pianist, 1962 2 8 Sonatina #1, 1962 2 9 Six Affinities, 1962 2 10 Sonata for Viola & Piano, 1962 2 11 The Acrobatic Winds, 1963 2 12 Disciplines (for woodwind trio), 1963 2 13 The Drum of Morning and the Flute of Night, 1964 3 1 The Drum of Morning and the Flute of Night, 1964 (spiral-bound copy) 3 2 The Drum of Morning and the Flute of Night, 1964 (photocopy) 3 3 The Drum of Morning and the Flute of Night, 1964 (lyrics only) 3 4 The Kitty-Cat Bird, 1964 3 5 Music for Viola and Piano, 1964 3 6 Fantasy and Fugue, 1965 3 7 Fifteen for Cello and Piano, 1965 3 8 Music for Trio, 1966 3 9 Ray and the Gospel Singer, 1966 (music for flute, oboe, percussion, trombone, double bass, and cello) 3 10 Ray and the Gospel Singer, 1966 (music for violin, bassoon, bass 4 Elizabeth Gould Hochman Collection, 1945-1992 clarinet, clarinet, and electric guitar) 3 11 Ray and the Gospel Singer, 1966 (piano score and script; 2 copies of each) 4 1 Notes for a Southern Road Map, 1968 4 2 Apology for Husbands, 1968 4 3 Music for Flutes, 1968 4 4 For Martha and Paul (Viola and Cello Duo), 1968 4 5 Andante, 1968 4 6 Christmas, 1969 4 7 Halleluia, 1969 4 8 Celebration Fantasy (for organ), 1970 4 9 Transformation, 1970 4 10 Piano Pieces for the Young, 1970 4 11 (F)railleries Song Cycle, 1971 4 12 Fiddle Songs for the Euterpeans, 1971 4 13 Reflections at Dawn, 1971 4 14 Sonatina #2, 1971 4 15 Rhythm, 1971 4 16 Duet #5, 1972 4 17 Ten Miniatures for Piano, 1972 4 18 Figments, 1972 5 1 Four Preludes, 1973 5 2 Triadic Suite, 1974 5 3 Hymn of the Ascension, 1975 5 4 Six Words, 1976 5 5 Free Forms for Four Flutes, 1976 5 6 Three Stylistic Effects, 1976 (revision), 1992 5 7 Subtraction #1, 1976; Thanks, 1976 5 8 For Ta, 1977 5 9 9 Preludes, 1978 5 10 Fantasy and Passacagila, 1981 5 11 Anniversary Greeting, 1981 5 12 The Barber’s Song, 1981 5 13 Prelude “Reflector,” 1982 5 14 One From One Leaves Two, 1982 5 15 A Traditional Indonesian Feast, 1982 5 16 Fanfare, 1985 6 1* Quotations, 1985 6 2* Quotations, 1985 (2 spiral-bound copies) 6 3* Quotations, 1985-1986 (handwritten draft) 6 4* Quotations Premiere Publicity, 1986 (2 oversize flyers) 5 17 Episodes in the Life of a Couple, 1986 5 18 The Red Blouse, 1988 5 19 Nameless Duets I & II, 1991 5 Elizabeth Gould Hochman Collection, 1945-1992 5 20 Christmas Sings, ca. 1991 (2 copies) 5 21 Winds in the Woods for Woodwind Quintet, 1991 5 22 Madrigals for Woodwinds, n.d. * = Located in oversize map case 11, drawer A 6 .
Recommended publications
  • Gettysburg Symphony Orchestra
    he Serving Baltimore/Washington/Annapolis . J January/February 2003 Circulation: 27,000 Johns Hopkins News Russian pianist The- Baltimore Alexander Shtarkman solp with the Shostakovich's in Hail Peabody Lady Macbeth of Dedication Mtsensk >age 3 Orchestra guest conducted by Leon Fleisher -jf V V**5. Yuri Temirkanov programs Russian composer with the Baltimon Symphon S B U R G A city-wide celebration Lori Hultgrei* with Peabody Symphony Orchestra Page 7 Peabodv Chamber Opera presents Berlin/Munich double bill Page 8 Young Dance classes at Preparatory Page 16 2 Peabody News January/February 2003 [ERNO N CULTURAL DISTRICT * MOUNT VERNON CULTURAL DISTRICT • MOUNT VERNON CULTURAL DISTRICT * MOUNi #19 FIND YOUR KNIGHT IN SHINING ARMOR jf *" For 99 other fun things to do, visit www.mvcd.org i MOUNT VERNON CULTURAL DISTRICT NEIGHBORHOOD Baltimore School for the Arts * Basilica of the Assumption * Center Stage * Contemporary Museum * Garrett Jacobs Mansion 100 * Enoch Pratt Free Library * Eubie Blake National Jazz Institute and Cultural Center * The George Peabody Library * Maryland •THINGS TO DO! I Historical Society * The Peabody Institute * The Walters Art Museum January/February 2003 Peabody News 3 1 John. Js * Hopkins : Peabody News lifts I The Award Winning wamm Newspaper of the Baltimore/ Washington Cultural Corridor Published by the Peabody Richard Goode awarded Conservatory of Music, George Peabody Medal Baltimore. First he played a magical recital. Then at the end of his October 29 program, Richard Goode was presented with the Circulation:
    [Show full text]
  • Anthony Braxton's Synaesthetic Ideal and Notations for Improvisers
    Critical Studies in Improvisation / Études critiques en improvisation, Vol 4, No 1 (2008) “What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers Graham Lock “See deeply enough, and you see musically.” Thomas Carlyle (qtd. in Palmer 27) “Tuned to its grandest level, music, like light, reminds us that everything that matters, even in this world, is reducible to spirit.” Al Young (132) Flick through the pages of Anthony Braxton’s Composition Notes and you’ll soon encounter some striking visual imagery. In Composition #32, for example, “Giant dark chords are stacked together in an abyss of darkness” (CN-B 375); Composition #75 will take you “’from one room to the next’—as if in a hall of mirrors (‘with lights in the mirrors’)” (CN-D 118); in Composition #77D slap tongue dynamics “can be viewed [as] sound ‘sparks’ that dance ‘in the wind’ of the music” (189); enter the “universe” of Composition #101 and you’ll discover “a field of tall long trees (of glass)” (CN-E 142).1 While it is not unusual for composers to employ visual images when discussing their work, Braxton’s descriptions are clearly not illustrative in the sense of, say, Vivaldi’s poems for La Quattro Stagioni or Ellington’s droll explanations of his song titles. Rather than describe scenes that the music supposedly evokes, Braxton appears instead to offer extremely personal visualisations of the musical events and processes that are taking place in his compositions. Further evidence of this highly individual perspective can be found throughout his work.
    [Show full text]
  • 2015 Washington, D.C
    of Out Many, August 13–16, 2015 Washington, D.C. !,, 9/5.%%$ 4/+./7 !"/54 &,54%).352!.#% WWWFLUTEINSURANCECOM ,AKEVIEW$RIVE 3UITE! 3EBRING &,53! SERVICE ANDERSON GROUPCOM &,,ICENSE,s),,ICENSEs#!,ICENSE) 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 3 nfaonline.org LET’S PLAY FLUTE! AN INNOVATIVE METHOD FOR STUDENTS OF ANY AGE by Elizabeth Weinzierl & Edmund Waechter Let’s Play Flute! is a new English adaptation of a successful method by noted *HUPDQÀXWLVWVDQGSHGDJRJXHV WITH PLAY-ALONG ONLINE AUDIO: 50600096 • Method Book 1 • 50600097 • Method Book 2 • 50600098 • Repertoire Book 1 • 50600099 • Repertoire Book 2 • 50600124 • Piano accompaniments for Method Books 1 & 2 • SPECIAL CONFERENCE OFFER FOR FLUTE TEACHERS Get a FREE copy of Method Book 1 at the Hal Leonard exhibit booth #417 while supplies last. 4 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 nfaonline.org rself Indulge you Choose your Powell and never look back. connect with us at booth #131. Follow us at #PowellFlutesDC. ® VERNE Q. POWELL® FLUTES INC. One Clock Tower Place, Maynard, MA 01754 USA 978.461.6111 www.PowellFlutes.com Table of Contents Letter from the President ................................................................................9 Officers, Directors, Staff, Convention Volunteers, and Competition Coordinators............................................................................14 Welcome Letter from the Mayor of Washington, D.C.............................18 From the Convention Program Chair..........................................................20
    [Show full text]
  • Catalogue of Works
    VICTOR IBARRA www.victoribarra.net CATALOGUE OF WORKS ORCHESTRA In memoriam for full orchestra lasting time: 20:00 year of composition: 2016 Élan for string orchestra lasting time: 6:15 year of composition: 2011 Silensis for full orchestra lasting time: 16:30 year of composition: 2010 Anagké for orchestra lasting time: 10:00 year of composition: 2009 ENSEMBLE Sobre los nueve infiernos del Mictlán for saxophone quartet and ensemble (Sax quartet: soprano, alto, tenor and baritone. Ensemble: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion I, percussion II, piano, violin I, violin II, viola, cello and double bass) lasting time: 22:00 year of composition: 2019 Geometría de un espacio blanco for trio & female voice (soprano, flute, clarinet and guitar) lasting time: 10:00 year of composition: 2018 …sin una sola yerba para detener el aire for trio (flute, percussions and piano) lasting time: 10:00 year of composition: 2017 Nocturno for ensemble (clarinet in Bb, violin, cello and piano) lasting time: 10:00 year of composition: 2017 Self-portrait of Anton Räderscheidt for wind quintet (flute, oboe, clarinet in Bb, horn in F and bassoon) lasting time: 10:00 year of composition: 2016 1 VICTOR IBARRA www.victoribarra.net Paris wind behind me... for ensemble (flute, oboe, clarinet in Bb, bass clarinet in Bb, bassoon, percussion I, percussion II, piano, violin I, violin II, viola, cello and double bass) lasting time: 10:00 year of composition: 2016 The morning after the deluge "Aide à l'écriture d’une œuvre musicale originale du
    [Show full text]
  • Ritual Action Is a Chicago-Based Ensemble Championing Modern Classics of the Reed Trio Repertoire and Commissioning Daring New Music for Oboe, Clarinet, and Bassoon
    Ritual Action is a Chicago-based ensemble championing modern classics of the reed trio repertoire and commissioning daring new music for oboe, clarinet, and bassoon. The musicians of Ritual Action came together in 2017 as alumni of the Lucerne Festival Academy, the training program founded by Pierre Boulez. Andrew Nogal, oboe and English horn Andy Hudson, clarinet and bass clarinet Ben Roidl-Ward, bassoon and contrabassoon Composers writing music to be premiered in the 2019-20 season Cody Criswell John Orfe Andrew Rodriguez Derek Tywoniuk Selected Past Repertoire Sean Calhoun (b.1992) Reactor (2018)* Dai Fujikura (b.1977) Phantom Splinter for trio and electronics (2009) Nathan Hudson (b.1992) Squeezebox (2016) Witold Lutosławski (1913-1994) Trio (1944) Jamie Leigh Sampson (b.1984) Anyone Lived (2017)* Greg Simon (b.1985) Devil Winds (2014) Cassie Wieland (b.1994) Go Together (2017) Isang Yun (1917-1995) Rondell (1975) * Indicates world premiere Performances by Dr. Andy Hudson have been hailed as “a treat for the listener” and praised for “an uncommon singularity of purpose, technical virtuosity, youthful vigor and a mature sensitivity.” He has performed widely across the United States and Europe, including recent engagements at Carnegie Hall’s Weill Recital Hall, at the International Clarinet Association ‘ClarinetFest’ in Belgium, with the Chicago Symphony Orchestra on their MusicNOW series, and across Switzerland and Germany as a member of the Lucerne Festival Academy Orchestra. A fierce advocate for new music, Andy has premiered dozens of works to date and has performed at the Bang on a Can Summer Marathon, the Art Institute of Chicago, the New Music Gathering, and Constellation Chicago.
    [Show full text]
  • The Group for Contemporary Music Harvey Sollberger and Charles Wuorinen, Directors Concerts and Repertoire 1962
    The Group for Contemporary Music Harvey Sollberger and Charles Wuorinen, Directors Concerts and Repertoire 1962 - lst Season 1. October 22, 1962, McMillin Theater, Columbia University Thomas Morley Christes Crosse (1597) Peter Westergaard Quartet for violin, vibraphone, clarinet, and cello( 1960) Peter Westergaard Trio for flute, cello, and piano (1962) Ritornellos and Variations Karlheinz Stockhausen Kreuzspiel (1951) Otto Luening Trio for flute, cello, and piano (1962) Ralph.Shapey Chamber Symphony (1962) 2. November 19, 1962, McMillin Theater Music from the Mensural Codex of Nikolaus Apel (late 15th century) George Perle Monody No. 1 for flute solo (1960) Ernst Krenek Flotenstuck Neunphasig, Part B (1959) Roman Haubenstock-Ramati Interpolation, mobile for flute (1959) Edward Staempfli Ornaments (1960) Pierre Boulez Sonatine (1946) 3. December 17, 1962, McMillin Theater Charles Wuorinen Bearbeitungen uber das Liederbuch (1477-88;1962) Raoul Pleskow Movement for Flute, Cello, and Piano (1962) Isaac Nemiroff Variations to a Theme (1958) Roger Reynolds Abrupt Antic Acceptance Acquaintances Donald Martino Cinque Frammenti for Oboe and String Bass (1961) Igor Stravinsky String Quartet Music (1959 & 1914) 4. January 14, 1963, McMillin Theater Matheus de Perusio Se je me plaing & Belle sans Per (ca. 1400) Anthonello de Caserta Amour m'a le cuer mis Ursula Mamlok Composition for Solo Cello (1962) Edgard Varese Density 21.5 for Flute Solo (1938, 1946) Harvey Sollberger Trio (1961) Olivier Messiaen Le Merle Noir (1952) Arnold Schoenberg Sechs Kleine Klavierstuecke, Op.19 (1913) Guillaume Dufay Vergine Bella (ca. 1425) Anton Webern Drei Kleine Stuecke, Op. 11 (1914) Anonymous ca. 1500 Jam Insignis, Jam Fulait 5. February 18. 1963, McMillin Theater Perotin? Benediciamus Domino (13th century) Matheus de Perusio Puisque je Sui (ca.
    [Show full text]
  • The Trio in G Minor for Clarinet, Bassoon and Piano by William Yeates Hurlstone
    The Trio in G Minor for Clarinet, Bassoon and Piano by William Yeates Hurlstone a Critical Reassessment - 13th May 2004 1st revision 9th July 2004 2nd revision 29th September 2004 3rd revision 21st October 2004 4th revision 21st January 2005 5th revision 25th February 2005 6th revision 23rd November 2006 - Richard J Moore [email protected] 364 Catherington Lane Waterlooville HANTS PO8 0TU UK Richard J Moore Copyright © 2004 Introduction The Trio in G Minor by William Hurlstone is one of only a handful of works written for clarinet, bassoon and piano; as such, it will be of interest to clarinettists and bassoonists alike. This attractive piece, written in the late 19th century, provides a valuable addition to the repertoire. It has both audience and player appeal; however, from a performer's perspective it is a frustrating work to prepare. The parts and score of the only publicly available source abound with inconsistencies. Even with the latest Emerson edition, while matters of inconsistency have been addressed, it is still difficult to decipher exactly the intent of the composer; the gratuitous overuse of expression marks is particularly troublesome. In comparison, Hurlstone's Four Characteristic Pieces for Clarinet and Piano and his Sonata for Bassoon and Piano are both finely crafted works. It is therefore a mystery as to why the Trio should be so uncharacteristic of Hurlstone's usual attention to detail. The first printed (Emerson) edition1 of the Trio was based on the only publicly accessible source: a professional copy of the autograph made during the 1930s. This source suffers not only from having had alterations made by Parr2, but in its original form it was hardly a faithful reproduction of the autograph.
    [Show full text]
  • Music Catalog 2019
    LAST RESORT MUSIC PUBLISHING MUSIC CATALOG 2019 Almost any combination for almost any instrument! The Solo & Ensemble Specialists SOLOS • DUETS • TRIOS • QUARTETS 800.762.0966 www.lastresortmusic.com updated: January 2019 SOLOS INTERMEDIATE SOLO SERIES This series features stimulating titles arranged for Solo Instrument and Piano in progressive order of difficulty. Volume 1 is easier than Volume 2. All arrangements are designed for the specific instrument and are in accessible ranges for the late beginning to intermediate performer. Featuring well-known melodies and works by famous composers! 30 SOLOS for the INTERMEDIATE FLUTIST 40008 SOLOS for the INTERMEDIATE CLARINETIST, Volume 1 40026 SOLOS for the INTERMEDIATE VIOLINIST, Volume 1 40034 SOLOS for the INTERMEDIATE VIOLINIST, Volume 2 40035 SOLOS for the INTERMEDIATE CELLIST, Volume 1 40030 SOLOS for the INTERMEDIATE CELLIST, Volume 2 40031 SACRED SOLO SERIES Five tasteful collections of Sacred & Spiritual Music for Solo Instrument and Piano. Featuring Panis Angelicus, Swing Low, Sweet Chariot, Ave Maria, Jesu Joy of Man’s Desiring, Sheep May Safely Graze, On Wings of Song and more! 20 SACRED & SPIRITUAL SOLOS for Flute or Oboe or Violin 40009 for Viola 40011 for Cello or Bassoon 40010 for Clarinet in Bb 40012 for French Horn (18 Solos) 40013 WEDDING SOLO SERIES An indispensible collection of romantic selections perfect for any wedding! This series is ar- ranged for Solo Instrument and Piano. Featuring Be Thou My Vision, Flower Duet, Wedding March, Clair de Lune, Trumpet Tune, Dodi
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1967-1968, Tanglewood
    0$^ Festival of Contemporary American Music August 9, 10, 12, 13, 14, 15, 1967 Sponsored by the Berkshire Music Center In Cooperation with the i Fromm Music Foundation X)S Hear the sound of the 20th century on RCAVICTOR Red Seal STRAVINSKY BARTOK: Violin Concerto No. 2 Music of Irving Fine rca Victor AGON hvnachoovi STRAVINSKY: Violin Concerto Boston symphony £ SCHULLER Joseph Silverstein conducted by 7 STUDIES on THEMES of PAUL KLEE Boston Symphony Orchestra/Erich Leinsdorf Erich Leinsdorf BOSTON SYMPHONY ORCHESTRA/ERICH LEINSDORI and the composer Symphony 1962 / Toccata concertante serious Song for string orchestra rcaVictor a (@)The most trusted name in sound ^*t*^ BERKSHIRE MUSIC CENTER ERICH LEINSDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Claude Frank, Acting Chairman of the Tanglewood Institute Harry J. Kraut, Administrator James Whitaker, Chief Coordinator Viola C. Aliferis, Assistant Administrator <r*sw<rd Festival of Contemporary American Music presented in cooperation with The Fromm Music Foundation Paul Fromm, President Fellowship Program Contemporary Music Activities Gunther Schuller, Head Stanley Silverman, Assistant Elliot Carter, Ross Lee Finney, Donald Martino, George Perle, Roger Sessions, Seymour Shifrin, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow The Berkshire Music Center is maintained for advanced study in music sponsored by the boston symphony orchestra Erich Leinsdorf, Music Director Thomas D. Perry, Jr., Manager BALDWIN PIANO RCA VICTOR RECORDS 7 LDS PERSPECTIVES NEWOF MUSIC PERSPECTIVES OF NEW MUSIC Participants in this year's Festival are invited to subscribe to the American journal devoted to im- portant issues of contemporary music and the problems of the composer.
    [Show full text]
  • Creighton's Collection, UK ( / See the Section 'Sheet Music')
    Johnstone Music Catalogue of Music Composed and prepared by David Johnstone Printed Published & Distributed by Creighton’s Collection DAVID JOHNSTONE Composition Violoncello Creative Music David Johnstone is considered one of the most creative and interesting string players in the Iberian peninsula today, combining a career as a cellist with that of a busy composer. Although British by birth he has, for over a decade, been principal cellist of the 'Orquesta Sinfónica de Navarra' of Spain, and a composer who specializes in string and/or lighter classical writing. In particular, he composes for all the bowed string instruments as soloists, and for chamber groups of various sizes (some including wind and brass instruments). He also specializes in writing String Orchestra pieces that are well within the capabilities of youth and conservatoire orchestras, whilst other compositions are better suited to fully professional ensembles (such as the 'Camerata Cambrensis', conducted by Caroline Collier, who have premiered several works). Indeed, many of his compositions are now published by Creighton's Collection, UK (www.cccd.co.uk / see the section 'Sheet Music'). His compositions have been heard in more than thirty countries across five continents and on European radio stations and television channels particularly Spanish National Television 'Tele Cinco', who have featured many of his chamber works. As a performer he has European-wide orchestral and ensemble experience, including playing for renowned orchestras such as the Royal Philharmonic Orchestra, London Concert Orchestra, BBC National Orchestra of Wales, and the English String Orchestra. He has also performed in London West-End shows such as Phantom of the Opera, Cats, Barnum etc., and regularly recorded for BBC Radio programmes.
    [Show full text]
  • FLOWERS WITHOUT BORDERS July 9-11, 16-18, 23-25, 30-31 Enter to Win a Vocalise Mouthpiece Scan the Code and Complete Your Entry
    FLOWERS WITHOUT BORDERS July 9-11, 16-18, 23-25, 30-31 Enter to Win a Vocalise Mouthpiece Scan the code and complete your entry. backunmusical.com gives a soul to theMusic universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything. ~Plato Now, more than ever, E DWIN • HUD RE EIGAN SO • • W D N H R • T • C E R D I D IP i V Y I L E N P U S S IT T I A S play on! • S N I L R A E Meet Some I K W B • I A K S T • E L Players D A L G A E N R O R D We Love! O c a B M • B • U E L S N F O I V A D A • Z M H E Patents. See website. www.rovnerproducts.com Established 2013 Heather Rodriguez Alcides Rodriguez RMS offers a premium selection of Hand selected Buffet clarinets clarinets for the demanding artist, and accessories educator and student. Artist level set ups, upgrades, repair work and overhauls www.rodriguezmusical.com 470-545-9803 [email protected] A NEW SPECIES OF REED VENN signals the dawn of a new era in woodwinds innovation: combining the stability and longevity of a synthetic reed with the sound and feel of natural cane. To mimic the organic structure of cane, we reverse-engineered cane itself, layering di erent strengths of polymer fi bers with resin and organic reed elements to make up the reed blank.
    [Show full text]
  • The Group for Contemporary Music
    THE GROUP FOR CONTEMPORARY MUSIC 1962 to 1992 by Susan Elizabeth Deaver Thesis Advisor: Dr. David Noon The Group for Contemporary Music 1962 to 1992 by Susan Elizabeth Deaver Submitted to The Manhattan School of Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts March 1993 Dedicated to Harvey Sollberger, Charles Wuorinen and Nicolas Roussakis LIST OF MUSICAL EXAMPLES #1 Charles Wuorinen: Chamber Concerto for Cello and Ten Players (1963) - 17 February 1964 #2 Chou Wen-Chung: Cursive for Flute and Piano (1963) - 16 November 1964 #3 Charles Wuorinen: Bearbeitungen über das Glogauer Liederbuch (ca. 1470; 1962) - 11 January 1965 #4 Stefan Wolpe: Trio in Two Parts (1964) - 16 November 1964 #5 Stefan Wolpe: Piece in Two Parts for Flute and Piano (1960) - 25 April 1966 #6 Charles Wuorinen: Janissary Music (1966) - 1 May 1967 #7 Charles Wuorinen: Nature's Concord (1969) written for Ronald Anderson #8 Nicolas Roussakis: Six Short Pieces for Two Flutes (1969) - 27 October 1969 #9 Charles Wuorinen: Ringing Changes (1969-70) - 4 May 1970 #10 Stefan Wolpe: Form IV: Broken Sequences (1969) - 10 April 1972 \#11 Charles Wuorinen: Flute Variations II (1968) - 10 April 1972 #12 Mario Davidovsky: Synchronisms No. 1 (1963) - 5 February 1973 #13 Mario Davidovsky: Synchronisms No. 6 (1970) 19 March 1973 #14 Harvey Sollberger: The Two and The One (1972) - 23 April 1973 #15 Harvey Sollberger: Riding The Wind II (1973-74) - 11 November 1974 #16 Elliott Carter: Canaries from Eight Pieces for Four Timpani (1950-66)- 16 December
    [Show full text]