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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Murder in the Mews the Adventure of Johnnie Waverly the Adventure Of
The Adventure of the Clapham 8-Jan-89 Captain Hastings Cook Inspector Japp Miss Lemon Murder in the Mews 15-Jan-89 Captain Hastings Inspector Japp Miss Lemon The Adventure of Johnnie 22-Jan-89 Captain Hastings Waverly Inspector Japp Miss Lemon Four and Twenty Blackbirds 29-Jan-89 Captain Hastings Inspector Japp Miss Lemon The Third Floor Flat 5-Feb-89 Captain Hastings The Third Floor Flat 5-Feb-89 Inspector Japp Miss Lemon Triangle at Rhodes 12-Feb-89 Problem at Sea 19-Feb-89 Captain Hastings The Incredible Theft 26-Feb-89 Captain Hastings Inspector Japp Miss Lemon The King of Clubs 12-Mar-89 Captain Hastings Inspector Japp The Dream 19-Mar-89 Captain Hastings Inspector Japp Miss Lemon [edit] Series Two (1990) Title UK Airdate Recurring Cast Peril at End House 7-Jan-90 Captain Hastings (feature-length) Inspector Japp Miss Lemon The Veiled Lady 14-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Lost Mine 21-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Cornish Mystery 28-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Disappearance of Mr. 4-Feb-90 Captain Hastings Davenheim Inspector Japp Miss Lemon Double Sin 11-Feb-90 Captain Hastings Inspector Japp Miss Lemon Double Sin 11-Feb-90 The Adventure of the Cheap 18-Feb-90 Captain Hastings Flat Inspector Japp Miss Lemon The Kidnapped Prime Minister 25-Feb-90 Captain Hastings Inspector Japp Miss Lemon The Adventure of the Western 4-Mar-90 Captain Hastings Star Inspector Japp Miss Lemon The Mysterious Affair at Styles 16-Sep-90 Captain Hastings (feature-length) Inspector Japp -
4 Modern Shakespeare Festivals
UNIVERSIDAD DE MURCIA ESCUELA INTERNACIONAL DE DOCTORADO Festival Shakespeare: Celebrating the Plays on the Stage Festival Shakespeare: Celebrando las Obras en la Escena Dª Isabel Guerrero Llorente 2017 Page intentionally left blank. 2 Agradecimientos / Acknoledgements / Remerciments Estas páginas han sido escritas en lugares muy diversos: la sala becarios en la Universidad de Murcia, la British Library de Londres, el centro de investigación IRLC en Montpellier, los archivos de la National Library of Scotland, la Maison Jean Vilar de Aviñón, la biblioteca del Graduate Center de la City University of New York –justo al pie del Empire State–, mi habitación en Torre Pacheco en casa de mis padres, habitaciones que compartí con Luis en Madrid, Londres y Murcia, trenes con destinos varios, hoteles en Canadá, cafeterías en Harlem, algún retazo corregido en un avión y salas de espera. Ellas son la causa y el fruto de múltiples idas y venidas durante cuatro años, ayudándome a aunar las que son mis tres grandes pasiones: viajar, el estudio y el teatro.1 Si bien los lugares han sido esenciales para definir lo que aquí se recoge, aún más primordial han sido mis compañeros en este viaje, a los que hoy, por fin, toca darles las gracias. Mis primeras gracias son para mi directora de tesis, Clara Calvo. Gracias, Clara, por la confianza depositada en mí estos años. Gracias por propulsar tantos viajes intelectuales. Gracias también a Ángel-Luis Pujante y Vicente Cervera, quienes leyeron una versión preliminar de algunos capítulos y cuyos consejos han sido fundamentales para su mejora. Juanfra Cerdá fue uno de los primeros lectores de la propuesta primigenia y consejero excepcional en todo este proceso. -
THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell. -
Suzanne Bertish
22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] SUZANNE BERTISH EYES: Blue/Grey HEIGHT: 5’4’’ (162 cm) THEATRE (extensive credits include) NOYES FLUDDE ‘God’ Theatre Royal Stratford East, Dir. Lyndsey Turner CITY OF ‘Eleanor’ Peter Jay Sharp Theater, NYC, Dir. Stephen Brackett THE HEIR APPARENT ‘Madame Argante’ Classic Stage Company, Dir. John Rando MACHINAL ‘Mother’ Roundabout Theater Company, Dir. Lyndsey Turner **Joe A. Callaway Award 2014** BREAKFAST AT TIFFANY’S ‘Madame Spanella’ Cort Theater NYC, Dir. Sean Mathias RICHARD III ‘Margaret’ Public Theater NYC, Dir. Amanda Dehnert WIT ‘Em Ashford’ Manhattan Theater Club NYC, Dir. Lynne Meadow KIN ‘Linda’ Playwrights Horizons, NYC, Dir. Sam Gold BREAKFAST AT TIFFANY’S ‘Mdm. Spanella’ Theatre Royal, Haymarket, Dir. Sean Mathias MRS. WARREN’S PROFESSION ‘Mrs. Warren’ McCarter Theatre, Princeton, Dir. Emily Mann ANTONY AND CLEOPATRA ‘Cleopatra’ Shakes. Th. of Washington D.C., Dir. Michael Kahn MEASURE FOR PLEASURE ‘Lady Vanity Lustforth’ The Public Theater, NYC, Dir. Peter DuBois CROSSING JERUSALEM ‘Varda’ Tricycle Theatre, Dir. Jack Gold THE CHERRY ORCHARD ‘Charlotta’ Royal National Theatre, Dir. Trevor Nunn THE VAGINA MONOLOGUES Various, Off-Broadway/London, Dir. Joe Mantello HAMLET ‘Gertrude’ Plymouth, and Young Vic, Dir. Lawrence Boswell THE MEMORY OF WATER ‘Theresa’ Manhattan Theater Club, Dir. John Tillinger AN INSPECTOR CALLS ‘Mrs. Birling’ Garrick Theatre, Dir. Stephen Daldry THE OEDIPUS PLAYS ‘Jocasta’ Royal National Theatre, Dir. Peter Hall TAKING SIDES ‘Tamara Sachs’ Minerva Chichester & Criterion, Dir. Harold Pinter THE MOLIERE COMEDIES - The School for Husbands ‘Lisette/The Imaginary Cuckold Sganarelles wife’ Roundabout Theater, NYC, Dir. Michael Langham, **Tony Nomination Best Actress** SALOME ‘Herodias’ Circle in the Square, Dir. -
Appendix Casts, Production Teams and Opening Dates of Productions Discussed
Appendix Casts, Production Teams and Opening Dates of Productions Discussed I. Hamlet, by William Shakespeare. Royal Shakespeare Company. Opening performance: Royal Shakespeare Theatre, Stratford-upon-Avon, 5 September 1984 Main production team: Director Ron Daniels Designer Maria Bjornson Main cast (in alphabetical order): Ophelia Frances Barber Claudius Brian Blessed Laertes Kenneth Branagh Horatio Nicholas Farrell Player 2 (Player Queen) Dexter Fletcher Player 1 (Player King) Bernard Horsfall Gertrude Virginia McKenna Polonius Frank Middlemass Hamlet Roger Rees II. The Duchess of Malfi, by John Webster. Royal Shakespeare Company. Opening performance: Swan Theatre, Stratford-upon-Avon, 6 December 1989 Main production team: Director Bill Alexander Designer Fotini Dimou 201 202 Appendix Main cast (in alphabetical order): Duke Ferdinand Bruce Alexander The Cardinal Russell Dixon Cariola Sally Edwards Antonio Bologna Mick Ford Julia Patricia Kerrigan Daniel de Bosola Nigel Terry The Duchess of Malfi Harriet Walter III. The Duchess of Malfi, by John Webster. Cheek By Jowl. Opening performances: Bury St. Edmunds, 19 September 1995 Wyndham’s Theatre, London, 2 January 1996 Main production team: Director Declan Donnellan Designer Nick Ormerod Main cast (in alphabetical order): Daniel de Bosola George Anton The Cardinal Paul Brennen Cariola Avril Clark Duke Ferdinand Scott Handy The Duchess of Malfi Anastasia Hille Antonio Bologna Matthew Macfadyen Julia Nicola Redmond IV. Titus, based on Titus Andronicus, by William Shakespeare. Motion Picture. -
Greek Tragedy on Radio
AN EAR FOR AN EYE: GREEK TRAGEDY ON RADIO by Natalie Anastasia Papoutsis A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Centre for Study of Drama University of Toronto © Copyright by Natalie Anastasia Papoutsis 2011 An Ear for an Eye: Greek Tragedy on Radio Natalie Anastasia Papoutsis Doctor of Philosophy Graduate Centre for Study of Drama University of Toronto 2011 Abstract An Ear for an Eye: Greek Tragedy on Radio examines the dramaturgical principles involved in the adaptation of Greek tragedies for production as radio dramas by considering the classical dramatic form’s representational ability through purely oral means and the effects of dramaturgical interventions. The inherent orality of these tragedies and Aristotle’s suggested limitation of spectacle ( opsis ) appears to make them eminently suitable for radio, a medium in which the visual dimension of plays is relegated entirely to the imagination through the agency of sound. Utilizing productions from Canadian and British national radio (where classical adaptations are both culturally mandated and technically practical) from the height of radio’s golden age to the present, this study demonstrates how producers adapted to the unique formal properties of radio. The appendices include annotated, chronological lists of 154 CBC and BBC productions that were identified in the course of research, providing a significant resource for future investigators. ii The dissertation first examines the proximate forces which shaped radio dramaturgy and radio listeners. Situating the emergence of radio in the context of modernity, Chapter One elucidates how audiences responded to radio’s return to orality within a visually-oriented culture. -
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date. -
Sir Ian Mclellan in Shakespeare
'ACTING GOOD PARTS WELL': SIR IAN McKELLEN IN SHAKESPEARE by HILARY EDITH W. LONG A thesis submitted to the Faculty of Arts of the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute School of English Faculty of Arts The University of Birmingham March 2000 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. SYNOPSIS This thesis examines the performances which have earned Sir lan McKellen a reputation as one of the foremost Shakespearean actors of the day. His reputation has been built on five major performances: Richard II, Macbeth, Coriolanus, lago and Richard III. His performances as Hamlet, Romeo, Leontes and Kent were only limited successes. This thesis places McKellen's performances in these roles in the specific context of the production as a whole. Where it is relevant it assesses the significance of the casting of other roles, the influence of the personality, style and interests of the director, the policy of the theatre company and the impact of the performance space. This thesis identifies patterns in McKellen's work determined by his own personality and sexuality, the Cambridge education he shares with Sir Peter Hall, John Barton and Trevor Nunn, and his relationships with other actors. -
Reminder List of Productions Eligible for the 92Nd Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 92ND ACADEMY AWARDS FILM TITLE ACTORS ACTRESSES ABOMINABLE Albert Tsai Chloe Bennet Tenzing Norgay Trainor Sarah Paulson Joseph Izzo Tsai Chin Eddie Izzard AD ASTRA Brad Pitt Ruth Negga Tommy Lee Jones Liv Tyler John Ortiz Kimberly Elise Donald Sutherland LisaGay Hamilton Greg Bryk Loren Dean John Finn Donnie Keshawarz Bobby Nish ADAM Nicholas Alexander Bobbi Salvor Menuez Bobbi Salvor Menuez Margaret Qualley Leo Sheng THE ADDAMS FAMILY Oscar Isaac Charlize Theron Finn Wolfhard Chloe Grace Moretz Nick Kroll Bette Midler Snoop Dogg Allison Janney Martin Short Catherine O'Hara Tituss Burgess Jenifer Lewis Conrad Vernon Elsie Fisher Scott Underwood THE AERONAUTS Eddie Redmayne Felicity Jones Himesh Patel Phoebe Fox Robert Glenister Rebecca Front Vincent Perez Anne Reid Tom Courtenay Page 1 of 53 FILM TITLE ACTORS ACTRESSES AFTER THE WEDDING Billy Crudup Julianne Moore Michelle Williams Abby Quinn THE AFTERMATH Alexander Skarsgard Keira Knightley Jason Clarke Kate Phillips Martin Compston Flora Li Thiemann Jannik Schumann ÁGA Mikhail Aprosimov Feodosia Ivanova Sergey Egorov Galina Tikhonova ALADDIN Will Smith Naomi Scott Mena Massoud Marwan Kenzari Navid Negahban Nasim Pedrad Billy Magnussen Numan Acar ALITA: BATTLE ANGEL Christoph Waltz Rosa Salazar Mahershala Ali Jennifer Connelly Ed Skrein Lana Condor Jackie Earle Haley Idara Victor Keean Johnson Eiza Gonzalez Jorge Lendeborg, Jr. Jeff Fahey Rick Yune ALWAYS BE MY MAYBE Randall Park Ali Wong James Saito Michelle Buteau Daniel Dae Kim Vivian Bang Keanu Reeves Charlyne Yi Karan Soni Susan Park THE AMAZING JOHNATHAN —— —— DOCUMENTARY AMERICAN FACTORY —— —— Page 2 of 53 FILM TITLE ACTORS ACTRESSES AMERICAN WOMAN Aaron Paul Sienna Miller Will Sasso Christina Hendricks Pat Healy Sky Ferreira Alex Neustaedter Amy Madigan E. -
The Performing Arts on Film and Television Catalogue
THE PERFORMING ARTS ON FILM & TELEVISION CATALOGUE Film and video materials held by the archives and collections of BFI, Arts Council England, LUX, Central St Martins British Artists Film & Video Study Collection relating to theatre, dance, music, performance art, politics and poetry Balletomines, 1954 2011 Acknowledgements This catalogue was commissioned by MI:LL (Moving Image: Legacy and Learning), an Arts Council England initiative to support projects and develop strategies that promote engagement with the arts through the moving image. Researched, written, edited, designed and published by Helena Blaker James Bell Michael Brooke Elaine Burrows Bryony Dixon Christophe Dupin Jane Giles Amy Howerska Edward Lawrenson Deborah Salter Dan Smith Louise Watson With thanks to Karen Alexander, Nigel Algar, Nigel Arthur, Steve Bryant, Mike Caldwell, Ros Cranston, David Curtis, Will Fowler, Philippa Johns, Nathalie Morris, Patrick Russell, David Sin, Mike Sperlinger, Gary Thomas, Rebecca Vick, Ian White, Andrew Youdell and Juliane Zenke. All stills courtesy of BFI Stills, Posters & Designs A BFI Publication 2011 available to download from www.bfi.org.uk BFI 21 Stephen Street London W1T 1LN UK Telephone +44 (020) 7255 1444 www.bfi.org.uk 2 Contents Please click on a word/link to be taken automatically to that part of the Catalogue Acknowledgements................................................................................................................. 2 Contents ..................................................................................................................................