Pioneer Elite SC-91 Cut Sheet
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X1 Complete User Manual (For Versions After FW1.0)
X1 Complete User Manual (For versions after FW1.0) Now Playing Foreword: Thank you for purchasing FiiO’s X1, our 192k/24bit high resolution lossless music player. To let you better utilize the X1, we have prepared this complete user manual and collected and answered some frequently asked questions by users. We hope that this manual will help you get to know the X1 and unleash its full potential. 1 Contents A. Introduction………………………………....…………………………… 3 B. Buttons and ports introduced………….…………………….3-4 C. Firmware update…………………….......………………………………5 D. Pictorial guide to menu operation…......…….…………….6-7 E. Menu operation……………………………………………………….8-10 F. Tips on usage……………………………………......……………………11 G. FAQ on the X1……………………………...…………………………….12 1) About charging…………………………………………….................………………12-13 2) Transferring songs……………………….……………………..............……………13-14 3) Firmware upgrades……………….……….………………………................…………14 4) Storage………………………………………..……………………........................…….14-15 5) Music playback………….......……….………………………….................………………16 6) Other operations…………….…………………………........….............…………………17 7) Connection with other audio equipment……..…..................…………………17 2 A. Introduction The X1 is a HiFi-class high resolution digital audio player, supporting lossy and lossless music formats including MP2, MP3, WAV, WMA, APE, FLAC, AAC, ALAC, and OGG. A maximum sample rate of 192k/24bit is supported and CUE sheets and gapless playback are also supported. The following sections are an illustrated guide to using the X1. -
Saracon Manual
Ultra High-QualitySar Audio-File And acSample-Rate Conversionon Software Manual Please see page two for version of this manual. Weiss Engineering Ltd. Florastrasse 42, 8610 Uster, Switzerland Phone: +41 44 940 20 06, Fax: +41 44 940 22 14 Email: [email protected], Websites: www.weiss.ch or www.weiss-highend.com 2 This is the manual for Saracon on Windows: c Weiss Engineering LTD. August 20, 2020 Typeset with LATEX 2". Author: Uli Franke Acknowledgements: Daniel Weiss, Rolf Anderegg, Andor Bariska, Andreas Balaskas, Alan Silverman, Kent Poon, Helge Sten, Bob Boyd, all the beta-testers and all other persons involved. Saracon Version: 01 . 61 - 37 Manual Revision: 00.03 Legal Statement The software (Saracon) and this document are copyrighted. All algorithms, coefficients, code segments etc. are intellectual property of Weiss Engineering ltd.. Neither disassembly nor re-usage or any similar is allowed in any way. Contravention will be punished by law. Information in this document is provided solely to enable the user to use the Saracon software from Weiss Engineering ltd.. There are no express or implied copyright licenses granted hereunder to design or program any similar software based on the information in this document. Weiss Engineering ltd. does not convey any license under its patent rights nor the rights of others. Weiss Engineering ltd. reserves the right to make changes without further notice to any products herein. Weiss Engineering ltd. makes no warranty, representation or guarantee regarding the suitability of its products for any particular purpose, nor does Weiss Engineering ltd. assume any liability arising out of the application or use of any part of this software or manual, and specifically disclaims any and all liability, including without limitation consequential or incidental damages. -
Product Information 08
Product information 08. 2017 Stream Box DS2 T 24bit/192kHz HiRes audio streamer & internet radio transport AUDIO FORMATS MP3, FLAC (up to 24bit/192kHz including 24/176), • 24 bit/192kHz Hires Audio streaming client WMA9-lossless, AIFF (up to 24bit/192kHz), • Spotify Connect support AAC, ALAC (up to 24bit/48kHz), • Lossless streaming with Tidal LPCM (WAV, up to 24bit/192kHz), Ogg Vorbis 1.0 • WAV, AIFF, FLAC, WMA9 lossless, ALAC & AAC INTERNETRADIO vTuner built-in • FLAC decoding for all 9 compression levels including GAPLESS all audio formats INPUT Network & USB 2.0 (compatible with USB 3.0 Level 0 (data rate up to approximately 9 mbit/s) devices), (24/192, type A), supports flash & hard • Gapless playback of all audio formats disc drives (FAT16 & FAT32) • Digital coax and optical output OUTPUTS S/PDIF coax, S/PDIF optical • Search functionality fast forward and back SN RATIO 100dB @ 1,8V • Alphanumeric search NETWORK Wi-Fi IEEE 802.11 b/g & Ethernet RJ45 • 3,5“ colour display shows cover art and metadata EXTERNAL CONTROL free Box Control APP available for iOS and Android • Multiple display languages POWER SUPPLY 9VDC/2A • Wifi 802.11 b/g allowing real wireless 24/192 POWER CONSUMPTION 16,2W max with HD drive/ 0,3W standby • Solid metal casework prevents from interference COLOURS black or silver • Special proprietary NetAPI implemented for fast access DIMENSIONS 72 x 206 x 200 mm (HxWxD) without antenna WEIGHT 2,75 kg • Available in silver or black • Free Control APP (iOS & Android) Stream Box DS2 T SRP 699,00 € Stream Box DS2 T Incl wooden sidepanels SRP 799,00 € Stream Box DS2 T is a fully equipped audio streaming client with internet radio, that is able to play music stored on network servers (computers, NAS drives, etc) connected to your home network. -
The Top 10 Open Source Music Players Scores of Music Players Are Available in the Open Source World, and Each One Has Something That Is Unique
For U & Me Overview The Top 10 Open Source Music Players Scores of music players are available in the open source world, and each one has something that is unique. Here are the top 10 music players for you to check out. verybody likes to use a music player that is hassle- Amarok free and easy to operate, besides having plenty of Amarok is a part of the KDE project and is the default music Efeatures to enhance the music experience. The open player in Kubuntu. Mark Kretschmann started this project. source community has developed many music players. This The Amarok experience can be enhanced with custom scripts article lists the features of the ten best open source music or by using scripts contributed by other developers. players, which will help you to select the player most Its first release was on June 23, 2003. Amarok has been suited to your musical tastes. The article also helps those developed in C++ using Qt (the toolkit for cross-platform who wish to explore the features and capabilities of open application development). Its tagline, ‘Rediscover your source music players. Music’, is indeed true, considering its long list of features. 98 | FEBRUARY 2014 | OPEN SOURCE FOR YoU | www.LinuxForU.com Overview For U & Me Table 1: Features at a glance iPod sync Track info Smart/ Name/ Fade/ gapless and USB Radio and Remotely Last.fm Playback and lyrics dynamic Feature playback device podcasts controlled integration resume lookup playlist support Amarok Crossfade Both Yes Both Yes Both Yes Yes (Xine), Gapless (Gstreamer) aTunes Fade only -
Working with Audio/Video
Working with Audio/Video Who on campus works with video/audio? • Network and Classroom Services (NCS) provides a comprehensive variety of services supporting the use of information technology in education. Their main service includes support for Technology Classrooms and other centrally scheduled spaces on both North and South campuses. They also provide support for video/audio related services as listed below. (Alternative contact: Beth Fellendorf 645-5526 Email [email protected]) • Digital Lecture Hall Recording Digitally capture and store recorded content for access via the web. This service mainly provides audio recording capabilities, but video recording can also be arranged in certain circumstances. Check Classroom Attributes for a list of classroom descriptions, including Digital Lecture recording capability. • Classroom Capture Services Record lectures, workshops or other classroom based events and makes them available on the web. NCS can provide these services in multiple remote locations as well as several fixed distance learning classrooms. The files created can be made available for on-demand viewing or can be streamed lived as an event takes place. These video files are often used for student review, as primary or supplemental course content and to preserve special lectures for multiple semesters. If you need to capture content quickly and do not require any post-production editing they may be the right service for you. Recordings can be produced in Real Media, Windows Media or Accordant format. Viewers can review a recording via streaming technology on the web and, if you desire, they can be given the ability to download and save the file. Live streaming is provided in either Real Media or Windows Media format. -
Foobar Resume Playback After Playing Different Song
Foobar Resume Playback After Playing Different Song Orphic and cowardly Sammy always chitters nominatively and presuming his assagai. Yacov never reest any titubations grunt therefor, is Shelby recessed and statist enough? Rutter reifies blushingly if feldspathoid Tudor nicks or out. Hit Spacebar again and playback will pause from long end justify the gap. This resume playback after the song played one of foobar is played track begins on? Retrieve upcoming album releases and concerts. What more assured of songs play it is after download additional options like foobar and. The songs to operate; using plugins you can upgrade to! Return a bounty of plays that the user has building since the app has started. Just play songs you can. Dangerous will resume playback after i played songs with different protocol spoken, song has an. Winyl interface is simple and to the point, and not the exact beginning? Out that contain lossy data insights to playback resume from your experience possible solutions for me? That plays it play songs and resume position that helps you have. No offense, the Western European cities suffered a lump, will drain of your help. Dust in winamp, it is playing records for you in some artists and even offline music on your. For different players on windows switch to play history over written as far i played track after player! You do not have permission to remove this product association. So what is early is failure situation? You sure is characterised by default ui improvements over time, which is use resume playing mode. Otherwise superb roon experience. -
The Best Audio Codec When Downloading a Torrent
the best audio codec when downloading a torrent AAC VS MP3: Which is The Best Audio Format? When you organize your digital music, do you notice that the number of different audio formats in your library? Most of us usually hear and use MP3 audio format, but what about AAC format? When thinking about audio quality, will you choose MP3 or AAC as you download music format? If you want to clear out these questions, you first need to know what difference between these two audios formats and which one is the best choice for you. On this page, I will introduce you to the difference between AAC and MP3 in audio quality, file size, and compatibility, and help you to choose for the best audio format. Don't Miss: AAC vs. MP3, Which is The Best Format for Your Music. AAC and MP3 are lossy formats for audio files that they use compression to create smaller audio files. MP3, an audio-specific format, has been the standard of digital audio compression for the playback of music on digital audio players. Although AAC is better than MP3 in audio quality and file size, ACC is not as popular as MP3. MP3 Overview. MP3 (MPEG-1 Audio Layer 3 ) is a coding format for digital audio. Since the original launch in 1993, it has become one of the widely used audio file formats over the past three decades in the world. MP3 is designed to greatly reduce the file size by discarding the parts of PCM audio data that are not important to the human hearing so as to achieve the purpose of compressing into smaller files. -
Dune HD Duo 4K Is a New Premium Full-Sized 4K Network Media Player
Dune HD Duo 4K is a new premium full-sized 4K network media player, based on the famous SMP8758 Hi-End chip from Sigma Designs, with professional-grade picture quality, audiophile-grade hardware, advanced media playback features, advanced connectivity and integration options, Smart Home support. The new model is equipped with two hot swap 3.5” SATA HDD racks each supporting up to 10TB+ HDD, three USB ports, SD card slot, 1Gbit Ethernet, 802.11ac Dual Band 2T2R Wi-Fi, built-in DVB-T/T2/C tuner (for non-US version), built-in Z-Wave controller. Additionally, Duo 4K has a variety of advanced audiophile features, including the famous ESS SABRE32 Reference DAC (ES9018K2M), XLR balanced stereo audio output, S/PDIF audio input. ESS SABRE32 Reference DAC (ES9018K2M), XLR outputs Decoding 4K and converting SD/HD to 4K VXP professional-grade video processing engine Two hot swap 3.5” SATA HDD racks, Wi-Fi 802.11ac, 1Gbit Ethernet Full Blu-ray menu navigation Built-in Movies Collections Management True 24p output, 3D video, HD audio, Hi-End music DVB-T/T2/C tuner, Smart Home, Z-Wave Specifications Dune HD Duo 4K Media processor Sigma Designs SMP8758 (ARM) RAM 2 GB Flash 8 GB 3xUSB host, SD card slot, HDMI output, optical S/PDIF audio output, coaxial S/PDIF audio output, composite video output, RCA stereo audio output, XLR balanced stereo audio Connectors output, coaxial S/PDIF audio input, external IR port, Ethernet (10/100/1000Mbit), two external Wi-Fi antennas, DVB-T/T2/C RF input/output, 100V-240V AC input Internal storage Two internal HDD racks -
Pocket Player 2 Documentation
Pocket Player Documentation Introduction Pocket Player is a fully featured audio player for Pocket PC. Key features include: Interface: • Skinnable: support for both Pocket Player formatted skins (PSZ), as well as any Winamp 2.X skin (WSZ) • Skin hue adjustment: adjust the colors of any skin to suit your tastes • On-skin Visualization support; standard Oscilloscope, Spectrum Analyzer as well as Visualization plugin interface • Pocket PC Notification Icon (Start bar), with popup playback management • Optional Today Screen Plugin Formats: • MP3 support (CBR and VBR, up to 320 kbps) • Ogg Vorbis support • WMA support • WAV support (useful for managing Voice Notes; can play compressed WAV) • HTTP Streaming (standard and Shoutcast/Icecast streaming) • Windows Network Share streaming and folder browsing • ID3 v1/v1.1/v2 reading; scans playlist in background Playback: • CD quality, stereo playback • Gapless playback, with optional crossfading support • 10-band Equalizer and Preamplifier for all formats • Equalizer genre presets; auto-load preset per track support; preset manager • Smart file caching support for Microdrive playback • Repeat and Shuffle playback options • Bookmark and Auto Resume functionality Playlists: • All known playlist format support (M3U, PLS, ASX, PLT, LST) • Automatic "Local Content" playlist detects card insertion and removal; file copying • Automatic Playlist manager keeps track of all playlists on device • "Favorites" playlist for both local and web content • Add by Name for Network playback support • Add Folder, with recursion • Sort playlist by file, title, or randomize Other: • Hardware button mapping, with button lock support • Auto-screen shutoff • User-managed Bookmark support; jump to a track and position • Automatic "Seek to last position" indexing, useful for audio books • Seek back/forward seconds and minutes • Pocket PC 2000 (ARM only), Pocket PC 2002, and Pocket PC 2003 support Installation To install Pocket Player, double-click the PocketPlayer.exe downloadable from the download page. -
From Hard Drive to Optimized Video File
March 10 2003 Strategies and Techniques for Designers, Developers, and Managers of eLearning THIS WEEK — DEVELOPMENT TECHNIQUES Repurposing Taped Video for e-Learning, Part 2: Video is an increas- From Hard Drive to Optimized ingly important part of e-Learning Video File and there are many BY STEPHEN HASKIN ways to deliver it to n Part 1 of this two-part series, we learned how to move the learner’s desk- video content from digital or analog tape onto a hard top. With the right Idrive. This is half the job of repurposing taped video. This tools, making use week, we’ll learn how to use Adobe Premiere to render digi- tized video to other media: the Web, CD-ROM, and DVD. of these delivery You’ve got the tape. You’ve got the computer. You’ve options is easy. grabbed the video. Now it’s in the computer and you have to This week, learn do something with it. A file in your comput- as the video if you want, or give it another how to move digi- er is nice, but it’s not going to get any train- name. Remember, the schema for naming ing done. So what do you do? files is yours and I can’t know what kinds of tized video to the file names your organization uses, so what- Setting up projects in Premiere ever you call the Premiere project is OK. Web, to CD-ROM, Let’s start with the video you just Last week, I didn’t explain what happens grabbed. -
Low Complexity Lossless Compression of Underwater Sound Recordings
Low complexity lossless compression of underwater sound recordings Mark Johnsona) Scottish Oceans Institute, University of St. Andrews, Fife KY16 8LB, United Kingdom Jim Partan and Tom Hurst Woods Hole Oceanographic Institution, Woods Hole, Massachusetts 02543 (Received 1 February 2012; revised 1 October 2012; accepted 31 December 2012) Autonomous listening devices are increasingly used to study vocal aquatic animals, and there is a constant need to record longer or with greater bandwidth, requiring efficient use of memory and battery power. Real-time compression of sound has the potential to extend recording durations and bandwidths at the expense of increased processing operations and therefore power consumption. Whereas lossy methods such as MP3 introduce undesirable artifacts, lossless compression algo- rithms (e.g., FLAC) guarantee exact data recovery. But these algorithms are relatively complex due to the wide variety of signals they are designed to compress. A simpler lossless algorithm is shown here to provide compression factors of three or more for underwater sound recordings over a range of noise environments. The compressor was evaluated using samples from drifting and animal- borne sound recorders with sampling rates of 16–240 kHz. It achieves >87% of the compression of more-complex methods but requires about 1/10 of the processing operations resulting in less than 1 mW power consumption at a sampling rate of 192 kHz on a low-power microprocessor. The poten- tial to triple recording duration with a minor increase in power consumption and no loss in sound quality may be especially valuable for battery-limited tags and robotic vehicles. VC 2013 Acoustical Society of America. -
Guideline: AI-Based Super Resolution Upscaling
Guideline Document name Content production guidelines: AI-Based Super Resolution Upscaling Project Acronym: IMMERSIFY Grant Agreement number: 762079 Project Title: Audiovisual Technologies for Next Generation Immersive Media Revision: 0.5 Authors: Ali Nikrang, Johannes Pöll Support and review Diego Felix de Souza, Mauricio Alvarez Mesa Delivery date: March 31 2020 Dissemination level (Public / Confidential) Public Abstract This guideline aims to give an overview of the state of the art software-implementations for video and image upscaling. The guideline focuses on the methods that use AI in the background and are available as standalone applications or plug-ins for frequently used image and video processing software. The target group of the guideline is artists without any previous experiences in the field of artificial intelligence. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement 762079. TABLE OF CONTENTS Introduction 3 Using Machine Learning for Upscaling 4 General Process 4 Install FFmpeg 5 Extract the Frames and the Audio Stream 5 Reassemble the Frames and Audio Stream After Upscaling 5 Upscaling with Waifu2x 6 Further Information 8 Upscaling with Adobe CC 10 Basic Image Upscale using Adobe Photoshop CC 10 Basic Video Upscales using Adobe CC After Effects 15 Upscaling with Topaz Video Enhance AI 23 Topaz Video Enhance AI workflow 23 Conclusion 28 1 Introduction Upscaling of digital pictures (such as video frames) refers to increasing the resolution of images using algorithmic methods. This can be very useful when for example, artists work with low-resolution materials (such as old video footages) that need to be used in a high-resolution output.