The Anti-Self-Help Project: Existential Suffering in Neonihilism Patric Plesa a Dissertation Submitted to the Faculty of Graduat
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Quining Qualia
Dennett, Daniel C. (1988) Quining Qualia. In: Marcel, A. & Bisiach, E. (eds.) Consciousness in Modern Science, Oxford University Press. Quining Qualia in A. Marcel and E. Bisiach, eds, Consciousness in Modern Science, Oxford University Press 1988. Reprinted in W. Lycan, ed., Mind and Cognition: A Reader, MIT Press, 1990, A. Goldman, ed. Readings in Philosophy and Cognitive Science, MIT Press, 1993. 1. Corralling the Quicksilver "Qualia" is an unfamiliar term for something that could not be more familiar to each of us: the ways things seem to us. As is so often the case with philosophical jargon, it is easier to give examples than to give a definition of the term. Look at a glass of milk at sunset; the way it looks to you--the particular, personal, subjective visual quality of the glass of milk is the quale of your visual experience at the moment. The way the milk tastes to you then is another, gustatory quale, and how it sounds to you as you swallow is an auditory quale; These various "properties of conscious experience" are prime examples of qualia. Nothing, it seems, could you know more intimately than your own qualia; let the entire universe be some vast illusion, some mere figment of Descartes' evil demon, and yet what the figment is made of (for you) will be the qualia of your hallucinatory experiences. Descartes claimed to doubt everything that could be doubted, but he never doubted that his conscious experiences had qualia, the properties by which he knew or apprehended them. The verb "to quine" is even more esoteric. -
Privileged Access and Qualia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by European Scientific Journal (European Scientific Institute) European Scientific Journal December 2015 edition vol.11, No.35 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 PRIVILEGED ACCESS AND QUALIA Thomas W. Smythe Retired Associate Professor, North Carolina Central University Abstract In this paper I shall examine some recent literature that purports to show that sensations or qualia are not real psychological phenomena, and that we do not have privileged access to our psychological states. In particular, I shall criticize some work by Daniel C. Dennett, who has argued against the existence of qualia and privileged access to the mental. I will maintain that Dennett has not made a convincing case for eliminating qualia, and has not shown that we do not have privileged access to psychological phenomena from a first-person point of view. Keywords: Qualia, Privileged Access, Self-Warranting Knowledge Introduction I will defend the view that certain criticisms of what has been called self-justifying or self-warranting knowledge of our psychological states have not succeeded. I will do this by arguing that attempts by Dennett and others to undermine self-justifying knowledge are unsuccessful. I begin by examining a paper by Dennett where he attempts to eliminate qualia. In a notable paper called ”Quining Qualia,” Dennett explains that he uses the verb ‘to quine’ in honor of W. V. O. Quine. It means to deny resolutely the existence or importance of something seemingly real and significant, for example, the soul. Quining qualia means saying there is no such thing as qualia. -
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Maquetación 1 04/08/14 10:23 Página 47
Secuencias, 38 (p. 47-64):Maquetación 1 04/08/14 10:23 Página 47 EL ESPEJO TELEVISIVO DE CLAUDE. ESTÉTICA, CIENCIA Y FICCIÓN EN BLACK MIRROR Claude’s Television Mirror. Aesthetic, Science and Fiction in Black Mirror LAURA PoUSAª CES Felipe Segundo - UCM RESUMEN A través del estudio de la primera temporada de la serie televisiva Black Mirror (Charlie Brooker / Zeppotron, 2011-) exploramos una tipología de ficción contemporánea que, desde su particular e identificable definición británica, crece en modos y se expande convirtiéndose en un nuevo referente de creación audiovisual internacional. Asimilados los límites dramáticos y estéticos de la era del drama y de la post-televisión, y superada la vinculación cine / videoarte, televisión / publicidad, Black Mirror adopta una perspectiva cultural del progreso científico y tecnológico que determina su drama. El análisis específico de sus tres dispares capítulos –«The National Anthem», «Fifteen Million Merits» y «The Entire History of You»– nos llevará por un camino comparativo con el objetivo de identificar su valor narrativo y su aportación artística, desde una metafórica vinculación conceptual con el espejo oscuro y el clasicismo pictórico de Claude Lorrain. Palabras clave: Black Mirror, ciencia, ficción, drama, televisión, pantallas, realidad virtual, futuro, «The National Anthem», «Fifteen Million Merits», «The Entire History of You». ABSTRACT Through the study of the first season of the TV series Black Mirror (Charlie Brooker / Zep- potron, 2011-) we explore a typology of contemporary fiction that develops from its particular and identifiably British definition into a new referent for international audiovisual creations. Assuming both the dramatic and aesthetic boundaries of the era of drama and of post-televi- sion, and the established connections between film / video-art, television / publicity, the plot of Black Mirror is determined by its adoption of a culturally-specific perspective on scientific and technological progress. -
Ligotti, Pizzolatto, and True Detective's Terrestrial Horror
e Interdisciplinary Journal of Popular Culture and Pedagogy More Than Simple Plagiarism: Ligotti, Pizzolatto, and True Detective’s Terrestrial Horror Jonathan Elmore Ph.D. Savannah State University Savannah, Georgia, USA [email protected] ABSTRACT Of course, True Detective is neither a philosopher’s bedtime story nor supernatural horror, and yet there remains a productive affinity between Ligotti’s work and the HBO series. Where Ligotti provides substantial portions of the hallmark character’s identity and dialogue, True Detective puts Ligotti’s thought experiment to far more practical uses than does Ligotti himself. By intertwining hurricanes and flooding alongside industry and pollution into the background and negative space of the setting, the series implicates the urgent material reality of climate change and environmental collapse into the setting: “all of this is going to be under water in thirty years” (“Long Bright Dark”). In doing so, the series employs Southern gothic conventions to look forward rather than backward in time. Rather than the decay and degeneration of the landscape as reflective of the past, such squalor points forward to a time, rapidly approaching, when the setting will itself be swallowed by the sea. Hence, True Detective enacts a more practical approach to Ligotti’s horror, one I’m calling terrestrial horror. Keywords: True Detective, Terrestrial Horror, Thomas Ligotti, Pessimism, Ecocriticism, Cosmic Horror 26 Volume 4, Issue 1 More Than Simple Plagiarism It is no secret that Nic Pizzolatto, the writer of True Detective, “borrowed” sections of Thomas Ligotti’s The Conspiracy Against the Human Race. Whether this use of Ligotti’s text constitutes plagiarism or merely allusion caused a minor furor in the media during the first season. -
Black Mirror, Un Espejo Oscuro De Nuestro Aquí Y Ahora
Revista de Culturas y Literaturas Comparadas, volumen 10, diciembre 2020. ISSN: 2591-3883 Nuevas subjetividades, continuidades y rupturas en las tendencias distópicas en el siglo XXI: Black Mirror, un espejo oscuro de nuestro aquí y ahora Valeria Engert, Eugenia Marra y María Luz Revelli [email protected] Universidad Nacional de Río Cuarto Córdoba, Argentina RESUMEN Las obras distópicas forman una larga tradición de continuidades, con sus oscuros universos que escenifican futuros de pesadilla en los que protagonistas infelices se ven atrapados en sistemas de poder extremadamente agobiantes. Dichos universos ficcionales se erigen como espacios fundamentales de exploración profunda de los grandes cambios sociales y políticos del devenir del hombre. Desde la transformación industrial y el impacto del mundo fabril a los grandes cambios tecnológicos del siglo XXI, cada época ha soñado sus propios mundos utópicos y distópicos. Con el cambio de milenio, la revolución 2.0 ha marcado una nueva era que impacta en la manera de vernos, ver al otro y ver el mundo. La serie británica Black Mirror problematiza las nuevas subjetividades, exteriorizadas, influenciadas por el uso de dispositivos digitales (Sibilia 1999, 2008, 2012) y hace de la reflexión en torno a la cuestión hombre-tecnología un oscuro espejo donde mirarnos, en nuestro aquí y ahora. Palabras clave: distopía- nuevas subjetividades del siglo XXI- Black Mirror ABSTRACT Dystopian works have a long-standing tradition in our culture. Their gloomy universes are persistent scenarios for the nightmarish stories they tell, where unhappy protagonists are caught in extremely suffocating power systems. Such fictional worlds stand as fundamental domains to explore the greatest social and political changes experienced by men. -
Review of "Intuition Pumps and Other Tools for Thinking"
Essays in Philosophy ISSN 1526-0569 Volume 18, Issue 2 (2017) Book Review Intuition Pumps and Other Tools for Thinking Ian O’Loughlin Pacific University Intuition Pumps and Other Tools for Thinking Daniel C. Dennett, New York: W.W. Norton, 2013, xiv + 496 pp., $16.95 pbk. ISBN 978-0-393-34878-1 Essays Philos (2017)18:2 | DOI: 10.7710/1526-0569.1587 Correspondence: [email protected] © 2017 O’Loughlin. This open access article is distributed under a Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) Essays in Philosophy Volume 18, Issue 2 Daniel Dennett is among the most preeminent and influential living philosophers, and his book, Intuition Pumps and Other Tools for Thinking, encapsulates several of his ma- jor contributions to the field, his approach to philosophy and other domains of inquiry, and his account of the role of philosophy in human intellectual endeavors. The book is written for a curious and attentive lay audience; Dennett takes himself to be instructing the reader in the use of tools for thinking that he has found particularly helpful, using examples—case studies in thinking about difficult problems—from philosophy and sci- ence to demonstrate the operation of these thinking tools. He is largely successful in this aim, introducing and deftly wielding a number of conceptual tools that are both broadly applicable and important, while at the same time giving concise presentations of several loci of discussion and inquiry in the philosophy of mind and science. In Dennett’s presentation of his project, he cites the autobiographical work of Richard Feynman—Surely You’re Joking, Mr. -
El Imaginario Social De La Democracia En Black Mirror the Social Imaginary of Democracy in Black Mirror
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio da Universidade da Coruña Cigüela Sola, Javier y Martínez Lucena, Jorge (2014): “El imaginario social de la democracia 90 en Black Mirror” El imaginario social de la democracia en Black Mirror The social imaginary of democracy in Black Mirror Javier Cigüela Sola Universitat Abat Oliba CEU [email protected] Jorge Martínez Lucena Recibido 20-06-2014 Aceptado 23-11-2014 ABSTRACT RESUMEN Our collective imaginary of democracy is Nuestro imaginario colectivo de la eminently positive and usually connected to democracia es eminentemente positivo y other imaginaries such as transparency, suele estar conectado a otros imaginarios technology or entertainment, which we also como el de la transparencia, el de la tend to imagine as positively linked. tecnología y el entretenimiento, que Anyway, facts on democracy are themselves también tendemos a imaginar vinculados paradoxical, and paradoxical is also its positivamente entre sí. Sin embargo, la relation to those other imaginaries. In this realidad de la democracia en sí misma, así article we show how the english TV series como su relación con los imaginarios a los Black Mirror, a product of pop que ésta está conectada, es paradójica. En entertainment, allows a critical reflection on este artículo queremos mostrar cómo la the paradoxes that democracy entails. We teleserie inglesa Black Mirror, un producto will do so by showing how the episodes 1.2 de entretenimiento pop, permite una ("Fifteen Million Merits") and 2.3. ("The reflexión crítica acerca de las paradojas que Waldo Moment") allow to understand, ésta misma entraña. -
Pete Gustavson Abby Perer Contemporary Philosophy Professor Marcus September 23, 2008
Pete Gustavson Abby Perer Contemporary Philosophy Professor Marcus September 23, 2008 Against Qualia Qualia so far: Qualia has posed a problem for many positions we have studied thus far. For instance, physicalists have been criticized for leaving qualia out of their picture (recall Mary in the black and white room). Similarly, the Functionalists fail to account for qualia (recall the Homonculi-headed robot). Dennett’s Objective: In “Quining Qualia,” Dennett wants to refute the existence of qualia, thus leading us into Eliminativism and the denial of mental states all together. Dennett’s Argument: Dennett begins his argument by giving a definition of qualia. This definition attributes four main properties to qualia. Dennett then uses “intuition pumps” to show that no such thing with those four properties exists, and thus qualia do not exist. Dennett’s Account of Qualia: - Ineffable - Intrinsic - Private - Directly or Immediately Apprehensible Against Ineffability: - Intuition Pump #14: The Jello Box - Instead of just indicating the matching torn edge of the box, our language could develop such that we could explain the phenomenal information properties of one torn edge by itself, and in essence we could “eff the ineffable.” Against Intrinsicality: - Intuition Pump #9: The experienced beer drinker - Tastes can change or be acquired, and so our experience of taste is relational (depends on outside factors). There is nothing intrinsic (inherent regardless of outside factors) about the quale. Against Privacy: - Intuition Pump #4: The Brain-storm machine - First-person assessments of qualia are not very reliable due to potential lapses in memory. Against being Directly Apprehensible: - Intuition Pump #11: The guitar string (and wine tasting) - We can be trained to hear subtle differences in the harmony of the guitar string, and so the auditory quale is not directly or immediately apprehended. -
Gender, Society and Technology in Black Mirror
Aditya Hans Prasad WGSS 7 Professor Douglas Moody May 2018. Gender, Society and Technology in Black Mirror The anthology television show Black Mirror is critically acclaimed for the manner in which it examines and criticizes the relationship between human society and technology. Each episode focuses on a specifically unnerving aspect of technology, and the topics explored by it range from surveillance to mass media. These episodes may initially provide a cynical perspective of technology, but they are far more nuanced in that they provide a commentary on how human technology reflects the society it is produced for and by. With that in mind, it is evident that Black Mirror is an anthology series of speculative fiction episodes that scrutinizes the darker implications of these technologies. Often, these implications are products of particular social constructs such as race, socioeconomic class and gender. It is particularly interesting to analyze the way in which Black Mirror presents the interaction between gender and technology. Many of the television show’s episodes highlight the differences in the way women interact with technology as compared to men. These intricacies ultimately provide viewers with an understanding of the position women often hold in a modern, technologically driven society. Black Mirror is renowned for the unsettling way it presents the precarious situations that come up when technology begins to reflect the flaws of a society. The episode “Fifteen Million Merits” explores, among other things, the hyper-sexualized nature of modern mass media. The episode takes place in a simulated world, where humans exist inside a digital world where all they do is cycle to earn credits, spend credits on products of the media and sleep. -
True Detective and the States of American Wound Culture
True Detective and the States of American Wound Culture RODNEY TAVEIRA “Criminals should be publically displayed ... at the frontiers of the country.” Plato (qtd. in Girard 298) HE STATE INSTITUTIONS PORTRAYED IN THE HBO CRIME PROCEDU- ral True Detective are innately and structurally corrupt. Local T mayors’, state governors’, and district attorneys’ offices, city and county police, and sheriff’s departments commit and cover up violent crimes. These offices and departments comprise mostly mid- dle-aged white men. Masculinist desires for power and domination manifest as interpersonal ends and contact points between the indi- vidual and the state. The state here is a mutable system, both abstract and concrete. It encompasses the functions of the legal and political offices whose corruption is taken for granted in their shady rela- tions to criminal networks, commercial enterprises, and religious institutions. There is nothing particularly novel about this vision of the state. Masculinist violence and institutional corruption further damage vic- tims in the system (typically women, children, and disempowered and disenfranchised others, like migrant workers) who need a hero to solve the crimes committed against them—these tropes are staples of detective fiction, film noir, and many television crime procedurals. What then explains the popular and critical success of True Detective? Moreover, what does the show’s representation of the state—its aes- thetic strategies, narratives, and images—reveal about contemporary The Journal of Popular Culture, Vol. 50, No. 3, 2017 © 2017 Wiley Periodicals, Inc. 585 586 Rodney Taveira understandings and imaginings of the state, the individual, and the relations between them? While tracing the complex entanglement of the entertainment industries with femicidal and spectacular violence within a critical regionalism, carried out through digital modes of distribution, one can also see how government agencies shape content. -
Analyzing Cultural Representations of State Control in Black Mirror Carl Russell Huber Eastern Kentucky University
Eastern Kentucky University Encompass Online Theses and Dissertations Student Scholarship January 2017 A Dark Reflection of Society: Analyzing Cultural Representations of State Control in Black Mirror Carl Russell Huber Eastern Kentucky University Follow this and additional works at: https://encompass.eku.edu/etd Part of the Criminology Commons, and the Film and Media Studies Commons Recommended Citation Huber, Carl Russell, "A Dark Reflection of Society: Analyzing Cultural Representations of State Control in Black Mirror" (2017). Online Theses and Dissertations. 454. https://encompass.eku.edu/etd/454 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Online Theses and Dissertations by an authorized administrator of Encompass. For more information, please contact [email protected]. A Dark Reflection of Society: Analyzing Cultural Representations of State Control in Black Mirror By CARL R. HUBER Bachelor of Science Central Michigan University Mount Pleasant, MI 2015 Submitted to the Faculty of the Graduate School of Eastern Kentucky University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE May, 2017 Copyright © Carl Russell Huber, 2017 All Rights Reserved ii ACKNOWLEDGMENTS I would like to thank my thesis chair, Dr. Judah Schept for his knowledge, guid- ance, and insight. I would also like to thank the other committee members, Dr. Victoria Collins and Dr. Travis Linnemann for their comments and assistance. I would also like to express my thanks to Dr. Justin Smith, who has mentored me throughout my academic career and has help shape my research.